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Children of the Jacaranda Tree: A Novel
Children of the Jacaranda Tree: A Novel
Children of the Jacaranda Tree: A Novel
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Children of the Jacaranda Tree: A Novel

Rating: 3.5 out of 5 stars

3.5/5

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New York Times bestselling author Khaled Hosseini says, “Set in post-revolutionary Iran, Sahar Delijani’s gripping novel is a blistering indictment of tyranny, a poignant tribute to those who bear the scars of it, and a celebration of the human heart’s eternal yearning for freedom.”

Neda is born in Iran’s Evin Prison, where her mother is allowed to nurse her for a few months before an anonymous guard appears at the cell door one day and simply takes her away. In another part of the city, three-year-old Omid witnesses the arrests of his political activist parents from his perch at their kitchen table, yogurt dripping from his fingertips. More than twenty years after the violent, bloody purge that took place inside Tehran’s prisons, Sheida learns that her father was one of those executed, that the silent void firmly planted between her and her mother all these years was not just the sad loss that comes with death but the anguish and the horror of murder.

These are the Children of the Jacaranda Tree. Set in post-revolutionary Iran from 1983 to 2011, this stunning debut novel follows a group of mothers, fathers, children, and lovers, some related by blood, others brought together by the tide of history that washes over their lives. Finally, years later, it is the next generation that is left with the burden of the past and their country’s tenuous future as a new wave of protest and political strife begins.

“Heartbreakingly heroic” (Publishers Weekly), Children of the Jacaranda Tree is an evocative portrait of three generations of men and women inspired by love and poetry, burning with idealism, chasing dreams of justice and freedom. Written in Sahar Delijani’s spellbinding prose, capturing the intimate side of revolution in a country where the weight of history is all around, it is a moving tribute to anyone who has ever answered its call.
LanguageEnglish
PublisherAtria Books
Release dateJun 18, 2013
ISBN9781476709116
Children of the Jacaranda Tree: A Novel
Author

Sahar Delijani

Sahar Delijani was born in Tehran’s Evin Prison in 1983 and grew up in California, where she graduated from the University of California, Berkeley. She makes her home with her husband in Turin, Italy. Children of the Jacaranda Tree is her first novel; it has been translated into twenty-seven languages and published in more than seventy-five countries. Find out more at SaharDelijani.com/en.

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Rating: 3.7083333333333335 out of 5 stars
3.5/5

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  • Rating: 4 out of 5 stars
    4/5
    The story was extremely compelling and thought-provoking, revealing the struggles and horrors faced by the people of Iran during the post-revolutionary era. But there were so many characters that it got confusing and I would have benefited greatly if the book had contained a family tree to refer to, so I could remember who was who, and how everyone was related. I also felt that some of the stories seemed to remain unfinished. We'd see a glimpse of a character for a very short period of their lives, and we'd get excited to learn more about how things turned out, but we were just left hanging since the story never really came back to that character. For example, we got to know Leila a bit at the beginning when she was taking care of the kids. But then we read nothing more about her until she's an older woman, and even then she's only mentioned briefly in passing... What happened in her life? I would have liked to know more. Same with Dante - he appears late in the story even though he was brought up in Leila's home...and we learn almost nothing about him. What was the point of his character exactly? He didn't contribute much of anything to the story, so I felt like he should have been taken out entirely, or developed a little more so that his presence had more of a purpose. So while the characters were endearing and interesting, I never got enough about anyone to feel satisfied. I felt like I had gone to a steakhouse for a good meal, and all I got was an appetizer and dessert. I needed more meat in the middle. Another 100 pages to further develop some of the stories would have been greatly appreciated. The organization of the book was also a bit strange, where, at times, from one paragraph to the next, a lot of time had passed, but this was not made clear to the reader who thought it was a continuation of the previous scene. An extra carriage return would have been helpful to indicate a break in the story. But perhaps this was due to the fact that I had an advance copy, rather than a final manuscript. This is nonetheless a beautifully written book, with very poetic language and innovative analogies. Many times throughout the book I marveled at the creative choices the author made to describe things, and I actually read some of the passages more than once to fully experience the imagery it evoked. But despite the author's rich use of language, I was struck a few times by a few words that were used on a context that didn't make sense, such as the 'tugging of a receipt under an ashtray' (rather than putting or pushing it under), and the girl 'shriveling from the cold' (instead of shivering). These are tiny details obviously, but they struck me as very odd given how impressed I was with the writing in general. So despite some misgivings, I still enjoyed this book for what it was and would certainly read another book by this author.
  • Rating: 4 out of 5 stars
    4/5
    A novel based on true life experiences. I have procrastinated in writing this review because I really wanted to give the book five stars. Unfortunately, I struggled to keep all the characters and their relationships in my head and the time line of the narrative tended to be irratic. In spite of this, the images left in my mind paint a powerful picture of the hardships and sacrifices made by three generations of Iranians from 1983 to the present day. It is a particularly relevant book, given the recent events of the Arab Spring.The central character is Neda, who represents the life of the author. Both were born in the infamous Evin prison, of mothers who had been imprisoned for their activities during the time of the Iranian Revolution. Within a few months of her birth, Nada is removed from her mother and taken to live with her grandmother.The novel cleverly illustrates many differing outlooks and positions, from the grandparents who cared for the children of the imprisoned, through those in the prisons, to the children themselves.No one knew how long they would be detained, if their loved ones were still alive, or whether anyone would ultimately be released. Many prisoners were randomly slaughtered and while some were released, many were never seen again.This then, raised the quesion as to what to tell their children, whether to admit the awful truth or protect them with fabrications. As these children became adults they had to reconcile their situations and live their lives.They are now in their late twenties and living through another revolution, dubbed the Arab Spring.At each stage, many people decided to leave Iran for other, more peaceful, parts of the world and so, a whole new generation of diplaced Iranians has evolved.This book has a profound message of survival. It reveals the struggle that has been going on in Iran over the last thirty years and which is largely unknown by the majority of The West.I'd recommend it, but suggest that you take notes while reading, to help keep characters and dates in their correct places.Also read:Persepolis by Marjane Satrapi (4 *)My Prison, My Home by Haleh Esfandiari (3*)The Septembers of Shiraz by Dalia Sofer (5*)
  • Rating: 2 out of 5 stars
    2/5
    I liked the story, but had difficulty with the characters and the timeline jumping back & forth. I wish the book had come with a "family tree".

