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Words Fail: Confessions of an Incurable Romantic
Words Fail: Confessions of an Incurable Romantic
Words Fail: Confessions of an Incurable Romantic
Ebook125 pages35 minutes

Words Fail: Confessions of an Incurable Romantic

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A collection of original poems concerning matters of the heart, and the relationships between a man and a woman.

LanguageEnglish
Release dateJun 30, 2012
ISBN9781476131832
Words Fail: Confessions of an Incurable Romantic
Author

Clyde B Northrup

Who am I?–a question I often ask myself, without ever coming up with a satisfactory answer: am I just a husband, father, professor, scholar, writer, poet, or some combination that changes from moment to moment, depending on the day, and time of day. . . . Nah, not really–but it is an intriguing way to begin–kind of mysterious and tormented, with a hint of instability that promotes empathy in the reader, and lets all of you know that I am a professor of English, down to my bones, and I cannot help but play around with language. My areas of specialty are 19th-20th century British Literature, the novel, Tolkien & fantasy; my dissertation was on Tolkien’s 1939 lecture “On Fairy-stories” in which he created a framework, as I discovered, for the epic fantasy that I used to critique several modern/contemporary works of fantasy, including Tolkien’s. I have taught at the university level for 14 years. My wife, of 30+ years, is an elementary school teacher.As a poet, I am much like Wordsworth, while as a novelist, I am more like his pal Coleridge, both of which illustrate the influence of my education and areas of expertise. My poems are predominantly narrative in nature, reflecting, no doubt, the overwhelming impulse to tell a story, using the compact, compressed form of the poem to narrate significant moments in the daily life of the poet. As a novelist, my biggest influence is Tolkien, flowing out of my study of his ideas for what he called a “fairy-story” for adults, what we term epic fantasy.

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    Book preview

    Words Fail - Clyde B Northrup

    Words Fail

    Words cannot express my feelings

    for words fail to

    plumb

    the depths fail to

    climb

    the heights fail to

    walk

    the breadth

    fail.

    To say feelings are longest

    length–too short widest

    width–too narrow highest

    height–too low deepest

    depth–too shallow.

    For feelings are like the electron

    engineer would measure which

    escapes

    before it can be

    measured.

    The word we use–love–elusive

    electron. Try to hold it, we

    lose it, let it go

    it remains. Love

    carries

    much baggage–most words do–

    leftover meanings

    showing

    those who tried before as much

    at loss as we. Greeks, philosophers, authors

    of thought, logic, reason

    divided

    love three ways

    failed

    effort to describe. Linguists

    argue

    love carries roots–endearment

    caring esteem trust

    permission desire–but those words

    imply

    lack restriction mistrust

    abhorrence apathy

    dislike hatred

    failing

    to resolve inherent

    contradictions carried within words

    themselves.

    Poets have expended oceans

    of ink continents

    of trees trying

    to describe the indescribable

    Barett-Browning counted

    ways she loved

    Robert–to ultimate distance her soul

    could travel but traveler who

    reaches

    end of his journey

    looks

    up to see more

    distance climber who

    reaches

    summit looks

    up to see stars

    unclimbed

    astronomer builds bigger

    telescope looking farther into

    space sees not

    edge but more space

    revises

    calculations plans bigger

    telescope to see farther. . . .

    I am all these

    striving

    to express what cannot be

    read or heard only

    felt

    feelings move from man

    to woman more poorly

    than languages

    translate–

    meanings lost ideas

    obscured.

    No matter how tall I

    build

    how high I

    climb

    how deep I

    swim

    how fast I

    go–

    faster than time

    itself--no matter what new

    wonders my mind

    conceives

    my hands

    create,

    I am left a man

    standing in vacant

    plain hands

    empty eyes

    wet mouth

    dry voice

    silent heart

    bursting

    with inexpressible

    feelings facing a woman only

    light in darkness my

    greatest & only joy deepest

    suffering trying to

    express

    what can only be

    felt

    my love–

    carrying generations

    of unresolved contradiction–for

    her.

    Unhealthy Inhibitions

    Why do you push me

    away when you

    want

    me as much

    probably more than I

    want

    you? Why do you

    pretend

    not to understand

    my subtle hints

    squander

    opportunities look for

    other things to do

    create

    excuses not to do

    what you desire what

    I desire what we

    desire

    wasting time putting off

    choice

    to create artificial

    dilemma

    between your duty & your

    desire

    blaming me for

    forcing

    you to choose

    knowing you will choose

    duty

    and be justified because

    ‘good girls never choose

    wicked desire

    over righteous duty?’

    Why do I have to

    sneak

    past dozens of defenses

    trick

    hundreds of guards

    each & every time

    come up with thousands

    of new ideas all

    to help you

    enjoy

    yourself & if all

    defenses are successfully

    breached

    you must still

    scratch & claw

    your way to the conclusion

    double-edged sword that

    cuts

    both ways?

    Why then do you

    suffer

    such guilt & remorse

    for having enjoyed yourself

    as if you

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