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The Curse of the Wendigo
The Curse of the Wendigo
The Curse of the Wendigo
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The Curse of the Wendigo

Rating: 4.5 out of 5 stars

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Flesh-eating danger abounds in the chilling sequel to The Monstrumologist that is “as fast-paced, elegant, and yes, gruesome as its predecessor” (Publishers Weekly, starred review).

While Dr. Warthrop is attempting to disprove that Homo vampiris, the vampire, could exist, his former fiancée asks him to save her husband, who has been captured by a Wendigo—a creature that starves even as it gorges itself on human flesh. Although Dr. Warthrop considers the Wendigo to be fictitious, he relents and performs the rescue—but is he right to doubt the Wendigo’s existence? Can the doctor and Will Henry hunt down the ultimate predator, who, like the legendary vampire, is neither living nor dead, and whose hunger for human flesh is never satisfied?

This second book in The Monstrumologist series explores the line between myth and reality, love and hate, genius and madness.
LanguageEnglish
Release dateOct 12, 2010
ISBN9781416989738
Author

Rick Yancey

Rick Yancey is the author of The Monstrumologist, The Curse of the Wendigo, The Isle of Blood, and The Final Descent. He is also the author of The Fifth Wave series. Rick lives with his wife Sandy and two sons in Gainesville, Florida. Visit him at RickYancey.com.

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Reviews for The Curse of the Wendigo

Rating: 4.32258064516129 out of 5 stars
4.5/5

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  • Rating: 3 out of 5 stars
    3/5
    The story is gory and emphasizes the narrowness of the gap between monster and man.
  • Rating: 5 out of 5 stars
    5/5
    I loved this book. It just keeps you glued to the pages.
  • Rating: 4 out of 5 stars
    4/5
    Will Henry is a child when he accompanies his ward, Dr. Warthrop to Canada to search for a missing man who had gone in search of the mysterious Wendigo. Finding him, they return to New York, only to discover that they have brought an incredible murderous evil with them.
  • Rating: 5 out of 5 stars
    5/5
    The Curse of the Wendigo follows the famous monstrumologist Dr.Warthrop and his assistant Will Henry as they try to disprove that monsters exist. This book is an excellent view into the horror genre and leaves the reader hanging at the edge of their seat. This book is also great to use within a science classroom as it details the Scientific Method and how to come to a rational conclusion based on the evidence presented. I also think this book can aid with making observations, as our hard-working scientists try to disprove the existence of monsters.
  • Rating: 4 out of 5 stars
    4/5
    I have a hard time with scary movies. Blood and gore just make me feel nauseous these days, but thank goodness for Rick Yancey and The Monstrumologist series. With this series I can satisfy my interest in this genre without the icky side effects. The story took a little longer to grip me than with the first one, but once I hit that stride I did not want to put this down.

    I love the structure of these books. Yancey is supposedly the editor of William James Henry's journals that were found after his death. He writes of visiting professors and doing research at the University of Florida and visiting places in Gainesville and Alachua. The familiarity of these places really brings these stories to life. The structure is so great because it works. When I read the opening passages where Yancey discusses the research behind the stories, I'm intrigued, but as soon as the story starts that all fades away and I find myself in Will Henry's world. I completely forget that there is a Rick Yancey and the town I live in until the final pages. He makes me want to believe that perhaps it might just be real.

    The characters remain the same from the first title--Will Henry both awed and intimidated by his guardian, Dr. Warthrop. Dr. Warthrop's determination and ego leading him along. I love the way these two interact. Also, the inclusion of Warthrop's former love and best friend adds conflict and interest to his character. Overall, the characterizations are well done.