    This was a Goodreads first-read.
  • Rating: 4 out of 5 stars
    4/5
    Children of the Jacaranda Tree is a moving and powerful story of multiple generations of the families living in Tehran, Iran. The writing is beautiful and compelling. It opens in 1983 with the story of a young pregnant wife who has been arrested with her husband for activism and is now ready to give birth in prison to their child. Her excruciating delivery and the terror of having her baby taken away before she could even see her was a brilliant opening that hooked me. The story continues telling of horror after horror in the conditions of the prison and those who's lives are affected by the repression and control of the Revolutionary Forces. In and amidst the terror is the story of the people, men, women and children, whose lives are touched by this tragedy. Their story is one of survival. Ms. Delijani has their lives intertwined and intersecting both in and out of the prison with her masterful writing, but I also found it a bit confusing at times. In spite of the confusion, it was this interplay between characters that really made this story stand out for me as beautifully crafted, and I suspect there is some factual basis behind it. The first generation is devastated by what happens to them and many of them choose silence in an attempt to keep their pain from the next generation. The repression of these feelings does not prevent them from passing on their effects in different ways to their children. How each generation deals with the history and the present is part of the delicate nature of this particular story. Hope that things can change again rises with the next generation and in some cases it actually occurs. The conclusion of the story does a good job of touching base with each of the characters, and brings the story full circle by ending with the woman who is born at the start. I was blown away with the details of the lives of these people. This book certainly reads like a memoir and a fascinating one at that. It is both moving and heartbreaking to read. The author did a great job of bringing this history to life and making it real. My only complaint was the difficultly of keeping the characters straight throughout the book since there are many similarities between them. I ended up rereading much of the beginning of the book after I finished to completely get things straight. I'm glad that I did because it helped me fully appreciate the work that the author did in organizing this story. Each individual story is carefully crafted to be in just the right place, and it give the whole book maximum impact. I highly recommend this book to anyone interested in history, particularly of this region. I also think that it is a beautiful intergenerational family story that will appeal to readers of Kahled Hosseini's books; The Kite Runner, A Thousand Splendid Suns and And The Mountains Echoed. I thank Atria Books and NetGalley for the opportunity to read this book. I look forward to what comes next from Ms. Delijani and thank her as well for this beautiful story.
  • Rating: 4 out of 5 stars
    4/5
    Wavered between 3 and four, so I settled on this rating. This book starts out in 1983 in Tehran's Evin Prison, where a women is about to give birth in horrendous circumstances. This is a touching story about a group of young people who believe things in their country needed to get better and suffered for their idealism. It is about families, raising the children of their children who are either in prison or have been executed. Broken family bonds, children that did not know who they belonged to and the suffering of all involved. I loved that this book showed the devastation of war on not only families but woman as well. Some of these children ended up in other countries, not wanting to return to a country who had taken so much from them and some ended up emotionally stalled, unable to move forward, not able to forget nor forgive. I had a bit of trouble with the moving back and forth in time, at times it made the story seem fractured. I could not decide if that was the point, that maybe as the families and the country was fractured so to was their stories. Don;t know if that is true, but I like that explanation. It does, however, end with a great deal of hope for their future and their countries future. They have now elected a new ruler,in Iran, who is said to be more moderate. I hope so for their people because these are not only stories for us to read, these are things that happen to real people. We must always keep that in mind.
  • Rating: 2 out of 5 stars
    2/5
    This book is a new release for June 18th, 2013. It is from Atria books. I obtained a free e-copy for review from NetGalley. I was excited to read this book. I loved the title and the cover is beautiful! This book is based on real, little known events in Iran. Delijani was actually born while her mother was in Evin prison. Sadly, I didn’t feel a connection with the story though.The story is about activists in Iran and their incarceration in Evin prison in Tehran. The setting is 1983 to 2011. In 1988 thousands of people who were against the Islamic republic were executed. The story is told from the view points of the family members and the prisoner themselves. It shows how the whole family suffers from the loss of their loved one. It is more like a compilation of short stories, than a novel. I thought that it didn’t flow. It seemed disjointed to me. The book contains many characters and I didn’t feel that I could relate to them. They seemed superficial to me. I did not feel an emotional involvement with them.The copy that I read contained many words that should have been capitalized. Names of people were not capitalized. The first words of many sentences were not capitalized. My copy was a galley copy and maybe it was not corrected yet? I found it rather distracting.I noticed that others have reviewed this book and have given it high ratings. I am sorry to say that I don’t feel the same about it. I give the book 2.5 stars out of 5. I think that with a few core characters and either one or two narrating the book would have made more sense and had a stronger impact. I don’t think this will make the best seller list. Will I have to eat my words on this one? We will just have to wait and see.
  • Rating: 4 out of 5 stars
    4/5
    CHILDREN OF THE JACARANDA TREE is the story of the Iranis who fought against the repressive government of the Shah only to see their dream of freedom dashed by the Revolutionary Guards of the new regime. It continues with the revolt of their children and the scattering of the families.The novel opens in 1983 when Azar, a prisoner in Evin Prison in Tehran, is about to give birth to her daughter, Neda. The way the prison officials treat her is beyond belief. Eventually, though, she gives birth and is able to keep her in her cell, shared by thirty women. All of them find joy in the new baby.Her husband is also in prison, in a different area, for his part in the political activities. He gets to meet his daughter before Neda is taken away from them. Later, he is tried.In a distortion of reality, everyone in Iran is called Sister or Brother, implying a closeness that is actually non-existent.Another family, headed by Maman Zinat, is also portrayed in the book. Members of that family are also serving prison terms and she takes care of some of their children. Later on we meet the children when they are adults.The parents try to protect the children from physical danger and emotional danger. The results are not always what they expected. Eventually, some of the Iranis are able to leave Iran, though it never really leaves them. When Iran does hold a democratic election decades later, it turns out that not only are the results suspect, those in power are able to identify the people supporting the opposition via videos of them at political rallies. The horrors continue.Sajar Delijani paints a vivid picture of life in Iran during the decades following the deposition of the Shah as it affects these Iranis who only hope for a better life.I received an Advance Reader’s Edition of this book from goodreads.
  • Rating: 3 out of 5 stars
    3/5
    The Children of The Jakaranda Tree is set in post revolutionary Iran between 1983 and 2011 and is the author's debut novel. Sahar Delijani was born in the notorious Evin Prison in Tehran and the anguish conveyed with harrowing vividness in the opening chapter is heart felt. It is a novel about suffering and loss; self sacrifice and abject fear, of how the future generations are affected, and in light of the recent Arab Spring, of how nothing has really changed.This faction novel opens with a harrowing scene in which we find Azar in the hospital of Evin Prison in the painful throws of childbirth. Before she is finally allowed to give birth without kindness or dignity she must first undergo interrogation. Without the love of a family member or father-to be to give her support she only feels fear, pain, anguish and the guilt of bringing her child into the world in such a way. The anguish is made even more palpable by the sinister presence of the 'Sister' who she fears will make her wait even longer before being allowed to see and hold her newborn.The contrast of emotion following the birth is overwhelming with the excitement of the new arrival shared by the other women in the prison. They forget their misery and hateful grievances and give all they can to help her and the baby. Everyone's life is made just that more bearable with the presence of new life and promise of the future the innocent one brings.In another powerful scene Maryam, the wife of an executed prisoner, is told to collect her husband's belongings from Elvin prison. Once home she finds that the belongings are not of her husband but those of another executed prisoner. There is no body to bury or mourn. There is no recourse, she cannot complain and must live with the pain of never knowing what actually happened to her husband.I did feel that the book lost its way somewhat, it became too distracting and where I had initially wanted to know more about the prisoners and their families I ended up feeling removed and more of a voyeur. I became confused and found it difficult to know who was who, or where they fitted in to the story. A glossary would have been of enormous help to keep up with the multitude of characters introduced. The numerous children, family members, cousins and friends, some of which play a minor part, in combination with numerous time period shift were so disorientating that I lost focus.I really wanted to read the book and it is a beautifully written and a poetic piece. It carries an important message that should be heard. Would I recommend this one? Most definitely as even with a 3 star rating which was a disappointment with the first half being so powerful and a potential 5 star it remains a powerful account of modern history. I would definitely look forward to reading more from Delijani. I strongly advise the inclusion of a glossary for future publications of this complexity.Thank you to Atria Books and NetGalley for the opportunity to review this book.
  • Rating: 3 out of 5 stars
    3/5
    I really enjoyed reading this book, as difficult (painful) as it was to read, up until the novel switched to near-present day. When the novel was set in 1987, the author, for some strange reason, seemed more invested in rounding out the characters and giving us backstory, et cetera. Once we abruptly (and I mean ABRUPTLY) switched to 2007 (I think it was), we are introduced to those characters again and then some, all thrown at us without preamble. No backstory, no explanations, just long rambles of everyday life. I stopped reading it about 1/2 way through.
  • Rating: 4 out of 5 stars
    4/5
    Children of the Jacaranda Tree by Sahar Delijani begins with the birth of Neda, whose mother is a political prisoner in post-revolutionary Iran in 1983, during the Iran-Iraq War, and follows the lives of three generations of Iranians between 1983 and 2011. All three generations are damaged by the leadership of the Islamist government; the first, who watches as their children are beaten, imprisoned, and executed. The second, who worked hard during a revolution with dreams of a better country, who are cast aside, labeled enemies of the State, enemies of Islam, beaten, imprisoned, and too often executed. And the third, the children, left abandoned and sometimes orphaned, as their parents are arrested or killed. It is the third generation that are the children of the jacaranda tree. They were the ones who lived for years in the sad but peaceful and loving home of Maman Zinat. She cared for her grandchildren and others during the long, indeterminate prison sentences; offered shelter security in her home, adorned and seemingly protected by the beautiful jacaranda tree in the courtyard. The book frequently jumps from the early 1980's to the first decade of the 21st Century as it follows the lives of its characters. It isn't exactly fast paced, but what it lacks in thrills is made up for tenfold in Ms. Delijani's beautiful, descriptive prose. There is an expected sadness in the story, sometimes highlighted by characters with minor roles. But despite the sadness, the war, the desire not to remember, there is also a hope that lies just under the surface, and it is ever present. The last chapter is set in Turin, Italy. Neda is an adult dating Reza, an Iranian political refugee because of his activity during the protests of the 2009 elections. At one point, his relationship with Neda is strained because of what she sees as his lack of acknowledgement of her parents involvement in reshaping Iran, their suffering and hardships, and by extension, hers. She learns that his father was a member of the Revolutionary Guard, the people responsible for the suffering of her parents and so many others in Iran. Despite Reza's own political exile, his explaining that his father left the Guard because he disagreed with their actions, and that his father was among the demonstrators badly beaten during the 2009 protests, she struggles to accept Reza knowing what his father had likely been involved in, but knowing that to make any progress means letting go of parts of the past. My only criticism of Children of the Jacaranda Tree is that it is choppy. It jumped around from the 1980's to 2009-2011; from Tehran to Turin. There were many compelling, well developed characters, but it was difficult to keep track of who was who and how were they related to each other. But that might have been intentional; a small, symbolic way to demonstrate the chaos and uncertainty that is a way of life for the people of Iran.
  • Rating: 4 out of 5 stars
    4/5
    As a lover for fiction from faraway lands, I noticed and kept track of this title way before publication date. I love to read about how war and history could affect all of us, no matter where we are, where we were from. This is the debut novel of Sahar Delijani. She drew examples for this story from her parents and other family members, who were actually imprisoned in the Evin Prison in the 1980s. Ms. Delijani was born there. One could safely say that this book is part memoir, part fiction.

