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In the Blood
In the Blood
In the Blood
Ebook466 pages6 hours

In the Blood

Rating: 4 out of 5 stars

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DANTE LIVES.

Vampire. Rock star. Begotten son of the fallen angel Lucien. Dante Baptiste still struggles with nightmares and seizures, searching for the truth about his past. It is a quest as seductive as his kiss, as uncontrollable as his thirst, and as unforgiving as his determination to protect one mortal woman at any cost.

KNOWLEDGE KILLS.

FBI Special Agent Heather Wallace now knows the extent of the Bureau corruption that surrounds her, but worries she is losing the battle. And when Dante and his band Inferno come to Seattle on tour, Heather can't help but be drawn back to the beautiful, dangerous nightkind. But what Heather and Dante don't know is that new enemies lurk in the shadows, closer than they think...and even deadlier than they fear.

DESTINY UNFOLDS.

Shadowy government forces have pledged to eliminate all loose ends from Project Bad Seed -- and Heather and Dante are at the top of the list. Elsewhere, the Fallen gather in Gehenna, intent on finding their long-awaited savior, the True Blood nightkind whom Lucien DeNoir would die to protect. And a damaged and desperate adversary, with powers as strange and perilous as Dante's own, plots to use Dante as a pawn in a violent scheme for revenge. But only one of these lethal forces holds the key to Dante's past -- a key that could finally unlock the secret of his birth and the truth of his existence...or destroy him completely.
LanguageEnglish
PublisherPocket Books
Release dateDec 30, 2008
ISBN9781416594062
In the Blood
Author

Adrian Phoenix

Adrian Phoenix lives in Oregon with her three cats and travels to New Orleans whenever possible.

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Rating: 3.9201680264705883 out of 5 stars
4/5

238 ratings45 reviews

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  • Rating: 4 out of 5 stars
    4/5
    Truly enjoyed the continuance of this series. I love the action and adventure. Heather and Dante are a wonderful team. Can't wait to read the next one to see if things work out. 
  • Rating: 4 out of 5 stars
    4/5
    I didn't realize at the time I got this book that it was actually the second in a series. I really wish I had known that, because even though I liked In The Blood, I think I would have liked it much more if I had read the first- A Rush of Wings.Beginning soon after the first book ended, FBI agent Heather Wallace is dealing with the fallout of being magically healed by Nightkind Vampire Rocker Dante Prejean. Ever since Dante "unmade" an evil woman behind much of the repressed pain of his childhood, people- shadow government type people- want him in bad way. They are sure Heather knows more than what she's letting on, but thus far have no proof. Still, that doesn't stop them from siccing their agents on her.Because of secret Manchurian type programming, Dante is in the dark on much of his past, but the memories are starting to resurface and they are causing seizure inducing agony, though he's clueless as to why. To further cloud the issue, Dante has discovered he is much more than the Nightkind Vampire he once thought himself to be- he's the son of a fallen angel named Lucien. And he's not just any son of a fallen angel, he's what's known to his kind as a Creadwr- a powerful god who not only as the ability to unmake, but to make, or create, as well. Certain angels would like to use that wondrous power, but his father has taken precautions to hide him. Unfortunately, as Dante's repressed earthly memories are creating havoc with his mind, his powers are wild and uncontrolled and it's quite obvious that Lucien is not going to be able to keep him hidden for much longer.In the meantime, Heather is doing her best to protect the man she's falling in love with from a very earthly evil, even though powerful people are bent on capturing and using him as well. Add to that two supernatural whackjobs driven crazy by the same man who caused Dante's psychosis who are just as interested in using Dante for their own nefarious reasons, and you have a heap of trouble for our hero and heroine.The books ends with earthly and heavenly powers focused on the one man who can destroy them all.It's a fascinating realm author Adrian Phoenix is playing in. Artfully blending usual Urban Fantasy Vampiric characters with ancient angelic mythology, the end product becomes anything but typical.Because of the complex world the author is creating, I highly recommend you don't do as I did- start with the first in the series! Although I was able to catch on to what was going on, it just would have been easier starting at the beginning.
  • Rating: 4 out of 5 stars
    4/5
    I rarely enjoy a book featuring an unreliable narrator but this was actually really good. Layna was not always likable but was definitely a character that inspired the reader to be empathetic. The exploration of nature vs nurture regarding what creates a psychopath was an interesting bonus to the dark and twisty story. It was a good read, I definitely recommend it and I'll be checking out more of Lisa Unger's books.
  • Rating: 5 out of 5 stars
    5/5
    Wow, this book was a great read. If you have some great stories like this one, you can publish it on Novel Star, just submit your story to hardy@novelstar.top or joye@novelstar.top
  • Rating: 2 out of 5 stars
    2/5
    The twist was far too obvious for me to be really engaging, but I'm sure some people will be surprised.
  • Rating: 4 out of 5 stars
    4/5
    There appears to be two separate stories going on simultaneously which made it a little difficult to follow. The ending however, was not what I expected at all. I did enjoy it once I got into it.
  • Rating: 2 out of 5 stars
    2/5
    A psychological thriller. Not my cup of tea.
  • Rating: 5 out of 5 stars
    5/5
    This story is full of surprises. Nothing is as it seems to be. The main character, Lana, isn't really a Lana, and that is what drives the entire book. It gave up its' secrets slowly, and that is what kept me reading.
  • Rating: 4 out of 5 stars
    4/5
    I enjoyed this book. I kind of figured things out early on but I loved seeing it turn out the way I thought it would. Certainly a great read.
  • Rating: 5 out of 5 stars
    5/5
    A real thriller brings you deeper and deeper into it as you read.
  • Rating: 1 out of 5 stars
    1/5
    It started interesting and the trip was interesting for a while. Then the story started to sputtered, and cough, and choke, and my patience drove me to skimming. Next I am just skipping whole paragraphs in an attempt to get to the reveal before my journey falls dead at my feet. At the time I could not quite put my finger on why this was happening. In retrospect, I think this was partly due to the ping pong game between past and present. Another thing was the first person narrative: we are shown she has so much to hide and she cannot reveal any of it to any other characters or the reader, or maybe she should, no not yet, but what about now, yes sure, oh wait no not yet...see what I mean. Another sputter on the way to choking was the diary; I knew it was going to play some important role as a reveal device to the reader, but I did not like the way it was written. Really bogged down the pace, like walking toward a mountain: you never seem to get closer. The diary is a perfect example of what I mean about too much past/present bouncing. I kept waiting for the diary to catch up to more current events. That journey was taking way too long; I started skipping whole chapters. Finally, I just went to the back of the book for the reveal. Eh.
  • Rating: 3 out of 5 stars
    3/5
    I was really in the mood for a good book when I began "In the Blood."The complex story tells of Lana Granger, a college student who has a limited trust fund. The manager of the trust advises her to get a job to supplement the trust income, something easy to do while she continues her studies. She sees a notice about a babysitting job and accepts the position.Luke is the boy Lana will be taking care of. He's age eleven and has a troubled past. He's been expelled from numerous schools and is a demanding and controlling boy.Lana's own life has been a nightmare. There is a major memory of her mother's death and now her college roommate, Beck, disappears. Beck (short for Rebecca) is also Lana's best friend.The reader learns that Lana is a habitual liar so it's difficult to know when to believe her. There are questions about Beck's disappearance and that of another girl a few years before. Lana's reaction to these incidents don't seem to make her very upset. She comes across as a self centered and selfish woman. She is also hard to like.However, as the reader learns more about her past, feelings change. There are some surprises to the story and one of them had me wondering how it could be possible.Luke, although only eleven, seems to make Lana do his bidding and I found this unlikely.Overall, not many likable characters. The story does move fast but I wish there was more to it.
  • Rating: 5 out of 5 stars
    5/5
    Lana has a past that doesn't want to be discovered. When she takes a job babysiting and her friend Beck disappears, a twisted game of treasure hunt is unravelling pieces of her past and is connected to the disappearance of her friend.

