Aurealis #64
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About this ebook
The opening story in Aurealis #64 begins: 'The seasick lover becomes a saltwater cistern. She built her first lover out of glass.' And these opening lines are no-where near the strangest things in Penny Stirling's 'Love Over Glass, Skin Under Glass'. Read this this controversial story that sparked a major disagreement among the Aurealis Editors. Also make sure you don’t miss the second story, 'Intelligent Design' by Marta Salek, an imaginative, sinister and clever story told from the perspective of a cyborg who has a unique and devastating viewpoint of life.
Dirk Strasser (Editor)
Dirk Strasser has written over 30 books for major publishers in Australia and has been editing magazines and anthologies since 1990. He won a Ditmar for Best Professional Achievement and has been short-listed for the Aurealis and Ditmar Awards a number of times. His fantasy novels – including Zenith and Equinox – were originally published by Pan Macmillan in Australia and Heyne Verlag in Germany. His children’s horror/fantasy novel, Graffiti, was published by Scholastic. His short fiction has been translated into a number of languages, and his most recent publications are “The Jesus Particle” in Cosmos magazine, “Stories of the Sand” in Realms of Fantasy and “The Vigilant” in Fantasy magazine. He founded the Aurealis Awards and has co-published Aurealis magazine for over 20 years.
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Aurealis #64 - Dirk Strasser (Editor)
AUREALIS #64
Australian Fantasy & Science Fiction
Edited by Dirk Strasser
Published by Chimaera Publications at Smashwords
Copyright of this compilation Chimaera Publications 2013
Copyright on each story remains with the contributor.
EPUB version ISBN 978-1-922031-18-1
ISSN 2200-307X (electronic)
CHIMAERA PUBLICATIONS
Smashwords Edition License Notes
This eBook is licensed for your personal enjoyment only. This eBook may not be re-sold or given away to other people. If you would like to share this book with another person, please purchase an additional copy for each recipient. If you're reading this book and did not purchase it, or it was not purchased for your use only, then please return to Smashwords.com and purchase your own copy. Thank you for respecting the hard work of the authors, editors and artists.
Hard copy back-issues of Aurealis can be obtained from the Aurealis website:
www.aurealis.com.au
Contents
From the Cloud – Dirk Strasser
Love Over Glass, Skin Under Glass – Penny Stirling
Intelligent Design – Marta Salek
From the Archives: The SF Hall of Fame – Otto Greenbach
Interview with Raymond E Feist – Dan Allan
Reviews
Next Issue
Credits
From the Cloud
Dirk Strasser
There comes a point where every writer of fiction needs to make a decision if they want their writing to be loved or admired. Maybe if you're an absolute genius with gifts beyond mere mortal writers you don't need to make that choice, but for the rest of us, I believe the choice is inevitable. And even if you feel you haven't made that choice, then I would argue that you have either already made it without being aware, or you are still early in your writing career, a little unclear about your direction, and will eventually need to decide if you continue writing.
This distinction for writers came into sharp focus for me when the other two editors, Stephen Higgins and Michael Pryor, and I were discussing the merits of the opening story in this issue, 'Love Over Glass, Skin Under Glass' by Penny Stirling, which begins with the lines: 'The seasick lover becomes a saltwater cistern. She built her first lover out of glass.' And these opening lines aren't the strangest thing about this story.
I would argue we have an author here who has made a conscious decision to uncompromisingly opt for admiration.
I'm less certain of where to place the second story in this issue, 'Intelligent Design' by Marta Salek. I'll leave it to you to decide. You could argue that it is on the admiration side as well, but for vastly different reasons. The characters in it are difficult to like, let alone love, but it's an imaginative, sinister and clever story told from the perspective of a cyborg who has a unique and devastating viewpoint of life.
So, which one should you choose? Writing to be loved or writing to be admired? They're both desirable, aren't they?
Well, yes and no. I would say that in the end, it depends on what sort of writing you like to read.
To admire something involves some detachment, a distance from the object you're admiring. You are not enmeshed with the object. You are viewing it from several paces away and making a judgement about it. To love something involves feeling part of the object you love. You are deeply involved with it in some way. You feel a sense of belonging.
I would argue that those writers who have decided on admiration are generally literary writers. They show us what amazing things they can do with words. They can leave us breathless with their brilliance, gobsmacked by their virtuosity. They deliberately create an object worthy of attention and consideration. What they don't do is draw you into what they have created.
It is the writers who you love that draw you into their creations. More often than not, these are genre writers of one kind or another. And isn't it the world creators of fantasy and science fiction that have the greatest capacity to enmesh you? It's no wonder speculative fiction engenders such passion in its devotees. Not only are there characters to love, as with other genres, but the whole fictional world also becomes something to become emotionally entangled with.
Think about the sorts of writers you admire versus those you love. Which fictional works would you take with you if you had to go through a one-way portal to an alternative reality where you would possess the only five fictional works in the whole world?
All the best from the cloud.
Back to Contents
Love Over Glass, Skin Under Glass
by Penny Stirling
'The seasick lover becomes a saltwater cistern.'
She built her first lover out of glass.
'I was