    The book opened with a heart-gripping chapter. A pregnant woman prisoner, Azar, was being taking to a local hospital fanned by “sisters” and “brothers,” or male and female prison guards from Evin. She was blindfolded and suffering from humility, harsh treatment and contraction pain. When she finally was allowed to sit down somewhere, she thought a doctor was going to see her. Yet an interrogator came in, with paper and pen, hoping to break her during her time of weakness and pain, with her baby about to slip out… This was the best chapter of the book.

    Not much is known about the Evin Prison, since most prisoners were blindfolded while being transported within; it has the most efficient interrogative methods that could break any human, and it was crowded. It was built to fit 350 prisoners but holds up to 15,000 all the time. It’s also called Evin University, due to the number of intellectuals who were imprisoned, tortured or killed there. It’s the prison not only for actual criminals, but also intellectuals, students, activists, Christians, journalists… In other words, any one who’s believed to oppose the Iranian government. The prison is right at the border of the city of Tehran, and its cold tall walls could be visible from many homes.

    The stories in the book took place during 1980’s in Tehran, where there was a mass arrest of political activists, to the present, around 2011 in Europe, American and Iran. The chapters went back and forth between the two periods. There were many characters, which were all somewhat related to one to one another and somehow looked, talked and act similar to each other due to the lack or development or similar descriptions: dark hair, dark eyes, and stocky for men. They were the prisoners of Evin and their children who grew up with the effect of war and their emotionally broken parents. Among these kids were Omid, Sara, Neda and Forough who were cousins. The kids carry their parents pain, so they are also broken, suffering and in no way happy or normal, although their love for the country remain strong, even after fleeing to the west with their parents.

    I really wanted to give the book 5 stars. It has, as predicted, opened my eyes to the history of Iran, which I only had just a vague idea about. I loved the intended plot; I loved the concept; I loved the way the author narrates, with such lyrical prose and well-used metaphors and symbolism. However, the book is a bit disjointed, the characters were all very similar to each other (except for one or two), the plot did not flow smoothly enough so the book was read like a collection of vignettes. The descriptions were not only weak for characters, but also for the most important place, the prison. The cousins’ home and relationship were just barely scanned over. There’s so much potential to elaborate, to embellish… Unfortunately some sentiments and descriptions were used once too many, like the author was trying too hard to come up with more and new descriptive words or poetic terms. I ended up flipping through pages just to get the book going.