    Twisted, suspensful. Thsi book keeps you guessing every chapter!
  • Rating: 4 out of 5 stars
    4/5
    Young woman with a tough past takes a job as a part time nanny to a boy with many of her same characteristics. They and their families share many secrets. Listened coming and going to Biloxi. Nicely read by two women.
  • Rating: 4 out of 5 stars
    4/5
    Effective psychological thriller with interesting characters.
  • Rating: 5 out of 5 stars
    5/5
    A compelling, dark psychological thriller, In the Blood is told through college student Lana’s first-person narrative. Lana is a girl with a troubled past. Her father was convicted of murder – she barely remembers her parents and what happened the horrible night her mother died. With secrets of her own and a desire to get a fresh start in a place where no one knows her past, she is likely an unreliable narrator. When Luke, the child she babysits begins to act like a psychopath and her roommate disappears, the action accelerates.This fast-paced, well-plotted novel never slows down and keeps the reader guessing straight through to the riveting conclusion and a series twists – one that I almost didn’t see coming.Audio production:The book is co-narrated by Gretchen Mol and Candace Thaxton who expertly bring the story to life, keeping the pace moving and the tension high.
  • Rating: 5 out of 5 stars
    5/5
    Probably if more people had more time to read all the new books that are published every year, IN THE BLOOD would have won the Goodreads Choice Award in its category for 2014. This book is a five-star unputdownable mystery/thriller.Reviews of this book that try to avoid spoilers will tell you this is about a collage-age girl, Lana, who takes a job babysitting an emotionally disturbed 11-year-old boy after he gets home from school. While I applaud a book review that doesn't give away the story, those reviews don't say enough. This is also the mystery of Lana's life. As a matter of fact, this is even more about Lana than you will realize until the end.I usually prefer mysteries/thrillers that are just as much mysteries to the main characters as they are to me so that we discover them together. The style Lisa Unger chooses in IN THE BLOOD is MOSTLY facts already known by the main characters but not by the reader so that only the reader discovers mysteries. But Unger presents the mysteries and their solutions so skillfully that she grabbed my attention and wouldn't let go.My only problems with this book are editorial. Sometimes quotations are in quotation marks, sometimes they are in italics. The editor should have picked one style and stuck with it. Also, sometimes a past-tense verb is used when it should be present tense. Most people won't notice these editorial slipups.
  • Rating: 4 out of 5 stars
    4/5
    One of the good things about reviewing books for Netgalley is that you get to encounter authors that you would not normally read for one reason or another. This is my first novel by Lisa Unger and I am sure it will not be my last.A truly interesting psychological thriller with many twists and turns. I love the way that the initial chapter reads like it is from the point of view of a male whilst the rest of the first part of the book is narrated by a female. Lisa knows her medium and makes words matter for her throughout this novel. In places the book is lyrical, sinister, childish and just plain enjoyable.I enjoyed the different characters of the book and how they interplayed with each other. However, I did find the main character a bit whingey and self-centered. I am not sure whether the fact that this character was asking questions that the reader should be asking themselves added anything to the plot. I did, however, like the little side mentions in the main narrative. It was as though the main character was speaking directly to the audience (saying things that I would say) and made me laugh out loud.The plot itself started out as a slow simmer but never developed into a full boil but it was intriguing enough to keep this reader interested until the end. One interesting ploy was the use of the story together with first person narrative which enables two story lines to merge into one. In essence this book questions the every present psychological debate of nature verses nurture and leans on definitively errs to one side of this argument.I am not one of those readers that is always able to guess ‘Who did it’ but in this instance even after a couple of chapters I managed to guess part of the plotline. And at 77% I guessed the protagonist who wrote the diary that was used throughout the book. At 79% I guess the connection with her professor just before the reveal. The final twists though I did not manage but feel that these were two twists too far!One negative was the repetitiveness employed in the book. In the first two main chapters the internships that the main character completed were mentioned a total of four times which I thought was a tad too much, surely once is enough. Another negative was the lack of urgency in one of the plot lines which nullified some of the intensity of the novel.My particular favourite genres are murder mysteries and especially psychological thrillers. I am however one of those readers that tends not to be able to guess ‘who did it’ until the character is revealed in the novel which was not the case here. That being said I would still recommend this book for people that enjoy this genre.Full Disclosure: I received a free ARC from Netgalley for an honest review.
  • Rating: 4 out of 5 stars
    4/5
    This was one freaky book. There were many twists and turns that I initially didn't see coming. Great to read about familiar faces from The Hollows from previous books. It took me awhile to figure out who the diary entries were about, I thought maybe, but it couldn't be. Luke is one scary sociopath. I would have more than just a lock on his bedroom door, he was downright scary. I have to say, Lana's family is full of sociopaths and killers, on both her mom and dad's side. It's hard to believe she also isn't locked away somewhere. I actually thought Lana was involved in her mom's death. This book was very suspenseful and a great thriller, one of my favorite Lisa Unger books. I would have liked a little more about about Langdon Hewes and why he was so obsessed with Lana. Overall a wonderful book, I couldn't put it down.
  • Rating: 3 out of 5 stars
    3/5
    In The Blood
    Lisa Unger
    ★☆★

    This is an Awesome and yet creepy psychological thriller. So many twist and turns it keeps you on your toes. The first few pages had me snagged!

