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Brokeback Mountain: Story to Screenplay
Brokeback Mountain: Story to Screenplay
Brokeback Mountain: Story to Screenplay
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Brokeback Mountain: Story to Screenplay

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A companion to the film Brokeback Mountain, featuring the story, the screenplay by Larry McMurtry and Diana Ossana, and essays about the process and the collaboration.

Annie Proulx has written some of the most original and brilliant short stories in contemporary literature, and for many readers and reviewers, Brokeback Mountain is her masterpiece.

Brokeback Mountain was originally published in The New Yorker. It won the National Magazine Award, as well as an O. Henry Prize. Included in this volume is Annie Proulx's haunting story about the difficult, dangerous love affair between a ranch hand and a rodeo cowboy. Also included is the celebrated screenplay for the major motion picture Brokeback Mountain, written by Larry McMurtry and Diana Ossana. All three writers have contributed essays on the process of adapting this critically acclaimed story for film.
LanguageEnglish
PublisherScribner
Release dateNov 24, 2009
ISBN9781439188576
Brokeback Mountain: Story to Screenplay
Author

Annie Proulx

Annie Proulx is the author of eleven books, including the novels The Shipping News and Barkskins, and the story collection Close Range. Her many honors include a Pulitzer Prize, a National Book Award, the Irish Times International Fiction Prize, and a PEN/Faulkner award. Her story “Brokeback Mountain,” which originally appeared in The New Yorker, was made into an Academy Award–winning film. Fen, Bog, and Swamp is her second work of nonfiction. She lives in New Hampshire. 

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Rating: 3.9577779057777778 out of 5 stars
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  • Rating: 5 out of 5 stars
    5/5
    This book was chosen for me in the 'pick it for me challenge' in the m/m romance group here on goodreads. It's a classic (or should be), I saw the movie years ago, and I was amazed how short the book is.

    This is one of the most well written stories I have ever read. In places, it is more like a sketch than a painting. And yet it describes the main characters and their awful dilemma and, ultimately, suffering in such clear pictures that it broke my heart all over again.