    However, I still think this book is worth reading as a debut novel and as an introduction to the sad history and present situation of Iran, since I could feel the author’s love for her country in every single page. A hardback might be better and easier to read than the ebook version due to the various characters that have similar names, descriptions and feelings.

    This is a 3.5 star book, the 0.5 extra is for the poetic words and the great opening.


  • Rating: 4 out of 5 stars
    4/5
    This book follows the lives of an extended family who live in Iran during the last forty years. Its starts with a young lady who is in prison for "political crimes". She happens to be pregnant and delivers the baby while she is there. From here the book follows her life and the babies life as she becomes an adult. . Many other family members also build this story of a family struggling to survive and keep together under the thumb of an oppressive government.. The book is stylish and beautifully written which is uniquely juxtaposed against the starkness of much of the subject matter.
  • Rating: 4 out of 5 stars
    4/5
    This book starts with a gripping first chapter. A pregnant woman in labour is blindfolded and transported to a prison hospital to have her child. She must not deliver until she gets there. It is a shocking start for the book which progresses with more vignettes that often left me flabbergasted. After a short while in the women’s care, these babies, born in custody, are stripped from the mother and sent to relatives and friends to be raised. The novel focuses on what happens to these children as they grow to adulthood amid the political unrest and turmoil of Iran. The story spans for several decades. The writing is beautiful and very compelling. Because the novel focuses on the children, their caregivers, and their parents, I found there to be quite a lot of characters. Further, the stories often jumped from the past to the current time. At first, this confused me, but I persevered and soon found that the book wasn’t written like a typical plot driven story, but rather like an anthology of connected short stories or vignettes. After that, I worried less about remembering who was who and I was able to enjoy the individual stories of hardship, imprisonment, or suffering. Beyond reading for entertainment, this novel sends a powerful message, educating readers with the dreadful terror the characters experience that mirror the truth about Iran and its people. Rich descriptions, unforgettable characters, unbelievable injustice, and victory grace the pages of this fascinating novel. All in all, a most fascinating novel!
  • Rating: 5 out of 5 stars
    5/5
    Disclosure: I received a free copy of Children of the Jacaranda Tree by Sahar Delijani from Atria Books Galley Alley.

    Delijani's prose has a lyrical quality that makes it tempting to reread the descriptions and comparisons in each chapter. She brings the sights, sounds, and smells of Iran off the page and into the reader's senses.

    Intertwined stories focusing on different protagonists at different points in time don't always work well, but Delijani is successful in weaving her narratives together to compliment each other. The characters each have their own goals, dreams, fears and true losses, but they are all connected by how the Iranian revolution and its aftermath have affected them. This is a novel filled with individual and shared tragedies, yet resounding with hope underscored by the power of strong familial bonds.