    It isn't one of my favorite thrillers but its still really good. if your into psychological thrillers I def. recommend checking this one out!
  • Rating: 4 out of 5 stars
    4/5
    Lana Granger is not your typical college student. She has friends, goes to the occasional party, and even joins in on the occasional pub crawl. What she doesn't do is date . . . ever! Lana is a senior at Sacred Heart College in The Hollows, New York. Her major is psychology, she's somewhat androgynous in appearance, not really a nerd or geek, but she does have a perfect 4.0 grade point average. She avoids opening up to anyone, including her suite mates. Lana's background is filled with horror. Her maternal grandfather was a convicted mass murderer. Her father is a convicted murderer and is on death row. Not many know these details of Lana's past, except her best friend - Rebecca "Beck" Miller, her college advisor - Prof. Langdon Hewes, her family, and her psychologist - Dr. Maggie Cooper. Now that Beck is missing, Lana is targeted by the police as a suspect if not key person of interest due to the lies of omission she has told. It also appears that Lana's family secrets are about to be revealed. If that's not enough to deal with, Lana has an afternoon job taking care of an emotionally troubled, highly gifted, and potentially violent eleven-year-old, Lucas "Luke" Kahn, and she’s just been informed that her father wants to have contact before his execution. Lana feels that she can help Luke, but he seems to be keeping secrets not just from her, but from his mother, his educators, and his counselors. Everyone has secrets, but Lana's secrets might be hazardous to her health.Ms. Unger has crafted an amazing psychological thriller with In the Blood. The reader is provided a glimpse into the psychology of a psychopath, especially a child psychopath with Luke. He comes across as highly intelligent, but he's also very manipulative and vindictive in his outlook. The reader is also introduced to an anonymous journal kept by the mother of a highly disturbed male child. As the story unravels, the volatile relationship between Beck and Lana is revealed. It is also revealed that another classmate of Lana's disappeared and was found dead two years ago. Is it possible that Lana had something to do with both disappearances? Why does Lana's college advisor seem to pop-up whenever Lana goes out after Beck's disappearance? Why is Luke so interested in Lana and her past?I found In the Blood to be a gripping, emotionally stirring, and fast-paced read. I liked Lana and felt empathetic toward the problems she was enduring in college. I felt sorry over the fact that she couldn't really open up emotionally toward her family or friends. I never really liked Luke or Professor Hewes, as I felt they were both playing mind games with Lana. (Were they in reality doing this, read the book to find out?!) Beck had a history of running away, so at first I wasn't quite sure what was going on with her disappearance. It is clear that Lana really liked her suite-mate, even though they didn't agree on everything. The ending is quite a surprise and neatly ties up all of the "loose-ends" throughout the storyline. I felt the characters were realistic and well developed, and the action quite plausible. This was one read that I didn't want to end. If you enjoy reading thrillers with a twist, then In the Blood is definitely one you'll want to read.
  • Rating: 4 out of 5 stars
    4/5
    This is Lana's story of living lies to protect herself from her past. She is about to graduate and needs a job. She finds a job babysitting Luke who has mental health problems. She is also trying to find her missing friend Beck, who she left in the woods after having sex. There are many twists and turns in this book but you root for Lana to find the truth. There are a couple of hints that things are not what they seem but that just helps with mystery. The ending is a surprise but if I had looked at the hints differently I would have figured it out. Good mystery, with insight into mental health issues and nature versus nurture.
  • Rating: 4 out of 5 stars
    4/5
    In the Blood is the first book by Lisa Unger that I've read - not sure how I've missed her all this time because she writes killer good suspense. In an updated version of The Bad Seed, Ms. Unger asks the question - Is evil and violence inherited and inherent - captured in our genes, impossible to overcome.Lana Granger is a complicated and interesting character whose life is filled with deceptions and mirrors - in some ways she's like a set of funhouse mirrors - distorting and reflecting back over and over again until you can't quite get a sense of where you are or who you are or what's going on. When her advisor gets her a job as a babysitter for a troubled young man named Luke everything becomes more and more twisty and confusing. Who's playing who? And why?In the Blood is a satisfying suspense thriller with so many twists and turns that it keeps you guessing long past your bedtime. A fun, fun read.
  • Rating: 4 out of 5 stars
    4/5
    Lana Grange has a lot of problems, not the least of which, her mother is dead, murdered by her father, who now sits on death row. She’s a trust fund baby, but she’s been told she needs to get a job so she can find herself. The job she lands, at the recommendation of her college professor, as a sitter for an eleven year old genius who can romp her at chess, turns out to be more of a challenge than expected, but also strangely suitable. Luke has a few issues of his own, as his cowed mother, and the lock on the outside of his bedroom door attest to. But Lana isn’t entirely bothered by any of this. She was a problem kid herself, and in a weird way, she likes the challenge.


    Most people don’t see me. But there are always those that do, usually mothers. They see what I am trying to hide, even if they’re not quite sure what it is they’re seeing. I can tell by the way they can’t pry their eyes away. With my innocuous, androgynous wardrobe, my slight frame, my plain face, I usually just blend. Neither boys nor girls usually give me a second look. But sometimes, the sensitive, the keenly observant…they see me.

    We quickly begin to doubt that Lana, as the narrator, is being completely honest; she hints at troubling secrets and a spotty memory of events. Though she tries to blend, there’s something off about her; something not quite right. Perhaps it’s only that she was forced to watch her father dig a grave for her murdered mother out in the woods, and coerced into lying for him to the police.

    Or maybe not. When Lana’s friend Beck goes missing the police have questions. She was the last person to see Beck, and this is not the first time a girl’s gone missing after last being seen with Lana.


    Is the prey complicit in its own demise? Are we not seduced in some small way by the beauty, the grace, even the dangerous soul of the predator? Do we not look into its eyes and see something that entices, even hypnotizes us?

    Interspersed with Lana’s first person narration are epistolary segments told by an unidentified mother with a new baby who doesn’t seem normal. And as the baby grows his behavior becomes even more odd and worrisome. The story in the diary begins to mirror what is going on in the present of the story; just who is doing what, and to whom? Who is predator, and who prey?

