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Sorceress' Blood
Sorceress' Blood
Sorceress' Blood
Ebook184 pages2 hours

Sorceress' Blood

Rating: 2.5 out of 5 stars

2.5/5

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Rebecca Williams learned a hard lesson: when you think life can’t get any worse, it inevitably does.

She’s down on her luck when a disaster drags her into a secret world of powerful sorcery, a dangerous cult and the knightly Order of the Witch Hunter. As if that’s not off-putting enough, that seemingly random event introduces her to a quiet and mysterious young girl with untapped powers.

Unable to trust anyone, Rebecca will have to learn to depend on someone and, for her, that someone is Ashley, the mysterious young girl. Together, they’ll fight to stay alive and remain one step ahead of the obsessed cult anxious to resurrect their ancient, power hungry queen. All they’ll need is a single drop of the Sorceress’ blood.

Will their quest to resurrect the queen ultimately lead to total destruction? Can Rebecca and Ashley thwart the efforts of a powerful and deadly enemy or has their fate already been sealed?

LanguageEnglish
PublisherCarl Purcell
Release dateMar 9, 2013
ISBN9781301640102
Sorceress' Blood
Author

Carl Purcell

Carl Purcell is an Australian, Sydney based author. He has written two contemporary fantasy novels and is the co-writer of the popular Australian comic series Winter City, which began in 2012 and met with critical acclaim. His work has also been featured in the Australian speculative fiction magazine Aurealis.Carl loves to hear from people who have been reading his work. The best place to contact Carl is by his blog, found at: http://carlpurcell.blogspot.com.au/

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Rating: 2.499999975 out of 5 stars
2.5/5

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  • Rating: 3 out of 5 stars
    3/5
    The quality of the writing in this book was not terrible, but it wasn't great. There were a lot of typos that slipped past the spell-checker. For example, the author had a habit of separating words that should have been combined, like "side walk" and "no where." In one instance, a question ended with a period. What really mattered, though, was the pacing. The book description says it's "action packed," but parts of it are kind of boring. Maybe I felt that way because I expected there to be a lot more magic in the book. Instead, it was almost entirely focused on Rebecca's quest to protect the girl. The girl's personality wasn't fleshed out very well, but the author made it easy to sympathize with her. I liked these two characters, which is why I finished the book. I wanted to see how it ended. Unfortunately, the major conflict in the story was resolved too easily. This was the most action packed sequence and it was over fairly quickly. If Carl Purcell could find a better editor than Jim Parsons to fix the typos and smooth out the pacing, this would be a decent book.I received a complimentary copy of this book in order to review it.

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Sorceress' Blood - Carl Purcell

Sorceress' Blood

By Carl Purcell

All characters appearing in this work are fictitious. Any resemblance to real persons, living or dead, is purely coincidental.

Written by Carl Purcell

Edited by Jim Parsons

Cover Art by Robin Ludwig Designs

Text copyright © 2012 Carl Purcell

All Rights Reserved

Smashwords Edition

This ebook is licensed for your personal enjoyment only. This ebook may not be re-sold or given away to other people. If you would like to share this book with another person, please purchase an additional copy for each recipient. If you’re reading this book and did not purchase it, or it was not purchased for your use only, then please return to Smashwords.com and purchase your own copy. Thank you for respecting the hard work of this author.

Dedicated to Stacey; always one of my biggest supporters.

Contents

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

About The Author

Chapter 1

The idea of hitting rock bottom in life is a myth. The truth is that, when you are sure things can’t possibly get any worse, that is when they inevitably do. Rebecca was having a bad day – the kind of day where you wish you had never got out of bed. She'd just come out of a little restaurant where she'd applied for a job and the interview had gone terribly wrong. For one, she hadn't noticed the red stain on her top that morning until she passed by a mirror in the restaurant. Then there was the head chef who had interviewed her. He greeted her warmly in front of the late morning customers and led her to a little office adjacent to the kitchen. The moment he'd closed the door misogyny reared its ugly head.

Alright, sweetheart... he began. Rebecca knew right away how the interview was going to end. He refused to believe a woman could ever work to the standards of his kitchen; Rebecca got the feeling that if he, and not the manager, had spoken to her on the phone, she would not have had the interview at all. The pinnacle of her abysmal failure was when she handed over her resume to the head chef and noticed for the first time that only half of it was present. Her printer had run out of ink half way through printing. This was the ninth job interview that had been the victim of some blunder or another in the past two months. Her savings were getting thinner by the day and there seemed little hope of ever getting a new job. She didn't know what she'd do if she couldn't find something.

