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The Tropic of Serpents: A Memoir by Lady Trent
The Tropic of Serpents: A Memoir by Lady Trent
The Tropic of Serpents: A Memoir by Lady Trent
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The Tropic of Serpents: A Memoir by Lady Trent

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The thrilling adventure of Lady Trent continues in Marie Brennan's Tropic of Serpents . . .

Attentive readers of Lady Trent's earlier memoir, A Natural History of Dragons, are already familiar with how a bookish and determined young woman named Isabella first set out on the historic course that would one day lead her to becoming the world's premier dragon naturalist. Now, in this remarkably candid second volume, Lady Trent looks back at the next stage of her illustrious (and occasionally scandalous) career.

Three years after her fateful journeys through the forbidding mountains of Vystrana, Mrs. Camherst defies family and convention to embark on an expedition to the war-torn continent of Eriga, home of such exotic draconian species as the grass-dwelling snakes of the savannah, arboreal tree snakes, and, most elusive of all, the legendary swamp-wyrms of the tropics.

The expedition is not an easy one. Accompanied by both an old associate and a runaway heiress, Isabella must brave oppressive heat, merciless fevers, palace intrigues, gossip, and other hazards in order to satisfy her boundless fascination with all things draconian, even if it means venturing deep into the forbidden jungle known as the Green Hell . . . where her courage, resourcefulness, and scientific curiosity will be tested as never before.


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LanguageEnglish
Release dateMar 4, 2014
ISBN9781429956352
Author

Marie Brennan

MARIE BRENNAN is a former anthropologist and folklorist who shamelessly pillages her academic fields for inspiration. She recently misapplied her professors' hard work to The Night Parade of 100 Demons and the short novel Driftwood. She is the author of the Hugo Award-nominated Victorian adventure series The Memoirs of Lady Trent along with several other series, over seventy short stories, and the New Worlds series of worldbuilding guides; as half of M.A. Carrick, she has written the epic Rook and Rose trilogy, beginning with The Mask of Mirrors. 

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Rating: 4 out of 5 stars
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  • Rating: 4 out of 5 stars
    4/5
    Also a fairly quick read- 331 pages flew by fast! What I find most fascinating about series like these (historical fantasy) is that they have to walk a fine line between being true to their assumed period (Victorian? Philosophical societies! Institutional sexism and imperialism!) and having our modern sensibilities (treating people like people regardless of class/religion/race/sex!). The Memoirs of Lady Trent capably keep their balance- other reviews indicate they think

    In the second of her memoirs, Lady Isabella heads to not!Africa to see what kind of scaly beasts live here (and of course, if her team's method of preserving dragonbone on other draconian species) Non-Anthiopian (not!Europe) cultures are fully fleshed out, and although this is ostensibly a fantasy natural history series, it is primarily Lady Trent's memoirs. As much as we'd like to keep science unconnected to politics, it cannot exist in a vacuum. Likewise, her trip and actions in Eriga have international consequences.