    The Curse of the Wendigo is the second of the Monstrumologist series. Though it is not necessary to read the first book to understand the second, I highly recommend them both. I am also happy to report that there will be a third to the series.
  • Rating: 4 out of 5 stars
    4/5
    It had been a while since I listened to the first William Henry and Professor Pellinore story. So glad I decided to keep reading the series. It is just as gross out as the first one was and just as scary--although it was definitely creepier as an audiobook and I think that I plan on listening to the next one.
  • Rating: 5 out of 5 stars
    5/5
    I remember when I read The Monstromologist. It was about midnight and I read it in a few hours and was absolutely petrified. I don’t usually read horror books simply because… well they’re not very scary. I don’t get scared easily and I usually find the settings to horror books rather contrived.
    But these, oh boy, these are something else. First off, if you’ve not read The Monstromologist it would really be no issue in picking up this book. While it is the sequel, everything is basically explained well enough that you can grasp the characters right off. There is also little to no mention of the exploits that went on in the first book, so really it stands on it’s own perfectly well. With that said, if you’ve not read The Monstromologist go and do it this instant because it’s bloody freaking brilliant, and then read this one because it’s bloody freaking brilliant as well.
    The date is 1888 which right off is just brilliant because it’s such a brilliant time period for monster stories to take place. Basically, this would make a brilliant steampunk vamped movie (I’m just saying. The stories themselves aren’t steampunk, but oh. Oh. You can imagine them being so and it’s pretty brilliant) Will Henry is the assistant to the enigmatic doctor Pellinor Winthrop, monstromologist and all around stereotypical mad scientist (to an extent). In this book the doctor receives a visitor from a lady caller (which in itself is a bit of a miracle, as Will Henry states that that has never happened before) imploring the doctor to help her missing husband. Doctor John Chanler, went off into the Canadian wilderness to search for the Outiko, the Wendigo, the Hunger. A creature that perpetually starves as it feeds. As it eats the more it starves forcing it to constantly be hunting, constantly be feeding, constantly be killing. However, this Wendigo, to Doctor Winthrop, is a myth no more real than vampires and zombies. It’s not a scientifically proven monster like the ones that the Doctor studies. So, he refuses to go on a search for Muriel's husband because he is obviously dead, however not by the hands of this fictional beast. This plea for help comes in the wake of the doctor receiving news that his former master and tutor is attempting to have mythological creatures like the Wendigo and the vampire put into the monstromoligist’s lexicon, thus putting the science of monstromolgy to nothing more than fairy tales and horror stories. However, because of some past ties to Muriel and her husband, Winthrop packs up himself and Will Henry and off into the Canadian wilderness they go.
    Basically, what ensues is a terrifying account of things much darker and much more deadly than the doctor can scientifically reason (although scientifically reason he does the entire time).
    The story is just brilliant, plain and simple. The writing is just stunning. For me, I find that this time period is really difficult to achieve properly without it sounding a bit fake. Every inch of this book just reads like it’s coming straight from the hands of someone who lived through every moment of these terrifying encounters. It’s narrated perfectly. Every bit of it, the detail which at times becomes nauseatingly gory but in the same instant can be incredibly poetic. I just love it every bit of it.
    The characters to are simply fantastic. Pellinor Winthrop is a tortured, self consumed doctor who goes from very cold and very uncaring at the beginning of the book to someone who is altogether very very human. Honestly, he’s easily my favourite character in the book. He’s so very well described, he’s very real. Will Henry, the dear narrator and protagonist, is such an interesting character. He says very little during the course of the book but sees everything. He doesn’t need to be actively involved in every conversation because he’s recounting it perfectly. This is easily some of the best first person narration I have ever encountered. It’s brilliant.
    This book is kind of like what you would find when reading Frankenstein or Dracula. That perfect mixture of terror, horror, and setting. The setting just gets me. I love the time period, I love New York in that time. I love that we got to see not only the wilderness, but New York and the higher ways of life. It was just fantastic. It was dark, and horrifying, and beautiful.
    This story is simply brilliant. It’s just bloody brilliant. Easily one of my favourite books ever along with The Monstromologist. I desperately need the next book. Right this instant.
  • Rating: 4 out of 5 stars
    4/5
    I loved Rick Yancy's The Monstrumologist so much that I quickly picked up this one, the second book of the series. Now that I've finished it, I'd probably hesitate to say that it was as strong as its predecessor, but nevertheless I wasn't disappointed. This sequel had all the horror elements in it that made the first book great; its only fault was that I found it just slightly less suspenseful.The Monstrumologist first introduced us to the series' young narrator Will Henry and his work assisting the eccentric Dr. Warthrop in the grisly business of the study of monsters. We're thrown back into the late 1800s as Will documents in his journal their trek through the heart of the brutal Canadian wilderness, in order find traces of a missing friend who is believed to have been taken by a creature known as the Wendigo. Warthrop, however, does not believe the Wendigo actually exists, but takes the mission anyway as a favor to the woman who was his former fiancee, and to her husband who happens to be the missing victim.Anyone who's ever gone to summer camp and sat around a campfire telling scary stories at night should know about the Wendigo, a demonic creature appearing in the legends of the Algonquin peoples of the northern United States and Canada. Once again, I found it really neat the way Rick Yancey was able to work a well-known myth into the story, along with the documented yet controversial condition called Wendigo Psychosis, whose symptoms include an intense craving for human flesh.I also loved, loved, LOVED the character development. Strange as he is, I find myself a big fan of Dr. Pellinore Warthrop's character, just from what I got reading The Monstrumologist. This book carries that on further, going a little deeper into his past history and personality. He's such a complex and subtle figure, with so many layers to his personality that go unsaid, yet they come through so clearly in Rick Yancey's writing and storytelling. Will Henry's relationship with the doctor is a veritable quagmire of volatile emotion and dynamics, and to me it's an incredible achievement on the author's part in the "Show, don't tell" department.Anyway, the same caveats I provided for the first book also apply for this one; some of the scenes in here are absolutely not appropriate for the faint of heart or younger readers, despite its YA designation. Older teens will probably find it okay, but keep in mind it's still pretty gross stuff. It's true that I didn't find this book as suspenseful as the first one, mostly because I felt it had a slower start, but its overall story and the atmosphere are no less unsettling. Like I said, I eat this kinda creepy stuff up, so I'm definitely looking forward to starting the third book in this series.
  • Rating: 5 out of 5 stars
    5/5
    Possibly even better than the first. That's hard to say because the first was so good but it seems this has an even greater refinement in its darkness and horror. Will came pretty far in the course of this adventure but I was particularly impressed with the extent of development of Dr. Warthrop's character. I'd like to see this series continue for several more books; The skill to do so is definitely there.
  • Rating: 5 out of 5 stars
    5/5
    I loved the first book but I had put off reading the second one because I didn't want to get hooked to another series. After reading the second one, I think it's safe to say that I am officially hooked to Rick Yancey's The Monstrumologist series. Within the first several pages, I had forgotten how much I missed the characters Dr. Pellinore Warthrop and Will Henry.

    In this sequel, the Doctor and Will Henry find themselves traversing the wilderness for a friends from Dr. Warthrop's youth. Many believe that Dr. Warthrop's friend was taken by the legendary wendigo, a creature that consumes everything in its path and is never able to fulfill its hunger.

    I don't want to give too much away about this book but I will tell you that we get to see our two main characters in the bustling city of New York as they attend the annual monstrumology convention. We also get to see a whole new side of Dr. Warthrop's personality, and we even get to see a love interest from the doctor's past (if you can imagine he's capable of such feelings).

    If you haven't started this series, you should because the third book Isle of Blood is set to be released in October 2011 and you've got some catching up to do.
  • Rating: 5 out of 5 stars
    5/5
    An excellent, richly layered sequel to The Monstrumologist. This case is more personal for Dr. Pellinore Warthrop as it involves his former fiance and his closest friend who ended up marrying her. Both Dr. Warthrop and Will Henry wrestle with personal demons in this story. Readers learn more about their pasts and the relationship between them. There is also a lot of exploration into the thin, tenuous lines separating myth and reality, love and hate, and genius and madness. The Wendigo is not as horrific a monster as the Anthropohagi in the first novel, but spectacularly detailed creepiness and gruesomeness abounds. An absolutely delightful horror story!
  • Rating: 5 out of 5 stars
    5/5
    This time last year I reviewed Rick Yancey's The Monstrumologist, a dark and twisted gore-fest of a book for older teens, perfect for horror-loving readers weaned on books by the likes of Darren Shan. It took me a little while to get into that book, as it was unlike many of the teen horror stories I had read previously: the book is narrated as if it is the journal of a recently deceased elderly man and as such the voice and language is far more mature than you would find in many books for readers of this age. It was most definitely a book worth persevering with though as it now definitely ranks amongst some of my favourite horror books, and I have been waiting impatiently ever since for the sequel.

    The Curse of the Wendigo finds young Will Henry still living with the moody and unpredictable Dr Warthrop. Warthrop's world is thrown into disarray very early on in the story when he discovers that Abram von Helrung, one of the world's most eminent monstrumologists, intends drop something of a bomb-shell in an address he plans to make to the gathered experts at the Annual Congress. Despite being a monster hunter, Warthrop does not believe in the likes of vampires and werewolves, creatures he firmly believes a nothing more than myths, and a statement of belief by von Helrung would undoubtedly threaten the legitimacy of the profession. Shortly after receiving news of this he is visited by his ex-fiance, Muriel Chanler, who informs him that her husband, one of Warthrops oldest friends, has taken himself off to Canada in search of the Wendigo, one of these so-called mythical beasts that von Helrung claims dies exist. The wendigo, or lepto lurconis, is believed by some to be a spirit that can possess humans and create in them an insatiable cannibalistic appetite, made all the worse by the way that the more it eats the more is starves.

    Despite his estrangement from his long-term friend Warthrop is compelled to make the journey with Will, deep into the Canadian wilderness, and what they eventually find there is not a pretty sight at all. It is not creating a spoiler to say that they find the missing John Chanler, but his physical and mental condition nothing short of terrifying. The journey back to civilization is a long and harrowing one, fraught with danger, and the monstrumologist and his assistant barely make it back alive. However, a safe arrival home is not the end of the story, as when Chanler is taken to New York to recuperate, conveniently at the same time as the Annual Congress of Monstrumologists, the horrors really begin.