    Steeped in the lexicon and acronyms of abnormal psychology; ADHD, OCD, manic depression, bipolar, callous-unemotional, Lisa Unger’s In the Blood will send you to Google at least once, guaranteed. An old school psychological thriller with a fresh new feel.
  • Rating: 5 out of 5 stars
    5/5
    The review I read in the Washington Post was so good I couldn't pass up "in the Blood", despite my usual dislike of psychological thrillers. What a great novel! Though I read close to 100 books a year, I rarely (once a year?) stay up late to finish a story - but I just couldn't stop. And at the very beginning, I was not many pages into the book when I knew with dead certainty that this was a winner. The prose is just excellent. Unger offers many little observations of life and relationships, all integral to the story, that really resonate. The pace is brisk and the story really zips along. All of the characters are very interesting, and there are a couple of kids who are particularly creepy. There are 2 or 3 story lines and they mesh very well by the books end. The protagonist is a young woman studying psychology at a small college in New York state. To make a little money she interviews to babysit an 11 year old boy after school; he is the only child of single Mom Rachel who has just moved to town and opened a new bookstore. It's not long before the sparks begin to fly and the tension mounts. I would strongly suggest to any prospective readers that you do not read any detailed reviews; the less known about this story and its themes, the better off you are. This is my first Lisa Unger and now I will check out a potential treasure trove of her earlier books. This is my best read for quite a while!
  • Rating: 4 out of 5 stars
    4/5
    This was the first book I read by Lisa Unger. I would recommend it to anyone with an interest in abnormal psychology or psychopathy. Some of the twists were a little improbable, but it definitely held my attention. She seems like a gifted suspense writer, and the characters are compelling.
  • Rating: 4 out of 5 stars
    4/5
    Oftentimes when a book is hyped a great deal it can have the opposite effect on readers. This is especially true with thrillers. If I’m told (multiple times) that “you’ll never see it coming” or “you’ll never figure it out” I’m likely to read the book as if it were the text on how to crack the Powerball lottery code. I WILL figure it out. Or so I thought until I read In the Blood: A Novel, the newest novel from Lisa Unger. It’s the story of awkward and androgynous Lana whose personal life, coupled with her personality, has made the years leading up to college traumatic. Her father is on death row for murdering her mother, an act he coerced the young Lana into helping him hide. This plus Lana’s odd quirks, genius level IQ and lack of emotional affect have contributed to her desire for isolation. Despite a brilliant mind she chooses a small quiet college in upstate New York and decides to study child psychology with a focus on troubled children, largely because she wonders if she “...could keep someone from doing something horrible?”As she heads into her final semester Lana takes a job as an afternoon sitter for an eleven-year-old boy named Lucas. During her interview with the boy’s mother she learns that the child is not all that different from the way she was as a child: manipulative, brilliant, possessive, and sometimes violent. He attends a day school designed to help troubled children and although he is old enough to stay alone after school his mother is afraid of the trouble he might get into. Upon meeting Lucas, Lana realizes that he is indeed much as she was, until the right doctors and medication were able to help balance her mind.As Lana works with Lucas she is also grappling with her sexuality and her friendship with one of her roommates. When that roommate goes missing and Lucas invites Lana to a treasure hunt that echoes her own past to an eerie degree, she begins to find herself out-maneuvered and boxed in at the same time. Her mental equilibrium is stretched even further when her psychiatrist lets her know that her father is trying to contact her from death row. With each of these elements Unger ratchets up the suspense, taking the novel and Lana’s nerves to the breaking point. As the novel progresses, Unger parses clues in a way so devious it allows the reader to think they’ve got everything figured out but this is unlikely. Instead, her talent allows some light to get through the intricate plot while leaving plenty of darkness in the final chapters. In the Blood is a twisty tale where nothing is as it seems (or is it?) and yet the title says it all. Suffice it to say…I was surprised.
  • Rating: 4 out of 5 stars
    4/5
    Lisa Unger’s latest psychological thriller has the reader questioning if sociopaths and psychopaths made or born? Can they be helped, can they live normal lives, or will they always pose a threat to others?The narrative alternates between the first person of college student Lana Granger and the diary entries of an unnamed woman. Lana is an enigmatic protagonist. Unger gives us glimpses of her tragic past, and its effects on the person she has become while hinting there is something more we don’t know about her, a secret even more shocking than the murder of her mother by her father.None of the characters can be trusted and almost all of the readers assumptions about them will prove wrong. The novel is populated with broken people who don’t behave or react in ordinary ways, who lie without affect and who lack the basic traits, such as empathy, that define our humanity.The plot is undeniably clever with twists and turns to surprise and shock but I have to admit overall I think it was all too neat somehow and while the suspense was there, I think a sense of urgency was lacking somewhat. I’m reluctant to reveal too much as it is essential the story unfolds without any foreshadowing.In The Blood is a gripping read, well crafted and chilling. This psychological thriller will grab you from the first page and not let go til the very last.
  • Rating: 5 out of 5 stars
    5/5
    5 Stars*I received this galley from NetGalley*Lana Granger lives a life of lies. Even for her the lies and reality have become a blur of confusion. When she learns that her trust fund is almost depleted right before college graduation she takes a job babysitting Luke, who she soon discovers, is a challenging child. His controlling and manipulative ways have gotten him expelled from almost every school he attends but he can’t get under her skin so easily. Then her best friend and roommate, Beck, goes missing. Suspicion surrounds Lana and her life of lies starts to unravel. She starts to put the pieces together but someone else seems to have all the answers already.If I could have stopped all outside interference this book would not have been put down for more than a few minutes. I was drawn in and hooked right away. Since I tend to figure things out pretty quickly I need a novel like this that has subtle mysteries or twists that go along with the main plot. It’s the subtle points that surprise me and keep me on the edge of my seat. Pacing is very important in this genre and this one seems flawless in that regard. The characters are also very well developed for this plot. Dysfunctional protagonists are among my favorite to read and the psychological characteristics of all the characters made them more interesting. To sum it up; this novel is very well rounded.I really don’t have any complaints about this novel and will easily recommend it.
  • Rating: 4 out of 5 stars
    4/5
    A very fast paced suspense read. Full of twists & turns. Recommended!

Book preview

In the Blood - Adrian Phoenix

PROLOGUE

WALKING IN TWO WORLDS

Outside Las Vegas, NV

March 15

JON BRONLEE CRACKED OPEN the door and peeked out into the motel parking lot. Car bumpers and hubcaps gleamed in the bright Nevada sunshine, flashed dazzling light into his slitted eyes. Perched atop a weathered-wood telephone pole, a crow caw-cawed.

Nothing moved. At least, nothing Jon could see.

He wished he’d never slipped that damned security disk into his pocket. Wished he’d never smuggled it and the padded mailer he’d discovered on Moore’s desk out of the center. Wished to hell he’d never looked at either.

As if on cue, and for the thousand-millionth time, his mind chanted: Gonna sell it and make a helluva lot of moolah. Enough to retire decades early, enough for me and Nora to live easy, enough to send Kristi to gun-free private schools.

Greed was one helluva con artist, convincing him to pooh-pooh the consequences—you’ll be rich and long gone before anyone even notices—until everything had gone to shit.

Yeah, a big old explosion of shit—a regular shitplosion—and then greed suddenly had nothing to say.

The nightmarish images captured by the med unit’s security camera flared behind his eyes again for the thousand-millionth time. The woman’s scream looped through his mind on endless repeat, a scream that had abruptly ended in a wet gurgle.

And a splash.

Jon desperately wished he could go back in time, back to D.C., back to that night, and rewind events. But since he couldn’t . . .

