Discover millions of ebooks, audiobooks, and so much more with a free trial

Only $11.99/month after trial. Cancel anytime.

Advent: A Novel
Advent: A Novel
Advent: A Novel
Ebook594 pages10 hours

Advent: A Novel

Rating: 3.5 out of 5 stars

3.5/5

()

Read preview

About this ebook

A drowning, a magician’s curse, and a centuries-old secret.

1537. A man hurries through city streets in a gathering snowstorm, clutching a box in one hand. He is Johann Faust, the greatest magician of his age. The box he carries contains a mirror safeguarding a portion of his soul and a small ring containing all the magic in the world. Together, they comprise something unimaginably dangerous.

London, the present day. Fifteen-year-old Gavin Stokes is boarding a train to the countryside to live with his aunt. His school and his parents can’t cope with him and the things he sees, things they tell him don’t really exist. At Pendurra, Gavin finds people who are like him, who see things too. They all make the same strange claim: magic exists, it’s leaking back into our world, and it’s bringing something terrible with it.

First in an astonishingly imaginative fantasy trilogy, Advent describes how magic was lost to humanity, and how a fifteen-year-old boy discovers that its return is his inheritance. It begins in a world recognizably our own, and ends an extraordinarily long way from where it started—somewhere much bigger, stranger, and richer.
LanguageEnglish
Release dateJul 3, 2012
ISBN9781451661668
Advent: A Novel
Author

James Treadwell

James Treadwell is the author of Advent and Anarchy. He was born, brought up, and educated within a mile of the Thames and has spent much of his life further reducing the distance between him and the river. He studied and taught for more than a decade near the crossing at Folly Bridge, Oxford, and now lives within sight of the Tideway in West London. He holds passports from the UK, US, and Canada.

Read more from James Treadwell

Related to Advent

Related ebooks

General Fiction For You

View More

Related articles

Reviews for Advent

Rating: 3.6037736603773585 out of 5 stars
3.5/5

106 ratings19 reviews

What did you think?

Tap to rate

Review must be at least 10 words

  • Rating: 4 out of 5 stars
    4/5
    An engrossing literary fantasy featuring a modern day English boy who has always has seen things his unsympathetic parents and teachers would prefer he not mention, the 16th century Johann Faust the great magician, and the intersection of the two and the advent of magic again in modern times. Think Susan Cooper's Dark Is Rising meets Jonathan Strange and Mr Norrell, but not up to the epic Cooper quality - that's a tough bar to reach though. A great rec for the fans of literary fantasy. I read this courtesy of a e-galley from the publisher via Netgalley.
    I was a little dismayed to realize it's book 1 and I wouldn't get total resolution in this lengthy book. But I am looking forward to book 2, which it seems might feature some sort of scary whale and oceanic mythology.
  • Rating: 2 out of 5 stars
    2/5
    Sooo dry. Had some good twists but overall it was dull and I felt myself skipping paragraphs of useless descriptions. You have NO idea what’s happening for the first half of the book and then the author finally spends several pages revealing details only to have the end be as obscure as the beginning. I wouldn’t waste my time on this book or any of the authors other books. I’ve read better fantasy for sure.
  • Rating: 5 out of 5 stars
    5/5
    The sheer imaginative power of James Treadwell overwhelms me. Advent is a dark, fantastical adventure that intertwines the compelling myths of Johann Faust and Cassandra, and hurls them into the present day to collide with the life of fifteen year old Gavin Stokes. Gavin has been able to see things others can't all his life, things that don't make sense and upset his parents greatly. The blending between this world and the mystical are flawless in Advent. The story unfolds slowly, with half forgotten conversations and remarks revealed as important foreshadows of what was to come. Nothing truly makes sense until right at the end of the novel as all the plot elements come together in a thunderous conclusion.The story unfolds in unpredictable ways and is told with masterful skill. There isn't a dull moment, and while sometimes I did find myself wishing for a respite between the all the eerie encounters Gavin has with the inhabitants of Pendurra, I thoroughly enjoyed being on the edge of my seat! The power in Treadwell's narration comes from invoking the reader's deep sated fear of the unknown and unseen. Since Gavin is kept in the dark about what is really going on at Pendurra, so is the reader, and one feels his desperation and terror keenly. Although marketed as a YA novel, Advent doesn't shy away from complex language and themes, which makes it perfect for audiences of any age group in my opinion.As a fifteen year old who is disconnected in the worst ways from his parents, I had feared that Gavin would wallow in self-pity. However, he is surprisingly strong-willed and endures through conditions that would have broken many other kids his age. His father dislikes him intensely, bordering on hatred, and his mother is afraid of him. They are both desperate for Gavin to stop making up stories, as they see it, and behave like a normal person. A lifetime of ridicule and feeling unwanted wherever he goes has made Gavin reluctant to draw attention to himself, and it was great to see him develop out of this shell over the novel.A thinking book, Advent will linger in your mind for days after you read it. It surpasses a lot of the YA I read these days and I am looking forward to the sequel.You can read more of my reviews at Speculating on SpecFic.
  • Rating: 2 out of 5 stars
    2/5
    ADVENT by James Treadwell: I love fantasy. I re-read LORD OF THE RINGS every couple of years. I excel at suspension of disbelief and immersing myself in alternate worlds. So I expected to fall in love with ADVENT, the first in a trilogy that weaves together the Faust legend, Greek mythology including the always-fascinating Cassandra, and Celtic folklore, all propelled by a confused teenager who has always conversed with people who aren't there. It may be that in the context of the entire trilogy, ADVENT makes sense, but as a novel in its own right, it was a sprawling (though often beautifully written) mess with frustrating pacing. Perhaps my expectations were too high.Gavin, the teenaged boy sent to live with his nutty aunt at the mysterious estate of Pendurra, is a likable child, poised to learn more about his gifts in a classic coming-of-age fantasy arc. This part of the story was engaging. Gavin has been told his entire childhood that the people who are most real to him are imaginary, so he has a distrust of adults. When his aunt, always a favorite and the one most interested in and accepting of his strangeness, fails to pick him up at the train station, a batty professor gives him a lift to Pendurra, and she is the first person he has encountered who shares his visions. Their interactions are some of the best moments in the novel. As they approach the mysterious estate, Gavin describes it beautifully:"Beneath them, a pair of rough stone posts flanked a driveway leading off into wooded blackness. Beside the driveway, a little way beyond the gateposts, was a house. Hester Lightfoot had cut off the engine and was getting out. Still slightly dizzy, Gavin followed. A gusting wind blew about. There was nothing to hinder it. In all directions, the land fell away gently. Gav thought he knew now what it had been like for the first man on the moon, his foot touching down on the rim of another world, suspended in empty space. He saw a word carved in the nearer gatepost: Pendurra."This is typical of the expansive, evocative language Treadwell uses in descriptions from Gav's point of view, and one of the book's highlights. It is less successful in the sections from the sixteenth century. The "greatest magus in the world" (as he is referred to in practically every mention of him) is bombastic and not terribly interesting. Once I'd ascertained that not much essential was conveyed through his ramblings, I began skimming these parts and was happier for it. Pendurra through Gav's eyes is mysterious, magical, downright creepy. He meets the odd child who lives there, Marina, and learns odd tidbits about the estate: a river where Marina sees a woman, a chapel housing water with healing powers, and Marina herself: oddly innocent and unaware of the outside world.Besides the annoying ramblings of "the greatest magus in the world" (early on, I began rolling my eyes whenever I read that phrase), the compelling story of Gavin discovering the truth about Pendurra and about himself is interrupted by large chunks of backstory dumped into the narrative and interrupting the action. I can only imagine that the author delighted in his world-building and couldn't bear to keep it from the reader, but glimpses of backstory worked directly into the narrative would have been far less disruptive, repetitive, and redundant. At one point, in the midst of the book's climax, the reader's interest is derailed by page after page of an internal history lesson, much of which could have been inferred with the inclusion of the few actually relevant details in the narrative. More than halfway through the novel, we begin reading passages from the point of view of Horace, a tangential character and friend to Marina, which add absolutely nothing except to distract from the story. The points of view of random people from the neighboring village, a confused priest, and a journalist staying at the inn are thrown in for good measure. But Gavin is really the only fully-formed character. Marina is vague and out of touch with reality (I wanted to smack her when she dithers as Gav is trying to save her life) and we don't learn much about the professor or Marina's father.The less said about the ending, the better. It's no doubt the perfect set-up for book two, but when the end finally comes (and it's a long time coming - at 65% of the way through the book (according to my Kindle), the climax begins, but the endless exposition and unnecessary point of view switching bogs it down) it is abrupt and feels entirely contrived, with a previously unknown character the sudden focus. I am sure the next book centers on this girl, but I don't see myself sticking around to find out how the trilogy weaves together all these threads. I'm not sure to whom I would recommend this book. Die-hard fantasy fans with a high tolerance for exposition? Ultimately, the promise of the book's beautiful language and compelling coming-of-age story wasn't realized for me, and I was relieved to see the last page.Source disclosure: I received an e-galley of this title from the publisher.Allison Campbell, On My Bookshelf
  • Rating: 4 out of 5 stars
    4/5
    Okay, there is A LOT going on in this novel. Elements of Arthurian legend, Faust, mermaids, Greek myth - there is a lot to keep track of, and there were moments in the novel that I could feel some of the threads slipping away from me. But I have to say that I was completely entranced by this story from the very beginning. Even when I wasn't quite sure that I was keeping track of all the fantastical bits, I was always eager to see where Gavin's story was going to take him next. I loved the writing, and I definitely plan to read the next in this series
  • Rating: 3 out of 5 stars
    3/5
    Rating: 3 of 5 Ahhhh! Another book I didn't know was the first in a trilogy beforehand. It's not that I'm against trilogies (or series in general), but there are nuances involved that some writers don't have right out the gate. For instance, the first book should possess a complete story all its own and not depend on its sequels to deliver the story promised in book one. I'm not referring to a few unanswered questions or natural curiosities or a hunger for more of a story's world, either. When Advent concluded, I didn't feel like I knew much more than before I'd read all 451 pages. Could be there was too much going on for one book? Maybe the author didn't quite know where he wanted to take the story (or which babies to kill during revisions/edits)? Perhaps Advent was meant to serve mainly as an introduction? Having said that, for the record, Treadwell writes beautifully. Imagery and atmosphere were spot on. But characters and plot didn't coax me forward, it was the language. Yet something was lost in all those lovely words because, more than halfway through, I really didn't care much about the characters; I just wanted to know the truth already(!) and it was turning into work to get there. Not the fun kind of work, either. It was of the tedious variety. Plus, there was a mad dash to wrap things up in the last five or six chapters and Gavin's transformation seemed to come out of nowhere. I dunno why, I just know I'm left unfulfilled and ever-so-slightly disappointed. The premise of lost magic, people and creatures of legend and myth crossing into our time and reality, plus orphans should all add up to five stars from me. Unfortunately, in this case, it didn't. And I'm not quite sure who the target audience would be.