    Children of the Jacaranda Tree is a gateway into a culture and to conversations about issues global and universal, certain to become a book group favorite. A must-read for anyone who enjoyed A Thousand Splendid Suns.
  • Rating: 3 out of 5 stars
    3/5
    Like one of the main characters in the book, the author was born in Evin, Iran's most notorious prison, and her novel opens with the character Azar on her way to give birth in one of the prison's hospitals. The story of Neda's birth and first few months in her mother's cell are spell-binding, and I couldn't believe it when I turned a page, and Azar's story was over. The story picks up four years later with Omid, a toddler who is found sucking his fingers in the wreckage of his parents' apartment. They have been arrested, and Leila, his aunt, is now raising him along with his cousins, whose parents were also arrested. Leila's life is on hold indefinitely as she becomes mother to her sisters' children, and a perpetual unmarried child to her own parents.Turn the page and we return to 1983 and Evin Prison, but this time to the story of Amir, a cellmate of one of Leila's brother-in-law's, and his desperate desire to leave something of himself for his daughter, born during his imprisonment. But what? He has nothing; nothing except the pits from the dates they are occasionally given to eat.The second half of the book is set in the years between 2008 and 2011. Forough, one of Omid's cousins, has just returned to Iran to visit her grandmother Maman Zinat, Leila's mother, after twelve years away. She struggles to find her place in a home that is no longer hers and in a family that was once the only family she knew. Sheida, daughter of Amir, learns through the internet a secret that her mother has kept from her her whole life. In order to learn the truth, she too, returns to Iran and the past her mother tried to keep from her. Donya is visiting Iran in order to find out whether there is anything still between her and Omid. And finally we return to Neda, who is now an adult living in Italy, but who is still caught in the politics of the revolution and those who destroyed her parents' lives.The novel is a mosaic of people from two generations who are all touched by the Iranian Revolution and the subsequent terror perpetrated by the Revolutionary Guard. The lives of the characters intersect, move apart and reappear, while Evin Prison remains solid and forbidding in the center of it all. I enjoyed the book, but I was frustrated by the abrupt transitions from one person's story to the next. I suppose it is a testament to her writing that the author was able to get me so involved with each character that I wanted that story to continue. For a debut novel, I was impressed, and I look forward to her next work.
  • Rating: 2 out of 5 stars
    2/5
    I was unable to continue reading this book. The subject is laudable, but the writing is so overdone that I lost all patience. In the powerful opening scene, we read that "With every turn she was thrashed against the walls." Thrashed? Seriously? If she was flailing about like that in the back of the van, how could Brother and Sister in the front carry on a conversation with seeming equanimity? The van was all one vehicle, no? The writing abounds with exaggerated language. I began to feel like I was reading a cartoon, which was not at all the intended effect I'm sure. Too many sentences simply made no sense. I pick an example at random: "Omid nodded, dropping his hands, his two fingers safe and wet in his mouth." If he dropped his hands, how did his fingers stay in his mouth? Did he bite them off? Did he drop only one hand? Delijani wrote "his hands". It's too bad, since this is a novel that should be read, and I'm fairly sure that many readers will be put off--not by the terror of the events but by the grotesque use of language.
  • Rating: 3 out of 5 stars
    3/5
    This is the story of several members of an extended family impacted by the Revolution in Iran in the 1980s and, specifically, the Evin prison in Tehran. It provides an honest and poignant view into Iran, "...this country where life overwhelms you, submerges you completely with its unflinching, unpredictable, ruthless reality." With occasional breathtaking passages, the author, who was herself born in Evin prison in 1983, explores the fear associated with political imprisonment and the tidal waves of fear and sorrow that can overtake an entire family when a father or a mother or an aunt is carted away to prison, possibly never to be seen or heard from again. For example: "Life inside the prison walls was no different from existence beyond. Everyone carried fear, like a chain, carrying it in the streets, under the familiar shadow of the sad, glorious mountains. And in carrying it, they no longer spoke of it. The fear became intangible, unspeakable. And it ruled over them, invisible and omnipotent." The novel also explores, rather exquisitely, the relationships between mothers and daughters who have been torn apart by the war, imprisonment, and survival. Two decades later, as one daughter finally, angrily, forces her way through the silence her mother has wrapped around their father/husband's death in Evin prison, she gazes at "...the tears rushing down her mother's face, at her face twisted with pain, with the jagged scars of memories. They terrify Sheida. Those tears. Those words. They crush something inside her like an empty soda can. She wanted to avenge herself. She didn't think of the tsunami breaking her mother's body open."In this debut novel, we get a peak at Delijani's potential as an author, and it is considerable. Her use of language and her ability to communicate the emotional terrain of terror are both lovely. Her characters, however, never gain that critical third dimension, never become fully realized in the reader's lexicon of characters. Delijani inconsistently vacillates between oversimplified, emotionally flat dialogue and beautiful prose expressing gut-wrenching loss, longing, and terror. Still, despite its shortcomings, I recommend this book. And I certainly recommend keeping an eye on this author. I predict that we will hear more from her and that her craft will develop into something in which readers can rejoice.
  • Rating: 4 out of 5 stars
    4/5
    The story of various families in Iran during and after the revolution, with the stories moving back and forth in time (1983-2011) and location (Tehran, Iran, and Turin, Italy). It does get a little confusing at times, but provides insights into what life was like for political activists against the Islamic revolution, and reflects the experiences of the author, Sajar Delijani, and her family.
  • Rating: 5 out of 5 stars
    5/5
    Set in post revolutionary Iran from 1983 to 2011, this novel packs a huge punch. It says it like it is.It is difficult to remain unaffected after reading this novel. I want to quote what to me sums up what Sahar Delijani is getting at. "There were parallel worlds, one in which nothing was hidden, neither the memories nor the family's contempt for the regime;and the other, in which everything was prohibited, voices were hushed, and children inherited alertness against anything that could put the family in danger, carrying their parents' secrets with them, heavy as a sack of rocks that they could never set down. it became part of the way Neda regarded herself and her family:a family of secrets . of resistance, of defeat."
  • Rating: 3 out of 5 stars
    3/5
    Nice writing, though the ending was somewhat treacle-y for my tastes.
  • Rating: 4 out of 5 stars
    4/5
    This was a wonderful first novel by Sahara Deliani. The story is based on the author's, and her families, experiences in Tehran. I really enjoyed the way that Delijani builds and connects the people with their individual stories. While it was sometimes difficult to follow who was who if you could keep the story in focus it made keeping track of the characters easier. The story really highlights the fact that children who may not experience the atrocities of war still have the scars of their parents and that is what makes it so difficult to move on - those scars pull you back and life becomes a repeated pattern until someone like Neda breaks those scar-bonds. This will be a book I go back to again and again.
  • Rating: 3 out of 5 stars
    3/5
    Many years ago when I finished Reading Lolita in Tehran, I wanted to find someone to talk to about the book and about Iran. Aside from what we have heard on the news about the conflicts in the Middle East for so long, there weren't many people who had any knowledge of what had gone on there. Luckily (or unluckily for her), there was a mom whose little guy was on my little guy's soccer team who told me she and her husband were Persian and had come to this country in the 80s. Voila! Someone to talk to about Iran and the events that so fascinated me. Except she wasn't so interested in talking to me about it. And I didn't understand her reluctance. But after reading more, including Sahar Delijani's debut novel Children of the Jacaranda Tree, I can begin to understand why she was so polite but vague to one enthusiastic but ignorant person interested in hearing about an event that changed the lives of so many people, destroying families, making certain beliefs punishable by sharia law, driving people into exile, and altering the landscape of the region forever. Azar is in labor and about to give birth. She is also a political prisoner in Evin Prison in Tehran in 1983, as is her husband, of whom she has had no news for months. Although it is clear that Azar has been tortured and abused in prison, she cannot focus on anything but the imperative of her body as she strains to bring her baby into the world, not even on the relentless questioning she is forced to endure before she is taken to delivery in hopes that the combination of natural physical pain and ruthless disregard for her situation will cause her to break. Baby Neda is born into the prison, a small ray of light in the cell where Azar and many fellow female dissidents are being held, until the day a guard takes the baby away to live with her grandparents. Azar is just one of the many political dissidents jailed in Evin Prison for their activism inspired by the failure of the promise of the Islamic Revolution and her story is just one of many here. Ordinary people wanting the best for Iran are arrested and detained, changing not only their lives but the lives of their families. Grandparents and aunts are suddenly raising grandchildren, sacrificing plans and dreams for their loved ones. Wives are widowed with no warning, left with fatherless children. Unexplained executions shatter the lives of the citizenry as religious conservatives offer no quarter to those who do not believe in the exact same Allah that they do. There's a large cast of characters here, prisoners, their estranged families, and their children and each and every one of them suffers as a result of the Revolution. Ranging from 1983 through 2011, the novel examines the shame, the fear, the brutality, and the torture that are the lasting effects of the stringent and unyielding ruling party even for those who become part of the diaspora. The stories come across as vignettes rather than a unified novel with an overarching and unifying plot because the connections between the characters are sometimes a bit tenuous, requiring the reader to flip back to the front of the book to consult the list of characters again in order to place them. The jumping back and forth in time, often from character to character, can be disconcerting and feels a little choppy but Delijani manages to keep the tension high over the ultimate fates of her characters, emphasizing the arbitrariness of life in Tehran, post-Revolution. The language is poetic and often times beautiful in this tale of three generations forever impacted by prison and the aftermath of dissidence. Delijani's novel, culled from her parents' experiences and her own birth in Evin prison, bears telling as a means of bearing witness to the long reaching wrongs done in the name of extremism.
  • Rating: 5 out of 5 stars
    5/5
    A group of women and a baby girl share a prison cell for a few months. This is Tehran in 1983, as the Islamic regime consolidates its power and imprisons and kills its opponents. Azar knows her baby girl, Neda, will be taken away from her, but she doesn’t know when. In the meantime, she represents life and hope for the future to all the women in the cell.The stories of several political prisoners, and their relatives outside, are told, then the narrative jumps forward to this century. Azar and Neda are in Italy, her cellmate Firoozeh and daughter Donya in the US. A death of in the family brings some of the younger generation back to visit, and see for themselves the beautiful country still under a repressive regime.Many parts of this novel were first written and published as separate stories – the author herself is a child of the generation who were imprisoned and/or killed for their political activities – her parents went into exile, her uncle died. I found it quite challenging to work out how the people and their stories all linked up. However, I was moved by the stories, I appreciated the beauty of the writing, and was fascinated by the dilemmas faced by the next generation at the end of the novel.Reviewed for Amazon Vine.
  • Rating: 3 out of 5 stars
    3/5
    Good book, but hard to follow. Lots of characters that you have to keep up with.
  • Rating: 4 out of 5 stars
    4/5
    Beautifully written, illuminating a terrible tragedy little known in the West. This book puts a name and face on statistics.