    This is a very different story from its predecessor: the pace is much more exciting for a start. In the first book in this series there were many scenes where the plot tended to drag a little, even though these scenes helped build the tension that later explodes towards the latter third of the book. Many less confident readers would not get this far though, as I am sure they would not have had the patience that I did. The Curse of the Wendigo however gives a much greater adrenalin rush throughout, as the action scenes are more frequent. This is not at the cost of the build-up of tension though, as the story still has you sitting on the edge of your seat, fearing for the characters and what may happen to them net, especially as it seems that no-one can be considered safe in one of these stories.

    Another welcome 'improvement' on The Monstrumologist is in the character-building. We saw a great deal of Will and Warthrop's characters in that first book, but we now see them develop even further. We are also treated to a greater entourage of characters than we saw previously, especially when the story reaches New York and we get to 'meet' a host of colourful creations in the form of the various monstrumologists who have gathered in that great city. Mr Yancey displays great skill in showing the tensions and/or respect that exists between this group of men, many of whom are both friends and rivals. The author uses the characters, their dialogue and their surroundings to create a wonderful sense of place - as a reader I found it very easy to picture in my mind the New York of November 1888.

    The Monstrumologist was a particularly gory book, and this book is no different in this respect, although this time the horror hit me on a much deeper level than before. Again, I feel that less confident readers will definitely struggle with this book, book more mature horror lovers with strong stomachs will absolutely love it.
  • Rating: 4 out of 5 stars
    4/5
    I love this series and I'm very invested, at this point, in Will Henry and the doctor. But--this is a difficult book to read. The writing and language is very dense. I actually put down the paper copy and got it on audio instead, and then found excuses to sneak extra listening minutes wherever I could.