With a fresh mailer tucked under his arm, he stepped outside and sweat instantly sprang up on his forehead. He caught a whiff of Old Spice as his deodorant kicked into overdrive. The rumble of a diesel being downshifted on the highway behind the motel rolled through the taut, heated air like a steel barrel across blacktop.

He hurried to the motel office, pushed the door open, and walked inside. The AC-cycled air cooled his face. He stopped at the counter and a balding man reeking of BO and nicotine bellied up against the other side.

Help you?

Jon placed the mailer on the counter. You have mail service here?

Yup.

Great. Jon poked the mailer with a finger.

With a sigh, the man scooped up the mailer, strolled to a box marked MAIL at the end of the counter closest to the door, and dumped it inside.

With muttered thanks, Jon left the office and sprinted back to his room. He chained and locked the door, then collapsed on the bed and stared at the water-stained ceiling. He needed to plan his next move, but his mind refused to move forward. Instead, it kept padding back to the center, snuffling at the past like a nose-to-the-ground dog.

Jon had scooped up his share of corpses during his ten years on the interagency cleanup crew, and the cleanup at the Bush Center for Psychological Research had been routine. Bodies outside in the snow, a pair of security guards—one slashed throat and one broken neck. Two more bodies inside; one dead agent, one dead serial killer. Hard to say what killed the agent, but bullets had done in the bad guy.

Routine had ended at med-unit one.

Had ended in an exam room inexplicably filled with twisting, thorned blue vines.

Had ended in a puddle of liquid gleaming on the tiled floor.

Stomach acid burned the back of Jon’s throat and he swallowed hard. He tried to shut out the scream drilling through his mind. Managed only to muffle it. He wondered what it’d be like to gaze into that pale, beautiful face as you disintegrated.

Moore had screamed. Loud and long and liquid.

A dark thought slithered through Jon’s restless mind: Maybe he’d been meant to find the disk. Maybe it’d been fate, and not just greed. His hand, guided.

During cleanup, his crew had discovered that lightning or something had zapped the center’s main transformer. The surge had fried almost everything; the computers, the security cameras, you name it. Everything except the med-unit cameras; apparently they’d been wired to a different system.

And then curiosity or greed or fucking fate had crooked its finger. . . .

In the days following the cleanup, his team had started dying, one by one. Heart attack, unforeseen, what a shame! Husband caught her with another man and shot her, then himself. Can you believe it? In debt, committed suicide, man, unbelievable!

Yes. Yes, it was. Unbelievable.

Jon had gone on the run. Across the country. Dashing from one dingy motel to the next, terrified to look in the rearview mirror or even out a café window as he scarfed down a meal. Afraid of who he might see.

He’d considered giving the disk to the media, but realized they’d think him a wack job with too much free time and the newest version of Final Cut Pro to play with. He’d even considered sending it back to the center, but suspected that it would be too little, too late. Then, last night, it had dawned on him who needed to see the disk.

Dr. Robert Wells.

Even after Wells had retired from the center and the FBI and moved to Oregon, Jon had kept in touch. His little girl, his honey-haired Kristi, was alive and healthy because of the genetic work Wells had performed while the baby had still been inside Nora’s womb, defective and doomed. As far as Jon was concerned, he owed the doc a debt beyond measure. He hoped that the disk and its contents would help Wells prepare for what was coming, equip him to survive it.

After all, Bad Seed had been Wells’s creation. If anyone knew how to contain Dante Prejean or S or whatever the fuck his name might be, it would be the doc.

Jon closed his burning eyes and prayed his absence had saved Nora and Kristi.

Knuckles rapped against his door.

Jon’s eyes flew open, his heart pounding hard and fast. Shadows hid the water stain on the ceiling. The light had faded from the room. He’d fallen asleep. Knuckles rapped again and a voice, low and confidential, spoke his name. Bronlee? It’s Cortini. Open the door. We need to talk.

Jon’s heart hurtled into his throat. He bolted upright on the bed and jabbed his fingers through his hair, trying to think. Cortini. He pictured her: shoulder-length coffee-dark hair, hazel eyes, elfin face, slender. Good-looking. Rumored to be vampire. Or a vampire’s beloved.

He’d learned about the existence of vampires when he’d joined the cleanup crew. Amazing how quickly he’d adjusted to that reality once the fact had been twisted into his face like a grapefruit half.

But, vampire or not, that wasn’t the problem. The problem was that Caterina Cortini tied up loose ends. And he was a major loose end. How did the saying go? If you see God, you’re already in heaven; if you see the devil, you’re already in hell; if you see Cortini, you’re already dead.

The doorknob rattled again. Bronlee, we really need to talk.

Just a minute, he croaked. Gotta find my pants.

Jon stood and padded to the bathroom, eased the door shut. Stood on the toilet and forced open the window. Grabbing the slick, tiled sill, he hauled himself up and through the window.

Even though twilight glimmered on the horizon, the heat of the sun-baked parking lot slapped him in the face. He gasped, sucking in the smells of hot concrete, sand, and diesel exhaust. He dropped onto the pavement.

Looks like you found your pants.

Jon whirled around. Cortini stood on the blacktop, one hip cocked, her gloved hands loose at her sides. His heart renewed its assault on his ribcage. His vision grayed and his knees buckled. A hand locked around his biceps. Kept him up on his feet.

Breathe, she said. Slow, deep breaths.

Not having much choice, Jon did as Cortini suggested. Gradually his vision cleared and his galloping heart slowed to a canter. He straightened, but Cortini didn’t release him. Her fingers felt as hard as steel around his arm. He spotted a holster bulge beneath her light suit jacket.

Do you know why I’m here? she asked.

Jon considered lying. Considered feigning innocence. But, looking into Cortini’s eyes, he realized there was no point. Does it matter why I took it?

No. Not really.

Jon nodded. Swallowed hard.

Cortini slipped a hand inside her jacket. "But I think it does matter that the rest of your team is dead because you took it."

Cortini’s words hit him like a hard right to the jaw. He closed his eyes. Nodded again. I’m sorry for that.

Be sure to tell them that when you see them again.

Something in her voice opened Jon’s eyes; something weary and sad and exasperated. Her fingers slid away from his arm. She pulled out a silencer-lengthened pistol from inside her jacket.

Let’s go inside and chat, she said.

Figuring he had nothing left to lose, Jon bolted, his Keds slapping the blacktop as he ran across the parking lot. He stumbled as he hit the hard-packed dirt, sand, and scrub beside the highway. Blood pounded in his ears. His breath rasped in his throat.

The diesel-powered sound of a semi hauling ass down the highway thundered through the deepening night. Headlights lit up the road like twin suns, growing brighter with each step Jon took. No hands grabbed him to pull him back. Cortini didn’t shout his name. He dashed onto the highway and in front of those huge, glowing lights.