    But if I may squee a bit on natural history? REALLY liked the sexual dimorphism of swamp-wyrms and presumably metamorphic life cycle. That the young dragons were right in front of us considerably earlier is masterful.
  • Rating: 4 out of 5 stars
    4/5
    Isabella Camhurst’s quest to study dragons continues, taking her first to the savanna and then deep into the swamp. She does learn about dragons, but also about politics and loyalty.I found this book almost as good as the first. The swamp part seemed to drag on a bit, but that may have had more to do with the rate at which I was listening than any flaw in the writing. Recommended to readers who enjoyed the first book in the series.
  • Rating: 4 out of 5 stars
    4/5
    I received this book for free from the publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review. Three years after her fateful journeys through the forbidding mountains of Vystrana, Mrs. Camherst defies family and convention to embark on an expedition to the war-torn continent of Eriga, home of such exotic draconian species as the grass-dwelling snakes of the savannah, arboreal tree snakes, and, most elusive of all, the legendary swamp-wyrms of the tropics. The expedition is not an easy one. Accompanied by both an old associate and a runaway heiress, Isabella must brave oppressive heat, merciless fevers, palace intrigues, gossip, and other hazards in order to satisfy her boundless fascination with all things draconian, even if it means venturing deep into the forbidden jungle known as the Green Hell . . . where her courage, resourcefulness, and scientific curiosity will be tested as never before.In this second volume in her memoirs collection, Mrs. Isabella Camherst (Lady Trent) describes the exciting adventures that she had while visiting Eriga where she was studying the swamp-wyrms. Like in Vystrana in A Natural History of Dragons, Mrs. Camherst finds herself not only having to manage keeping her person and party safe from the dragons but also from the people who want to take advantage of the dragons for their own nefarious purposes.Do you like dragons? Do you like memoirs? Are you thinking about trying fantasy books but they make you a bit nervous? Do you like reading books about people who study natural history, anthropology, or zoology? If you answer yes to any of these questions, you should read this series. Seriously. This post will still be here when you get back from the store.Let's talk about what I like about this book (and this series). This series is written as Mrs. Camherst's memoirs (with just a dash more of dialogue than you would expect in a traditional memoir). I find this to be a unique approach to this fantasy series. There is a nice combination of Mrs. Camherst rehashing what she was thinking in the moment when she was on an adventure and what she thinks now that she is older and wiser. I really like this writing style for this book, because it makes everything feel more grounded and believable. If it wasn't for the dragons and the fictional country names, I may have forgotten that I was reading a fictional memoir and just thought that this was a memoir by a very adventurous woman in the Victorian era.The story in this sequel took place predominately in Eriga. It was interesting seeing how Mrs. Camherst and her team get to Eriga and how they manage the cultural and political differences between their native Scirland and Eriga. In regards to the adventure, I felt that it moved a bit slower than the adventure in A Natural History of Dragons; however, the story still kept my attention. Mrs. Camherst always seems to find herself on the wrong end of a spear, gun, or bow and arrow. I am always excited to see how she is going to get herself out of her latest jam.I was a tiny bit disappointed that we didn't get to see more of her homeland of Scirland (what we would consider England) and the difficulties that she experiences there. Specifically, she is trying to get recognized by the scholars of her time, but they are not keen to acknowledge a female scholar. What is great about this series being a collection of memoirs instead of your standard adventure series is that the readers know that she will ultimately become famous enough that people want to publish her memoirs. We just don't know how she gets to that point in her career.I loved being able to get to know Mrs. Camherst and her friends more in this book. I am not going to go into detail about anyone besides Mrs. Camherst in an effort to avoid spoilers for A Natural History of Dragons. Mrs. Camherst is definitely an interesting and three-dimensional character. She has her strengths and her weaknesses. Unlike many female fantasy characters who seem to be perfect in every way except being stubborn (in a cute way), Mrs. Camherst has some flaws like being stubborn in a very non-cute way. Sometimes Mrs. Camherst does things that drive me crazy, but her actions always seem true to the character and seem true for the time period. Would I want to be best friends with Mrs. Camherst? No. I don't think we would get along super well. Would I want to meet Mrs. Camherst and hear more about her adventures? Yes, most definitely. She lived an exciting life. Mrs. Camherst might be similar in some ways of a modern woman of the 21st century, but she is also very much a woman of her Victorian times in some of her attitudes. Personally, I find this refreshing. I want the Victorian era to feel somewhat genuine, not just a backdrop.I need to take a quick moment to mention the drawings! There are several sketches that Mrs. Camherst drew during her adventures scattered throughout the book. I think these drawings really add to the feeling that you are reading a memoir.Rereading my review, I noticed that I don't talk a lot about the dragons. I should rectify that. The dragons in this series are smart and have their own dragon-y way of life in the same way elephants or gorillas do. These are not talking dragons, these dragons are animals, very large and potentially dangerous animals. For me, this adds to the realism of the story, and I really enjoy it. If you were expecting Temeraire from Naomi Novik's series or Kazul from Patricia C Wrede's series, you will be frustrated.Overall, I really enjoyed this second book in the Memoirs of Lady Trent series. I found it a fun and exciting read. I can't wait to see where Mrs. Camherst goes next and what new facts she learns about dragons. Now if I could just get my hands on copies of all the book covers in this series to hang on my wall, I would be in SF&F heaven!I give this book a 4 out of 5.
  • Rating: 5 out of 5 stars
    5/5
    Continuing the fun. Isobella gets herself mixed up in politics again, and suffers various travails in pursuit of her interest in the biology of dragons. As discussed in the last book, she's managed to wrangle her way onto the another expedition, despite some opposition, as she's a single (widowed) woman travelling with an unmarried man - Thomas Whitiker with whom she's just about reconciled to peaceable companionship. Her choice of female companion - Lord Heidfield's granddaughter, Natalie - is also vigorously contested as it will spoil her marriageable prospects. But they set off, and eventually reach their new destination a faux-Victorian equivalent of Africa. Dusty savannas, and on the coast impenetrable swamps and jungles peopled by savage natives. Both terrains offer dragons, but she sensibly starts with the easier option. Politics is already present, in that her country have provided a fort and defense against the encroaching neighbours. But neither side reckon much about the jungle. I'm not quite sure about the geography here, it feels much more like a south american flooded forest rather than the african rainforest but I'm no expert, and in truth it matters little. There are also little niggles like the dragon bones carried for such distance, to 'co-incidentally' turn out to be useful later. The evolutionary life-cycle of some of the dragons requiring human intervention, and being so varied from their other cousins, is likewise strange, and less excusable. It makes for a good story - but when purporting to be natural history such class errors cannot be overlooked.The rest is great fun. Isobella adapts, eventually, to life in the forest, and while her companions get less time than I'd liek the natives are wonderful. The author has a great skill at casting situations and sympathetic characters. There is enough 'science' to keep Isobella's character believable, but enough action and politics to make it interesting in terms of situation and drama. The Victorian societal precepts are presumably invented, but realistic enough to show just how far society has come now, even if there's a long way to go.Enjoyable!
  • Rating: 5 out of 5 stars
    5/5