    So--yeah, great series, but not an easy series. Listen to it, though! (And there are still parts that are just horribly, gag-inducingly gross, but that's to be expected when you're dealing with DEAD MONSTERS and MONSTERS WHO BRUTALLY KILL THINGS, right?)
  • Rating: 4 out of 5 stars
    4/5
    On one hand, Yancey’s writing is superb in its description to the point of almost being poetic at times, and it is effectively chilling at the appropriate points. His characters are also intricately developed, and his story is intriguing and sure to keep his readers turning to the next. On the other hand, the immense amount of gory details and extreme violence of the story might be a turnoff for some (his story is definitely not for those with a weak stomach); and at points, his storyline can be difficult to follow. Overall, this book is an excellent choice for those who enjoy horror and a good monster hunt.
  • Rating: 3 out of 5 stars
    3/5
    This review of The Curse of the Wendigo is for the audio CD narrated by Steven Boyer. The voice work for the book was well done and the voices fit each character perfectly. However, this volume of the Monstrumoligist series fell short of the debut novel. Rick Yancey is an incredible writer but this story just wasn't as well paced as the first volume. The Curse of the Wendigo dragged a bit at times and was much more melodramatic than the Monstrumologist. I did enjoy the book but I missed hearing the details of Dr.Warthrop's gruesome profession. This book details less about monsters and more about the doctor's personal relationships. I liked this book but not as much as the first.(less)
  • Rating: 5 out of 5 stars
    5/5
    After getting this from the library, I was sad to discover that it is the second in a series. However, unwilling to wait until April for Monstrumologist to be returned to the library, I decided to read it anyway. And, honestly, I didn't feel as though I was missing anything. The first book might have given some back story to Will Henry, but I never felt lost.After reading the prologue, I was not sure what to expect with this book. Either way, I was extremely surprised! The book follows Will Henry, who is orphaned and left to live with his father's mentor. The doctor is a monstrumologist and studies "mythical" creatures. Even after reading the book, I'm not quite sure how the doctor differentiates between the myth of the Wendgio, vampire, werewolf, and zombie and actual creatures. *shrug* After being approached by an old friend, the doctor and Will set out to Rat Portage to find the doctor's best friend, John Chanler.This book was creepy! I'm not sure any other way to describe it. It was good, enthralling, riveting, engaging, and very, very creepy. Not only does it delve deeply into the myth of the Wendigo, but also into human nature. I'm excited to read the Monstrumologist, but I'm afraid it will not be as good as this book. I hope Rick has more books in the works, but I guess it depends on the folios left.
  • Rating: 5 out of 5 stars
    5/5
    The Curse of the Wendigo is a horror/supernatural thriller written by author Rick Yancy. This book has been award winners for the Booklist Editors' Choice - Books for Youth - Older Readers Category: 2010, and the YALSA Best Books for Young Adults: 2011.The Curse of the Wendigo is based on journals three and four of a man named Will Henry that are found in senior citizen’s home after he has passed away. The first two journals are written in to the first book in this series – The Monstrumologist. Please note that the journals and stories are entirely fictional.Set in the late 1800’s, Will Henry is a 12 year old orphaned apprentice of a doctor who studies monsters, Dr. Pellinore Warthrop. One day, Dr. Warthrop receives a letter informing him that his old mentor, Dr. von Helrung proposes to include the mythical creature, the Wendigo, as a real monster to the Monstrumologist Society in New York. The Wendigo is a creature that starves even as it consumes human flesh, and like a vampire, is created by turning a human into one of them.While working on his rebuttal for this proposal one night, Muriel Chanler, the wife of Dr. Warthrop’s friend John shows up. John Chanler has disappeared in the Canadian wilderness while trying to find proof of the existence of the Wendigo. Muriel Chanler begs for Dr. Warthrop to try and find her husband. Seeing this as a way to prove that the Wendigo does not exist, Dr. Warthrop agrees. Finding John Chanler being held captive by group of natives who believe that he is turning into a Wendigo, Dr. Warthrop rescues his friend. John is very sick, and must be carried out of the wilderness.With John Chanler returning to New York to recover, Dr. Warthrop follows intending to give his rebuttal on the existence of the Wendigo, his main physical evidence being John Chanler himself. But instead, John Chanler might be proof of the existence of the Wendigo. John goes missing from his hospital room, and following his escape, there is a series of gruesome murders, where the victims have their hearts eaten.Has John Chanler gone crazy from his time in the Canadian wilderness, or is it something much worse?Although this is book two of the series The Monstrumologist, one does not have to read the first book to enjoy the second; each is written as its own stand alone story. I thought that this was a really good book. I think that older teens and adults will enjoy this book. The description of detail is amazing, which at times can work against it since the story is quite gory; so this might not be the best book to read before bedtime.The settings in 19th century New York are believable, and the mix of truth and fiction in the settings themselves makes it hard for a reader to distinguish the difference between the two. I would recommend this book to anyone who likes horror or supernatural thrillers.
  • Rating: 3 out of 5 stars
    3/5
    Mini Book Review: Well, I definitely enjoyed this more than the Monstrumologist based solely on the fact that it wasn't as graphic. The storyline was a lot more fast paced and easier to read, less Victorian Gothic. There was a lot more scenes dealing with the relationship between Will Henry and the Dr, and you really started to actually feel that the Dr was more of a human character and less of a caricature. I now am actually looking forward to The Isle of Blood which Simon and Schuster has sent me for review. Just a warning this is still a quite dark and often depressing series, and definitely not for the sensitive or squeamish reader. But the writing is outstanding and the plot highly original. These would be great fit for male YA readers who like some gore and excitement.3.5 Dewey'sI borrowed this through the Inter-library Loan service at the Albion Bolton Public Library
  • Rating: 5 out of 5 stars
    5/5
    In short: The Curse of the Wendigo by Rick Yancey does not hold back the horror and gore in this superb and gag-inducing sequel in the terrifying series.So begins a new adventure with Will Henry, assistant monstrumologist, and his master and certified monstrumologist, Dr. Warthrop. Last time, in The Monstrumologist, the monster of the story was a well studied and known humanoid beast. This time, in The Curse of the Wendigo, the monster is the Wendigo, a vampire-like beast that is just a silly myth, not worthy of actual study because it doesn't exist, so says the doctor. Vampires aren't real and to believe they exist would be making a mockery of the monstrumologist profession. Or so the doctor thinks.Though the Wendigo isn't exactly like a vampire as we know it, it is a similar monster. Though I have been impressed in the past by authors of the myriad vampire novels out there and their ability to create distinct vampire lore to distinguish themselves, now after having read The Curse of the Wendigo, they pale in originality. Rick Yancey has written the most creative vampire-esque novel I've ever read with The Curse of the Wendigo. Also, if possible, Yancey has created a monster even more terrifying than the one he wrote in The Monstrumologist! Imagine a beast that pulls out his prey's eyeballs and feasts on its heart. One with a perverse sense of humour that rips off one prey's face and places it over top of another, and scoops out the bowels of another to write messages on the wall. I really love that Rick Yancey just goes for it, you know? He really doesn't hold back and present a watered down monster for fear of turning away readers. He brings on the gore, blood, and feces in gag-inducing amounts. I can appreciate that. Even if lots of the scenes made me want to throw up my lunch.I'm not sure I would like this particular brand of horror if it were set in a modern setting. But the gothic Victorian backdrop makes a perfect and creepy setting for a plot that is so horrific. And the setting is so perfectly described too. The Monstrumologist takes place entirely in New England but in The Curse of the Wendigo, we get to see two more 19th century locations: the untamed and desolate wilderness of Canada, and New York City as it was at the end of the 1800s. I'm not a huge historical fiction fan, but did I ever find these settings fascinating to read! Isn't learning about history fun when you're learning it by way of a well written fiction novel?The same things I loved about The Monstrumologist, the well developed characters and the exquisite writing, are also present in The Curse of the Wendigo. However, I didn't like The Curse of the Wendigo quite as much as its predecessor because of some pacing problems. Other than that, it is a strong and compelling addition to a terrifying and brilliant series. Not sure if this series is for you? I'd recommend trying out the first book The Monstrumologist. Don't worry, it can be read as a standalone as each book chronicles a different set of adventures for Will Henry.
  • Rating: 4 out of 5 stars
    4/5
    Will Henry is a child when he accompanies his ward, Dr. Warthrop to Canada to search for a missing man who had gone in search of the mysterious Wendigo. Finding him, they return to New York, only to discover that they have brought an incredible murderous evil with them.
  • Rating: 5 out of 5 stars
    5/5
    Young William Henry continues to recount his adventures with the monstrumologist, Pellinore Warthrop. Sent into the wilderness on a Fool's Errand, Will Henry and Dr. Warthrop head to Canada to rescue Pellinore's colleague and friend, John Chanler, who went into the woods in search of the mythical Wendigo. Pellinore is appalled that his friend would be chasing a beast that lives only in fairy tales, but goes at the request of Chanler's wife, Muriel, because of their long and complicated history. After finding and bringing Chanler out (not without some gruesome and unexplained casualties), Pellinore seems to be the only one convinced that Chanler is not cursed by the Wendigo. As they introduce Chanler back into New York society, his condition declines until it is fairly obvious that a monster, whether cursed or deranged, has been let loose on a vulnerable population. Will Henry and Dr. Warthrop must recapture Chanler before the rest of the monstrumological society can kill him. The Curse of the Wendigo explores Will Henry and the monstrumologist's relationship, as well as the monstrumologist's past and the workings of his mysterious society. I found this story much creepier than the first book and subsequently enjoyed it that much more.
  • Rating: 3 out of 5 stars
    3/5
    "The Monstrumologist" was one of my favorite books from 2009. It harkens back to the horror books of old. Terrifying, brilliantly written and gory enough to make the reader cringe.I felt that the follow up, "The Curse of the Wendigo," could have been so much better. The writing is still exquisite, but I found the plot points more worthy of a predictable Hollywood script. Will's life in endangered three times, (aah, the magical number three; always found in cheesy scripts) making him the ultimate victim. I think if his life had only been on the line once it would have made for a taut thriller. Instead I found myself counting until the third one happened and rolling my eyes at certain points.If there is a third book, I hope it doesn't rely on what's obvious and instead goes with the unexpected...
  • Rating: 5 out of 5 stars
    5/5
    Author Rick Yancey continues his tale of the eclectic monstrumologist and his young apprentice Will Henry is The Curse of the Wendigo. The story is told, once again, through a collection of folios supposedly discovered by the author and simple edited for publication here. This time, Dr. Warthrop, the monstrumologist, is visited by a woman from his past named Muriel, who is looking for help. Muriel's husband, it turns out, is cursed by a monster, later discovered to be a Wendigo, a horrifying vampire-like monster who is cursed with an insatiable hunger, which only grows as it eats. Will Henry and the monstrumologist travel to Gilded Age-era New York to help Muriel's husband and attend the annual society of monstrumology meeting (which is Dr. Warthrop's favorite event of the year) .Will Henry must defeat the horrible Wendigo while dealing with his mentor's scandalous romantic past and some new friends.Where do I start with Curse of the Wendigo? Well, to begin with, it's awesome. It's just as good as The Monstrumologist, if not better. The pure horror, the outrageous monsters, the fabulous world. Wendigo builds on the solid foundation created in the first novel and expands the world. For example, I thought the inclusion of an entire society dedicated to the study of monstrumology was pretty cool, though it's hard to believe there are other people out there are eccentric as the doctor. Not only that, but Wendigo also takes Will Henry and Dr. Warthrop to New York, where the entire city is terrorized by a horrible monster -and Yancey introduces female characters. Oh yes, female characters, can you believe it? They bring a breath of fresh air to the novel and add a new dimension to Will Henry's universe. Thirteen year-old Lilly, a wanna-be monstrumologist, is a particular favorite. Though she seems to be bad news for Will Henry, she's a spunky, fun character who brought life into every scene she was in. I really hope she returns in future installments of the series.Probably the best way to describe Curse of the Wendigo is to think of it as a cross between Mary Shelly and Stephen King -it's spine-chilling horror in a literary package. Yancey's writing style is gorgeous. The Gilded Age period nature of the book does add to this, but it's Yancey's prose that truly makes the story shine. There were times where I even went back and re-read certain passages because they were filled with such vivid and engaging imagery. I held on to every word.As for sequels, I'm not sure what's planned at this point. It this a trilogy, a series? Yancey does write each book as if it were the last, and there is no over-arching plot, so it's hard to tell. I hope to see more, though (read: I want more, and I don't want to wait!). This is truly a wonderfully unique and awesome series that readers shouldn't pass up.
  • Rating: 4 out of 5 stars
    4/5
    A Wendigo is a “mythical” creature appearing in the mythology of the Algonquian Indians. It is a malevolent cannibalistic spirit into which humans could transform or which could possess humans. Well, just how ‘mythical’ this creature is, is the subject of Rick Yancey’s follow-up to The Monstrumologist, the action packed, gory, exciting book about Anthropophagi, beasts without a head, who have their faces on their body. As in the first book, the author is purportedly merely publishing the journal of Will Henry, who at the time of his death was aged around 130. However, the events in the journal took place when he was twelve. Of course, the famous monstrumologist, Pellinore Warthrop, Will Henry’s guardian and mentor, plays a significant role in the bookl. Will Henry describes events concerning their search for and ultimate rescue of John Chanler, Warthrop’s best friend and husband of his ex-fiance, Muriel, the woman he always loved. John has traveled to Canada in search of the Wendigo and has not returned. Although Warthrop initially refuses to attempt to find him, love and duty win out and Warthrop and Henry set out on their journey.They do find Chanler, malnourished and delirious, and bring him home. It is during their return journey and their stay in New York City for the annual Monstrumologist Conference that the action, blood and guts and gore, and cannibalism begin. Victims of Chanler’s attacks are many and include Will Henry himself. Unlike The Monstrumologist, The Curse of the Wendigo deals more with the philosophical, the existence or non-existence of this creature. Warthrop is dead set against admitting that such a blood thirsty being exists and has taken over Chanler, despite evidence to the contrary. His peers are divided on the issue. While there is blood and guts aplenty, there is less so and less action than in The Monstrumologist. There’s even a touch of romance, both for Will Henry and Pellinore Warthrop, but not enough to deter those interested in action and adventure.I enjoyed The Curse of the Wendigo, but not quite as much as The Monstrumologist. Having said that, I’m sure there’s a third book coming out and I’m definitely looking forward to reading it. If you like the weird, the bloody, the action packed, then these two books are for you. After writing about Anthropophagi and Wendigos, I can’t imagine what Yancey will write about next. Whatever it is, it’ll surely grab you. (Just make sure it doesn’t bite!)
  • Rating: 4 out of 5 stars
    4/5
    In serving his monstrumologist master, young Will Henry narrowly escapes death, again. This time the threat is a monster whose existence is disputed by Dr. Warthrop--the Wendigo. The very question of recognising the existence of Wendigoes, Vampires and Werewolves causes a rift in the Monstrumological Society, and Dr. Warthrop's position on the matter ends up threatening the entirety of New York City. As in the first novel, cameo appearances are put in by notable figures from the time period--like the muckraking photographer Jacob Riis, who acts as a guide to navigating the slums of the city. This is a great read for anyone who enjoys a mystery and has the stomach for gorey parts.
  • Rating: 3 out of 5 stars
    3/5
    Aaargh! There be spoilers within! So, Monstrumologist (1) was fantastic: it gave me chills and nightmares and was so one of a kind I was amazed. Monstrumoligist (2): so-so. The trip to Canada and back was scary and fierce, but the "climax" in NYC was just-boring. Entirely too much like Jack the Ripper, despite the murder of Dr. Warthrop's only true love, which was clearly not random, but revenge. Also, the journalist-Mr. Yancey- researching "diaries"-a forced plot device. Why not just punt that and get on with the story?As for Dr. von Helrung's monster theory re: Chanler being under the spell of the Wendigo, there are serial killers who have done much worse (and haven't looked much better when caught). Jeffrey Dahmer-cannibal, and there have been others. There are medical explanations for Chanler's state. Chadler's yellow eyes-jaundice from liver failure. Chanler's behavior-psychosis; who knows what horrors he experienced in the wilds of Canada and what underlying psychological problems he already had? I'm on Warthrop's side vs. von Helrung's about admitting mythical creatures to the Society's esteemed list of possibilities.