    This is one of the few "tragedies" that gets 5 stars from me. It is an amazing book which should be required reading for everyone.
  • Rating: 5 out of 5 stars
    5/5
    Devastating.
  • Rating: 5 out of 5 stars
    5/5
    This short novella packs a punch. Jack and Ennis, two young ranch hands, meet one summer while herding sheep on Brokeback Mountain. An intense affair develops between them; both insist that they're not "queer," but neither is able to form attachments that rival what they share together. They see each other occasionally, popping in and out of each others' lives, but Ennis is unable to commit to anything more serious than what they already have. Like I said, the novella is quite short (my copy has 55 pages), but the author doesn't need to fluff up the story. She develops two characters locked in a heartbreaking struggle, and the ending is a gut puncher. Highly recommended.
  • Rating: 4 out of 5 stars
    4/5
    Short Story/ novella. Better than the movie in shorter time. The essence of the love that existed is the only driving force in the novella.
  • Rating: 5 out of 5 stars
    5/5
    This is my favorite short story ever. Proulx always delivers a good narrative, but this tale ripped me into. The movie was such a gorgeous rendering of an already powerful tale, and I know that's partly because Proulx helped write the screenplay. I recommend both.
  • Rating: 4 out of 5 stars
    4/5
    Many people are familiar with the short or story, or the movie. It is a touching tale told in simple language, without much drama. I highly recommend the story, but do not recommend buying this edition. This is a short story and this mass market is VERY TINY. No way worth a retail price of $9.95! Luckily, I got my copy used. If you want the story, I recommend buying one of the author's anthologies that include it.
  • Rating: 4 out of 5 stars
    4/5
    well, i finally read the story so long after seeing the film. the dialougue is exact. gives some insight into the film.
  • Rating: 4 out of 5 stars
    4/5
    This was pretty good! It's a very short story but it doesn't feel like that! Proulx is a very talented writer and manages to pack a whole lot of plot into 54 pages. The characters feel very real and the plot was well though out and told in a precise, clear manner. There really is no need for this story to be any longer- it all fits in just fine like this which I think shows a lot of skill on Proulx's behalf. Overall it was a good and memorable book and I'm glad I read it.
  • Rating: 4 out of 5 stars
    4/5
    I wasn't sure how I'd get on with this, I loved the film but I've never managed to finish an Annie Proulx book before. I'm impressed by how close the film adaptation was to the original text. Very pleased that I've read it.
  • Rating: 5 out of 5 stars
    5/5
    says a lot with very little words
  • Rating: 5 out of 5 stars
    5/5
    "There was some open space between what he knew and what he tried to believe, but nothing could be done about it, and if you can't fix it you've got to stand it."Can I just say, "Wow!" This short story packs a powerful punch. It's heartbreaking. It breaks it and then it rips it out and throws it on the ground and stomps on it a bit, and yet still you think, "Thank you Annie Proulx." Because she makes you think about life in a way that stops your heart for a beat. Or two. It feels like holding your breath for just one moment too long. So much revealed and yet left unsaid in such a short story. Life is like that. We are shaped by our choices and defined as much by what we don't say as what we do. If you haven't already done so, I beg you to read this story which is short but not small. "...Ennis was back on his feet and somehow, as a coat hanger is straightened to open a locked car and then bent again to its original shape, they torqued things almost to where they had been, for what they'd said was no news. Nothing ended, nothing begun, nothing resolved."
  • Rating: 3 out of 5 stars
    3/5
    Hadn't seen the movie.
    Have read some Annie Proulx and have more of here books on my bookshelf.
    Didn't know all the "brokeback" references in today-speak.
    Now I do.
    Quick read and well-portrayed.
    Read in 2011.h
  • Rating: 5 out of 5 stars
    5/5
    I read this little book in the same evening that I brought it home in one sitting, never got up. It’s short, gripping, descriptive, poignant, heartfelt, simple, tragic, lovely, moving, and shakes you up a bit. To be fair, I’m a huge fan of the movie too. The book and the movie do justice to each other.Jack and Ennis, two men who met as sheep herders for a summer, never identified themselves as gay and don’t know how to label themselves either. “I’m not no queer,” and “Me neither. A one-shot thing. Nobody’s business but ours.” Their love and bond for each other was un-quit-able. (See quote below.) In a mere 53 pages of printed text, Ms. Proulx very powerfully convinces the reader of their eternally attachment in their 20 years of long distance relationship and beyond. Along their journey, also enjoy the author’s simple, yet beautiful and crisp descriptions: lavender sky emptied of color, copper jean rivets hot, etc.Some quotes:Made famous by the movie is the last sentence of this quote.