    1 person found this helpful

  • Rating: 1 out of 5 stars
    1/5
    It was too confusing for too long. A bit of that is great, but this went on for about three quarters of the book. Only finished it because of mulishness.

    1 person found this helpful

  • Rating: 4 out of 5 stars
    4/5
    Delightful beginning to end. It began to slide toward cliche in the last fifty pages or so, but successfully pulled itself back out again. I cannot wait for the sequel (there's a sequel, right?).
  • Rating: 3 out of 5 stars
    3/5
    Gavin Stokes is an awkward teenager. In fact, he’s always been awkward. He talks to people who aren’t there, see things that aren’t there, and has parents that want him to pretend everything that happens to him, doesn’t. When the opportunity comes to visit his aunt in the country, the only person he ever thought understood him, he jumps at the chance. One strange things after another happens to him and he starts to think that maybe he isn’t so awkward after all and there are a lot of things in this world that can’t be explained.I don’t know what to make of this book. On one hand, I really liked it. On an entirely different hand, I didn’t really think much of it. Sadly, I’m having trouble pinpointing why this is so. Here’s the thing, the story has a bit of a time slip thing going on. So, when you’re not in the present watching a teenager make a total mess of things, you’re back in the 1500s with a magician who is also making a mess of things. I liked both stories. Each had their strong points. It was when the stories merged that I had trouble. Here’s the thing --- the two timelines fit well together, character and plot wise. But I didn’t really care for them meshing. Does that make sense? Ignore me if it doesn’t, I won’t be offended.One of the reasons I put this book on my list was because I knew it had a few Arthurian legend references and as we all know, (I’ve repeated it often enough) I’ll read anything that has Arthurian elements. That aspect of this book kept me reading and I liked the rather subtle way in which it was introduced. Although, I didn’t like when Gavin’s name went from Gavin to Gawain. It annoys me when characters change names halfway through a book. It was necessary and certainly made sense within the context of the story but it just doesn’t work me. I’m all for people (re: characters) finding themselves but, again, annoying for me. You may love it. Again, ignore me if needed.The good thing and why this book is worth a try. It’s a book about magic! The magic follows traditional rules, there’s nothing wrong with that, I’m just pointing it out. And I liked that it was dark and sinister, the way I think magic should be. The way the magic is tangled throughout the centuries is great too. The estate, Pendura, in Cornwall that Gavin retreats to where his aunt is living, is an interesting place as well. It’s almost suspended in time and home to creatures that are only known to exist in the imagination.Advent is the first book in a trilogy, and according to the author’s website, the second book, Anarchy, it will be out in September in the US. After writing this review, I think I might have talked myself into looking at the second book after all.
  • Rating: 2 out of 5 stars
    2/5
    Skipped all the historical chapters -- pace was the strength of this novel. Did not at all understand the ending.
  • Rating: 2 out of 5 stars
    2/5
    I really wanted to love this book but I just couldn't. The writing is great and the characters were well rounded but the story line was confusing at times. He seemed to me to bounce back and fourth between writing for an adult audience and writing for children. I loved all the mythology that he weaved throughout it and as a writer I feel he has a lot of potential but as of now I have no interest in continuing on with this series.
  • Rating: 4 out of 5 stars
    4/5
    Gavin knew he was different but had no idea where that would lead him…
    In this dark and intriguing debut, 16-year-old Gavin is suspended from school after admitting he has a friend, Miss Grey, that no one else can see who has watched over him all his life. So his parents send him to stay with his seemingly flaky aunt, but she fails to meet him at the station. When he arrives at Pendurra, a forgotten estate at the edge of England, Gavin finds questions, impossible things… and his destiny. Fans of Susan Cooper’s Dark is Rising Series or A Discovery of Witches by Deborah Harkness would both find something to love in this fascinating blend of history and fantasy.
  • Rating: 5 out of 5 stars
    5/5
    Great novel! The author's first and the first part of a planned trilogy. Very well written and great imagination. The story unravels itself wonderfully at the hands of a true story teller.
  • Rating: 3 out of 5 stars
    3/5
    This is a somber book with some strengths and weaknesses. It tells the story of a teenaged boy, Gavin, who sees things. Well not things exactly. Rather he sees a woman, who he calls Miss Grey. She has appeared to him for years. Gavin knows she is not just his imaginary friend, even though his parents have tried to convince him of this. They demand he stop pretending. He is even kicked out of school for trying to tell a teacher what he is seeing. His parents ship him off to the countryside to stay with his Aunt Gwen, who is not considered to rock steady herself. This is okay with Gavin because he hopes to find in her a sympathetic ear. Paralleling this story is the tale of an ancient wizard, Johann Faust, who has made a deal with the spirits to live to be immortal. He intends to do this using his vast knowledge of magic and an enchanted ring that once belonged to a prophetess of ancient Troy. Gavin's arrival at the estate of Pendurra coincides with the reemergence of Faust from what should have been his watery grave. The confluence of Faust's search for his missing ring, the secrets of the inhabitants of Pendurra, and Gavin's awakening to his mystical powers merge into a tale of magical mystery. There is a lot going on in this book, perhaps too much. I didn't feel the author successfully supported all the elements and characters. This book provided for review by the well read folks at Atria Books.
  • Rating: 2 out of 5 stars
    2/5
    I received this gratis electronic ARC through NetGalley.Advent has a really cool idea. It melds a typical teenage coming-into-magic-heritage story with mythological elements of Faust and Cassandra, the prophetess. The problem is that the melding is a muddled mess.Gavin is a fifteen-year-old boy who has always seen a strange woman he has dubbed Miss Grey. The problem? No one else sees her. He's spent the last few years pretending she doesn't exist. His relationship with his parents is extremely strained, so he's relieved when they send him off for a holiday with his wacky aunt. When he arrives on the estate of Pendurra, things go from wacky to downright bizarre, and then all hell breaks loose. Literally.Gav's teenage voice is fabulous. I found him to be engaging, flawed lead. The problem is that the story doesn't follow his perspective alone. From the very beginning, it alternates between chapters set in the 1500s with Faust. These chapters in the past are nonlinear. Therefore, they are extremely confusing. I have no idea why the publisher ordered them like that. Faust is set up as the villain, but he's a very lackluster one because his motivations are never clear... and what is made clear is through massive info dumps. It's never something that Gav is made party to, and usually the point of the novel is seeing the main character experience that enlightenment.Starting halfway through the book, it then brings in other character perspectives. Some of them seem to have no point whatsoever. Others are a distraction. Some characters with interesting promise, like Hester, seem set up for a major role and then completely vanish.More than once, I considered stopping the book. I made myself keep on reading. I was provided the ARC for review purposes, and I felt like I needed to give it an honest shot. Despite the scattered perspectives and timelines, the climax escalated in a wonderful way--the "sidekicks" of Faust are fantastic, such as Holly--and then it reached the end, where the story promptly fell apart because it switched to another totally new character on the other side of the planet.Just... what?There was beautiful writing here. The book just felt like it tried to do too much with too many characters, and the end result was a confusing mess.
