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Wanderers
Wanderers
Wanderers
Ebook341 pages6 hours

Wanderers

Rating: 3.5 out of 5 stars

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The Emmy Award nominee and Edgar Award-winning duo return readers to the postapocalyptic teen world, the Wasteland, in this thrilling sequel. Bestselling author of Criminal, Karen Slaughter, called Wasteland "a Lord of the Flies for future generations. An irresistible page-turner."

The former citizens of Prin are running out of time. The Source has been destroyed, so food is scarcer than ever. Tensions are rising . . . and then an earthquake hits.

With heart-pounding adventure and suspense, the stakes are even higher for Esther, Caleb, and the rest of their clan. They're pinning all their hopes on the road . . . but what if it's the most dangerous place of all?

LanguageEnglish
PublisherHarperTeen
Release dateMar 25, 2014
ISBN9780062118561
Author

Susan Kim

Susan Kim & Laurence Klavan cowrote the graphic novels City of Spies and Brain Camp. Susan is also a five-time Emmy nominee for her work in children's television and a Writers Guild Award winner for best documentary. She wrote the stage adaptation of Amy Tan's The Joy Luck Club, teaches writing at Goddard College, and is a blogger for the Huffington Post. When she was growing up, her family moved a lot, and the combination of being a) shy, b) the constant new kid, and c) the only Asian meant she was often picked on. In Guardians, she explores her thoughts and feelings about not just bullies but how others deal with them . . . and learn to stand up for themselves. Laurence has also written the novels The Cutting Room, The Shooting Script, and the Edgar Award-winning Mrs. White and a short-story collection, The Family Unit and Other Fantasies. He received two Drama Desk nominations for the book and lyrics to Bed and Sofa, a musical produced by New York's Vineyard Theatre. Laurence was the baby in his family, the youngest of four brothers; even his twin brother was two minutes older. He learned that having little expected of you can be a source of power. So does Esther in Guardians: she has to finally accept being a leader of people before it's too late. She is sixteen, after all.