“Try this one,” said Jack, “and I’ll say it just one time. Tell you what, we could a had a good life together, a fuckin real good life. You wouldn’t do it, Ennis, so what we got now is Brokeback Mountain. Everthing built on that. It’s all we got, boy, fuckin all, so I hope you know that if you don’t never know the rest. Count the damn few times we been together in twenty years. Measure the fuckin short leash you keep me on, then ask me about Mexico and then tell me you’ll kill me for needin it and not hardly never gettin it. You got no fuckin idea how bad it gets. I’m not you. I can’t make it on a couple a high-altitude fucks once or twice a year. You’re too much for me, Ennis, you son of a whoreson bitch. I wish I knew how to quit you.” This scene in the movie hit me like a ton of bricks, relating to the shirt Ennis found in the now deceased Jack’s closet still with the blood from their fight. The book does too:“The shirt seemed heavy until he saw there was another shirt inside it, the sleeves carefully worked down inside Jack’s sleeves. It was his own plaid shirt, lost, he’d thought, long ago in some damn laundry, his dirty shirt, the pocket ripped, buttons missing, stolen by Jack and hidden here inside Jack’s own shirt, the pair like two skins, one inside the other, two in one. He pressed his face into the fabric and breathed in slowly through his mouth and nose, hoping for the faintest smoke and mountain sage and salty sweet stink of Jack but there was no real scent, only the memory of it, the imagined power of Brokeback Mountain of which nothing was left but what he held in his hands.” The final sentence of the book – that summarizes their situation:“… if you can’t fix it you’ve got to stand it.”
  • Rating: 5 out of 5 stars
    5/5
    A concise, evocative story of thwarted love between two cowboys complicated by the time and place of their relationship. Loved the book, but felt saddened by the fact that society often constrains us and that doing the courageous thing sometimes results in tragic consequences.
  • Rating: 4 out of 5 stars
    4/5
    Ennis and Jack drive 1963 flock of a sheep farmer to the pastures on Brokeback Mountain and guard them there one summer. They discover their passion for each other. Only after four years, they meet again. Both have now married and started families. Without their wives to tell the truth, they agree to meet regularly from then on. Jack dreams of divorce and to begin a new life with Ennis.the story shows the difficulties with homosexuality to live and how the rejection of the environment, shapes the lives of men.
  • Rating: 5 out of 5 stars
    5/5
    Touching and lovely and awful.
  • Rating: 3 out of 5 stars
    3/5
    Wow. This is an intense book, powerfully written. I felt very strange after reading it - as though I'd been ruled by another master for the time it took to read, and it was a tough job coming back to myself. A harsh but necessary modern classic. Read it yourself and see.
  • Rating: 5 out of 5 stars
    5/5
    I listened to the audio version of this short novel, which took me through a walk with my dog and the preparation of a simple dinner—just one hour, but that hour was filled to the brim with emotion and gorgeous prose and imagery so vivid that I'm sure I would have imagined a movie in my head even had I not seen the film adaptation already. This story of two young men who let time and circumstance steal by and who never get a chance to fully express their love for one another is incredibly poignant, and speaks to all of us who've experienced loss and missed connections. Great narration by Campbell Scott.
  • Rating: 4 out of 5 stars
    4/5
    Brokeback Mountain recounts the love of Jack Twist and Ennis del Mar, a couple of "high school dropout country boys brought up with no prospects." Both are looking for work wherever it can be found. During the summer of 1963 the work brings them together on the summer range of Brokeback Mountain. What begins as a casual relationship evolves into the most important thing in both men's lives, but the strength of their feelings for one another isn't enough to protect against the dark shadow of intolerance.Again I'm mesmerized by Annie Proulx. She tells a story exactly the way I want it to be told and then adds a little something extra. Brokeback Mountain is, of course, heart breaking -- but not gratuitously so. It's a quick read (originally published in a book of short stories) and I'd recommend it to anyone who hasn't read any Proulx yet. Have a tissue handy.
  • Rating: 5 out of 5 stars
    5/5
    I am a huge fan of the movie version of Ms. Proulx's short story, however there was something quite hauntingly beautiful about reading the story behind the script.The imagery was amazing - you could easily picture all the events occurring in a sweeping landscape. Of course, it might help that I live in the prairies.More importantly, the love story between these two men is what sticks with you long after you finish reading. Days later, I was still turning some of their conversations over and over in my mind, torn up inside that they could never be in love with one another. There was something about their quick recoil from the label of homosexual that made me terribly sad. They were both so closed up inside that they couldn't even come to terms with their sexual orientation, because admitting it would be detrimental to their social image. What should have been a beautiful love affair become something dirty. The times and their inability to come to terms with their sexual orientation resulted in their life long unhappiness. Nothing upsets me more than that.If you enjoyed the movie or are interested in a short social commentary, take the time to read this story. I promise it will stay with you long after the last page is turned.
  • Rating: 4 out of 5 stars
    4/5
    I guess I'm not the only one that saw the movie before I read the novella-but this is a rare thing: I liked both equally much.Heartwrenching, beautiful!!My thanks to both Ms. Proulx and Mr. Lee!!
  • Rating: 5 out of 5 stars
    5/5