Rebecca truly believed she was at rock bottom as she stood at the pedestrian crossing, waiting for the green walk sign. She wasn't sure what the big hold up was. Next to her was a man snuffling loudly and hacking up one of his lungs into a blue and grey handkerchief. Across the road was a little girl with her black hair in two braids. Rebecca thought it was strange that such a small child was out on her own – not to mention crossing roads. The child was pushing the button repeatedly, her head down and her eyes on her feet.

Just as the light changed and the three pedestrians moved across, a car came screeching around the corner and drove straight at them. Rebecca stopped and took a step back; the gentleman crossing near her ran right back onto the side walk. Rebecca was about to mutter something obscene about the driver when she noticed the little girl. She had rushed onto the street and, at the sight of the car, stopped dead in her tracks. The red sports car was on a direct collision course with her little body and could not possibly stop in time.

Everything went quiet, muffled by the sound of her breathing and the loud beating of her heart. Time slowed for Rebecca. She rushed forward with all the strength in her body. Without pausing, she scooped up the little girl and dived out of the car's path. The two narrowly escaped death and tumbled on the asphalt. Sounds became clear again, her heart still pounded but she couldn’t hear that over her own deep gasps for breath; time had returned to its normal pace. She was lying on the ground, sheltering the little girl who was shivering in terror. Son of a bitch! The thoughts were like a reflex – the uncontrollable kick from a tap on the knee. Son of a bitch! Rebecca was hardly aware of what had happened. She had moved with far more power and speed than she ever knew she had. Now her muscles were tight and she was holding onto a little girl she didn’t know. Rebecca heard the coughing man take the handkerchief away from his mouth a second and begin to ask a question.

Are you... His voice was drowned out completely when the sports car careened to a sudden halt up the road. The door opened and Rebecca looked up to see a man with no shoes, a shaved head and covered completely by a heavy, black, buttoned up trench coat.

Damn it! He shouted and slammed his fist on the roof of his car. Missed by a hair. He came towards Rebecca and the girl and Rebecca felt a sense of foreboding as she helplessly watched his threatening, purposeful strides. He had a look of wicked determination and he was reaching into his coat pocket for something.

You nearly killed us. She said but it barely came out.

You wouldn't have died. Not yet.

Rebecca didn't need any more warning than that and got to her feet as quick as she could. She glanced over to the man on the side-walk in time to see him fleeing the scene. He would not be the knight in shining armour to come rushing to her rescue today. Rebecca took the girl's hand and tried to pull her up. The little girl wouldn't, couldn't move. Her legs were jelly; her body wasn't responding. Rebecca persisted, trying to pull the girl up with increasing desperation.

Come on, you have to get up. She pleaded. The girl looked back at her with a silent, dazed expression. She was frightened, confused and stunned: She had no idea why that car had nearly run her over or why this strange woman was trying to drag her away. Rebecca looked at the driver coming towards her. He took each step slowly, savouring every moment of Rebecca's fear. His hand was no longer in his pocket. Now he was carrying a small blade. His eyes were fixed on them, bearing his every malicious intent. Rebecca had no intention of finding out what plans he had, if he ever got in range with that knife. Rebecca summoned all her strength a second time and lifted the girl off the ground into her arms. She turned around and took a step away from the driver. Immediately her left leg buckled under the weight and they both fell to the ground again. Rebecca lifted herself up on her hands and saw that her leg was bleeding. For the first time she became aware that she was hurting. Her hands felt grazed, her elbows bruised and her leg was cold. Every painful sensation her adrenaline and her ignorance had kept at bay now flooded her body.

The driver was upon them now, smiling, knife held at the ready. He paused, his grin transformed into a frustrated scowl. He looked up and Rebecca looked with him. A nondescript, shining, navy sedan had come around the corner and stopped in front of them.

Do you need a hand? The driver of the sports car concealed the knife in his pocket and extended the other hand to Rebecca. She looked up at him, unmoving and back at the sedan. The door opened and another man stepped out.

Get away from them! he bawled.

The black lines tattooed down the right side of his face slithered like snakes as his jaw moved. The false politeness the bald man had used crumbled and gave way to frustration and anger.

You! He took the knife from his pocket and raised it above his head. Rebecca shut her eyes tight and shielded the little girl with her body. She turned away from him and braced herself for the end.