    1 person found this helpful

  • Rating: 3 out of 5 stars
    3/5
    This novel tells the story of three generations of Iranians and the political turmoil that enveloped them. Most powerful are the descriptions of prison and torture that bring home the inhumanity of Iran's governments during the past 30 years. The cost to the children of political prisoners is monumental and long-lasting, and it's hard to imagine that there can still be hope in their lives. For me, the number of characters and families was confusing, and it was difficult to keep track of who was related to whom.

Book preview

Children of the Jacaranda Tree - Sahar Delijani

The characters featured in Children of the Jacaranda Tree are all connected—some by personal experience, some by their children, still others by their parents and their shared ordeal in the notorious home of persecution, Tehran’s Evin Prison.

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GRANDPARENTS

Maman Zinat—Leila, Parisa, and Simin’s mother

Aghajaan—Leila, Parisa, and Simin’s father

PARENTS

Azar—held in Evin Prison; Neda’s mother

Ismael—husband of Azar; and Neda’s father; imprisoned

Behrouz—Ismael’s youngest brother; married to Simin; father to Forugh; imprisoned

Simin—Behrouz’s wife; Forugh’s mother; sister to Parisa and Leila; imprisoned

Parisa—sister to Simin and Leila; mother to Omid and Sara; imprisoned

Leila—sister to Simin and Parisa

Ahmad—Leila’s first love

Firoozeh—mother to Donya; imprisoned but also a collaborator

Marzieh—Dante’s mother; imprisoned

Amir—married to Maryam; Sheida’s father; imprisoned

Maryam—Amir’s wife; mother to Sheida

Meysam—jailer at Evin Prison; Reza’s father

CHILDREN

Neda—born in Evin Prison to Azar and Ismael

Forugh—Simin and Behrouz’s daughter

Omid—Parisa’s son; brother to Sara

Sara—Parisa’s daughter; sister to Omid

Donya—Firoozeh’s daughter

Dante—Marzieh’s son

Sheida—Amir and Maryam’s daughter

Valerio—Sheida’s Italian boyfriend

Elnaz—Omid’s wife

Reza—Neda’s boyfriend; Meysam’s son

1983

Evin Prison, Tehran

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Azar sat on the corrugated iron floor of a van, huddled against the wall. The undulating street made the car sway from side to side, swinging her this way and that. With her free hand, she clasped on to something that felt like a railing. The other hand lay on her hard, bulging belly, which contracted and strained, making her breathing choppy, irregular. A heat wave of pain spouted from somewhere in her backbone and burst through her body. Azar gasped, seizing the chador wrapped around her, gripping so hard that her knuckles turned white. With every turn, she was thrashed against the walls. With every bump and pothole, her body was sent flying toward the ceiling, the child in her belly rigid, cringing. The blindfold over her eyes was damp with sweat.

She lifted a hand and wiped the moisture from her eyes. She dared not remove the blindfold, even though there was no one with her in the back of the van. But she knew there was a window behind her. She had felt the glass when she first climbed in. Sister might turn around and see her through this window, or they could stop so abruptly that Azar would not have time to put the blindfold back on.

She didn’t know what would happen to her if they caught her with open eyes, and she did not wish to. At times she tried to convince herself that the fear that had crept inside her, cleaving to her, was not justifiable; no one had ever raised a hand to her, shoved her around, threatened her. She had no reason to be terrified of them, of the Sisters and the Brothers, no tangible reason. But then there were the screams that shook the prison walls, tearing through the empty corridors, waking the prisoners at night, cutting across a conversation as the prisoners divided up their lunch, forcing them all to a tight-jawed, stiff-limbed silence that lasted well through the evening. No one knew where the screams were coming from. No one dared ask. Shrieks of pain they were, this much they knew. For no one could confuse howls of pain with any other kind; they were cries of a body without a self, abandoned, crushed to a shapeless splotch, whose only sign of being was the force with which it could shatter the silence inside the prison walls. And no one knew when their turn would come up, when they would disappear down the corridor and nothing would remain of them but howls. So they lived and waited and followed orders under the looming cloud of a menace that everyone knew could not be eluded forever.

From a tiny opening somewhere above Azar’s head, the muffled din of the city waking up intruded into the car: shutters rolling open, cars honking, children laughing, street vendors haggling. Through the window, she could also hear the intermittent sounds of chatter and laughter coming from the front of the van, though the words were not clear. She could hear only the guffaws of Sister at something one of the Brothers had just finished recounting. Azar tried to keep out the voices inside the van by concentrating on the hum of the city outside—Tehran, her beloved city, which she had neither seen nor heard for months. She wondered how the city could have changed with the war with Iraq dragging on into its third year. Had the flames of war reached Tehran? Were people leaving the city? From the noises outside, it seemed as if everything continued as always, the same chaos, the same din of struggle and survival. She wondered what her parents were doing at this moment. Mother was probably in line at the baker’s; her father was probably getting on his motorcycle and leaving for work. At the thought of them, she felt like something was gripping her throat. She lifted her head, opened her mouth wide, and tried to gulp down the air seeping through the opening.

Her head thrown back, she breathed hard, so hard that her throat burned and she started to cough. She undid the tight knot of the headscarf under her chin and let the chador slide down her head. She held on to the railing, sitting stiffly, trying to bear the swaying and lashing of the car as another burst of pain blazed through her like the fiery end of a bullet. Azar tried to sit up; she bristled at the thought of having to give birth on the iron floor of a van, on these bumpy streets, with the shrill laughter of Sister in her ears. Tightening her grasp on the railing, she took a deep breath and tried to shut herself against the urge of erupting. She was determined to keep the child inside until they reached the hospital.

Just then she felt a sudden gush between her legs and held her breath as the uncontrollable trickle ran down her thigh. She pushed her chador aside. Panic swept through her as she touched the pants carefully with the tips of her fingers. She knew that a pregnant woman’s water would break at some point, but not what would happen after that. Did this mean birth was imminent? Was it dangerous? Azar had just started reading books on pregnancy when they came to her door. She was about to reach the chapter on water breaking, contractions, what she should pack in her hospital bag, when they knocked so loudly, as if they wanted to break down the front door of her house. When they dragged her out, her stomach was already beginning to show.

She clenched her jaw as her heart pounded violently. She wished her mother were there so she could explain what was happening. Mother with her deep voice and gentle face. She wished she had something of her mother that she could hold on to, a piece of clothing, her headscarf. It would have helped.