    Pros: fun, witty storytelling; engaging and diverse characters, interesting politics, Todd Lockwood artworkCons:This is the second volume of Lady Isabella Trent’s memoir regarding the study of dragons. Despite the dangerous political situation in the Talu Union, she requests permission for herself and two companions to visit Bayembe and the Mouleen swamps in order to study the various dragon species found there.These ‘memoirs’ are such a joy to read. This is a character driven novel, told from a lady’s point of view. And that lady refuses to adhere to society’s norms when it comes to what women are and are not allowed to do in scholarly pursuits. But this isn’t a simple story. There’s a lot of character development as she’s forced to adapt to the customs of the different peoples she meets and come to terms with things in her past. This series takes place in an imaginary world that has similarities to Earth in the 1800s. While the three protagonists are Scirling (analogous to colonial Britain), there are several natives of different tribes (patterned after African tribes) who play important roles in the book. Each tribe has different political goals, religious beliefs, customs, clothing, skin tones and languages. They all feel intrinsically real. I especially loved that the king of Bayembe had prosthesis that allowed him to walk and was seen as a powerful figure, whose ‘iron’ legs made him more than human. There’s a decent amount of politics involved, and while it’s not dwelt on heavily, it’s necessary as the climax hinges on what the wider world is up to while her party is trying not to die of malaria and yellow fever in the swamps. Even beyond the military and economic politics are the more subtle politics of life, for example, Isabella isn’t allowed to join a scientific symposium because of her gender while one of her companions on the trek is barred from the same symposium because he’s not of a high enough social class. Similarly, her second companion on the trip has to defy her father, who wants her to stay home and get married rather than ruin herself on this expedition. In addition to the cover, Todd Lockwood has a series of illustrations peppering the novel itself. These are done sketchbook style and really add to the atmosphere of the book as well as your ability to visualise what’s happening. If you like fun, witty storytelling that’s quick to read and thoughtful about representing diversity, then pick this up.
  • Rating: 4 out of 5 stars
    4/5
    Not quite as engaging as the first one (because I'm very fond of growing-up stories, which the narrator is beyond here), but still quite good.
  • Rating: 4 out of 5 stars
    4/5
    As someone who loves the natural sciences and is fascinated with the study of animal behavior, I remember being thrilled when I discovered the exquisiteness of Marie Brennan's A Natural History of Dragons. I was skeptical when I first picked it up, though. Written in the form of a memoir by the protagonist Lady Trent, I still recall wondering to myself how interesting could this book possibly be if it's just going to be nothing more than a fictional old lady waxing nostalgic about a life of studying and research? But hey, dragons.Needless to say, the book took me by surprise. By the last page, I was completely in love with the character of Isabella Camherst before she became the venerable Lady Trent. The unique and convincing narrative style added so much to the story, and I could feel her passion for dragons in every single word. I practically did a dance when I found out that a second novel was in the works, called The Tropic of Serpents which would chronicle the next chapter of Isabella's pursuit of draconic knowledge by focusing on her time in the swampy jungles of war-torn Eriga."I set to work making a place for myself in Society, even if it was not the place Society intended for me."Like the first book, The Tropic of Serpents is a tale of adventure, but it also explores the role of women in a society where the world of academia is still almost exclusively male. Isabella bucks social conventions to pursue her dream of studying dragons, while dealing with criticism as well as her own guilt for putting her research ahead of her family. There is a fine balance of emotional gravity to go along with the action and adventure in these books, something I like to see. The narration also has an honest quality to it that's really grown on me, suggestive of a "bare all" attitude from someone who knows she has contributed much to the field and is too old now in any case to give a crap about what anyone might think of her anymore. Very refreshing!There are a lot of differences between the novels as well. Given how they are written in the form of a memoir, the many changes that occur over the course of this book lend a great deal of realism to Isabella's life. After all, the aspects of one's life do not remain static over time. Accordingly, we see growth in the character in terms of her personality, but also in her relationships with her companions and even in her scientific knowledge. Which probably makes this a good time for me to bring up that I feel these books are about more than just dragons. The story is about Isabella's life. It's about her love of dragons and science. It's also about the world she lives in, including its peoples, cultures, and politics. To tell the truth, the sequel is actually conspicuously light when it comes to any dragon action. There's quite a bit of set up leading to Isabella's expedition into the jungle known as the Green Hell, and once there, the record of the time she spends among the native Moulish people made sections of this novel read more like an ethnography. Of course, I was an Anthropology major so I ate this all up, but I also have to echo the thoughts of many others and agree that the first book featured a greater emphasis on dragons, while this one dabbled more in the history and politics of the setting.Nevertheless, I am having a lot of fun with this series. There are details hinting at so much more to come in Lady Trent's long and accomplished life and I hope to read about all her adventures. Anyone who has a deep passion or commitment to a calling will find a kindred spirit in the main character; it's truly wonderful to find a strong female protagonist with such powerful conviction and presence.
  • Rating: 5 out of 5 stars
    5/5
    **this is the second book in a series, so watch out for spoilers** - It has been three years since Isabelle Camherst returned from Vystrana, and since her husband died. She finds she still has trouble fulfilling the social expectations of a Scirling woman, and thus is eager to embark on another dragon-studying expedition, this time to the semi-tropical and war-torn country of Eriga. It is a much more political country than Vystrana, due to the copious resources being mined there by Scirland, and Isabelle must tread much more lightly. She does manage to learn some things about the nature of savanna dragons, but the true test comes when she must enter the deadly jungle - known by foreigners as the Green Hell - to learn what she can about the mating habits of the elusive swamp-wyrms.Isabelle still has a lot to learn, of course, but it is obvious how she has grown since the beginning of her previous expedition. She travels lightly, attempts to integrate with the natives, and hardly bats an eye at wearing pants (oh, the scandal!). We begin to see in Isabelle the beginning of her transformation into the worldly and knowledgeable narrator of her memoirs. In the end, it is satisfying to see her develop diplomatic skills, and the very valuable information she learns about swamp-wyrms is just thrilling. Highly, highly recommended.
  • Rating: 4 out of 5 stars
    4/5
    This is the second book in the Memoirs of Lady Trent series. I really enjoyed all the adventure in this book and loved exploring the alternate world that Lady Trent lives in.I listened to this on audiobook and Kate Reading does an amazing job narrating the story. I would definitely recommend listening to on audiobook if you enjoy audiobooks.Aside from all the wonderful adventures; Lady Trent grows a lot as a naturalist and starts actually making herself a name in this book. I enjoy her character and how dedicated she is to her science. In this novel she is also working on some personal issues and struggling with how to act and engage as a mother to her young son.Additionally, I really enjoyed learning about some new species of dragons; each book has introduced a new species and built on information from the previous books.Overall this was another fun fantasy adventure read set in a Victorian-like time period. I have been enjoying this series a lot and plan on continuing it.
  • Rating: 4 out of 5 stars
    4/5
    Isabella Camherst continues her quest for dragon knowledge as she explores a new region in Marie Brennan's Victorian-esque fantasy world. The second book in the series expands on the world and many aspects of dragons, but there is also a healthy dose of new characters and character growth. It continues to focus on gender roles by having different cultures take different twists. If you like the first book you will likely like this one as well.
  • Rating: 4 out of 5 stars
    4/5
    I read this book as a recommendation from a librarian, for the first item in this year's PopSugar Reading Challenge.
    I thought it was an interesting approach to fantasy, combining the historical fiction aesthetic of steampunk with an African jungle adventure and dragons. The bits drawn from African cultures and history felt very post-colonial, as in written by a White, non-African anthropologist who appropriates bits of the cultures she studies for her own profit or amusement. Then again, though, that is what happens when non-Celtic people write fantasy novels based on some variation on Irish, Pictish, or other Celtic cultures. And in this novel the Africans have enough power to not be completely dominated by the Europeans (all using different names, of course. And, at least in this novel, no one is selling people from their neighboring tribes to the Europeans, so far anyway.
    It was hard staying so immersed in the fiction that I was not distracted by the temptation toward making comparisons with the cultures and history this book draws from. Still, it was an entertaining enough story, and the 'naturalist studying dragons' approach to exploring was fun.
  • Rating: 4 out of 5 stars
    4/5
    I thoroughly enjoyed this book! I loved the narration and Isabella's voice. She is just such an empowered, confidant woman and I love it. The plot was really interesting and I loved learning more about the world and the cultures within it that she lives in. The new characters introduced were nicely developed and really great.