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  • Rating: 4 out of 5 stars
    4/5
    It's hardly controversial to say that many Americans hold idealized views of the nineteen fifties, but Richard Price's "The Wanderers" still feels, at times, like a desperate attempt to correct parts of the historical record before they descend completely into pompadoured schmaltz. It's gritty and foul-mouthed enough to be accused of being mere exploitation, but it's also a welcome reprieve from representations of the era that don't get too far past tailfinned Caddys and doo-wop hits. Its dominant emotions, both in the domestic sphere and in the gang-patrolled streets, are fear and anger, and Price's writing, while hardly polished, often achieves a shocking immediacy that serves the material very well. While his transcription of his characters' lively, filthy talk is often very funny, the book itself is almost unrelentingly grim, particularly its heartbreaker of a an epilogue. The author seems to want to remind the reader at every turn how few resources -- both emotional and financial -- most of these kids have at their disposal. "The Wanderers" can hardly be called a psychological novel: full of hormones and violent emotion, it's characters don't seem to weigh consequences or to question the hugely imperfect lessons handed down to them by their parents. Quite frankly, it's difficult to tell many of its central characters apart, and while this was Price's first novel, that might not be entirely unintentional. The book's focus is on gang and neighborhood, not on the internal struggles of any individual. There may be some reportage going on here, too: much of the book reads like an overheard anecdote, and a lot of the (rather unbelievable) gang lore that Price includes here could be used as a visitor's guide to the rough part of town.Even so, for all its rough language and heavy subject matter, the book can't help but feel a bit nostalgic. The music -- and Price mentions dozens of songs and pop artists -- and the styles described pinpoint the book's temporal setting. It's also a novel that is, in some ways, about impermanence. The connection that the Wanderers feel with each other is real, but as events unfold, it becomes clear, even to them, that their dissolution is inevitable. Taking this a bit further, it could also be mentioned that this book's characters are also drawn largely from a population -- working class, urban-dwelling white ethnics -- who would be largely gone from New York in a decade or less, as anyone who could fled the city for the suburbs and their respective ethnic identities became mostly assimilated into monolithic American whiteness. Written a little less than fifteen years after these fictional events would have played out, I kind of wonder if the setting in which "The Wanderers" takes place already seemed impossibly distant on the day that it was published. Hardly a masterpiece, but at times brutally funny, sad, and effective. Recommended to readers seeking out literary thrills, tales of doomed youth, and antidotes to "Grease," "West Side Story" and Sha Na Na.
  • Rating: 3 out of 5 stars
    3/5
    I wanted to read the Wanderers because I enjoyed the first book and wanted to see what became of the village and especially of Ester and Caleb. I didn't remember a whole lot about it but the beginning does a good job of a short summary without feeling the info dump weight. We quickly got a handle on the characters again and their relation and thoughts about one another. One thing that still bugs me but I got used to was the weird perspective, I guess shifting third person but it seems to focus in a lot and then all of the sudden jump to another person with little to no warning or transition. I liked Caleb in this one, he is the strong type who leads and really thinks about other people and the well being but especially his relationship with Ester. Their little family including the baby from his deceased first wife (they don't live past teen years from something in the water or atmosphere, so family life happens early in this world set-up). Some of the same characters--Joseph and Sakar are in this one as well and we get more of a sense of their character, history and their attachment to our strong, compassionate Ester. She went through so many changes, losses and horrors but she still thinks of others and people look up to her. We also get some new secondary characters or get a character from the first and shine a new light on them where you can't help but admire. There was a lot going on in the romance department and not only for Ester, there was relationships brewing that I would have never speculated and others that were sweet in a way and then almost wrong in others. But all of this was kind of put on the back burner during the day, but when they stop on their journey for the night, they blossom. The bad guys were pretty cruel and I wanted to smack them in the usual fashion, but let me say that they get what's coming to them all in their own ways. There are some betrayals and schemes that they walk into because they don't have much of a choice. But as far as who works against them, Mundreel really took me by surprise but I almost pitied the kids until they took unnecessary measures. There were a few plot developments that I saw coming and almost hoped for but then again its so bittersweet that its hard even in its good news sense. There were some twists that took me by surprise and wasn't at all what I was thinking the story was going to go, but I can also see how it is a good stage for the next book to wrap up some things that are still not tied up. Also, thank goodness, we do get some insight on what happened to the world and water. It actually seems in the realm of possibility which really makes a chill go down my spine. Thanks to Joseph and his inquisitive nature that not only gives a point of reference and someone that isn't the normal in this world but shows Ester's protective nature and that she sees past things that others can't. Which started at a young age with her friendship with Skar. Speaking of whom, I loved how she was developed in this one, and I liked "getting into her head" as much as you can with the shifting narrative, but I loved the growth in her and the confidence that she gains in this book. This book was fast paced and kept my attention but I did feel like a dystopian Game of Thrones where people that I like are killed off, and I could scream. There are a few people that should be safe and then others that we want to be, but Kim and Klavan didn't hold things back. I can see how it helped them in the future to make certain alliances and that I couldn't help but like some of the characters that got more of a feature in romantics as a secondary character because of the deaths. The ending was good but I feel like a lot about Mundreel was rushed and not very well elaborated on, but I do know that I want to read the book and see what happens with the new struggle of power, and what Ester will do next for her friends, the strays they picked up along the way, and working towards not only survival but a better quality of life. Bottom Line: Fast paced account of the group of Prin citizens looking for a better life.
  • Rating: 5 out of 5 stars
    5/5
    I loved this book! I did not know it was part of a trilogy when I picked it up at the local used bookstore. I was still able to follow the plot even with it being part 2 of the series. I could not put it down and finished it in about 6 hours while waiting at the hospital with my husband.
  • Rating: 4 out of 5 stars
    4/5
    The Wanderers by Richard Price was a first novel written in 1974 and draws on his teenage years around the Bronx street gangs of the early 60’s. It became a successful movie in 1979, which like the book went on to be a cult classic. Richard Price went on to write many other street crime stories such as Clockers and many successful screenplays as in The Colour of Money..The story follows the last months of members of a teenage street gang called The Wanderers. These are an all-Italian gang comprising of 27 members. They wear bright yellow/brown jackets and blue jeans. Their leader, Richie, is dating Despie Galasso, the daughter of an infamous mobster, so The Wanderers have connections We also get involved with the fights and alliance of the other local gangs such as•The Fordham Baldies: As their name suggests, they are all bald, reportedly to prevent their hair from getting in their eyes during a fight. •The Del Bombers: The toughest all-black gang in the Bronx. •Ducky Boys: An all-Irish gang , all short- 5'6" and under and the most vicious•The Wongs: An Chinese gang, all with the last name of "Wong" and highly skilled in Jiu-JitsuBut it’s more then being in a gang as we explore their relationships, schools, neighbourhoods and often dysfunctional families. Its not a book for the politically correct or maiden aunts, you get unfiltered real street language and behaviour and no moral judgements by the author. The bad aren’t punished and the good rewarded, its left messy as in real life. The story whilst a novel is structured like a series of inter connected short stories so characters pop in and out of the set events as we move through the lives of the gang members. I should add apart from the high energy dialogue many of the scenes are funny,( ask me about the lasso, stone and what was tied to the rope when thrown over a bridge!) sad and even chilling. Well worth reading
  • Rating: 5 out of 5 stars
    5/5
    Started the book this morning and finished it this afternoon. It is about a gang in 1960s Brooklyn. After reading this and the Chocolate War books, it makes me realize that "real" characters such as Archie Costello and Dougie Rizzo scare the hell out of me way more than Pennywise and other horror characters ever could.