  • Rating: 3 out of 5 stars
    3/5
    There is plenty of magic here, mystical beings good and evil, creatures not being what they seem, things changing into other things, danger and drama. The young protagonist, Gavin, was very likable, and I couldn't help but cheer him on, even if he was too good/strong/brave to be true sometimes. After all, this is a fantasy.As a modern-day fantasy based on an ancient legend, it didn't really engage me as I had hoped. Yes, for the most part, I wanted to continue reading, but it wasn't a chore to put down when I needed to do something else. It didn't keep me on the edge of my seat as I had hoped it would. Some of the main characters seemed one-dimensional and didn't have the depth that I had wanted, and there was too little of a couple of the characters I really liked. Although I enjoyed the book, it did bog down in places, was too long for the story it was telling, and there wasn't enough to set it apart from other fantasies.Thank you to Atria for providing me with a copy of this book.
  • Rating: 4 out of 5 stars
    4/5
    The first half of Advent is terrific: a young man, cursed or blessed with a kind of second sight all his life, is sent off to the country to spend a week with his eccentric aunt. When he arrives, she isn't there, and he stumbles from one encounter to the next, each increasingly bizarre. The early chapters pay homage to such past children's fantasy classics as the Box of Delights and the Chronicles of Narnia, while building a much more adult-oriented plot around Arthurian legends and the story of Dr. Faustus. Treadwell makes Gavin Stokes a believable character, and layers the tension incrementally, broken only occasionally by descriptions of the magically beautiful rural landscape where most of the story unfolds. The narrative structure -- story moving forward in the present while moving backwards in the past -- adds to the suspense.Unfortunately, from about halfway through, the story runs downhill. Treadwell steps away from the third-person limited point of view, switching to multiple characters and omniscient views, a choice that shatters the subjective sense of unease and mystery constructed so carefully in the book's first half. The moments of transcendent beauty stop, and the plot steams along through unrelieved and increasingly apocalyptic gloom - except it doesn't actually feel like the end of the world, just a really dreary, cold day. The characters interact mechanically: A, B, and C chance upon each other and fight; A escapes and runs into D; B dies in the snow; D meets C and E, and so on. Coincidences and (bad) luck are freely deployed to get everyone to their scenes on time. By the end of the book, the plots all reach their tragic or other conclusions, but perversely, the magic has drained out of the reading long before then.
  • Rating: 5 out of 5 stars
    5/5
    This novel, the first in a trilogy, introduces us to 15-year-old Gavin, a lonely and unhappy teenager who feels abandoned by everyone around him because he sees things that are invisible to others. Having been thrown out of school, his parents send him to spend a week with his eccentric aunt in Cornwall. But when he arrives in Truro there's no one there to meet him. Things then take a completely unexpected turn and set the scene for an absolutely fantastic book.Without giving anything away, the book deals with the notion that magic was once abundant in this world but was forgotten and, as the blurb tells us, is now 'rising to the world once more'. This is a dark and eerie novel, full of mystery, more suitable for the young adult and adult market than the children's. It reminds me of some of the fairy-tales and legends of old, and certainly Gavin is a reluctant hero, embarking on a journey of self-discovery and destined to go on a quest. James Treadwell is a consummate and skilled storyteller, weaving a rich tapestry of words. He's got a wonderful feeling for language: his prose is hauntingly beautiful at times, his characters' speech patterns, but also his descriptions of everyday situations and places, have a very authentic ring to them, so that when he describes the arrival of mythical and monstrous creatures and spirits, and the existence of warlocks and magic in present-day Cornwall (where else?), I took everything at face value because it sounded so completely plausible in his words. Some of the plot developments are pretty intense and terrifying, with chapters ending on cliffhangers, so that I was compelled to carry on reading even though I felt as breathless and exhausted as Gavin. The long chapters build up the atmosphere and tension, posing more questions at first than answers are forthcoming, and the reader has to put their trust in the narrator for it all to come together and make sense. If you're someone who just dips in for a couple of pages at night time, this book might not work for you, but then I dare you not to be swept away by the author's flight of the imagination and read on for hours. The worst thing about this book: that I will now have to wait for about another year for the next volume to come along.Rarely has a book entranced me as much as this one: well done and thank you, Mr Treadwell.(This review was originally written as part of Amazon's Vine programme.)
  • Rating: 4 out of 5 stars
    4/5
    Gavin is a 15 year old teenager living in England who just doesn't fit in. His problem is he sees things that are not there, in particular a woman he calls Miss Grey. When he is shipped off to visit his Aunt for a week, Gavin's imaginary world quickly intrudes into the real one. He then has to figure out just what is going on and who he really is before it is too late. This is book one of a new trilogy that is a mash up of the Faust and Gawain legends. I'm still trying to decide if this is supposed to be a Teen book or an Adult one. Either way I did really enjoy it and look forward to reading the next in the series. I did have a few problems with the book though. The pacing was a bit slow for me in some parts. Also, while the book is well written, the language really impeded the flow of the book at times. I found myself having to go back and reread parts to make sure I understood what was going on. Overall, I still give it a 4 rating because of how the author was able to immerse me in his world and create characters I truly want to see what happens to next. Isn't that all we really want from a good book?