    The adventures had were fun, exciting, and full of interesting science and background. I like the writing style and how things unfold.

    Can't wait to keep reading this wonderful series!
  • Rating: 4 out of 5 stars
    4/5
    By the time this book ended I was glad to have read it, but regretted the undertaking many times throughout. This is the second in a series, the dreaded bridge novel, and bridge it does, endlessly. I'll probably read the next one but sincerely hope we can move through that novel without all the ground laying.
  • Rating: 4 out of 5 stars
    4/5
    Lady Trent voyages to another continent to explore more and different dragons and comes across other cultures and ways of doing things and gets embroiled in politics. She also has to deal with being sequestered during her period and with impending war.The start is slow and then things ramp up and she leaves stuff out that you wish were more detailed but it does read like someone who is an anthropologist would write and like a victorian woman something like Gertrude Bell might write if she was faced with the things Lady Trent is.Left me wanting more and in some ways that was wishing for more depth.
  • Rating: 3 out of 5 stars
    3/5
    Still a fun read with likeable characters...but the ending seemed a bit rushed this go around.
  • Rating: 4 out of 5 stars
    4/5
    The Tropic of Serpents, continues the series detailing how Lady Trent becomes the world’s premier dragon naturalist. Of course this isn’t the world that we know, but a very similar one with some differences chief among them being that dragons exist and thrive in this world. The time compares to our own Victorian era with it’s strict rules of society and Isabella, with her craving to explore nature and study various dragon breeds is defying her family and, risking scandal.She puts together an expedition to travel to the county of Eriga, a country with abundant draconian life, but this country is on the verge of war and of course, Isabella and her party end up involved in politics and warfare as she travels through an area called the Green Hell, a swamp like, steamy jungle.A great deal of the book was taken up with the politics, customs and descriptions of the country and less attention was actually spent on dragons. I did enjoy this book, but I can see why many rate this as inferior to the first due to the lack of actual dragon lore. As she was travelling in a country that would compare to one of our African nations, I found the travelogue descriptions interesting. Also the character of Isabella is intriguing as she is both a strong female character but, also, one who examines her ambitions and motives and often finds herself falling short.Lady Trent’s adventures will definitely be a series that I continue to follow.
  • Rating: 5 out of 5 stars
    5/5
    ***I purchased a copy of this book for my own enjoyment, and with no expectation of a review.***Second in the Lady Trent series, Brennan’s Tropic of Serpents doesn't disappoint! Isabella continues her research into dragons, this time heading to Bayembe and Mouleen, there to study savannah and tree ‘snakes’(serpentine dragons), and the Moulish swamp wyrms.As with the previous book, sketches by Isabella are scattered throughout, and the cover features a swamp-wyrm. These sketches within include other dragonish creatures such as the drakeflys, which resemble flying, feathery snakes with four wings, and the terrifying fang fish whose face kinda reminded me of the dragon-serpent Pokémon Gyrados, if Gyrados were drawn realistically. Isabella, along with Mr Wilker, and her friend Natalie, get to play ethnographer again when they travel into Mouleen. The vast swampy area known locally as the ‘green hell’ is home to the Moulish, short-statured, egalitarian nomads. To survive the Green Hell, the expedition must befriend the Moulish, becoming part of the group. During the course of their time in Bayembe and Mouleen, Isabella and crew face deadly illness, deadly creatures (a pissed hippo is a fearsome adversary indeed), the myriad vagaries of human custom, and the perils of political predators alike. We see the depth of Isabella’s empathy in how she chooses to handle the political quagmire, and what is best for the local people and environment. How often do people make the ‘right’ choice, the moral/ ethical choice over the greed-driven choice. Sometimes, I think corporations have lost that ability. Many individuals too, sadly.While not Victorian England, Scirland, and the world it belongs to, greatly resemble that era. Scirling women are very limited in what they are allowed to partake of, just as Victorian women were. I love how Brennan has handled the social and personal conflicts that would arise in such a situation. The situation in Bayembe reflects the expansion of the British Empire, and the politics and conflicts of colonialism are well-wrought. As with the first book, if you like things anthropological, or things dealing with naturalism, if historical fantasy tickles your palate, if adventurous accounts akin to The Lost City of Z arrest your attention, then look no further! Marie Brennan's The Tropic of Serpents can slake that thirst. Come, walk in a world where dragons dwell, and learn the secrets of the natural world.
  • Rating: 4 out of 5 stars
    4/5
    A good second volume in the series, with more to come. In this installment we get more political shenanigans, more wild adventures, and most importantly, more dragons, all recounted as the memoirs of Isabella Camherst, Lady Trent. Brennan's world-building is excellent, and her narrator has just the right touch of insouciance to keep things interesting. Another good read, and I'm looking forward to the next with much anticipation.
  • Rating: 4 out of 5 stars
    4/5
    This is proving to be a great series. The stories are interesting, full of adventure and good characters, and perfect for anyone who likes dragons or nature history. It's also a good example of how to have strong female characters who are still human and bound (somewhat) by their society's beliefs.
  • Rating: 4 out of 5 stars
    4/5
    Not bad but not great for me. The beginning, in both places, spends way too much time on politics and clashing personalities; it is important and necessary, I suppose, but it's not fun to read. I also found it hard to remember and keep clear all these various and (mostly) variously obnoxious people. I started enjoying it a lot more once they were in the Green Hell - and Lady Trent became more interesting after the clearing rite, when she explained (to herself, among others) the bases and motivations for quite a few of her actions that had had me confused. Of course her trip ends up having bigger implications than planned - and they never do get to test swamp dragon bones, but what they find out instead is fascinating on multiple levels (biological and cultural, for two). The story is as good as the first, and I want to read the next (and the rest).I do have one major nit to pick - I really hate that the author changed the names of everywhere. It's not as if she tried to make the cultures or people any different - Scirlings are Englishmen (and women), with all the standard behaviors and cultural quirks that suggests. It just forces me to look at this weird word and remember "oh yeah, that means England/English people in this book". And the same for French, German, etc. Because of this, I have no idea where the first book was set and very little about this one (Africa, but I have no idea if it's West or East...) - all the history and interconnections that a national reference would call up are gone, or at least heavily obscured. It makes it unnecessarily difficult to read, and actually less interesting - more frustrating. Not enough to stop me reading, but it does reduce my pleasure in the reading.
  • Rating: 5 out of 5 stars
    5/5
    I love this series. I love the dragons, and the crazy discomfort, and the way Lady Trent is constantly choosing her own path. Excellent continuation of an excellent series.
  • Rating: 4 out of 5 stars
    4/5
    It seems a very long time ago that I read A Natural History of Dragons, but it was only three years, less really. Which is no time at all, really. And yet there are four books out in this series already. That’s very impressive when you look at some other fantasy fiction authors1. I have another two sitting on my to be read pile on my desk, so hopefully I’ll get to them pretty soon. I think I will, because I really enjoyed this book. I just really like Brennan’s style of writing. In many ways it feels like a Georgette Heyer book. Only not really because it has dragons and Heyer certainly never had those, and Lady Trent goes far beyond what is socially acceptable in her quest to understand dragons than any Heyer heroine did in her quest for romance.