Book preview

Wanderers - Susan Kim

PART ONE

One

A RAVAGED STREET RAN THROUGH WHAT WAS ONCE A BUSTLING SUBURB. There were no signs of life; even the treetops were motionless, etched in black ink against a dirty-yellow winter sky.

A flicker of movement broke the stillness.

It came from a hedge by the side of the road, overgrown and dying, its tangled branches spilling onto the sidewalk. The foliage trembled again, and a moment later a girl in battered sunglasses and a torn red hoodie emerged from its depths. She wore a leather quiver across her thin chest and a fiberglass bow dangled from her hand.

It was a January morning and so the air was relatively cool. Even so, Esther’s throat was parched and she could feel sweat trickling down her back. She had been tracking her prey for nearly two hours, and it was painstaking work. This kind of patience, careful and focused, had never been her strength. She preferred action, and as unskilled as she was at killing, she was tempted to rush forward now and attempt an attack. Yet there was too much at stake to fail, so she forced herself to remain still.

Her target was across the street. It was a large animal, shaggy with gray, bristled hair, a feral pig that was making its way past the abandoned houses that lined the street, grunting as it rummaged for food.

This was a rash choice, the girl knew. Even to an experienced hunter, a pig was formidable prey, surprisingly fast for its size and dangerous when cornered. But such a beast could feed her family and friends well for weeks. And what Esther lacked in hunting skill, she could make up for in stealth.

Or at least she hoped.

Moving noiselessly in her shredded sneakers and staying upwind so the animal wouldn’t catch her scent, Esther managed to keep distant pace as the pig continued to root its way through the trash that spilled from open doorways and abandoned cars. She only moved when the animal was distracted, when it paused to nose through the sections of broken pavement that exposed tree roots and red clay. At such moments, she tried to imitate one of the many cats owned by her friend Joseph: moving in tiny yet swift increments, freezing after each time.

Even so, it seemed impossible to get close enough to draw an accurate bead on her target, much less get off a good shot. Esther had only three precious arrows with her, spindly feathered shafts that were so weightless, she had to keep checking her quiver to make certain they were still there. She would likely need all three to finish the job, and that was only if she was lucky enough to immobilize the animal with her first shot. And arrows were growing rarer by the day.

As if it could hear her thoughts, the pig now raised its head and Esther again froze. She could see its tufted ears twitching as it gazed around. Its obsidian eyes seemed to slide over her, unseeing. Then, with a grunt, the creature turned and ambled past the overgrown yard and into the woods that lay behind the house.

Across the street, Esther swore under her breath.

But there was perhaps still hope. The pig was trotting, not galloping. That meant it wasn’t frightened; clearly, it hadn’t seen her. Gritting her teeth, Esther took off across the street in pursuit.

The small forest was carpeted with dead leaves and household trash, piles of moldering clothes, and filthy and broken bits of furniture and plastic. It was as if the garbage had leaked out of the house it surrounded, like putrescence oozing from a dead thing. In addition, the woods were choked with vines and fallen branches, making it difficult to navigate.

Still, it wasn’t hard to guess where the pig was headed. Esther could hear the steady sounds of its progress in the distance: twigs snapping, leaves swishing. Feeling reckless, she put on speed; and it was a pleasure to move swiftly, to hurdle dead trees and push past branches that whipped her face. Then she stopped short.