Book preview

Advent - James Treadwell

A drowning, a magician’s curse, and a centuries-old secret.

1537. A man hurries through city streets in a gathering snowstorm, clutching a box in one hand. He is Johann Faust, the greatest magician of his age. The box he carries contains a mirror safeguarding a portion of his soul and a small ring containing all the magic in the world. Together, they comprise something unimaginably dangerous.

London, the present day. Fifteen-year-old Gavin Stokes is boarding a train to the countryside to live with his aunt. His school and his parents can’t cope with him and the things he sees, things they tell him don’t really exist. At Pendurra, Gavin finds people who are like him, who see things too. They all make the same strange claim: magic exists, it’s leaking back into our world, and it’s bringing something terrible with it.

First in an astonishingly imaginative fantasy trilogy, Advent describes how magic was lost to humanity, and how a fifteen-year-old boy discovers that its return is his inheritance. It begins in a world recognizably our own, and ends an extraordinarily long way from where it started—somewhere much bigger, stranger, and richer.

picture

THE CRITICS ARE RAVING . . .

This mesmerizing fantasy draws aside the thin veil between the magical and the mundane . . .

—DEBORAH HARKNESS,

New York Times bestselling author of A Discovery of Witches

Utterly fresh.

—The Bookseller

Tense, dark, full of mystery, magical, even terrifying at times.

—Notes of Life

Astoundingly intelligent. A genuinely gorgeous read.

—FantasyNibbles

Haunting and terrifying.

—Empire of Books

Profoundly different.

—ThirstforFiction

picturepicture

James Treadwell was born, brought up, and educated within a mile of the Thames, and has spent much of his life further reducing the distance between himself and the river. He studied and taught for more than a decade near the crossing at Folly Bridge, Oxford, and now lives within sight of the Tideway in West London.

MEET THE AUTHORS, WATCH VIDEOS AND MORE AT

SimonandSchuster.com

• THE SOURCE FOR READING GROUPS •

Facebook.com/AtriaBooks

Twitter.com/EmilyBestler

JACKET DESIGN BY JOE MONTGOMERY

JACKET PHOTOGRAPH OF RAVEN BY MICHAEL TREVILLION

HOUSE © STEVEN GILLIS/AGE FOTOSTOCK/GETTY IMAGES

AUTHOR PHOTOGRAPH BY DAVID BARKER

COPYRIGHT © 2012 SIMON & SCHUSTER

advent

Title

A Division of Simon & Schuster, Inc.

1230 Avenue of the Americas

New York, NY 10020

www.SimonandSchuster.com

This book is a work of fiction. Names, characters, places, and incidents either are products of the author’s imagination or are used fictitiously. Any resemblance to actual events or locales or persons, living or dead, is entirely coincidental.

Copyright © 2012 by James Treadwell

All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever. For information, address Atria Books Subsidiary Rights Department, 1230 Avenue of the Americas, New York, NY 10020.

First Atria Books/Emily Bestler Books hardcover edition July 2012

EMILY BESTLER BOOKS/ ATRIA BOOKS and colophons are trademarks of Simon & Schuster, Inc.

The Simon & Schuster Speakers Bureau can bring authors to your live event. For more information or to book an event, contact the Simon & Schuster Speakers Bureau at 1-866-248-3049 or visit our website at www.simonspeakers.com.

Designed by Jill Putorti

Library of Congress Cataloging-in-Publication Data

Treadwell, James.

Advent : a novel / by James Treadwell.

    p. cm.

1. Magic—Fiction. I. Title.

PR6120.R426A66 2012

823'.92—

2011031789

ISBN: 978-1-4516-6164-4

ISBN: 978-1-4516-6166-8 (eBook)

If a man could pass through Paradise in a dream, and have a flower presented to him as a pledge that his soul had really been there, and if he found that flower in his hand when he awoke—Aye! and what then?

—IN THE NOTEBOOKS OF S. T. COLERIDGE

Contents

Chapter 1

Part I: Monday

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Part II: Tuesday Morning

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Part III: Tuesday Evening

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Part IV: Night

Chapter 17

Chapter 18

Chapter 19

Part V: Wednesday Morning

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Part VI: Snow

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Chapter 31

Part VII: Omens

Chapter 32

Chapter 33

Author’s Note

advent

1

A DECEMBER NIGHT

On a wild night in deep winter in the year 1537, the greatest magus in the world gathered together and dismissed his household servants, wrapped himself in his traveling cloak, took his staff in one hand and in the other a small wooden box sealed with pitch and clasped with silver, and stepped out into the whirling sleet, bound for the harbor and—so he expected—immortality.

All but the city’s most utterly forlorn inhabitants had been driven from the streets by the bitter weather. The remaining beggars and strays were fully occupied with their struggle to survive until dawn, so the magus walked uninterrupted through alleys of filthy slush. Nobody so much as saw him; any lifted eyes would have been stung by the icy rain, which felt as if it blew from every direction at once. Nobody but one.

Some thirty paces behind him, a figure followed, bone-thin as the stray dogs and ragged as the beggars. It looked like little more than a jumble of sticks and scraps of cloth that should have been scattered at once by the ferocious wind; but seen more closely (though nobody saw) it was a woman, gaunt, weather-beaten, but steady. Her eyes were fixed on the man’s back, and never turned away no matter how the sleet blew.

Beneath his cloak, the magus kept a tight grip on the box. Inside it, padded around with wool, was a calfskin pouch pricked out with marks of warding and asylum. Inside the pouch were two things: a small oval mirror in a velvet sheath, and a ring which appeared to be carved of wood, though it was not.

Inside the mirror was a share of the magus’s soul. Inside the ring was all the magic in the world.

He came out of the alleys and hurried as best he could along a broader thoroughfare by a frozen canal, where the wind was at last able to settle on a single direction and roar at full force. He was not afraid, exactly. Since mastering his art he had seen far more than any other living man, and outgrown faintheartedness. Still, the things he carried were infinitely precious to him, and he was eager to be away, across the sea in England.