Squealing brakes and stuttering tires weren’t loud enough to blot out the wet sound of the scream still looping through his memory, Johanna Moore’s last breath.

Would he face the same fate?

The smell of burning rubber clogged his nostrils. His vision filled with light. Jon staggered to a stop, turned to face the rig, and closed his eyes.

CATERINA WATCHED AS THE rig, black smoke rolling off its locked-up tires, smashed into Bronlee. He splattered against the front grille like a low-flying june bug. Then his body bounced under the truck, the tires smearing what was left of him across the highway as the semi shuddered to a stop. The stink of burning rubber and scorched blood drifted into the air.

Caterina tucked the Glock back into its holster, then turned and walked back through the weeds and sagebrush to the front of the motel. Doors stood open. People clustered at the motel’s edge, staring at the highway and the semi jackknifed across the road. A grim-faced man spoke into his cell phone.

Using an electronic pick, Caterina unlocked the door to Bronlee’s room. She unhooked the door chain with a slender, steel pick, and slipped inside. She shouldered the door closed and glanced around the room. Open suitcase on the dresser, rumpled bedspread, a laptop on the table beside the curtained window.

The room smelled stale. Like Lysol and old tobacco. Like lost hope.

The rig’s headlights illuminate Bronlee as he swivels to face it.

Caterina blinked the image away. Who the hell opts for a messy roadkill suicide instead of a well-placed bullet into the skull?

She crossed to the laptop and folded it shut. Then she went to the suitcase and rummaged through the wrinkled tees and jeans and boxers. Blank postcards. A few photos. She picked one up. A pudgy little girl of about ten or eleven, her grin framed by brown curls, sat on a swing. The fingers of her right hand flashed a peace-sign vee.

Sorry about your daddy, sweetie.

Slipping the photo back in with the others, Caterina continued searching the suitcase. No sign of the security disk. But a mailer bearing a BUSH CENTER FOR PSYCHOLOGICAL RESEARCH return address caught her eye. She pulled the envelope free, then closed and latched the suitcase.

The MAIL TO name, neatly written in black felt-tip pen, was DANTE PREJEAN. Caterina recognized the flowing penmanship—a dying art in the twenty-first century—as belonging to Dr. Johanna Moore. The Bureau’s missing ADIC of Special Ops and leading behavioral scientist.

Caterina frowned. Wasn’t Prejean part of Bad Seed? One of the study subjects?

She didn’t know a lot about the project because she didn’t need to; her job didn’t require it. All the same, she knew it involved the development and study of sociopaths, a decades-long study that had ended abruptly a couple of weeks ago with a big, messy bang and clusters of bodies in two cities—New Orleans and D.C.

So what would the missing Dr. Johanna Moore be mailing one of her study subjects? Peering into the torn-open mailer, Caterina caught the silver gleam of a CD.

Interesting.

Caterina tossed the room for anything else Bronlee might’ve stolen, but found nothing. Returning to the dresser, she picked up the suitcase. She tucked the laptop under her arm and walked out of the stale, empty room.

She crossed the parking lot in quick strides, while sirens banshee-wailed through the heated desert night. Blue, white, and red lights whirled and strobed across the crowd gathered at the highway’s edge.

Caterina dumped the suitcase inside her rented Charger’s trunk. Sliding behind the wheel, she placed the laptop and the envelope in the passenger seat. She drove out of the motel parking lot and headed east toward the interstate.

The rig’s headlights illuminate Bronlee as he swivels to face it.

Something besides Caterina had scared him out onto the highway and in front of the semi—something unknown, and that disturbed her.

Bronlee hadn’t tried to bluff his way out, hadn’t tried to bargain, not even for the safety of the grinning little girl in the swing. And even though that meant he’d already dumped or sold the security disk, it didn’t explain his final action.

As Caterina steered the Charger from the dark highway onto the I-15 on-ramp and hit the gas, why kept circling through her brain. Why wasn’t a part of her job. Wasn’t supposed to be a part of her vocabulary. And that had never been a problem.

Until now.

She could’ve sworn she’d seen relief on Bronlee’s face as he’d faced the rig.

Caterina’s hands tightened on the steering wheel. She tried to focus on the road and the white lines blurring past alongside. Why droned and buzzed in her mind like a fly trapped between windows. She switched on the radio and country-tinged music twanged from the speakers.

The droning and buzzing faded as she concentrated on the song lyrics. I hear the train’s lonely whistle blow / and I pour another drink / I lift a glass to you, Joe / because of you my heart’s on the brink . . .

Miles rolled past underneath the Charger’s tires and song after song rolled through Caterina’s mind. Spotting a blue REST AREA sign, she swung the Charger onto the exit ramp, pulled around to the far side of the restrooms, and parked.

She listened to the car’s engine click and tink as it cooled. She rolled down the window and hot, dry air smelling of baked sand and diesel exhaust wafted into the car.

Her mother’s words played through her mind: You walk in two worlds, Caterina. Dangerous worlds. Never forget that. As a child, you learned a truth most mortals never uncover—they are not alone. So you must listen to your instincts, cara mia. Always.

Caterina unfastened her seat belt and retrieved the mailer from the passenger seat. She dumped the CD from the envelope, then swung open the laptop. She pushed the on button. And slipped the CD into the hard drive.

A list of files popped up on the screen, each marked with a letter of the alphabet. Caterina tapped a finger against her lower lip as she studied the headers. Dr. Moore had addressed the mailer to Dante Prejean. How had Special Agent Bennington referred to Prejean during his debriefing in D.C.?

Dr. Moore warned us—that’d be me and Agent Garth—that E and S were on their way home, led by Thomas Ronin. But Ronin never showed. Only E and S and a third individual—an unsub.

E had been Elroy Jordan.

Caterina clicked the file marked S and began reading.

1

CITY OF THE DEAD

New Orleans, St. Louis No. 3

March 15

SO WHERE’S THIS WEIRD-ASS bit of hoodoo supposed to be? Von asked.

Beside a tomb, Dante said as they scaled the cemetery’s locked, wrought-iron fence, both vaulting with ease over the black bars and onto the path below.

Yeah, but which tomb?

Baronne, I think, Dante said, pushing his hood back. He chose the paved central path and followed it past gleaming white crypts. He drew in a deep breath of cherry-blossom-scented air. But beneath the sweet scent, he caught a whiff of decay, moldering bones, and old, old grief.

These N’awlins cemeteries are creepy as hell, Von commented. I can’t imagine what they’d look like in daylight.

Didn’t you ever check ’em out when you were still mortal?

Hell, no, Von snorted. "Like I said, creepy. Especially for a delicate flower like moi. He paused, touching a finger to his ear. Wait . . . breaking news. Correction, seems I ain’t a delicate flower. He shrugged. Who knew? Mama musta lied."