Book preview

The Curse of the Wendigo - Rick Yancey

FOLIO IV

Desolation

FOR THE PANIC OF THE WILDERNESS HAD CALLED TO HIM IN THAT FAR VOICE—THE POWER OF UNTAMED DISTANCE—THE ENTICEMENT OF THE DESOLATION THAT DESTROYS.

—ALGERNON BLACKWOOD

ONE

What Am I, Will Henry?

I do not wish to remember these things.

I wish to be rid of them, to be rid of him. I set down the pen nearly a year ago, swearing I would never pick it up again. Let it die with me, I thought. I am an old man. I owe the future nothing.

Soon I will fall asleep and I will wake from this terrible dream. The endless night will fall, and I will rise.

I long for that night. I do not fear it.

I have had my fill of fear. I have stared too long into the abyss, and now the abyss stares back at me.

Between the sleeping and the waking, it is there.

Between the rising and the resting, it is there.

It is always there.

It gnaws my heart. It chews my soul.

I turn aside and see it. I stop my ears and hear it. I cover myself and feel it.

There are no human words for what I mean.

It is the language of the bare bough and the cold stone, pronounced in the fell wind’s sullen whisper and the metronomic drip-drip of the rain. It is the song the falling snow sings and the discordant clamor of sunlight ripped apart by the canopy and miserly filtered down.

It is what the unseeing eye sees. It is what the deaf ear hears.

It is the romantic ballad of death’s embrace; the solemn hymn of offal dripping from bloody teeth; the lamentation of the bloated corpse rotting in the sun; and the graceful ballet of maggots twisting in the ruins of God’s temple.

Here in this gray land, we have no name. We are the carcasses reflected in the yellow eye.

Our bones are bleached within our skin; our empty sockets regard the hungry crow.

Here in this shadow country, our tinny voices scratch like a fly’s wing against unmoving air.

Ours is the language of imbeciles, the gibberish of idiots. The root and the vine have more to say than us.

I want to show you something. There is no name for it; it has no human symbol. It is old and its memory is long. It knew the world before we named it.

It knows everything. It knows me and it knows you.

And I will show it to you.

I will show you.

Let us go then, you and I, like Alice down the rabbit hole, to a time when there still were dark places in the world, and there were men who dared to delve into them.

An old man, I am a boy again.