    This collection of stories turned out to be an unexpected treasure. It turns out that not only the title short story 'Brokeback Mountain' is in many ways better than the movie (which is itself already moving to the extreme) but not even the best story in the collection. Or rather, many of the stories in the book have moments that rival if not exceed in beauty those found in the title story. Proulx' prose is a marvel to be studied: the language is economical and taut but at the same time extremely precise (for example in the description of cattle, ranching tools and technologies, vegetation, weather,...) and relentlessly attuned to the experience of life on vast and unsympathetic expanses. Human passions of all sorts are described unsentimentally with a raw, brutal precision that rings true to experience through its complete lack of rhetoric. And then there's the language of the ranchers salted with outrageously funny and/or moving metaphors, often anchored to the sense of sublime that comes from feeling very small in a place that is very, very big. Altogether, an amazingly well written book. The kind you plan to re-read to appreciate more in depth.
  • Rating: 3 out of 5 stars
    3/5
    Annie Proulx did an excellent job of capturing the voice of a rough edged loner caught up in a relationship he can't publicly embrace, but still refuses to let go. This was a heartbreaking story about prejudice, homosexuality, and a loving relationship that spans years. The imagery was gorgeous and the story was tight and sharp.
  • Rating: 2 out of 5 stars
    2/5
    That book was disappointing since I love the movie so much. It reads like a concept for a screen play. The writing style and dialog is just awkward. Even though it only took a few hours to read I felt it was a waste of time.
  • Rating: 5 out of 5 stars
    5/5
    The best love story of our time.
  • Rating: 5 out of 5 stars
    5/5
    I’ve always wanted to see the film based on this novel, since everyone raved about it when it was released, but put it off until I had read the book. This wasn’t a pressing desire, more a kind of ‘add to the mental To Be Read pile’ notion. In fact, I may have continued to vaguely intend to read it for many more years if it hadn’t been this month’s book group choice.First impressionsI was instantly struck by the slimness of the volume: I’d had no idea that this was a short story. In fact, as this story has a mere 58 small pages of approximately size 14 font, I had time to read a good 16th of it while I waited for the librarian to hunt out the other book I had reserved! If I’d gone to have a coffee, this book probably wouldn’t have made it home unread. Now, while this didn’t exactly put me off, I did wonder whether or not I would enjoy reading it: I’m quite a fan of detailed, winding stories and text. In fact, Charles Dickens is my favourite writer, so next to ‘Hard Times’ or ‘Bleak House’ this looked a little insubstantial!After reading the blurb, I was even more nervous about the degree of reading enjoyment this book could provide. Lonely cowboys? Harsh environment? Danger? It sounded to me quite a bit like ‘Of Mice and Men’, which I love, and I wondered if this would be like my recent ‘Twilight’ experience (verdict: not a patch on ‘Interview with a Vampire’).However, to balance out these concerns – it was 58 pages. And I’d read four of them. Given that, there was no reason to ignore the rest.The plot‘Brokeback Mountain’ follows the hard, lonely lives of Jack Twist and Ennis del Mar in Wyoming ‘thirty years ago’. They meet young and enjoy each other’s company, quickly developing a relationship that jolts into an intense physical affair. As the years pass, they meet infrequently but the passion simmers, ferocious and unabated. Will they ever be able to admit their feelings – even to each other? Can a story set in such harsh terrain have a happy ending?My thoughtsInitially I found the pace moved so quickly and the prose was so slight that I couldn’t really differentiate between the characters. Even after the characters were first physically intimate, I had to go back and reread most of the first few pages to develop a sense of which was which and how they differed. Once I had finally pinned them down, they sustained clearly distinct personalities for the remainder of the story, always acting ‘in character’.Despite the brevity of her prose, Proulx does manage to convey a sense of life when summing up the responses of her characters through telling details. Ennis’ concern with appearances is revealed when ‘he wanted to be a sophomore, felt the word carried a certain distinction’. The unlikelihood of him realising his dreams is also succinctly described: ‘both Jack and Ennis claimed to be saving money for a small spread; in Ennis’s case this meant a tobacco can with two five-dollar bills inside’. Once I had adapted to this concise style, I enjoyed the slower reading pace this encouraged. I felt that I needed to really let the details of their lives sink in, much as Proulx herself had to do in order to write these characters and their lives.The action is spread over twenty odd years so there are some jumps in time but usually the gaps are smoothed over by narrative that briskly fills in the key information. There are very few moments developed in detail which has the effect of heightening those that are developed. At these points, Proulx relies on dialogue to express and simultaneously avoid expressing her character’s true feelings. The tension between Twist and del Mar is emphasised through the forceful vocabulary they use and the silences that pepper these conversations, creating an engaging tale for the reader.Proulx is as concise with her use of events as she is with her use of