To her surprise, she found she was much closer to the animal than she had thought; it was no more than a few body lengths in front of her, partly hidden by a mound of leaves. It had its head down and appeared to be rooting, too immersed in whatever it had found to notice her, to even look up.

Inwardly rejoicing, Esther forced herself to slow down as she approached the leaf pile from behind a tree. To lose this advantage due to overeagerness would be terrible indeed. Barely daring to breathe, she drew even closer, and the pig had still not moved away.

She was almost upon it.

Esther took an arrow from her quiver and fit it to the bow. Then, in one swift movement, she raised the weapon to her shoulder as she pulled the bowstring back past her cheek and stepped around the tree, aiming downward.

The pig did not see her. Its head was turned away, butting something with its snout as it made a soft sound that was half grunt, half chuckle. Beneath it, nuzzling its underbelly, was a smaller version of itself, faint stripes visible on its still-soft fur.

The pig was a female, a mother nursing her child. And even as Esther took aim at the animal’s heart, so close she swore she could see it beating beneath the shaggy pelt, she was shocked to find herself trembling, her aim wavering.

She hesitated, confused. Then she steeled herself, trying to shake off the feeling. But it was no good.

Esther had no false sentimentality about the wild animals that roamed the streets of Prin. And she needed no reminder of the urgency of her situation. Until recently, it had been disease that everyone feared. The illness, carried in water, was both invisible and inevitable; it meant no one lived past the age of nineteen.

But in the past few weeks, it was hunger that threatened to kill them all. And it would strike, regardless of age.

Even now, Esther knew her loved ones awaited her at home, starving a slow yet certain death—as was she, as was everyone else in the town of Prin. Yet for reasons she could not explain, Esther felt her grip on her weapon weaken. Then she lowered the bow.

Trembling, Esther stepped behind the tree, out of sight. She was about to stumble away when she sensed someone watching her.

Several yards away, a figure stepped into a shaft of sunlight. Androgynous and small of stature, the person had sun-darkened skin and a bald head that were covered with an ornate pattern of scars and primitive tattoos that acted as a kind of camouflage. The bulging lavender eyes placed far apart crinkled as the creature smiled, revealing a mouthful of tiny teeth.

It was Skar.

Esther was about to exclaim, surprised as she was to encounter her oldest friend, whom she had not seen in many weeks. But the other one silenced her with a finger to the lips, first gesturing toward the nursing sow, then indicating that they should leave the woods. Esther understood and fell into step behind her.

As they walked, Esther’s joy at seeing Skar was tempered by the shame she felt knowing that her friend had most likely witnessed her inexplicable cowardice. The variants, after all, were skilled trackers and hunters; and while Skar was never cruel, she would surely tease her friend about her odd behavior. Esther tried to explain her jumbled feelings once they had made their way to the street, but the other girl cut her off.

You were wise to leave that one alone, Skar said. Her voice was unusually somber. There is nothing more dangerous than a mother. If you attempt to kill one, you must do it in a single stroke, without hesitation. Otherwise, she will take advantage of your doubt and kill you instead.

There was a pause. Then, her lecture over, Skar smiled. It’s so good to see you, Esther.

Yet when Esther tried to hug her, Skar flinched and drew back. At first, Esther was puzzled, then hurt, as a familiar wave of sadness washed over her.

The two girls had been best friends since early childhood, their relationship flourishing in spite of the tension between their two communities. It was a tremendous relief to both when the variants and the norms had reached a sort of truce in the past few months. Real distance between them had only come about recently, seemingly overnight, and for reasons more personal than either could have anticipated.

It happened when both girls became partnered.

It was to be expected, Esther now thought with a pang. After all, they weren’t children anymore; she and Skar were both well into their middle years, fifteen, and so they had both chosen mates. Life wasn’t meant to be the same after you were partnered.

Or was it?

After partnering with Caleb, Esther felt the same as ever, only stronger and happier. The love she felt for Caleb was still new and remarkable, constantly astonishing her with its depth and power. Beyond that, nothing had changed; she was still the person she had always been.

It was Skar who seemed different, who had become remote and formal after partnering with Tarq. It was she who had broken off the relationship with Esther, without warning, and who until now had avoided her oldest friend.

Esther shook off her misgivings. Skar was here and there was no telling when the two would see each other again. It seemed foolish to waste any of their precious time together on hurt feelings. Instead, she clasped Skar by the hands.

It’s good to see you, too.