And dead, the monstrumologist lives.

He was a solitary man, a dweller in silences, a genius enslaved to his own despotic thought, meticulous in his work, careless in his appearance, given to bouts of debilitating melancholia and driven by demons as formidable as the physical monstrosities he pursued.

He was a hard man, obstinate, cold to the point of cruelty, with impenetrable motives and rigid expectations, a strict taskmaster and an exacting teacher when he didn’t ignore me altogether. Days would pass with but a word or two between us. I might have been another stick of dusty furniture in a forgotten room of his ancestral home. If I had fled, I do not doubt weeks would have passed before he would have noticed. Then, without warning, I would find myself the sole focus of his attention, a singularly unpleasant phenomenon that produced an effect not unlike the sensation of drowning or being crushed by a thousand-pound rock. Those dark, strangely backlit eyes would turn upon me, the brow would furrow, the lips tighten and grow white, the same expression of intense concentration I had seen a hundred times at the necropsy table as he flayed open some nameless thing to explore its innards. A look from him could lay me bare. I spent many a useless hour debating with myself which was worse, being ignored by him or being acknowledged.

But I remained. He was all I had, and I do not flatter myself when I say I was all that he had. The fact is, to his death, I was his sole companion.

That had not always been the case.

He was a solitary man, but he was no hermit. In those waning days of the century, the monstrumologist was much in demand. Letters and telegrams arrived daily from all over the world seeking his advice, inviting him to speak, appealing to him for this or that service. He preferred the field to the laboratory and would drop everything at a moment’s notice to investigate a sighting of some rare species; he always kept a packed suitcase and a field kit in his closet.

He looked forward to the colloquium of the Monstrumologist Society held annually in New York City, where for two weeks scientists of the same philosophical bent met to present papers, exchange ideas, share discoveries, and, as was their counterintuitive wont, close down every bar and saloon on the island of Manhattan. Perhaps this was not so incongruous, though. These were men who pursued things from which the vast majority of their fellows would run as fast as their legs would carry them. The hardships they endured in this pursuit almost necessitated some kind of Dionysian release. Warthrop was the exception. He never touched alcohol or tobacco or any mind-altering drug. He sneered at those he considered slaves to their vices, but he was no different—only his vice was. In fact, one might argue his was the more dangerous by far. It was not the fruit of the vine that killed Narcissus, after all.

The letter that arrived late in the spring of 1888 was just one of many received that day—an alarming missive that, upon coming into his possession, quickly came to possess him.

Postmarked in New York City, it read:

My Dear Dr. Warthrop,

I have it upon good authority that his Hon. Pres. von

Helrung intends to present the enclosed Proposal at the annual Congress in New York this November instant. That he is the author of this outrageous proposition, I have no doubt, and I would not trouble you if I possessed so much as a scintilla of uncertainty.

The man has clearly gone mad. I care as little about that as I care for the man, but my fear is not unjustified, I think. I consider his insidious argument a genuine threat to the legitimacy of our vocation, with the potential to doom our work to oblivion or—worse—to doom us to sharing space in the public mind with the charlatan and the quack. Thus, I vouch it is no hyperbole to aver that the very future of our discipline is at stake.

Once you have read this offensive tripe, I am certain you will agree that our only hope lies in delivering a forceful Reply upon the completion of his Presentation. And I can think of no better man to contest our esteemed president’s alarming and dangerous disquisitions than you, Dr. Warthrop, the leading Philosopher of Aberrant Natural History of his generation.

I remain, as always, etc., etc.,

Your Obt. Servant,

A Concerned Colleague

A single reading of the enclosed monograph of Abram von Helrung convinced the doctor that his correspondent was correct in at least one regard. The proposal did indeed pose a threat to the legitimacy of his beloved profession. That he was the best—and obvious—choice to refute the claims of the most renowned monstrumologist in the world required no convincing on anyone’s part. Pellinore Warthrop’s genius included the profound insight that he happened to be one.

So everything was put aside. Visitors were turned away. Letters went unanswered. All invitations were declined. His studies were abandoned. Sleep and sustenance were reduced to the barest minimum. His thirty-seven-page monograph, with the rather unwieldy title, Shall We Doom the Natural Philosophy of Monstrumology to the Dustbin of History? A Reply to the Hon. President Dr. Abram von Helrung upon His Proposal to Investigate and Consider as Possible Inclusions into the Catalogue of Aberrant Species Certain Heretofore Mythical Creatures of Supernatural Origin at the One Hundred Tenth Congress of the Society for the Advancement of the Science of Monstrumology, went through multiple revisions and refinements over that frantic summer.

He enlisted me in the cause, naturally, as his research assistant, in addition to my duties as cook, maid, manservant, laundryman, and errand boy. I fetched books, took dictation, and played audience to his stiff, overly formal, sometimes ludicrously awkward presentation. He would stand ramrod straight with his lanky arms folded stiffly behind his back, eyes focused unerringly upon the floor, chin tilted downward so that his otherwise compellingly dark features were lost in shadow.

He refused to read directly from his paper, so he often went up in the parlance of the theater, completely losing track of his argument, thrashing like King Pellinore, his namesake, in the dense thicket of his thoughts in search of the elusive Questing Beast of his reasoning.

At other times he fell into rambling asides that took the audience from the birth of monstrumology in the early eighteenth century (beginning with Bacqueville de la Potherie, the acknowledged father of this most curious of esoteric disciplines) to the present day, with references to obscure personages whose voices had long been stifled in the Dark Angel’s smothering embrace.

Now, where was I, Will Henry? he would ask after one of these extended extemporaneities. It never failed that this question came at the precise moment when my mind had wandered to more interesting matters, more often than not to the current weather conditions or the menu for our long-overdue supper.

Unwilling to incur his inestimable ire, I would fumble a reply, blurting the best guess I had, which usually included somewhere in the sentence the name of Darwin, Warthrop’s personal hero.

The ploy did not always work.

Darwin! the monstrumologist cried once in reply, striking his fist into his palm in agitation. "Darwin! Really, Will Henry, what does Darwin have to do with the native folklore of the Carpathians? Or the mythos of Homer? Or Norse cosmology? Have I not impressed upon you the importance of this endeavor? If I should fail in this, the seminal moment of my career, not only will I go down in humiliation and disrepute, but the entire house will fall! The end of monstrumology, the immediate and irrevocable loss of nearly two hundred years of unselfish devotion by men who dwarf all those who came after them, myself included. Even me, Will Henry. Think of that!"

I think it was . . . You were talking about the Carpathians, I think . . .

"Dear Lord! I know that, Will Henry. And the only reason you know that is I just said it!"

As hard as he threw himself into the task of his oral presentation, more assiduously still did he labor over his written reply, composing at least twelve drafts, each of them in his nearly illegible scrawl, and all of which fell to me to transcribe into readable form, for, if the reply had been delivered to the printer’s in its original state, it would undoubtedly have been wadded up and hurled at my head.