Even in the foulest weather, a falling tide and a wind blowing seaward kept the wharves from being entirely deserted. He had to break stride to pick his way through the lantern-lit clusters of carters and watermen clumped alongside creaking hulls. That was what made him glance around, and so for the first time notice his pursuer.

His fingers closed tighter on the box.

Johannes!

Her voice made a space for itself in the air, slicing between the weather’s din and the clattering and flapping of the ships. He halted, his back to her.

The moment she caught up with him, the wind stopped. Instead of sleet, snowflakes fell, gathering on his hood and shoulders. In the abrupt silence he felt in his ears the guilty hammering of his heart. The rest of the world around them had gone still. The two of them stood as if alone in the snow, as they would again, long, long afterward, in their last winter.

He sighed, and closed his eyes. How do you come to be here? he asked.

Johannes, turn. She spoke in Latin, as he had.

I know what I will see.

Then face me.

He neither turned nor answered.

What you took from me, the woman said, you must now return.

At this his eyes blinked open. He pressed the box tight to his heart.

She stretched out an arm toward his back, hand open, and held it still. You cannot bear it, she said. Save yourself.

Still without facing her, the magus raised his voice. I did not look for you to be here. Let me go.

Look for me? He had never heard her angry before. He had not thought her capable of common passions. The ice in her voice cut as keen as winter. You never looked for me. No more can you dismiss me. But if you do not turn back, I will go, Johannes, and the end you fear will have arrived.

For a few seconds neither spoke. The snowflakes made white shadows on the trimming of his cloak, and thawed into cold drops on her upturned face.

He set his lips tight and took a step forward.

She gave a despairing cry, instantly drowned out by the return of the wind. In an eyeblink it hurled away the flecks of snow and spun them into the freezing murk. He looked around, but the ragged woman was nowhere to be seen. She at least had kept her word, and was gone.

A voice bellowed: Master John Fiste!

It was how he had given the captain his name. The vessel and its crew were English. He shifted around to put the wind at his back and saw a mariner beckoning, and beyond that, the harbor light glowing through a sparkling curtain of sleet.

Still holding the box tightly concealed under his cloak, he followed the man aboard.

Some hours later the wet abated, and because he had urged haste and paid them extravagantly, the ship put out to sea. The wind was strong but steady, and the crew made light of it. But as dawn approached it grew into a storm. All that day it swept the carrack unrelentingly westward, far past the port where Master John Fiste had expected to begin his life again. When at last they were close to being propelled altogether out of sight of land, with no sign of the storm relenting, the captain resolved to risk an approach to the lee of the English coast, hoping to enter the great harbor at Penryn. As they neared the estuary, the wind squalled capriciously, the ship was blown onto a reef, and captain, crew, and passengers were drowned, Master John Fiste and the rest.

For all anyone knew, the greatest magus in the world had stepped out of his house alone one winter night and vanished. In time, most came to say that he had sold his soul for his art and been called to a reckoning by the devil, snatched off without a trace. It made a good cautionary tale for a more skeptical age. Believing Johannes in hell where he and his practices belonged, even wise men barely troubled themselves with the fact that all the magic in the world had gone with him.

PART I

Monday

2

Gavin Stokes fidgeted in his seat and willed the train to move. Outside the window his mother stood on the platform, waving and smiling weakly. He was worried she was about to cry.

He didn’t mind the actual crying; he was mostly used to it. What he was afraid of was that if she fell apart right at this moment she might change her mind about letting him go. His father had taken their trolley and was already heading off toward the Heathrow Express platform. Gavin saw him turn his head and say something to her over his shoulder, something which made the corners of her mouth tremble even more—and just at that moment, soundlessly, the world outside the window twitched and began to slide away.

Take care of yourself, Gav love, he just about heard her shout. She took a few steps along the platform, but she couldn’t catch him now. I love you!

Love you, Mum, he mouthed back. His father was out of sight already. A moment later and she was gone as well. The train was leaving them behind, gathering speed as if it too couldn’t wait to get away from them and all the rest: home, school, London. It was taking him about as far away as you could go without leaving England altogether.

He pulled his bag down onto the table and dug through it until he found the envelope he’d taken that morning from his mother’s desk. The night before, he’d dreamed that he’d gone into her room, opened a drawer, dug around, and pulled it out. That was how he’d known where to find it.

She had torn it open. He unfolded the two sheets of paper, briefly surprised to see the tiny, threadlike handwriting. But of course Auntie Gwen wouldn’t use a printer; she wouldn’t have one.

My dear Iz, [There was no date or anything.]

Hope you can still make sense of my writing, I know it’s been a while. I’m truly sorry to hear about your troubles but so so glad you wrote to me! I think about you all the time, believe it or not, really I do. Being able to help now is like a gift to me. I’m really sorry I just can’t come to London for a whole week with work and things here BUT I have another idea, please listen, I really want to do this for you and Nigel and for Gavin too. Why doesn’t he come to stay with me down here while you two are away? Think about it. Please! He’s nearly grown up now, probably more nearly than I am (guessed what you’re thinking didn’t I, Iz?) [Here she’d drawn a little smiley face, and drawn it very well: it had Aunt Gwen’s rather long chin and longer hair, and was winking.] I’m sure he’ll manage the journey down. You said he seems just the same as always so there can’t be anything to worry about for a few hours on a train. I can meet him at the station in Truro so he won’t even have to tune in enough to do the change.

I’d be just so delighted to have him stay here and maybe it will do him good to get away for a bit. [He grinned. Neither Mum nor Auntie Gwen could have begun to imagine exactly how good he was feeling.] This is the kind of place that really might be perfect for him. And he and I always got on well. I know it’s been a while since I’ve been up but I still send him those postcards sometimes so he won’t have forgotten all about me. [The grin turned to a frown. He’d never had a postcard from Aunt Gwen, or not for years, anyway.] It’s not the end of the earth here, there are good people around to help if anything happens. I know how much you and Nigel must be looking forward to your trip, really, why not let me do this, and you can just not worry for a few days.

To be honest there may not really be anything to worry about anyway, you and I know what Gav is like, it’s probably just something the school people hadn’t seen before but for us it would just be Gav being Gav! Wish they’d told you what it was, though, that seems so unfair, it makes it so much harder for you. Iz I really wish I could be there and just give you a big hug. Please try not to get upset, I know, easy for me to say, but I’ve always known there was something special about your boy, in a good way, the best. [Gav paused and for a while thought of nothing at all, while the city’s weed-strewn margins swished by.] Anyway please think about it, no I mean please DO it, give yourself a rest and me the pleasure of seeing my nephew and Gavin a break too. It’s a bit short notice but it’ll work, all you have to do is write back to let me know and just tell Gav I’ll meet him on Monday at 16:48 at Truro station. It really isn’t that easy for me to get to a phone, you and Nigel must find it hard to believe but anyway, the post DOES work fine [here the writing reached the end of the second sheet and had to cramp itself even more and turn up the side of the page] oops no room I love you Iz, peace to N and G, write back quickly! XO G.

The cross-stroke of the last G was lengthened out into something like a tiny dragon’s tail, its arrowheaded tip just squeezed into the top corner of the sheet. He was staring at it, but not seeing it.