She wished Ismael were there so he could hold her hand and tell her that everything was going to be fine. He would have been frightened, she knew, if he had seen her in these conditions, sick with worry. He would have stared at her with his bright brown eyes as if he wanted to devour her pain, make it his own. There was nothing he hated more than seeing her in pain. The time she fell from the chair that she had climbed in order to pick grapes from the vine tree, he was so shocked, seeing her wriggling on the ground, that he almost cried, gathering her in his arms. I thought you had broken your back, he told her later on. I would die if something ever happened to you. His love made her feel like a mountain, unshakable, immortal. She needed that all-encompassing love, those worried eyes, the way in which, by taking it upon herself to reassure him, to calm him down, she always succeeded in reassuring herself too.

She wished her father were there so he could carry her to his car and drive like a madman to the hospital.

The van came to a stop, and Azar, shaken out of her thoughts, turned around sharply, as if she could see. Although the grumble of the engine had fallen silent, no door opened. Her hands crept up to her headscarf, tightening the knot, sweeping the chador over her head. Sister’s gales of laughter once again burst forth. Soon it became apparent that they were waiting for the Brother to finish telling his story. Azar waited for them, her hands trembling on the slippery edge of her chador.

After a few moments, she heard doors open and swing shut. Someone fiddled with the lock on the back of the van. Clinging to the railing, Azar lugged her body forward. She was at the edge of the car when the doors were drawn open.

Get out, Sister said as she fastened the handcuffs around Azar’s wrists.

Azar found that she could barely stand. She lumbered alongside Sister, engulfed in the darkness enveloping her eyes, her wet pants sticking to her thighs. Soon she felt a pair of hands behind her head, untying the blindfold, and saw that she was standing in a dimly lit corridor, flanked by long rows of closed doors. A few plastic chairs were set against the walls, which were covered with posters of children’s happy faces and a framed photo of a nurse with a finger against her lips to indicate silence. Azar felt a great lifting in her heart as she realized they had at last reached the prison hospital.

A few young nurses hurried past. Azar watched as they disappeared down the corridor. There was something beautiful about having her eyes out in the open, her gaze hopping hurriedly, freely, from the green walls to the doors to the flat neon lights embedded in the ceiling to the nurses in white uniforms and white shoes, fluttering around, opening and shutting doors, their faces flushed with the excitement of work. Azar felt less exposed now that she could see, and on equal ground with everyone else. Behind the blindfold, she had felt incomplete, mutilated, bogged down in a fluid world of physical vulnerability, where anything could happen and she could not defend herself. Now she felt as if, with one glance, she could shed the stunting fear that hacked away at her, that made her feel less than whole, less than a person. With open eyes, in the dim corridor surrounded by the bustle of life and birth, Azar felt she was beginning to reclaim her humanity.

From behind some of those doors came the muffled chorus of babies wailing. Azar listened carefully, as if, in their endless, hungry cries, there was a message for her, a message from the other side of time, from the other side of her body and flesh.

A nurse came to a halt in front of them. She was a portly woman with bright hazel eyes. She looked up and down at Azar and then turned to Sister.

It’s a busy day. We’re trying to cope with the Eid-e-Ghorban rush, and I don’t know if there’s any room available. But come on up. We’ll have the doctor at least take a look at her.

The nurse led them to a flight of stairs, which Azar climbed with difficulty. Every few steps, she had to stop to catch her breath. The nurse walked ahead, as if avoiding this prisoner with her baby and her agony, the perspiration glistening on her scrawny face.

They went from floor to floor, Azar hauling her body from one corridor to the next, one closed door to another. Finally, the doctor in one of the rooms motioned them in. Azar quickly lay down and submitted herself to the doctor’s efficient, impersonal hands.

The baby inside her felt as tense as a knot.

As I said before, we can’t keep her here, the nurse said once the doctor was gone, the door swinging shut silently behind her. She’s not part of this prison. You have to take her somewhere else.

Sister signaled to Azar to get up. Descending stairs, flight after flight, floor after floor, Azar clasped the banister, tight, stiff, panting. The pain was changing gear. It gripped her back, then her stomach. She gasped, feeling as if the baby were being wrung out of her by giant hands. For a moment, her eyes welled up, to her biting shame. She gritted her teeth, swallowed hard. This was not a place for tears—not on these stairs, not in these long corridors.

Before leaving the hospital, Sister made sure the blindfold was tied hermetically over her prisoner’s bloodshot eyes.

• • •

Back on the corrugated iron floor, the doors slammed shut. The van smelled of heat and violent suffering. As soon as the engine started, the chattering from the front picked up where it had left off. Sister sounded excited. There was a flirtatious edge to her voice and to her high-pitched laughter.

Back in position, Azar slouched slightly with fatigue. As the van zigzagged through the jarring traffic, she remembered the first time she took Ismael to her house. It had been a hot day, much like today. He smelled sweet, of soap and happiness, as he walked beside her down the narrow street. She wanted to show him where she came from, she had said, the house she lived in with its low brick walls, the blue fountain, and the jacaranda tree that dominated everything. He had been doubtful; what if her parents came back and caught him there? But he came anyway. Nothing but a quick tour, Azar promised, laughing, grabbing his hand. They ran from room to room, never letting go of that moment, of each other, of the perfume of the flowers that enfolded them.

She wondered where Ismael was, and if he was all right. It had been months since she’d had news of him, months when she did not even know if he was still alive. No, no, no. She shook her head repeatedly. She should not think about that. Not now. She had heard from some of the new prisoners that the men had also been transferred to the Evin prison. Most of the men. If they made it to Evin, it meant they had made it through the interrogations and everything else she did not dare think about at the Komiteh Moshtarak detention center. She was sure Ismael was one of those men. She was sure he was in Evin with her. He had to be.

Once again, the van came to a stop and the door swung open. This time, the blindfold did not come off. The sun shone feebly through it and into Azar’s eyes as she faltered out of the van, tottering alongside Sister and Brothers into another building and then down a corridor. They must have entered the labor ward of another hospital, for soon the sounds of women moaning and screaming filled her ears. Azar felt a rush of hope. Maybe now they would leave her to the safe hands of the doctors. Maybe the agony would be over. The blindfold slid down a bit on one side, and from the opening, she watched eagerly the gray tiled floor of the long corridor and the metal feet of chairs along the walls. She felt the brisk passing of people, perhaps nurses, their soft shoes thudding down the hallway. Their bodies moving past raised a quick breeze to her face.

Soon their course changed, and they were going up another flight of stairs. The sound of the women’s moans drifted. Azar cocked her ears and knew they were taking her away from the labor ward. The corners of her eyes twitched. When they finally came to a stop and a door opened, she was led into a room and told to sit down. She lowered herself onto a hard wooden chair, exhausted. Sweat dripped from her forehead and into her eyes as a rush of pain came back to claim her. Soon the doctor will be here, she thought, trying to console herself.