Although Skar squeezed her hands back, Esther again sensed a slight awkwardness, something unspoken that confused her. While the variant girl seemed happy to see her, there was an odd restraint to her manner, a formality that seemed strange compared to her usual affectionate behavior. But as they walked through the familiar and desolate streets, Skar began to relax and soon seemed more like her old self.

The two talked of family and friends, and of the terrible famine that was gripping the area. The shortage was starting to affect even the variants, who had never before needed to rely solely on hunting for food. The situation had grown so dire that Skar’s partner, Tarq, had allowed her to leave the variant camp that morning in search of game. On an impulse, she had decided instead to visit Prin.

As Skar talked, Esther noticed something odd. Skar, like all variants, wore nothing but a short, sleeveless tunic. Other than a few bangles, wristwatches, and a necklace made of braided leather, her ornamentation consisted of the elaborate scars and designs etched on her skin with pigments pounded from rocks and rubbed into fresh cuts. But now, there was something different about her throat and upper arms. They were heavily daubed with what looked like dried and cracking patches of red clay.

What’s that? Esther interrupted, reaching out.

But again Skar flinched, ducking away before Esther could touch her.

It’s nothing. Then she changed the subject. Here, she said, nodding at the weapon Esther still held in her hand, you need help with that. If you like, I can teach you how to shoot better.

The girls spent the afternoon practicing how to aim, draw, and release the bow. For a target, they used a sodden and stained mattress they found in the gutter. It was soft enough not to blunt the tips of Esther’s precious arrows, which they retrieved and wiped off after each use. Then Skar took her into the woods and taught her how to identify rabbit warrens and squirrel nests and opossum scat.

If you’re hunting something, she explained, it’s usually better to lie in wait than to try chasing it down.

By the time the sun was low in the winter sky, Skar had managed to shoot three quail and a rabbit. She took her time aiming the shiny black bow that was half as tall as she was, never wasting any of her arrows. After many failed attempts, Esther also managed to kill one squirrel, something that felt at the moment like an enormous achievement. Yet now, as she weighed the small body in her hands and imagined attempting to feed four people with it, she was filled with a feeling of utter hopelessness.

Skar must have thought the same thing, for without speaking, she handed over the two fattest birds. And while Esther normally would have refused such charity, she now bit her tongue and accepted them, nodding her thanks.

As the two girls said good-bye, Skar promised she would try to visit again soon. Yet despite her generous gift and warm words, the variant girl once more kept her distance, avoiding Esther’s embrace. This made Esther wonder whether Skar, who she once thought incapable of lying, was telling the truth. Such conflicting thoughts filled Esther’s mind as she watched Skar mount her bike and take off, pedaling powerfully until she disappeared from sight.

Esther was brooding about Skar when she sensed rather than heard someone approaching her from behind. Before she could whirl around, she felt a quick tug on the back of her hair, where it was the shortest and spikiest; and she broke into her first real laugh of the day.

Hey!

Caleb had pulled up next to her on his bicycle, smiling. He stopped so he could gather Esther into his arms for a kiss. Then she pulled away to look at him.

Even though they had been partnered for several months, it was astonishing how he still looked new to her, like she was seeing him for the first time: the hazel eyes, the dark, tousled hair. It was, she decided, a little like falling in love again each time she saw him, although she would never say it out loud. Even so, she could not help but notice with a fresh pang his terrible gauntness, the shadows that hollowed his face and made the underlying bones protrude so painfully.

But he had already seen the game hanging from her belt and gave a low, admiring whistle. You catch all those yourself?

Only the one, Esther admitted, indicating the squirrel. Skar came to visit and helped me with my shooting. Then she gave me these.

Caleb nodded as he handled the birds. She’s a good friend. I just hope it don’t get her into trouble at home.

Esther didn’t ask how Caleb’s day of Gleaning had gone; she didn’t need to. His backpack seemed almost as flat as it had been that morning. Still, he had had some luck; he had Gleaned a dusty box that read DOMINO SUGAR on its faded label.

Gleaning was what they used to do, what everyone did in Prin, in the old days. It entailed breaking into abandoned buildings and searching them for anything even remotely of value. You would bring whatever you found—old tools and clothing, as well as books, weapons, and strange objects of plastic and metal whose purpose no one even pretended to know anymore—to the Source in exchange for clean water and food. It was the only way they knew how to feed themselves and the only sustenance they ever had: packets and jars of dried beans, flour, coffee, honey, salt. But the Source had burned to the ground two months ago. Since then, the people of Prin had been forced to Glean to feed themselves.