It had taken him a lot longer than weird Auntie Gwen to work out that there was something special about him. For all but the last few of his fifteen years he’d had no idea. The special thing, it turned out, was that some of the things that happened to him weren’t supposed to happen. Some bits of his life were allowed; nobody minded them. Others weren’t.

Learning the difference between them had been a miserable experience. He’d had no idea there was anything wrong until everyone started telling him about it, and even then it didn’t really make any sense to him. Distressingly, it was apparently the parts of his life he liked best which shouldn’t actually have been happening. He’d begun finding out about this a few years ago, around the time he’d switched schools. The first symptoms of the change were in the way his parents talked to him. Instead of Oh really? (with a smile), it became Oh come on Gav (with a frown). Then it was Gavin, I think you’re too old for this now. (For what, he asked himself, for what?) Then it was Look, Gav, you’ve got to stop all this, and then, I don’t want to hear about this rubbish and frankly neither does anyone else. And then worse, until the night he’d thought his father was actually going to hurt someone. That night was when he’d finally grasped that the rules of his life had changed for good, without warning, without anyone asking him or telling him why.

He’d got up that night and gone along to his parents’ room because Miss Grey had told him Mum was dead.

Miss Grey hardly ever said anything at all. Never, really, unless you counted when he was asleep, and even then the things she said were a bit strange and confusing and hard to get hold of, the way dreams are, though he always felt he understood what she meant. But that night, for once, the words had been quite clear. The sun rises on your mother’s grave. He woke up straightaway, worried. He knew his mother couldn’t actually be dead or have a grave because she’d been listening to the radio as he dozed off, he’d heard it downstairs, but he couldn’t help feeling anxious anyway. He sometimes dreamed things before they happened, and those dreams always had Miss Grey in them. So he went along to their bedroom and opened the door.

Mum?

Rustling bedclothes, and then his father’s head popped up abruptly. Gavin? What the bloody hell are you doing?

Is Mum okay?

What—? Christ, what time is it?

Mum? But his mother hadn’t answered, and he couldn’t hear her breathing. All he could see was a dark lump in the duvet, like a mound of earth. He panicked and switched the light on.

Ow! What are you— Bleary and blotchy, his father cringed from the light, but for a horrible few moments Mum hadn’t moved at all, and Gav had been utterly certain he’d dreamed the truth, again. His first thought was that now he’d be living alone in the house with Dad, an idea of such deadly horror it made him screech.

Mum!

And then of course the lump had moved, and she had pushed herself up, messy and fogged with the confusion of sudden waking. Gavin? What’s wrong?

He started to cry.

His mother sat up and beckoned him, smoothing her hair. He climbed over the bed to her. Oh, for God’s sake, his father grumbled, and she kept saying What’s wrong?, halfway between anxious and exasperated. What’s wrong now?

I thought you were dead.

Jesus Christ. His father fumbled for the bedside clock, pulled it to his eyes, groaned.

What—? Gav, Gav! Silly boy. Whatever gave you such a horrible idea?

And because this had all been four or five years back, and he hadn’t yet learned what he wasn’t allowed to say, and also because he’d been scared witless for the awful seconds before she’d woken up, the truth came out.

Miss Grey said . . . she said my mother was dead.

His father slammed the alarm clock down on his bedside table hard enough to break it and shouted, I’ve fucking had enough! which was terrifying because until then Gav had thought swearing was just a naughty joke. Even more terrifying was his mother’s reaction. She’d frozen, gone white like someone caught in a searchlight, and then instead of holding her arms out to Gavin, she sort of shrank in on herself, her eyes inexplicably fearful. His father was bellowing at him to get out, bellowing and swearing and thumping the table, and as Gav scrambled back to his own room he heard the shouting go on behind him beyond the slammed door, until in the end Mum shrieked I haven’t! I haven’t! so loud that they must have realized the racket they were making, and they stopped, leaving Gav sitting bolt upright in his bed, perched stiff as if trying not to fall.

Even before that night he’d begun to understand that his parents didn’t like him talking about Miss Grey. It annoyed them that they couldn’t see her. That was fair enough once he thought about it, though they needn’t have felt bad since no one else could see her either, as far as he could tell; but then that had always been true, so he didn’t see why it should bother them all of a sudden. When he’d been smaller he’d often listened to them laughingly explaining about his imaginary friend if he’d happened to mention her to someone. Oh, that’s his imaginary friend. It was, he learned, the proper term for someone like Miss Grey. Other children had imaginary friends, or at least some of them presumably did, although he soon found out that he didn’t know any. Also, none of the kids he did know liked being asked about the subject, though that made sense to him because he didn’t like being asked about Miss Grey either. It was a bit tricky explaining about her since she didn’t behave at all like other people. He guessed this was probably the point about imaginary friends. They were secret, special. The only person he’d ever known who really liked to talk about her was Auntie Gwen, and Auntie Gwen liked it so much, Gavin found her eagerness a bit embarrassing, and usually tried to change the subject. Is Miss Grey her real name? Um, it’s just what I always call her, you know, like the people who look after you instead of Mummy at the school were called Miss Sandra or Miss Mara, so I thought she was like that, except she didn’t say her name so I made up Miss Grey ’cos she’s quite grey. What games do you like to play with her? Um, we don’t really play games, we just sort of—Does she tell you stories? Oh yes! Well, sort of. What kind? You know. Funny things. Um, anyway, it’s not really like telling stories. Can we get an ice cream before we go home? Can you see her now? (Miss Grey smiled a little and shook her head.) No. I like plain Magnums.

After the horrible night with the shouting and banging, Gavin became much more wary of mentioning her to anyone. He was angry with her for the first time he could remember. He thought she’d lied to him about his mother, which made the shouting her fault not his. It was weird and disturbing anyway because he was used to her being right about everything. Also, something had happened between his parents, not just the screaming. Even the next morning he could feel it wasn’t right. When they spoke to each other the silences between had a funny crackle to them.

His mother sat him down the next day for one of her serious conversations. Did he understand that he couldn’t say things like that. Didn’t he realize that it upset people. Mummy and Daddy love you very much. And:

Gavin, you do understand that Miss Grey isn’t real, don’t you?

Yes, Mum. Yes, he did. Real meant the things Mum and Dad were interested in, newspapers and cricket and the carpet and money and all that. Not real were the things they couldn’t see and didn’t really have any interest in, like stories and Miss Grey and the inside birds and the funny people he sometimes caught glimpses of. He’d learned this distinction early on, and accepted it, like the difference between red and blue.

Well, then. Do you think maybe it’s time to say good-bye to Miss Grey?

Gav was old enough to know immediately that Mum meant something more than what she’d said. Obviously her question was stupid, since you only said good-bye to someone when they were going away, but he didn’t say that out loud. As always with the serious conversations that you had to sit down for, she was actually talking about something completely different, some other unspoken issue involving mysterious unhappiness and blame. He knew from experience that if he made the wrong guess as to what the real subject was, she’d either start crying or send him off in that particular way that made him feel like he’d done something horrible.

I just think you’re too old now to spend so much time playing a game like that.

He got it in a flash. He was supposed to become a different person. She wanted him to get more excited about carpets and newspapers and money. She wanted him to be more like Dad. She was telling him to grow up.