The tattooed man drew his own weapon. He fired once and the driver of the sports car stopped. He hit the ground after the second shot. Rebecca opened her eyes and looked around. Her eyes locked with those of the corpse for a second - one second longer than she could stomach - and then she turned away from it. No one made a sound; even the girl had stopped her whimpering. The tattooed man picked up the body and placed it into the boot of his car. He locked it and came back to the driver’s side door.

You'd better get in, he said to Rebecca and waited.

Rebecca watched the newcomer. Every fibre of her body was urging her to run the other way. She looked down the road. No one there. No where she could hide. The man still held his weapon drawn and, no matter where Rebecca looked, her eyes always came back to it. Sometime in the last few minutes, the world had stopped making sense. Rebecca was only certain of one thing: she didn't want to argue with the man holding the weapon.

Rebecca stood up and looked at the little girl.

You'd better get home. She then moved towards the car.

Her too. Rebecca looked back at the little girl and extended her arm towards to her.

Come on, she said. The little girl sat on the ground, shaking silently with her knees pulled up to her chest. She looked down at the ground, still terrified. Rebecca went back over to her and pulled her. We have to go. Come on. The little girl looked up at Rebecca slowly but didn't say anything.

Hurry up! the tattooed man ordered. Rebecca nodded fearfully and limped over to the car, the little girl following behind her like a robot. None of them spoke as much as a syllable as their driver took them from the scene and eventually out of the city.

What are your names? he asked them, looking back at his passengers in the mirror. He had waited until the city was behind them before he said anything. The little girl didn't answer; she just stared down at her feet. Rebecca did her best to look strong and didn't say a word. He tried again. My name is Julian. You don't need to be afraid of me. I rescued you, didn't I? That was true but then he'd also kidnapped them. What's more, he'd made it clear he had no problems with murdering someone in broad day light.

Where are you taking us? Rebecca tried to show courage but her voice was frail.

I'm taking you to a safe place. When we're there, everything will become clear. He said it in a matter-of-fact voice that was neither threatening nor promising. But that still didn't put Rebecca at ease. She went quiet again and waited, looking out the window from the back seat as they passed by a field of cattle and then turned off the highway to another road. A small red package dropped into Rebecca's lap. She hadn't even noticed the driver throw it back at her.

There's a bandage in there, the driver told her without taking his eyes off the road. For your leg, Rebecca didn't say anything but unzipped the package, found the bandage and wrapped it quickly and firmly around her wound. Enough to stop the bleeding, she hoped.

The car turned off the road onto one that led them up a steep, grassy hill. They passed a rising field of grape vines before coming upon a grand and beautiful mansion faced by more windows than Rebecca could count. It rose three stories with a roof window at its peak. Green vines climbed its golden walls. The garden flowers grew delicately with rainbows of colour; dotted around them were Romanesque statues of beautiful maidens and handsome young heroes. The house and the grounds were breathtaking and for a moment Rebecca forgot her situation entirely. The car toured past grassy knolls and flower beds before coming around a mighty oak tree to the front door. Julian stopped and a young man came to his door.

Welcome back, Sir Julian, the spirited youth said. Julian greeted him and then stepped aside so that the young man could take the car. Rebecca got out and helped the little girl out the door and to her side.

This is the home of our order, Sir Julian explained proudly. A stronghold. Here you will be safe, both of you. Rebecca had regained her sense and with it, her fear. She kept the little girl close to her side protectively. Of all the strangers around her, the little girl was the only one who wasn't involved in trying to kill her or kidnap her. That made the little girl the closest thing she had to an ally. They followed Sir Julian into the mansion and through an entrance hall carved in marble, and then through a corridor under the stairs. This short corridor went by the biggest dining room Rebecca had ever seen, with three long tables arranged in a U shape; at the back of the room was a smaller table with a beautiful red and gold table cloth laid over it. They then went around a corner; through a glass window they could see a small garden and fountain inside the house. Julian led them through a door at the end of the corridor into a long white hall with walls lined by classical portraits. As they got to the other end, the portraits got fewer and then framed black and white photographs took their place. At the very end were a couple of coloured photos.

Julian stopped by a door at the end of the portrait room and asked them to wait there. Then he went through the door and left them.

Are you okay? Rebecca knelt down and tried to comfort the little girl. She didn't get a response from her. There wasn't even a change of expression, or an expression at all, for that matter. The little girl was quiet, emotionless, and robotic. You must be pretty traumatised by all this. Rebecca sighed and stood up. She didn't know the first thing about children and somehow

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