Dante laughed. Yeah, you’re gonna be fun on the tour bus.

"Man, I’m fun anywhere. And we should be heading to the airport soon."

Yeah, yeah, I know.

Dante read the names on the tombs as he passed: DUFOUR, GALLIER, ROUQUETTE, and listened for the quiet pulse that had drawn him to St. Louis No. 3. When he caught the letters BA, he stopped, his heart kicking against his ribs.

He hears the sound of his own voice, raw and demanding, the words echoing in the cathedral’s vaulted silence. What was her name? Genevieve . . . what?

Dante’s hands clenched into fists as he struggled with the memory. He closed his eyes. His breathing quickened and fire flickered to life within his veins. Smoldered within his heart. He opened his eyes. Pale moonlight shafted through the thick, twisted oaks, dripped from the Spanish moss.

Baptiste, he whispered.

Von sent.

Dante nodded. He looked at the tomb and finished reading the name chiseled into the white stone: BASTILLE. He released his breath. His hands unknotted and an emotion he couldn’t name curled through him, damping the flames into embers.

Did his mother even have a grave?

A hand squeezed his shoulder and he looked up into Von’s moonlit, green eyes. The nomad had shoved his El Diablo shades on top of his head.

You sure, man? No pain? Cuz I thought I felt—

Dante cupped Von’s whisker-rough face between his hands. He brushed his lips against Von’s, tasted him, whiskey and road dust, then smoothed his thumbs along the edges of the mustache framing the nomad’s mouth.

"I’m good, mon ami, Dante replied. Dropping his hands, he twisted free of the nomad’s grip. And I don’t need a fucking nanny."

Von extended a middle finger. Arched an eyebrow. How about that? You need that? Extended the finger on his other hand. How about some more?

I’ll take it all, Dante said, gêné toi pas.

Dropping his El Diablos back over his eyes, Von shook his head and sighed. Boy’s hopeless as hell.

Merci.

As they resumed walking the moonlit path, a hush swirled through the city of the dead, isolating it from the world beyond the wrought-iron fence like a deep black moat. The air was so still the muffled clink of the chains on Dante’s leather jacket and the creak of Von’s leather chaps echoed in the silence.

But beneath the hush, Dante caught the faint rhythm that had—for the last couple of weeks—filled his mind just as Sleep swept over him. Primal. Like a tribal drum beating within the earth’s heart.

Like the wordless song that poured, at times, from Lucien and into him, its complicated melody meshing with the refrain of his answering song. Similar, yeah, but not the same. This rhythm reminded him of the unfamiliar song that had rung through his mind that night in Club Hell.

The night Jay had been murdered, dying as Dante had struggled to reach him.

I knew you’d come.

The same night he’d found Lucien broken and impaled on the checkered floor of St. Louis Cathedral, his wings torn, his song nothing but cooling embers. And had learned that Lucien, his closest friend, his ami intime, was something else altogether.

You look so much like her.

Pain prickled at Dante’s temples. Send it below. Focus on now. Focus on here.

The song wisped into his mind again like smoke. A muted, desperate rhythm. Beckoning him. He moved, racing past whitewashed and time-weathered statues guarding tombs, standing sentinel to loss. Trees and marble monuments blurred into one flickering shadow as he picked up speed.

The song’s deep-earth drumming pulsed in time with the blood flowing through his veins, increasing in intensity until he felt it resonate within his own chest. Then the sound vanished.

Dante slowed to a stop. He stood next to a tomb marked BARONNE. And crouched beside it, holding a bouquet dead and dried, its wings curved forward, mouth wide-open, was a stone angel.

The one rumored on the streets to have appeared in the cemetery overnight.

Magic, some said. Gris-gris, others believed. A sign.

So mortals whispered, yeah.

And nightkind said nothing, their silence uneasy.

A gust of cool air smelling of leather, frost, and old motor oil fluttered his hair as Von stopped beside him. Well, there ya go, the nomad said. Weird-ass hoodoo shit.

"Ain’t just hoodoo shit, llygad," Dante murmured, his gaze on the stone angel. He felt Von step back a few paces as he took up his duties as Eye.

Observing. Safeguarding. Composing.

Candles in glass holders burned before the stone angel. The smell of vanilla and wax curled into the air. Plastic Mardi Gras beads hung from the wing tips and around the corded throat. Good luck xs chalked in blue, yellow, and pink decorated the path in front of the statue, and curled scraps of paper nestled against the taloned feet.

One of the Fallen, looks like, Dante said. Something else Lucien hadn’t bothered to mention. And someone’s turned him to fucking stone.

Dante knelt, picked up one of the pieces of paper and read it. Loa of the stone, grant me protection from evil. Keep me safe in the night. He returned the prayer to its place beside the stone foot.

He studied the squatting shape. Moonlight glimmered and sparkled like ice along faint patterns etched into the wings. But not feathered wings, no. Like Lucien’s, these wings would be black and as smooth as warm velvet to the touch, the undersides streaked with purple. Waist-length hair framed the screaming face. The figure was nude, except for some kind of thick collar-bracelet twisted around the throat and a bracelet around one bicep. And most definitely male.

Von sent an image of the collar-bracelet. <Torc. Celtic. Ancient.>

Moonlight illuminated a dark stain on the statue’s forehead. It looked swiped on, a blood symbol of some kind, maybe a hoodoo vévé. Dante leaned forward, leather jacket creaking, and touched the stain. Residual power crackled against his fingertips like static electricity. A tiny blue flame arced in the space between his hand and the statue.

Fallen magic.

Catching a whiff of Lucien’s pomegranates-and-dark-earth scent from the blood symbol, Dante pulled his hand back and regarded the angel, wondering what Lucien had done and why. To turn one of his own kind into stone . . .

Then he remembered Lucien’s words from that night: Shield yourself. Shut it out. Promise me you won’t follow.

Dante would bet anything he was looking at the reason why for that promise. Touching a finger to the collar—torc—around the angel’s throat, he closed his eyes and listened. Song whispered in through his fingertips. His breath caught in his throat as his own song, chaotic and dark, answered. The stone beneath his fingers tremored like a rung bell.

Pain suddenly bit into his mind. White light strobed behind his closed eyes. Migraine storm warning. Dante opened his eyes and started to rise, then hesitated, one knee still down on the pavement. The fading song plucked at him like desperate fingers.

Promise me . . .

He wrapped his left hand around the angel’s dead bouquet. The sun-dried stems and shriveled petals crackled beneath his fingers. Flaked away like cindered wood. Like unspoken truth.

You look so much like her.

You knew all this time? And you never said a word?