So, can you try not to talk about her anymore? All right? Gavin? Would it help if we wrote her a good-bye letter? Perhaps we can think of all the adventures she’s going to have now. Places she can go instead. She might like not being stuck in London.

He nodded, because silent agreement was the best way to end the serious conversations as quickly as possible. But secretly he thought this whole plan ridiculous. Miss Grey wasn’t at all the type to go on adventures; she wasn’t like someone in a book.

You’re not going away, are you? he asked her, the next time he saw her. They were standing on the railway footbridge he crossed on his way back from school, in a sullen drizzle. She looked at him with her almost-sad face and held her hands out, cupped, gathering a puddle of rainwater. She bent and blew gently on the water, and then opened her hands a fraction, letting it trickle away onto the tracks.

Please don’t, he said, feeling sick. Please don’t leave me with Mum and Dad.

She made the cup again, but this time held it up over his head. He leaned back to see what she was doing and flinched as she dribbled the rain over his mouth. When he licked his lips there was a dark taste, a lonely taste, but despite that he was reassured. Though she never said a word except in dreams, he understood what she meant most of the time, like he understood some other things that didn’t speak, and he knew that she was promising he wouldn’t have to grow up at home without her, even if the darkness and loneliness were coming.

Unfortunately, the growing up happened all by itself, whether he liked it or (as was the case) not.

As the months and years went by Gavin stopped pleading with her not to leave him. He stopped speaking to her at all. He stayed away from the empty quiet corners, the lanes behind back garden fences, and the mud and scrub of the towpath along the river, those untended cracks and crannies of the city where the things that weren’t supposed to happen most often seemed to happen. He was learning, rapidly, that they weren’t just against his parents’ rules, but broke some other set of rules as well, some huge body of law that didn’t only apply at home but was mysteriously in place everywhere else too: school, on holiday, parties, anywhere people gathered. He had a feeling the regulations would have been relaxed if Auntie Gwen had been around, but Auntie Gwen never came to stay anymore, because, he gradually discovered, she wasn’t invited. Perhaps she was as illegal as Miss Grey. He couldn’t guess. No one ever explained the system to him.

The imaginary friend idea had to be discarded. Apparently that was just a silly thing little kids did, on a level with Mum’s stupid idea about writing Miss Grey a letter. What was she, then? A ghost? Boys at school talked about ghosts. There were stories about them, lots of them; he read all the ones he could find. None of the things in the stories sounded anything like Miss Grey.

How do you know ghosts don’t exist? he asked one evening at dinner.

His father put his glass down and went very still. Gav had thought he was being clever, finding a way to talk about Miss Grey without actually mentioning her, but it was immediately evident that Dad had sussed him out, and Mum knew it too. The funny crackle appeared in the air over the table.

Well, said his mother, carefully. It’s science, I suppose, isn’t it? I mean, we know the world works a certain way. There’s all those ways you can prove that certain things must be true, and so you know ghosts can’t be. Like going through walls. Appearing and disappearing. They’re just not possible.

Derek says he’s seen one.

Lots of people say they’ve seen one, his father said.

So they’re just wrong?

They’re just idiots, said Dad, at the same time as Mum said, People can think they’ve seen something, but we know they actually can’t have. Not what they think they saw. So perhaps Derek imagined something, or, I don’t know, saw something in a weird light, or—

Or he’s an idiot.

Nigel, please. Or maybe he likes telling stories—

Oh yes, I forgot that one. He could be a liar instead of an idiot.

For God’s sake, Nigel.

The crackle got so loud Gavin thought he could actually hear it in his ears, as well as in his fingertips and stomach and the skin of his cheeks.

Anyway, his mother went on, fiddling with the stem of her wineglass, people only believed in things like that because they didn’t know better.

So how do they know better?

By going to expensive schools, said his father. Though it’s obviously not working for Derek.

I give up, she said. Gavin sat and ate until the crackle got so bad it was hurting, and then went to his room.

The next time he saw Miss Grey—it was three or four days later, at school; she was standing holding her colorless cloak tight around her, in a far corner of the visitors’ car park, watching him—he tried knowing better. Even though he could see perfectly clearly that she was there, as usual, he decided to know that she wasn’t. It was like trying to know the cars weren’t there, or the trees behind them. It was like persuading himself that he didn’t exist.

So that was how Gavin began to realize that there was something special about himself.

At the same time that the real things—home, school, his mother and father, being eleven and then twelve and then thirteen—got worse, the things that weren’t real got worse too. His dreams started to change, in confusing ways. Sometimes he longed for Miss Grey to come back into them, because in dreams he thought she could touch him as well as say things to him, but sometimes he dreaded it because the darkness and loneliness had come closer. He still occasionally had the sensation of dreaming things that were going to happen, but now instead of simple things like a fox in the garden or a hailstorm or Mum losing her glasses, the dreams were full of dark birds with beaks the color of fire, or smoke hanging over a city, or an Eskimo girl tending a dying whale on a cold beach: things that couldn’t happen, and yet the feeling that they were real and waiting for him was even stronger than in the old come-true-tomorrow dreams. There was a change in Miss Grey too. It was like she knew he was trying to get rid of her, and now it was her turn to plead with him not to leave. He found it harder and harder to remember on waking the words she’d spoken in his dreams, but at the same time it felt more and more urgent that he listen. The more he tried to ignore or forget whatever it was that was different about himself, the tighter it pressed in on him.

Go away, he said to Miss Grey one February afternoon. It was twilight. She was squatting on the concrete coping at the edge of the towpath, trailing her fingers in the river: the tide was very high. He’d planned to just walk past, but instead he marched right up to her. He saw the way the silty water eddied around her hand, making little whorls and troughs, just the way science said it should.

Just go away. Okay? Leave me alone.

Without looking at him, she picked up a twig and lowered it gently into the water. The falling tide was running steadily, sucking its burden of leaves and litter downstream, but the twig did not move. Tiny wavelets broke over its tip, as if it were anchored. Miss Grey picked up another, longer stick. She turned to look up at Gavin as she placed the second twig beside the first, and spread her fingers wide above the river as the current now took hold of them both and carried them away together.

I don’t care, Gav said. Forget it. I don’t want to go with you. I don’t care anymore. I just want you to get out of my life.

A dog sniffed at his trousers. He jerked around and saw the jogger who went with the dog. She stared for a second as she splashed past.

Why are you doing this to me? he hissed, when the jogger was out of earshot. Why me? Why can’t I be like everyone else?

She lifted her hands from the water and shuffled around to the muddy earth where Gav stood. He watched as she began to stroke the mud, erasing the mess of footprints, her small rough hands quickly caked black. When she’d made a smooth patch as wide as a sycamore leaf, she picked up another twig and dug a little curved furrow in the mud.

Forget it, Gav said, and walked past, and went home.

But he couldn’t forget it. That was his whole problem. Try as he might, he couldn’t know better. So the next time he went down to the towpath, a day or two later, he stopped at the place where she’d squatted. There, among the churned mud and gravel, was the tablet of smoothed earth still, and in it a word had been engraved, like writing in the sand on a beach.

COME

Gavin stared at it for a long time. Then he stamped his shoe into it.