Of course, it was pointless. There was little to be found anywhere and most of that—the rare can of vegetables, soup, or fish—had long since rotted to poison. Everything in Prin, every house and office building and store, had been picked clean months, even years ago. But the habit of Gleaning proved hard for people to break. It gave them the feeling, Esther thought, of doing something besides waiting for death.

When they reached home, the shattered building at the end of the main street called STARBUCKS COFFEE, Esther held the bicycle and waited. Caleb scaled the fire escape and then the gnarled tree in front, checking the squirrel traps he had set that morning. It was more ritual than anything; the traps were useless because there was never any food with which to bait them.

But at least for now, there would be fresh meat for dinner. If they were sparing in their portions, they might even save one of the quail, which would keep for another day. For there was no telling when and where their next meal would come from.

Caleb dropped back to the ground as Esther pushed open the front door, hanging crookedly on broken hinges. Upstairs, she could hear Caleb’s son, Kai, crying; as always, the sound made her insides clench with anxiety. She could also hear the murmuring of their friend, Joseph, who was trying to soothe him. Joseph was an awkward soul with more good intentions than talent for nurturing. She could picture him holding Kai in his arms, rocking him while trying to get him to suck on his favorite toy, the ring made of clear rubber with tiny plastic fish bobbing inside. It was the only way any of them knew to distract the child from his hunger, even for a short while.

By the time they made it upstairs, Kai’s cries had subsided to hiccups. Joseph, flustered, was pacing, the baby held close to his shoulder.

Please, Esther said. Let me take him.

Relieved, Joseph relinquished the child, and Esther took him in her arms. Kai was soft, warm, and surprisingly heavy.

There, she whispered into the baby’s neck. That’s a good boy.

But it was a mistake. The boy’s eyelashes, long and dark and dappled with tears, fluttered open. He opened his mouth and despite Esther’s best efforts, he began to wail once more, his face turning red.

How could anyone calm a hungry baby? she wondered, stricken.

It seemed impossible.

It was so hot.

Esther was bound, her arms and legs crushed close to her body, struggling to break free. Around her, the walls of her prison pulsated in a powerful rhythm. She could not breathe and was filled with panic, fighting for breath; she would suffocate from the heat.

She tried calling for help, but it was no good. When she shouted, her voice was inaudible, like the mewing of a kitten, and her words were sucked away from her.

The redness behind her eyes seemed to bloom into an obliterating brightness as Esther sensed the walls around her start to give. Her lungs exploding, she fought her way through the shimmering wall in front of her as she broke free.

And then she was safe. As she took in shuddering gasps of air, she was enveloped in arms that were warm and gentle. Far above her, she sensed a face gazing down at her own, a face that was both kind and strong.

Esther wanted to see who it was. She needed to see for herself, once and for all, the face of her rescuer.

Her mother.

But she could not make out her features.

Esther jolted upright. In the moonlight, Caleb lay next to her in bed, awake. He was propped up on one elbow, watching her.

What were you dreaming about? he said.

Already, the images of her dream were rushing away. I think it was my mother, Esther said. I never knew her. But I guess nobody does.

Caleb nodded and Esther realized too late that he might be thinking of his first partner, Miri. She had been murdered the year before when her son, Kai, was only an infant. But Caleb gestured for her to keep talking and, after a moment, she did.

I wonder who she was. Moonlight streamed in the curtainless window, casting shadows on the bed. Just a girl, I reckon. Nobody special. I bet she wanted to take care of me. Protect me from bad stuff. Keep me fed. The only one who did that for me was my sister.

At the mention of Sarah, Caleb spoke up. You were lucky.

Silence filled the darkness between them. Esther knew he was thinking about his older brother, Levi: ruler of the Source, provider of Prin, and his enemy. She had never learned what happened between the two boys on the day of the fire that destroyed the Source and killed Levi; Caleb never spoke of it. But it was clear it still haunted him.

She touched his cheek, cradling it in the warmth of her hand. It had been forever since they had last spoken like this, just the two of them. The apartment had become so crowded, it seemed, with so many things and people to look after.

We’ll take care of each other now, Esther said.

He seemed to have the same thought, for they turned to each other at the same time. Caleb kissed her cheek, then her lips. She responded, her hand moving beneath the sheets, caressing him.