Yet, she quickly realized it was not a doctor she was waiting for when, from behind the closed door, came the slip-slap of plastic slippers approaching; the noise grew louder and louder. She knew what that sound meant, and she knew when she heard it that she had to prepare herself. She gripped the warm, sweaty metal of the handcuff and squeezed her eyes shut, hoping the slip-slap would stride right past her door and leave her alone. When it fell silent behind the door, Azar’s heart sank; they were here for her.

The door squeaked open. From underneath the blindfold, she had a glimpse of black pants and a man’s skinny toes with long pointy nails. She heard him dawdle across the room, pull a chair raspingly over the floor, and sit down. Azar’s body grew tense against the ominous being that she could not see but felt with every molecule of her body. The child inside her pushed and twisted. She winced, clasped into her chador.

Your first and last name?

In a quivering voice, Azar gave her name. She then said the name of the political party to which she belonged and the name of her husband. Another stab of pain and she crouched over, a whimper escaping through her mouth. But the man did not seem to hear or see. The questions continued to roll off his tongue mechanically, as if he were reading from a list he had been given but knew nothing about. There was aggressiveness in his voice that stemmed from the deep and dangerous boredom of an interrogator who had grown tired of his own questions.

The room was very hot. Under the coarse layers of her matneau and chador, Azar’s body was soaked in sweat. The man asked her the date of her husband’s arrest. She told him that and whom she knew and whom she didn’t. Her voice throbbed with agony as waves of pain blazed through her. I must keep calm, she told herself. I mustn’t make the baby suffer. She shook her head against the image that continued to crop up in her mind: that of a child, her child, deformed, broken, a sight of irreversible agony. Like the children of Biafra. She gave a grunt. Sweat trickled down her back.

Where were the meetings? the man asked. How many of them attended each meeting? As she gripped the chair against the fresh all-encompassing stabs of pain, Azar tried to remember all the right answers. All the answers she had given from one interrogation to the next. Not a date, not a name, not a piece of information or lack of it should differ. She knew why she was here, why they had thought that now was the perfect time to interrogate her, to get at her. Keep calm, she repeated to herself while she answered. As she omitted names, dates, places, meetings, she tried to remain calm by imagining her baby’s feet, hands, knees, the shape of the eyes, the color. Another wave of pain soared and crashed inside her. She writhed, shocked at its ferocity. It was pain she had never thought possible. She was losing herself to it. Fingers, knuckles, nostrils, earlobes, neck.

Where did she print the leaflets? She heard the man repeat the question. She tried to answer, but the contractions seemed to be swallowing her, not giving her a chance to speak. She lurched forward, grabbing the table in front of her. She heard herself moan. Belly button, black hair, curve of the chin. She took a deep breath. She felt like she was going to faint. She bit her tongue. She bit her lips. She could taste the blood blending into her saliva. She bit into her whitened knuckles.

But the outside world was quickly fading away as Azar’s pain grew worse. She could no longer hear anything, nor was she aware of what was around her. The waves of pain had hurled her into a space where nothing else existed, nothing except an agony so acute and unbelievable that it felt no longer part of her but a condition of life, a state of being. She was no longer a body; she was a space where everything writhed and wriggled, where pain, pure and infinite, held sway.

She didn’t know how long the man waited for her answer about the leaflets; it never came. She was only half-conscious when she heard him close what sounded like a notebook. She knew the interrogation was over. The sense of relief was almost dizzying. She didn’t hear the man get up but did recognize his slip-slapping away. Soon she heard Sister’s voice telling her to get up. Azar stumbled out of the room, down the corridor, flanked by Sister and someone who felt like a nurse. She could barely keep their pace. She lumbered along, bent almost double, breathing quickly. The handcuffs felt unbearably heavy on her wrists. They went down the flight of stairs. The sound of women’s wails once again filled Azar’s ears.

Here we are, the nurse said as they came to a stop.

Sister unfastened the handcuffs and took off Azar’s blindfold.

She climbed on a narrow bed in a roomful of nurses and a doctor. The wall on her right side was dazzled by the afternoon sun. In a lull between contractions, Azar sank heavily in her exhaustion, her arms lying slack on the bed, watching the smooth skin of sunlight as she submitted herself to the hands of the doctor checking her.

Sister stood next to the doctor, looking on in silence. Azar refused to look at her. She refused to acknowledge Sister’s presence there, wished to forget it completely. Not only Sister but everything Sister’s presence meant: Azar’s captivity, her solitude, her fear, giving birth in a prison. She was now a foreigner, surrounded by people who saw her as an enemy to be tamed and defeated, who saw her very being as an obstacle to their power, to their own understanding of right and wrong, moral and immoral. People who loathed her because she refused to take what they offered as what she had fought for; people who saw her as their foe because she refused to accept that their God had all the answers.

Azar wanted to close her eyes and pretend she was somewhere else, in another time, another place, another hospital room, where Ismael was standing next to her, caressing her face, looking at her with concern, holding her hand and not letting go, and her parents were outside, waiting, her father pacing up and down the corridor, her mother clasping her hospital bag between tense fingers, sitting on the edge of the chair, ready to careen into the room when needed.

Here, she could thrust her hand out and it would come back with nothing. Emptiness. She was completely alone.

The baby’s turned. She heard the doctor’s voice and looked down at her stomach. The taut lump that had appeared somewhere close to her belly button now looked as if it had climbed up to the space between her breasts.

The doctor turned to the two women behind her. We have to push it down.

Azar’s mouth went dry. Push it down? How? The women, who appeared to be midwives, moved closer, their wrinkled faces and hands reeking of the province, of remote villages at the bend of narrow muddy roads. They were holding torn pieces of cloth in their hands. Azar almost gasped with fright. What did they want with those torn pieces? What were they going to do? Gag her to keep her screams from reaching outside? The women looked at Sister, who grabbed one of the torn pieces of cloth and showed them how to tie Azar’s leg. Azar winced at the touch of those moist, callused fingers tethering her to the bed railings. The women looked hesitant but eventually went ahead with the job. One of them grabbed Azar’s legs, the other her arms. Azar jolted with a fierce thrust inside her. The lull was over; the pain had returned.

The doctor spread a blanket over Azar’s legs and leaned forward in front of her. Here we go.

After tying her down, the midwives interlaced their fingers and placed their hands somewhere close to Azar’s breasts. Azar watched them, helpless with pain, as her heart pounded wildly in her chest. She was frightened of them, of what they would do to her, to her child. Was this even a proper hospital? Who were these women, and where had they come from? Did they know what they were doing?

She heard herself groan. The women took deep breaths to prepare themselves, like boxers gathering their strength before a fight. Then, wide-eyed and prim-lipped, with those hands that

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