Time weighed on him. He no longer spoke to her at all, ever. His dreams were a whirl of turbid darkness lit by fire, full of prophetic voices clamoring in alien speech. He was fourteen, and miserable. The expensive school did its work, and he at last knew that Miss Grey should not exist, that she was impossible, that the fact that he kept on seeing her was like an error in a calculation, a tear in the canvas of a painting, a misprint. He understood that if he tried to explain his life to anyone, the only thing they’d be able to think was that there was something seriously wrong with him. There was, surely, something seriously wrong with him. But because it had always been there, it was impossible for him to imagine how it was wrong.

And as for these things happening in a good way, the best . . . Gavin pushed his aunt’s letter back into its envelope and scrunched his eyes shut for a moment, wincing at the memory of his conversation with Mr. Bushy the previous week.

He’d eventually decided to ask someone what he was doing wrong, someone as unlike his father as he could find.

It had not gone well, and now here he was.

The train, he realized, was slowing.

He tossed his bag onto the seat next to him, stretched his legs under the table as far as he could in the hope of obstructing the opposite seat too, and pretended to be asleep. He felt the stop. Big doors clicked open and clunked shut; voices filled the carriage; luggage slithered into overhead racks. The sounds all seemed to pass him by, and once they were thrumming along again at full speed, he opened his eyes.

To his irritation, an old woman had managed to sit down in the window seat opposite, not put off by his protruding shoes. She was leaning her chin in her hand and gazing out the window, but she caught his look reflected there and gave a very brief smile, enough to make him feel like he had to sit up and pull his legs out of the way. This was a kind of defeat, which irritated him even more. She wasn’t actually an old woman, he now saw; middle-aged (to Gavin, at fifteen, this meant anything between three and four times his age), but with old-fashioned-looking hair that was all grey, and a floppy brown jumper. The smile had been quick and sharp.

Better get the earphones in, he thought, and reached into his bag. The woman didn’t have a paperback or knitting or photos of her grandchildren or any of the other things Gavin imagined middle-aged ladies occupying themselves with on trains—no luggage at all, he noticed, let’s hope that means she’s not going far—so it seemed best not to leave open any possibility of conversation. He fitted the earphones, slumped in his seat again, and stared out the window, adopting the hard and indifferent face that he used on the way in and out of school.

Used to use.

Nothing that might have belonged to home was in sight. No streetlights, no houses, no people. A low dull sky lay over winter fields and stubbly hedges. As the dour landscape rolled past he began trying to imagine how far he was from his parents. He checked his watch every half hour or so until he guessed he’d come to the exact moment when they were being lifted off the earth, no longer attached at all to the country where he was. They’d probably be almost as relieved as him to have escaped. Mum would be worrying, but she’d never be able to say so, not for a single moment of the whole week ("I am not going to let that boy spoil our time together"). Auntie Gwen didn’t have a computer or even a phone. She lived in one of those knobbly green fingers at the very outer limits of the map. The most his mother had been able to make him promise was to find somewhere he could get reception every day or two and leave messages back at home. He pictured her having to slip away from Dad, smuggling her mobile into a bathroom so she could ring to check them. A couple of years ago, that kind of thought would have upset him. Now he just let it go, sent it away with his parents. Once he’d realized they didn’t want to know about his unhappiness, he’d stopped caring much about theirs.

The landscape grew rougher at the edges as the journey wore on. The track passed under hillsides where the fields ran out near the top and patches of scrubby brown rose above them. This was nothing like what his family called the countryside, which meant the bit around where his other aunt—Dad’s sister—lived, just far enough away that going there for Sunday lunch took absolutely all day, but near enough that they thought it was reasonable to keep doing it. The country around there looked as if it had been assembled out of accessories from Gav’s old train set: barn, fence, tree, cow, telephone box, placed indiscriminately over a green cloth with a few ripples in it. What Gav saw out the window now couldn’t ever be shrunk into plastic miniatures. London felt very far away; and now, for certain, his parents were in the air and gone (he looked at his watch again to make sure, but it had stopped), and his week of freedom was properly under way. After a long while they came to another station. He thought about faking sleep again, but the woman opposite had pulled a book out of her handbag by now, some sort of nature guide, and was safely absorbed in it. More people left the carriage than joined. Gavin knew from the maps that he was reaching the point where England began to taper out, thinning into the sea.

And there it was: the sea. It took him by surprise. It was suddenly right by the tracks. There was a narrow strand of beach, where a few well-wrapped people had stopped their walk to watch the train go past, and beyond that, nothing: a huge calm open plain of emptiness mirroring the underside of pencil-grey clouds. On the other side of the train, cliffs the color of grimy brick rose like walls.

For the first time since he’d been on the train, he thought about having to make the return journey, in just a week’s time; having to go back to it all.

The train swooshed into a tunnel, and, abruptly, Gavin was staring at the inside of the carriage in the window. He’d been captivated by the ocean, his guard was down, and he realized too late that his eyes were accidentally directed straight at the reflection of the woman opposite, and hers, reflected, were directed back at him.

It always makes me jump, she said.

He cursed inwardly. He’d made it this far without getting trapped in some pointless conversation with a stranger, and didn’t want to spoil the rest of his precious time on his own by starting one now.

Mmm. He didn’t know what she was talking about, and didn’t care. He looked down at his lap.

It’s the best bit of the journey, though. The sea and all the tunnels. I always remember thinking that once you got past here you were properly in the southwest.

Oh yeah? He made himself sound as uninterested as possible, and reached across into his bag to fiddle ostentatiously with his phone, but it didn’t stop her.

I used to love those journeys on my own when I was a girl. Just staring out the window. There was nothing worse than when some old bore opposite wanted to talk.

He reddened, more angry than embarrassed. Hah, he grunted, with a forced smile.

Are you going to Cornwall?

A direct question. No way he could brush it off.

Truro, yeah.

Ah! My stop too.

Great. Oh right. He was stuck with her the whole way. He opened a game on his phone, in the hope of demonstrating that he had better things to do than listen to her chatter, but it made no difference. She pulled a tube of mints out of the handbag, and picked off the foil.

Are you on your way home, then? Polo?

Er, no thanks. Nah, I live in London. He cursed himself again. That might have been his last chance to cut this conversation off before it really got going, and he’d said more than he needed to. He’d blown it.

Hmm. It hasn’t been home for me since I was a girl, but I suppose it is now. I’m going native, as you see. She tapped the cover of her book. It was called A Field Guide to Cornwall’s Wildlife. He didn’t understand, and didn’t want to. You’ve been before? Family in Truro?

If she’d obviously just been making small talk, he might have kept on grunting rudely and then just clammed up, but there was a patient curiosity in her questions which he couldn’t seem to escape from. Nah. Not properly. When I was a baby once. Think we went to a beach somewhere.

Oh, well, this is better, really. Summer has its uses but a beach is a beach is a beach. I always try to come back in autumn or winter. The wind and the rain. It’s not the holidays yet, though, is it?

The possibility of a reprieve flashed in front of him. Perhaps the truth would do the trick and put her off. He met her eyes and tried to look belligerent.

Not yet. I got kicked out of school.

For a moment it looked as if he’d succeeded. Oh, she said, looking down and up quickly.

Then she sat back with a huge smile. How funny! Me too.

He must have gawped. She leaned forward, right across the table, grinning a grin that belonged on the face of a

Enjoying the preview?
Page 1 of 1