Upon the conclusion of my hours of toil, hunching over my desk like a medieval monk with aching ink-stained fingers and itching, burning eyes, the monstrumologist would snatch the product from my quivering grip and compare it to the original, hunting for the slightest error, which, of course, he would invariably find.

At the end of this Herculean effort, after the printer delivered the finished product and there was little left to do (and little left of the monstrumologist, for he must have lost more than fifteen pounds since the project had begun) but wait for that fall’s convocation, he fell into a profound depression. The monstrumologist retreated to his shuttered study, where he brooded in a gloom both actual and metaphysical, refusing to even acknowledge my halfhearted attempts to alleviate his suffering. I brought him raspberry scones (his favorite) from the baker’s. I shared with him the latest gossip gleaned from the society pages (he held a strange fascination for them) and the local doings of our little hamlet of New Jerusalem. He would not be comforted. He even lost interest in the mail, which I arranged for him, unread, upon his desk, until the desk’s surface was covered as thickly as the forest floor by the leaves of autumn.

Near the end of August, a large package arrived from Menlo Park, and for a few moments he was his old self again, delighting in the gift from his friend. Enclosed with it was a brief note: All my thanks for your help with the design, Thos. A. Edison. He played with the phonograph for the space of an hour, and then touched it no more. It sat upon the table beside him like a silent rebuke. Here was the dream made real of Thomas Edison, a man who was destined to be lauded as one of the greatest minds of his generation, if not in all history, a true man of science whose world would be forever changed for his having lived in it.

What am I, Will Henry? the doctor asked abruptly one rainy afternoon.

I answered with the literalness of a child, which, of course, at the time I was.

You’re a monstrumologist, sir.

I am a mote of dust, he said. Who will remember me when I am gone?

I glanced at the mountain of letters upon his desk. What did he mean? It seemed he knew everyone. Just that morning a letter had arrived from the Royal Society of London. Sensing he meant something deeper, I answered intuitively, I will, sir. I will remember you.

You! Well, I suppose you won’t have much choice in the matter. His eyes wandered to the phonograph. Do you know it was not always my desire to be a scientist? When I was much younger, my great ambition was to be a poet.

If he had stated that his brain were made of Swiss cheese, I would not have been more flabbergasted.

A poet, Dr. Warthrop?

Oh, yes. The desire is gone, but the temperament, you may have noticed, still lingers. I was quite the romantic, Will Henry, if you can imagine it.

What happened? I asked.

I grew up.

He placed one of his thin, delicate fingers upon the ceresin cylinder, running the tip along the pits and grooves like a blind man reading braille.

There is no future in it, Will Henry, he said pensively. The future belongs to science. The fate of our species will be determined by the likes of Edison and Tesla, not Wordsworth or Whitman. The poets will lie upon the shores of Babylon and weep, poisoned by the fruit that grows from the ground where the Muses’ corpses rot. The poets’ voices will be drowned out by the gears of progress. I foresee the day when all sentiment is reduced to a chemical equation in our brains—hope, faith, even love—their exact locations pinned down and mapped out, so we may point to it and say, ‘Here, in this region of our cerebral cortex, lies the soul.’ 

I like poetry, I said.

Yes, and some like to whittle, Will Henry, so they will always find trees.

Have you kept any of your poems, Doctor?

No, I have not, for which you should be grateful. I was horrible.

What did you write about?

What every poet writes about. I fail to understand it, Will Henry, your uncanny gift for seizing upon the most tangential aspect of the issue and drubbing it to death.

To prove him wrong, I said, I will never forget you, sir. Ever. And neither will the whole world. You’ll be more famous than Edison and Bell and all the rest put together. I’ll make sure of it.

I will pass into oblivion, to the vile dust from whence I sprung, unwept, unhonored, and unsung. . . . That is poetry, in case you’re wondering. Sir Walter Scott.

He stood up, and now his countenance shone with the profundity of his passion, at once terrifying and strangely beautiful, the look of the mystic or the saint, transported from the constraints of ego and all fleshy desires.

"But I am nothing. My memory is nothing. The work is everything, and I will not see it mocked. Though the cost be my very life, I will not let it pass, Will Henry. If von Helrung should succeed—if we allow our noble cause to be reduced to the study of the silly superstitions of the masses—so that we jibber-jabber on about the nature of the vampire or the zombie as if they sat at the same table as the manticore and the Anthropophagus, then monstrumology is as dead as alchemy, as ridiculous as astrology, as serious as one of Mr. Barnum’s sideshow freaks!

Grown men, educated men, men of the highest sophistication and social refinement, cross themselves like the most ignorant peasant when they pass this house. ‘What queer and unnatural goings-on in there, the house of Warthrop!’ When you yourself can attest that there is nothing queer or unnatural about it, that what I deal in is altogether natural, that if it weren’t for me and men like me, these fools might find themselves choking on their own entrails or being digested in the belly of some beast no more queer than the lowly housefly!

He drew a breath deeply, the pause before the start of the next movement in his symphony, then suddenly he became very still, head cocked slightly to one side. I listened, but heard nothing but the rain’s gentle kiss upon the window and the metronomic tick-tick of the mantel clock.

Someone is here, he said. He turned and peered through the blinds. I could see nothing but the reflection of his angular face. How hollow his cheeks! How pale his flesh! He had spoken boldly of his ultimate fate—did he know how close he seemed to that vile dust from whence he came?

Quickly, to the door, Will Henry. Whoever it is, remember I am indisposed and can’t receive visitors. Well, what are you waiting for? Snap to, Will Henry, snap to!

A moment later the bell rang. He closed the study door behind me. I lit the jets in the front hall to chase away the preternatural shadows lying thick in the entryway, and threw wide the door to behold the most beautiful woman I have ever seen in all the years of my exceedingly long life.

TWO

There Is Nothing I Can Do for You

Why, hello there, she said with a puzzled smile. I’m afraid I may be lost. I am looking for the house of Pellinore Warthrop.

This is Dr. Warthrop’s house, I returned, in a voice only moderately steady. More stunning than her extraordinary looks was her very presence upon our doorstep. In all the time I had lived with him, the doctor had never received a lady caller. It simply did not happen. The doorstep of 425 Harrington Lane was not the sort of place upon which a proper lady appeared.

Oh, good. I thought I might have come to the wrong place.

She stepped into the vestibule without my asking, removed her gray traveling cloak, and adjusted her hat. A strand of her auburn hair had escaped from its pin and now clung, dripping, to her graceful neck. Her face was radiant in the glow of the lamps, rain-moist and without defect—unless the fine spray of freckles across her nose and cheeks might be called thus—though I will admit it may not have been the lighting that painted her with perfection.