I love you, he whispered.

It had been so long, too long, since they had last touched each other; they both missed it too much to say. Esther clung to his shoulders, shifting to be beneath him. Caleb yanked the sheet from her, pulling her oversize T-shirt above her knees, and higher.

Then he stopped.

What is it? she whispered, her arms around his neck. But he was alert to something she did not understand.

Then Esther became aware of it, too.

It was smoke.

Joseph had thought the cats were just being friendly.

As he lay asleep, Stumpy had begun kneading him, digging her claws into his leg. Then Malawi stood on his chest and started to scream.

Groggy, he had tried to shoo away and silence them, to no avail. Then he attempted to ignore them, burying his face into his pillow.

This had been the first night Joseph had managed to get much sleep in Esther and Caleb’s apartment. Following the destruction of his home, he’d found out that living with other people took getting used to: It was certainly more difficult than just existing alongside animals. His first nights on Esther and Caleb’s lumpy living room couch had been miserable bouts of tossing and turning, as he thought longingly of his cluttered rooms in the deserted hotel, full of his books, clocks, homemade calendars, newspaper clippings, and, most precious of all, his solitude.

Naturally, he was grateful to Esther and Caleb for taking him in, along with his ten cats and the few books he had been able to save. Still, he mourned the loss of his old life.

Now, even as his breathing slowed and he began sinking into his first real dream in what felt like months, Joseph was dragged back to consciousness, almost literally, by Stumpy’s insistent scratching and pummeling.

Mahhh! Malawi yowled, not giving up, either.

At last, Joseph sat up, exasperated, his hair standing on end as if awakened, too. Stumpy held on to his thigh, undeterred.

"What is it!" he exclaimed.

Then he smelled it. Something was burning.

His eyes already stinging, Joseph remained upright in bed for a few moments, stunned and immobile. Then he kicked off the covers, scattering his cats.

Moonlight revealed that smoke was billowing across the floor in dense waves. Caleb and Esther had already come in, Esther holding a lit candle as she carried the still-sleeping Kai. Caleb was going from room to room, looking for the fire. When he returned, his face was grim.

It’s downstairs, he said.

Esther was at the window, opening it to the night air. In her arms, Kai had awoken and was beginning to whimper. Coughing, Joseph began shepherding his cats across the windowsill and onto the fire escape, but they needed little encouragement. Soon, everyone was outside on the rickety metal staircase, climbing down toward the sidewalk.

Caleb had already dropped to the ground and entered the front door. Once Esther was able to hand the baby to Joseph, she joined him. Inside, a small but smoky fire was burning in the back of their storefront, at the foot of the stairs. Large pieces of soot blew through the air.

Puzzled, Esther stood by Caleb’s side. The fire was nothing more than damp paper and twigs, which explained all the smoke. As a result, it hadn’t burned very hot and was in fact dying, unassisted, at their feet.

Who would do this? asked Esther.

Caleb shook his head, bewildered. Then there was a shout from outdoors.

On the sidewalk, Joseph was so agitated, he could barely get the words out. With Kai in his arms, he pointed at the open window above them and then down the street.

A boy. Someone. He jumped down and ran!

Understanding dawned on Caleb’s face.

He must’ve been hiding in the stairs, he said. When he set the fire, he figured we’d go out the window. That gave him time to go upstairs.

To do what? Esther asked.

Steal.

Esther was uncomprehending. It made no sense that someone would go to so much trouble.

Caleb shrugged. All he got was flour. And it’s mostly rotted. There’s nothing to do but go back to bed.

Indignation flared in Esther’s breast. But it’s wrong.

Caleb placed a hand on her shoulder. Let it go.

But she would have none of it. Then another thought struck her. The extra quail we saved. The one Skar gave us. After all the time she and her friend had put in that day, the thought of anyone stealing their supplies, as meager as they were, made her doubly furious. She turned to Joseph.

Watch the baby, she said. Please.

And with that, Esther took off in the direction her friend had indicated, still barefoot and wearing only her oversize T-shirt. Unable to stop her, Caleb had no choice but to follow.

Esther sprinted down what remained of the central street of Prin, Caleb close behind. Clouds darkened the sky and made it hard to see; still, they barreled past the devastated storefronts that served as makeshift homes for the rest of the town.

Esther stopped and, after a moment, Caleb caught up with her. He had never fully recovered from the old arrow wound in his chest;

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