Anger swept through Dante and music pulsed white-hot at his core. He poured energy into the wasted bouquet’s remains. Song, dark and driven and wild, raged through his mind, from his heart, and spiraled around the skeletal stems. Blue fire kindled in his palms and shimmered against the stone.

The cupped stone fingers now held green stems topped by tightly closed buds. But pain shafted through Dante’s mind again and his rhythm shifted, blasted harsh and dissonant notes, and his song spilled away into the night.

His hand slid from the angel and he staggered up to his feet. Pain twisted through his mind, snagged his thoughts like barbed wire. He clenched his jaw. Tried to will the pain away.

Send it below.

The cemetery spun; the moonlit tombs wheeled white beneath the cypress. Blood trickled from his nose. Spattered the pavement at his feet.

Behind, he heard Von calling his name.

Within, voices whispered. Dante-angel?

Above, he heard a rush of wings.

Dante closed his eyes and touched fingers to his temples. Sweat slicked his skin. A familiar, cool touch pressed against his mind, seeking admittance. Lucien. He tightened his shields, refusing.

Fingers squeezed his shoulder. How the hell do you do that? Von’s voice, low and tight, sounded uneasy.

Dante opened his eyes. A black-flowered and thorned bouquet swayed within the angel’s stone grip as though caught in a gentle breeze. Or as if it moved on its own, dancing to the song cupped within the heart of each dark blossom.

Fuck. He’d done it wrong. Pain throbbed behind his eyes. Not what I intended.

Intended or not, Von said, that gift ain’t nightkind, least not that I’ve ever heard. Must come from your dad’s side of the family.

Yeah, my thought too.

Von gently turned Dante around. How’s your head? he asked.

Dante shrugged and wiped his nose with the back of his hand. Blood smeared his skin. I’m okay.

Sliding his shades up, the nomad cocked an eyebrow and regarded him dubiously. Uh-huh, he said, then dropped the shades back over his eyes.

Dante glanced at the stone angel and the midnight twist of flowers in its hand. Why? He nodded at the offerings tucked at the angel’s feet. Why do mortals pray this way? What do they hope to gain?

Von stroked his mustache, considering. Hard to say, he replied. A lot of different reasons. Some might be prayers for a friend or relative who’s in trouble, maybe for protection or success, or to be healed from something.

Dante’s gaze returned to the candles. He stepped forward and fingered a loop of smooth beads dangling from one wing tip. Did you do stuff like this? When you were mortal? Pray, I mean.

No, not like this, the nomad replied. And I never prayed to anyone, ya know? I just kinda said things that I really hoped would happen, like wishing a friend safe on a long journey or saying good-bye to one that’d died.

Who hears the wishes and good-byes?

I forget you don’t know this stuff. Von shook his head. Who hears the wishes and good-byes? The speaker does, he said, voice quiet, reflective. And you hope that what you say from the heart has power. Power to protect, power to reach the ears of the dead. A spoken thing or a wished-hard thing takes a shape within the heart, man. Takes shape. Becomes real.

Becomes real, Dante repeated. And the good-byes?

Good-byes can heal the hurt. Or at least start the healing.

This doesn’t need to be good-bye.

Heather’s words whispered through Dante’s memory. An image of her filled his mind: Rain-beaded red hair, black trenchcoat, cornflower-blue eyes, she’d looked into him with her steady gaze. She was a fed, yeah, but a woman of heart and steel too. He remembered telling her: Run from me.

She had and now she was safe.

From him, maybe. But was she safe from the Bureau? She’d uncovered a nasty secret in D.C. Now she was caught between the truth and a hard fucking place. She was on her own in Seattle, without backup.

But not for long.

The West Coast leg of the tour ended with two gigs in Seattle followed by two weeks of downtime before the tour picked up again. Trey had already ferreted Heather’s address, had teased it free from the Seattle DMV’s online records with a deft touch.

Easier than rolling a tourist on Bourbon Street, Tee-Tee.

Dante let go of the Mardi Gras necklace, the beads clicking against the stone wing, and turned to face Von. You got paper? A pen?

Von frowned. Fuck, I dunno. He patted his jacket pockets, leather creaking with his movement. I hope you ain’t planning on me taking dictation. He pulled a Bic pen from an inside pocket.

Dante took the pen, holding it between the fingers of his left hand as the nomad fished a wadded-up receipt out of his front jeans pocket and handed it to him.

Kneeling on the pavement in front of the stone angel, Dante smoothed the crumpled piece of paper against his leather-clad thigh. His pulse raced as he scrawled his prayer on the receipt, wondering if it had the power to protect, the power to reach the ears of the dead.

Dante folded the piece of paper, then raised it to his lips and kissed it. Blood from his nose dotted the prayer with dark color. He laid it at the angel’s taloned feet among all the other paper prayers and chalk wishes.

Dante stood, glanced at Von. Wondered at the expression on his face, shadowed and a little sad. A smile touched the nomad’s mustache-framed lips as he took his pen back and tucked it away again.

You ready, little brother? he asked, voice low.

What time does the plane leave?

In about two hours.

Dante nodded. Let’s go.

A sudden gust of vanilla- and wax-scented air blew Dante’s hair into his eyes. The candles flickered wildly and a few dimmed to blue, then died. Von’s gaze shifted up and his brow furrowed. Dante’s muscles knotted. Pain pulsed at his temples. He saw his own tension mirrored in the nomad’s face.

Hoped we’d slip away without a scene. But maybe I need to play this out.

Child, wait. Lucien’s deep voice resonated from the sky above.

Pushing his hair back with both hands, Dante drew in a deep breath, swiveled around, and watched as Lucien descended from the star-flecked night, black wings stroking gracefully through the air.

Dressed only in expensive black slacks, Lucien De Noir touched bare feet to the flagstones bordering the Baronne tomb. His wings flared once more before folding behind him, their tips arching above his head. He straightened to his full six-eight height, his black hair spilling over his tight-muscled shoulders to his waist. His handsome face was composed, watchful. Gold light glimmered in the depths of his eyes.

Wait, huh? Dante shifted his weight to one hip and crossed his arms over his chest. Give me one fucking reason why.

You can’t go on tour.

"That’s a command, not a reason. And fuck you."

You’re not well. Your control slips more every day. You’re dangerous.

Fire blazed to life, fused with the pain in Dante’s head, the ache within his heart. Fuck you twice, he said, voice low and strained.

Lucien’s face remained impassive, but tendrils of his black hair lifted as though breeze-caught. You know I speak the truth.

Wow. Dante’s gaze locked with Lucien’s. Is that like a first for you?

A muscle jumped in Lucien’s jaw. Shifting his attention to Von, he said, I need to speak alone with my son.

Von sent.

.>

.>

Merde, Dante muttered, wiping his nose against the sleeve of his jacket.

Von studied him for another moment before nodding. "Okay.

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