It is exceedingly strange to me that I, who have no difficulty in describing the multifarious manifestations of the doctor’s gruesome craft, the foul denizens of the dark in all their grotesque aspects to the smallest detail, now struggle with the lexicon, reaching for words as ephemeral as the will-o’-the-wisp to do justice to the woman I met that summer afternoon seventy years ago. I might speak of the way the light played along her glittering tresses—but what of that? I might go on about her hazel eyes flecked with flashing bits of brighter green—but still fall short. There are things that are too terrible to remember, and there are things that are almost too wonderful to recall.

Could you tell him that Mrs. Chanler is here to speak with him? she asked. She was smiling warmly at me.

I stammered something completely unintelligible, which did nothing to diminish her smile.

He is here, isn’t he?

No, ma’am, I managed. I mean, yes, he is, but he is not. . . . The doctor is indisposed.

Well, perhaps if you told him I’m here, he might be disposed to make an exception.

Yes, ma’am, I said, and then quickly added, He is very busy, so—

"Oh, he is always busy, she said with a delighted little laugh. I’ve never known him not to be. But where are my manners? We haven’t been properly introduced." She offered her hand. I took it, only later wondering if her intent had been for me to kiss it. I was woefully ignorant in the social graces. I was being raised, after all, by Pellinore Warthrop.

My name is Muriel, she said.

I’m William James Henry, I responded with awkward formality.

"Henry! So that’s who you are. I should have realized. You’re James Henry’s son. She placed her cool hand upon my arm. I am terribly sorry for your loss, Will. And you are here because . . . ?"

The doctor took me in.

Did he? How extraordinarily uncharacteristic of him. Are you certain we’re speaking of the same doctor?

Behind me the study door came open and I heard the monstrumologist say, Will Henry, who was— I turned to discover a look of profound shock upon his face, though that was quickly replaced by a mask of icy indifference.

Pellinore, Muriel Chanler said softly.

The doctor spoke to me, though his eyes did not abandon her. Will Henry, I thought my instructions were unambiguous.

You mustn’t blame William, she said with a note of playfulness. He took pity upon me, standing on your stoop like a wet cat. Are you ill? she asked suddenly. You look as if you might have a fever.

I have never been better, returned the doctor. I can complain of nothing.

That’s more—or less—than I might say. I am soaked to the skin! Do you suppose I might have a cup of hot cider or tea before you toss me out the door? I did come a very long way to see you.

New York is not that far, Warthrop replied. Unless you came on foot.

Is that a no, then? she asked.

Saying no would be foolish on my part, wouldn’t it? No one says no to Muriel Barnes.

Chanler, she corrected him.

"Of course. Thank you. I believe I remember who you are. Will Henry, show Mrs. Chanler—he spat out the name—to the parlor and put on a pot of tea. I’m sorry, Mrs. Chanler, but we’ve no cider. It isn’t in season."

Returning from the kitchen with the serving tray a few minutes later, I paused outside the parlor, for within I could hear a vehement discussion in progress, the doctor’s voice high-pitched and tight, our guest’s quieter but no less urgent.

Even if I accepted it on its face, he was saying, even if I believed such claptrap . . . no, even if it existed regardless of my belief . . . there are a dozen men to whom you could turn for help.

That may be, she allowed. But there is only one Pellinore Warthrop.

Flattery? I am astounded, Muriel.

A measure of my desperation, Pellinore. Believe me, if I thought anyone else could help me, I would not ask you.

Ever the diplomat.

Ever the realist—unlike you.

I am a scientist, and therefore an absolute realist.

I understand that you’re bitter—

To assume I am bitter proves your lack of understanding. It assumes I harbor some residuum of affection, which I assure you I do not.

Can you not put aside who asks for help and consider the one who needs it? You loved him once.

Whom I have loved is none of your business.

"True. My business is with whom I love."

Then why don’t you find him yourself? Why have you come all this way to bother me with it?

Straining forward in my eagerness to eavesdrop, I lost my balance and nearly dropped the tray, stumbling into the doorway like a drunkard, while the tea sloshed from the spout and the cups rattled in their saucers. I discovered the doctor standing by the fireplace. Muriel sat stiffly in the chair a few feet from him, a piece of stationery clutched in her hand.

The doctor clucked his disapproval at me, then stepped forward and snatched the letter from her hand. I placed the tray on the table beside her.

Your tea, Mrs. Chanler, I said.

Thank you, Will, she said.

Yes, leave us, the doctor said, his nose stuck in the letter.

Is there anything else I can get for you, ma’am? I asked. We have some fresh scones—

"Do not, growled the doctor from behind the paper, bring out the scones!"

He snorted and tossed the letter upon the floor. I snatched up the letter and, forgotten for a moment in the heat of their tête-à-tête, read it through.

Dear Missus John,

You forgive my English, its not goodly done. Got back to RP this morning came straightaway to post this. There is no good way to say this, I am sorry. Mister John—he gone. It called to him and the thing done carried him off. I tell Jack Fiddler and he will keep the lookout for him but its got him and even ol Jack Fiddler cant get him back now. I told him not to go, but it called him night and day, so’s he went. Mister John he rides the high wind now and the Mossmouth not going to let him go. I’m sorry, missus.

P. Larose

Will Henry, the doctor snapped. What are you doing? Give me that! He snatched the letter from my hand. Who is Larose? he asked Mrs. Chanler.

Pierre Larose—John’s guide.

And this Jack Fiddler he mentions?

She shook her head. I’ve never heard the name before.

 ‘He rides the high wind now,’  the doctor read,  ‘and the Mossmouth not going to let him go.’ I suppose not! He laughed humorlessly. I assume you’ve notified the proper authorities.

Yes, of course. The search party returned to Rat Portage two days ago. . . . She shook her head, unable to go on.

Then I fail to see how I can help, said Warthrop. "Except to state my opinion that this is no matter for monstrumology. Whatever bore your husband away on the ‘high wind’ was no ‘Mossmouth,’ though I find the imagery oddly compelling. I’d never heard the sobriquet applied to a Lepto lurconis. It must be an invention of the good Monsieur Larose and not, I suspect, the only one. It would not be the first time a death in the wilderness has been attributed to the Wendigo."

You think he’s lying?

"I think he is being false—intentionally or not, I cannot say. Lepto lurconis is a myth, Muriel, no more real than the tooth fairy—which is the strangest aspect of this whole affair. Why was John searching for something that does not exist?"

He was . . . encouraged to go.

Ah. The monstrumologist was nodding. It was von Helrung, wasn’t it? Von Helrung told him to go—

He suggested it.

And being the good little lapdog that he is, John went.

She stiffened. I am wasting my time, aren’t I? she asked.

"That is the issue, Muriel. How long has he been missing?"

Almost three months.

Then, yes, you are wasting your time here. There is nothing I can do for you—or for John. Your husband is dead.

Though tears shone in her eyes, she did not break. Though every fiber of her being bespoke her desperation, she held firm in the face of his bald assertion. Men might be the stronger sex, but women are made of much sterner stuff!

I refuse to believe that.

Your faith is misplaced.

"No, Pellinore, not my faith. My hope that the one man I thought I could turn to . . . whom John could

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