    But still, it has that sort of upper-English-class feel to it, and yes I’m aware that Scirling is not England, but there are, let us say, some resemblances.

    It’s just a lovely read. And I really enjoy the way that Lady Trent seems of her time and society (quasi-Victorian) and yet aware of the sexism, racism and all the other -isms that are out there. She isn’t as aware of them as the reader might be, but she is certainly waking up to the realities of her world and how wrong they are.

    Also, there are dragons. Although maybe not so many as I was hoping for.
  • Rating: 3 out of 5 stars
    3/5
    NOT ENOUGH DRAGONS.

Book preview

The Tropic of Serpents - Marie Brennan

PREFACE

Public opinion is a fickle thing. Nowadays I am hailed from one end of Scirland to the other as a testament to the intelligence and derring-do of our race; indeed, if I am not the most famous Scirling woman in the world, I daresay I give Her Majesty the Queen a good fight. I would not go so far as to presume I am universally loved, but if any news-sheet sees fit to mention me (as they do not so often anymore, on account of my signal failure to make any new shattering discoveries in the last decade, nor to nearly get myself killed in suitably gruesome fashion), chances are good that mention will be favorable in tone.

It was not always so. Though few are old enough to remember it, and even fewer rude enough to bring the topic up, I was once reviled in the scandal-sheets. But I have no compunctions about washing my dirty linen in public—not when the linen in question is so very old and wrinkled. Some of the errors I was accused of were entirely baseless; others, I confess, were entirely fair, at least insofar as my own opinion may be trusted.

As I have not yet finished composing my memoirs, I cannot say with certainty that this, the second volume in the series, will be the most gossip-ridden of them all. That honour may belong to a later period in my life, before my second marriage, when my interactions with my future husband were grist for a very energetic mill both at home and abroad. I am still considering how much of that I will share. But this volume will be a fair contender, as it was during these years that I found myself accused of fornication, high treason, and status as the worst mother in all of Scirland. It is rather more than most women manage in their lives, and I own that I take a perverse sort of pride in the achievement.

This is also, of course, the tale of my expedition to Eriga. The warnings delivered in my first foreword continue to apply: if you are likely to be deterred by descriptions of violence, disease, foods alien to the Scirling palate, strange religions, public nakedness, or pinheaded diplomatic blunders, then close the covers of this book and proceed to something more congenial.

But I assure you that I survived all these things; it is likely you will survive the reading of them, too.

Lady Trent

Amavi, Prania

23 Ventis, 5659

PART ONE

In which the memoirist departs her homeland, leaving behind a variety of problems ranging from the familial to the criminal

ONE

My life of solitude—My sister-in-law and my mother—An unexpected visitor—Trouble at Kemble’s

Not long before I embarked on my journey to Eriga, I girded my loins and set out for a destination I considered much more dangerous: Falchester.

The capital was not, in the ordinary way of things, a terribly adventurous place, except insofar as I might be rained upon there. I made the trip from Pasterway on a regular basis, as I had affairs to monitor in the city. Those trips, however, were not well-publicized—by which I mean I mentioned them to only a handful of people, all of them discreet. So far as most of Scirland knew (those few who cared to know), I was a recluse, and had been so since my return from Vystrana.

I was permitted reclusiveness on account of my personal troubles, though in reality I spent more of my time on work: first the publication of our Vystrani research, and then preparation for this Erigan expedition, which had been delayed and delayed again, by forces far beyond our control. On that Graminis morning, however, I could no longer escape the social obligations I assiduously buried beneath those other tasks. The best I could do was to discharge them both in quick succession: to visit first my blood relations, and then those bound to me by marriage.

My house in Pasterway was only a short drive from the fashionable district of Havistow, where my eldest brother Paul had settled the prior year. I usually escaped the necessity of visiting his house by the double gift of his frequent absence and his wife’s utter disinterest in me, but on this occasion I had been invited, and it would have been more trouble to refuse.

Please understand, it is not that I disliked my family. Most of us got on cordially enough, and I was on quite good terms with Andrew, the brother most immediately senior to me. But the rest of my brothers found me baffling, to say the least, and my mother’s censure of my behaviour had nudged their opinions toward disapproval. What Paul wanted with me that day I did not know—but on the whole, I would have preferred to face a disgruntled Vystrani rock-wyrm.