dialogue. I found the casual references to violence quite shocking, but del Mar’s easy acceptance of violence he has witnessed as a child both reveals the attitudes of his culture and creates a sense of (justified) foreboding. Without ever seeming to ‘push’ the issue of homosexuality, Proulx creates a tender and frustrating tale that forced me to genuinely contemplate the lives these fictional men endured. For me, that made this a successful read.ConclusionI think in a lot of ways this story might be classified as a ‘slow burner’. It took me at least a third of the story to adapt to the style, but once I did so I read with increasing engagement. I hesitate to use the word ‘enjoyment’ because this is a serious story, concentrating on a life-changing relationship.Finally, I have to say that this story made a genuine impact on me. Del Mar concludes, ‘if you can’t fix it, you’ve got to stand it’. My instant response was: I want to fix it! This was followed by a more reasoned deliberation, and I’m still thinking about the issues raised by this book over a week after I finished reading it.Highly recommended.
  • Rating: 4 out of 5 stars
    4/5
    I read Annie Proulx's novella, Brokeback Mountain. All fifty-eight pages of it. I know the film version has had great reviews but I think I'll give it a miss. The book was too good. Muscular prose so carefully crafted you can almost smell the two cowboys, their horses and stock, their vehicles and their passion. Must be a landmark fiction, and film - if it is true to the novel - deconstructing, as it does, the West that gave us the myths of John Wayne and the Marlboro Man, leaving in its wake a couple of country gays in a cold and hostile landscape.
  • Rating: 4 out of 5 stars
    4/5
    I have wanted to see the movie fashioned after this book for awhile, but put it off until I read the book.Now, years later, I came across this slim little volume while browsing the shelves of a used bookstore.I read it in about half an hour, but was surprised that such a little amount of time had gone by.At a mere 64 pages, "Brokeback Mountain," which is actually a short story, doesn't look like a laborious read. I began reading it flippantly, skeptical about the idea of an epic romance being contained in under 100 pages.However, this book wasn't what I expected.First of all, it wasn't an "epic romance." I had imagined it being much like a man version of "Titanic." And secondly, I certainly didn't see Proulx's powerful writing coming. In such a small amount of paper, the author covers 20 years, and pulls it off more than successfully. "Brokeback Mountain" may be a short story, but it impacts the reader like a full-fledged novel that you've been reading and loving for weeks.Sure, Proulx could have written this tale as a detailed, long, volume. But her writing clearly points out for itself that she doesn't need to.Her simplistic, to the point prose was a bit hard to get used to, but after a few pages, I was thanking her for it. She includes minor little "supporting" details without ever going into them, giving you a picture of a character in a sentence when other writers would take a chapter. Her writing is short and sweet - or, better put - short and unsweet.Because if there is a word that does not describe this book, it is sweet. Annie Proulx writes with unabashed, realistic, often dirty prose. Her tale is straight black coffee - cowboys didn't have fancy espresso machines, whipped cream, and sugary sprinkles, after all.I was impressed at the way she handled the two main character's relationship. There was no "gazing into his beautiful brown eyes" business. There was no romanticizing it, no beautification. It was a solid, honest story about two men. Their relationship begins with unromantic, unfeeling sex, for example. Not passionate sex, or a sex scene that belongs in a Harlequin. Just sex. The feelings come later, but still without touching up, without airbrushing.There was no epic here - it could very believably have been labeled a true story. And if it had been, it wouldn't have been the dramatic, popular story that the Titanic became. Because, fundamentally, this book is quite normal. Jack and Ennis are everyday men with ordinary, average lives. One would probably be inclined to say, in fact, that their lives were more than a bit mundane.But underneath this violent, hardened world that the reader is drawn into, lies, somewhere, a love story.It is not an obvious love story, or an amazing love story - it is simply a love story.Does it need to be anything else?"Brokeback Mountain" and Annie Proulx are without doubt saying that no, it didn't.
  • Rating: 5 out of 5 stars
    5/5
    I am so glad I read this before I saw the movie. It really makes you question love and sexuality, and the lack of boundaries of both. The heartbreaking ending alone makes it a masterpiece.
  • Rating: 5 out of 5 stars
    5/5
    This is a beautifully written tale of two young men, Ennis and Jack, who develop an abiding (although unnamed) love for one another over the years. Fearing retribution from ignorant and intolerant neighbors, the two men end up marrying women and starting families in different states. However, they continue to see each other for “fishing trips” over the years. Plot wise, not a huge amount happens. Rather, the story is atmospheric, and Proulx manages to pack a heavy punch with nearly every word she writes. Despite the slimness of this volume, both men are richly characterized with differing personalities and back stories adding to their full realizations. Buyer beware on two points though: there is some sexually explicit language and, as might be expected, this is a bit of a depressing story.