Alas, those were all quite far away, while my brother was too near to avoid. With a sensation of girding for battle, I lifted my skirt in ladylike delicacy, climbed the front steps, and rang the bell.

My sister-in-law was in the morning room when the footman escorted me in. Judith was a paragon of upper-class Scirling wifehood, in all the ways I was not: beautifully dressed, without crossing the line into gyver excess; a gracious hostess, facilitating her husband’s work by social means; and a dedicated mother, with three children already, and no doubt more to come.

We had precisely one thing in common, which was Paul. Have I called at the wrong time? I inquired, after accepting a cup of tea.

Not at all, Judith answered. He is not at home just now—a meeting with Lord Melst—but you are welcome to stay until he returns.

Lord Melst? Paul was moving up in the world. I presume this is Synedrion business, I said.

Judith nodded. We had a short respite after he won his chair, but now the affairs of government have moved in to occupy his time. I hardly expect to see him between now and Gelis.

Which meant I might be cooling my heels here for a very long time. If it is not too much trouble, I said, putting down my teacup and rising from my seat, I think it might be better for me to leave and come back. I have promised to pay a visit to my brother-in-law Matthew today as well.

To my surprise, Judith put out her hand to stop me. No, please stay. We have a guest right now, who was hoping to see you—

I never had the chance to ask who the guest was, though I had my suspicions the moment Judith began to speak. The door to the sitting room opened, and my mother came in.

Now it all made sense. I had ceased to answer my mother’s letters some time before, for my own peace of mind. She would not, even when asked, leave off criticizing my every move, and implying that my bad judgment had caused me to lose my husband in Vystrana. It was not courteous to ignore her, but the alternative would be worse. For her to see me, therefore, she must either show up unannounced at my house … or lure me to another’s.

Such logic did little to sweeten my reaction. Unless my mother was there to offer reconciliation—which I doubted—this was a trap. I had rather pull my own teeth out than endure more of her recriminations. (And lest you think that a mere figure of speech, I should note that I did once pull my own tooth out, so I do not make the comparison lightly.)

As it transpired, though, her recriminations were at least drawing on fresh material. My mother said, Isabella. What is this nonsense I hear about you going to Eriga?

I have been known to bypass the niceties of small talk, and ordinarily I am grateful for it in others. In this instance, however, it had the effect of an arrow shot from cover, straight into my brain. What? I said, quite stupidly—not because I failed to understand her, but because I had no idea how she had come to hear of it.

You know perfectly well what I mean, she went on, relentlessly. "It is absurd, Isabella. You cannot go abroad again, and certainly not to any part of Eriga. They are at war there!"

I sought my chair once more, using the delay to regain my composure. That is an exaggeration, Mama, and you know it. Bayembe is not at war. The mansa of Talu dares not invade, not with Scirling soldiers helping to defend the borders.

My mother sniffed. "I imagine the man who drove the Akhians out of Elerqa—after two hundred years!—dares a great deal indeed. And even if he does not attack, what of those dreadful Ikwunde?"

The entire jungle of Mouleen lies between them and Bayembe, I said, irritated. Save at the rivers, of course, and Scirland stands guard there as well. Mama, the whole point of our military presence is to make the place safe.

The look she gave me was dire. Soldiers do not make a place safe, Isabella. They only make it less dangerous.

What skill I have in rhetoric, I inherited from my mother. I was in no mood to admire her phrasing that day, though. Nor to be pleased at her political awareness, which was quite startling. Most Scirling women of her class, and a great many men, too, could barely name the two Erigan powers that had forced Bayembe to seek foreign—which is to say Scirling—aid. Gentlemen back then were interested only in the lopsided trade agreement that sent Bayembe iron to Scirland, along with other valuable resources, in exchange for them allowing us to station our soldiers all over their country, and build a colony in Nsebu. Ladies were not interested much at all.

Was this something she had attended to before, or had she educated herself upon hearing of my plans? Either way, this was not how I had intended to break the news to her. Just how I had intended to do it, I had not yet decided; I kept putting off the issue, out of what I now recognized as rank cowardice. And this was the consequence: an unpleasant confrontation in front of my sister-in-law, whose stiffly polite expression told me that she had known this was coming.

(A sudden worm of suspicion told me that Paul, too, had known. Meeting with Lord Melst, indeed. Such a shame he was out when I arrived.)

It meant, at least, that I only had to face my mother, without allies to support her in censure. I was not fool enough to think I would have had allies of my own. I said, "The Foreign Office would not allow people to travel there, let alone settle, if it were so dangerous as all that. And they have been allowing it, so there you are. She did not need to know that one of the recurrent delays in this expedition had involved trying to persuade the Foreign Office to grant us visas. Truly, Mama, I shall be at far more risk from malaria than from any army."

What possessed me to say that, I do not know, but it was sheer idiocy on my part. My mother’s glare sharpened. Indeed, she said, and the word could have frosted glass. "Yet you propose to go to a place teeming with tropical diseases, without a single thought for your son."

Her accusation was both fair and not. It was true that I did not think as much of my son as one might expect. I gave very little milk after his birth and had to hire a wet-nurse, which suited me all too well; infant Jacob reminded me far too much of his late namesake. Now he was more than two years old, weaned, and in the care of a nanny. My marriage settlement had provided quite generously for me, but much of that money I had poured into scientific research, and the books of our Vystrani expedition—the scholarly work under my husband’s name, and my own inane bit of travel writing—were not bringing in as much as one might hope. Out of what remained, however, I paid handsomely for someone to care for my son, and not because the widow of a baronet’s second son ought not to stoop to such work herself. I simply did not know what to do with Jacob otherwise.

People often suppose that maternal wisdom is wholly instinctual: that however ignorant a woman may be of child rearing prior to giving birth, the mere fact of her sex will afterward endow her with perfect capability. This is not true even on the grossest biological level, as the failure of my milk had proved, and it is even less true in social terms. In later years I have come to understand children from the perspective of a natural historian; I know their development, and have some appreciation for its marvellous progress. But at that point in time, little Jacob made less sense to me than a dragon.

Is the rearing of a child best performed by a woman who has done it before, who has honed her skills over the years and enjoys her work, or by a woman with no skill and scant enjoyment, whose sole qualification is a direct biological connection? My opinion fell decidedly on the former, and so I saw very little practical reason why I should not go to Eriga. In that respect, I had given a great deal of thought to the matter of my son.

Saying such things to my mother was, however, out of the question. Instead I temporized. Matthew Camherst and his wife have offered to take him in while I am gone. Bess has one of her own, very near the same age; it will be good for Jacob to have a companion.

And if you die?

The question dropped like a cleaver onto the conversation, severing it short. I felt my cheeks burning: with anger, or with shame—likely both. I was outraged that my mother should say such a thing so bluntly … and yet my husband had died in Vystrana. It was not impossible that I should do the same in Eriga.

Into this dead and bleeding silence came a knock on the door, followed shortly by the butler, salver in hand, bowing to present a card to Judith, who lifted it, mechanically, as if she were a puppet and someone had pulled the string on her arm. Confusion carved a small line between her brows. Who is Thomas Wilker?

The name had the effect of a low, unnoticed kerb at the edge of a street, catching my mental foot and nearly causing me to fall on my face. "Thomas Wil—what is he doing here? Comprehension followed, tardily, lifting me from my stumble. Judith did not know him, and neither did my mother, which left only one answer. Ah. I think he must be here to see me."

Judith’s posture snapped to a rigid, upright line, for this was not how social calls were conducted. A man should not inquire after a widow in a house that wasn’t hers. I spared a moment to notice that the card, which Judith dropped back on the salver, was not a proper calling card; it appeared to be a piece of paper with Mr. Wilker’s name written in by hand. Worse and worse. Mr. Wilker was not, properly speaking, a gentleman, and certainly not the sort of person who would call here in the normal course of things.

I did what I could to retrieve the moment. I do apologize. Mr. Wilker is an assistant to the earl of Hilford—you recall him, of course; he is the one who arranged the Vystrani expedition. And was arranging the Erigan one, too, though his health precluded him from accompanying us. But what business of that could be so urgent that Lord Hilford would send Mr. Wilker after me at my brother’s house? I should speak with him, but there’s no need to trouble you. I will take my leave.

My mother’s outstretched hand stopped me before I could stand. Not at all. I think we’re all eager to hear what this Mr. Wilker has to say.

Indeed, Judith said faintly, obeying the unspoken order woven through my mother’s words. Send him in, Londwin.

The butler bowed and retired. By the alacrity with which Mr. Wilker appeared, he must have sprang forward the instant he was welcomed in; agitation still showed in his movements. But he had long since taken pains to cultivate better manners than those he had grown up with, and so he presented himself first to Judith. Good morning, Mrs. Hendemore. My name is Thomas Wilker. I’m sorry to trouble you, but I have a message for Mrs. Camherst. We must have passed one another on the road; I only just missed her at her house. And I’m afraid the news is unfortunate enough that it could not wait. I was told she would be visiting here.

The curt, disjointed way in which he delivered these words made my hands tighten in apprehension. Mr. Wilker was, quite rightly, looking only at Judith, save a brief nod when he spoke my name; with no hint forthcoming from him, I found myself exchanging a glance instead with my mother.

What I saw there startled me. We’re all eager to hear what this Mr. Wilker has to say—she thought he was my lover! An overstatement, perhaps, but she had the expression of a woman looking for signs of inappropriate attachment, and coming up empty-handed.

As well she should. Mr. Wilker and I might no longer be at loggerheads the way we had been in Vystrana, but I felt no romantic affection for him, nor he for me. Our relationship was purely one of business.

I wanted to set my mother down in no uncertain terms for harboring such thoughts, but forbore. Not so much because of the sheer inappropriateness of having that conversation in public, but because it occurred to me that Mr. Wilker and I were engaged in two matters of business, of which the Erigan expedition was only one.

Judith, fortunately, waved Mr. Wilker on before I could burst out with my questions unbidden. By all means, Mr. Wilker. Or is your message private?

I would not have taken the message privately for a hundred sovereigns, not with such suspicions in my mother’s mind. Please, I said. What has happened?

Mr. Wilker blew out a long breath, and the urgency drained from him in a sudden rush, leaving him sagging and defeated. There’s been a break-in at Kemble’s.

Kemble’s … oh, no. My own shoulders sagged, a mirror to his. What did they destroy? Or—

He nodded, grimly. Took. His notes.

Theft, not destruction. Someone knew what Kemble was working on, and was determined to steal it for their own.

I slumped back in my chair, ladylike dignity the furthest thing from my mind. Frederick Kemble was the chemist Mr. Wilker had hired—or rather I had hired; the money was mine, although the choice of recipient was his—to continue the research we ourselves had stolen in the mountains of Vystrana, three years ago. Research that documented a method for preserving dragonbone: an amazing substance, strong and light, but one that decayed quickly outside a living body.

The Chiavoran who developed that method was not the first one to try. What had begun as a mere challenge of taxidermy—born from the desire of hunters to preserve trophies from the dragons they killed, and the desire of natural historians to preserve specimens for study—had become a great point of curiosity for chemists. Several were racing to be the first (or so they thought) to solve that puzzle. Despite our best efforts to maintain secrecy around Kemble’s work, it seemed someone had learned of it.

When? I asked, then waved the question away as foolish. Last night, and I doubt we’ll get any time more specific than that. Mr. Wilker shook his head. He lived in the city, and visited Kemble first thing in the morning every Selemer. This news was as fresh as it could be, short of Kemble having heard the intruder and come downstairs in his nightclothes to see.

I wondered, suddenly cold, what would have happened if he had. Would the intruder have fled? Or would Mr. Wilker have found our chemist dead this morning?

Such thoughts were unnecessarily dramatic—or so I chided myself. Whether they were or not, I did not have the leisure to dwell on them, for my mother’s sharp voice roused me from my thoughts. Isabella. What in heaven is this man talking about?

I took a measure of comfort in the irreverent thought that at least she could not read any hint of personal indiscretion in the message Mr. Wilker had brought. Research, Mama, I said, pulling myself straight in my chair, and thence to my feet. Nothing that need concern you. But I’m afraid I must cut this visit short; it is vital that I speak to Mr. Kemble at once. If you will excuse me—

My mother, too, rose to her feet, one hand outstretched. Please, Isabella. I’m dreadfully concerned for you. This expedition you intend…

She must be concerned indeed, to broach such a personal matter before a stranger like Mr. Wilker. We will speak of it later, Mama, I said, intending no such thing. This truly is a pressing matter. I’ve invested a great deal of money in Mr. Kemble’s work, and must find out how much I have lost.

TWO

Frederick Kemble’s—Synthesis—The symposium—Lord Hilford—Natalie’s prospects—Two weeks

Being a recluse is not good for one’s conversational agility. I was accustomed to thinking over my words, revising them, and writing fair copy before sending the final draft of my letter to its recipient. My comment accomplished its intended purpose—she let me go at last, with Judith’s polite farewells to fill in the awkward gaps—but my satisfaction faded rapidly as I went out into the street. I fear I will regret that, I admitted to Mr. Wilker, pulling on my gloves.

I don’t think you’ve lost much of your money, he said, raising his hand to signal a hansom on its way to the nearest cab stand.

Sighing, I drew his arm down. My carriage is across the street. No, I don’t mean the investment; I don’t regret that in the least. Only that I said anything of it to my mother. She is determined to see bad judgment in everything I do nowadays.

Mr. Wilker did not respond to that. Although we were on more cordial terms by then, we were not in the habit of sharing our personal troubles with one another. He said, All is not lost, though. Kemble took his current notebook upstairs with him last night, so that he could read over his thoughts as he prepared for bed. His wife may deplore the habit, but in this instance it’s been a godsend.

(To those of my readers who flinch at minor blasphemies of this sort: I must warn you that there will be more ahead. Mr. Wilker restrained his language around me in our Vystrani days, but as we grew more comfortable with one another, he revealed a casual habit of naming the Lord. If I edited his language here, it would misrepresent his character, and so I pray you pardon his frankness, and mine. We were neither of us very religious.)

Mrs. Kemble was no resentful housewife; she worked alongside her husband, handling the practical matters of ordering and measuring chemicals, while he spent hours staring at the wall and chewing on the battered tail of his pen, mind lost in theoretical matters. But she believed in a separation of work from daily life, and I—who, you may have noticed, am more of Frederick Kemble’s mind—blessed her failure to break him of his habits.

I said as much to her when we arrived at Kemble’s house and laboratory in Tanner Fields, and got a dry look that did not entirely hide the nervous aftereffects of the intrusion. I appreciate that, Mrs. Camherst, but I’m afraid it didn’t save the glassware.

May I see? I asked. Mrs. Kemble led us into the cellar, presently in a state of half gloom, the only light coming in by the street-level windows. It was enough to show the destruction: shattered glass everywhere, measuring instruments bent and smashed. A chemical stink flooded the air, despite the open windows and a boy outside cranking a device to ventilate the room. They had not merely taken Kemble’s notes; they had also done what they could to delay his further progress.

I held my handkerchief over my nose and said, Mrs. Kemble, I am so very sorry. If you send a letter to my accountant, I’ll see to it that you’re reimbursed for what you’ve lost. It can’t restore your peace of mind, but— I gestured helplessly. It can at least replace the glassware.

That’s very good of you, Mrs. Camherst, she said, mollified. Kemble is upstairs; I needed him out from under my feet while I sort out what’s broken and missing. Lucy will make you some tea.

Mr. Wilker and I went obediently up to the parlour, where we found Frederick Kemble scribing furiously onto a loose sheet of foolscap. Others like it were scattered across the table and the floor, and Lucy, the Kembles’ remaining unmarried daughter, was trying to find a clear space to set down a tray containing not only tea but a stack of blank paper. She saw us come in and touched her father’s elbow. Papa—

Not now—let me— He jerked his head in a motion I thought was meant to stand for a wave of his hand, his actual hands being occupied in note-taking.

Lucy retreated to our side. What is he doing? I asked, not daring raise my voice above a murmur.

Writing down as much as he can remember, she said. From the notebooks that were taken.

After three years’ work, the process for preserving dragonbone must have been engraved on the inside of his eyelids; I had it memorized, and I was not even chemist enough to understand what most of it meant. As for the rest—Mr. Wilker said the most recent notebook was not taken, yes? So long as we have that, the older notes do not matter half so much. Most of them were obsolete by now, documenting failed experiments.

Lucy spread her hands. He says even the old notes are important—that he likes to look over them from time to time.

She went off to fetch more teacups, and then Mr. Wilker and I settled in at the far end of the parlour to hear Lucy’s account of the break-in and the investigation thus far. By the time she finished, Kemble was ready to pause in his work and acknowledge the rest of the world.

If they’d come before the Sabbath… he said, clearly grateful they had not. His daughter presented him with a cup of tea, which he took and drained absently. I was looking back through the old notebooks during lunch on Eromer, and something there caught my attention. Last year, I—

Mr. Wilker, who had long since learned to recognize the warning signs, cut him off before he could descend into a thicket of scientific language I would not understand in the slightest. The body of our collective knowledge has grown so rapidly in my lifetime that although I am accounted an extremely learned woman, there are whole fields I know very little of; chemistry is one such. It was not a part of young ladies’ curricula in my youth, and my self-education had gone in other directions. Mr. Wilker therefore diverted our chemist to the points he knew I would care about. You said something about that this morning, yes. It gave you an idea?

I think so, Kemble said. It’s only a thought so far; it will take a great deal of testing. But I may have an idea for synthesis at last.

Had that not been the fifth time I heard those words from his mouth, I would have been more excited. It was, after all, the purpose for which we had hired Kemble. We knew how to preserve dragonbone; that was no longer a challenge. But Mr. Wilker and I, discussing the matter three years ago, had seen the peril in that

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