Book preview

Brokeback Mountain - Annie Proulx

SCRIBNER

1230 Avenue of the Americas

New York, NY 10020

www.SimonandSchuster.com

Brokeback Mountaincopyright © 1997 by Dead Line, Ltd.

Screenplay, cover, interior artwork, photographs copyright © 2005 by Focus Features LLC.

Licensed by Universal Studios Licensing LLLP. All Rights Reserved.

Adapting Brokeback Mountain copyright © 2005 by Larry McMurtry

Climbing Brokeback Mountain copyright © 2005 by Diana Ossana

Getting Movied copyright © 2005 by Dead Line, Ltd.

Photographs by Kimberley French

First Scribner trade paperback edition 2005

SCRIBNER and design are trademarks of Macmillan Library Reference USA, Inc., used under license by Simon & Schuster, the publisher of this work.

For information about special discounts for bulk purchases, please contact Simon & Schuster Special Sales: 1-800-456-6798 or business@simonandschuster.com

DESIGNED BY ERICH HOBBING

Text set in Bembo

Manufactured in the United States of America

5  7  9  10  8   6

Library of Congress Cataloging-in-Publication Data is available

ISBN-13: 978-0-7432-9416-4

ISBN-10: 0-7432-9416-5

eISBN-13: 978-1-439-18857-6

Brokeback Mountain was originally published in The New Yorker

Contents

Brokeback Mountain, the Story Annie Proulx

Brokeback Mountain, the Screenplay

Larry McMurtry and Diana Ossana

Getting Movied

Annie Proulx

Adapting Brokeback Mountain

Larry McMurtry

Climbing Brokeback Mountain

Diana Ossana

Cast and Crew Credits

BROKEBACK MOUNTAIN

STORY TO SCREENPLAY

Brokeback Mountain

ENNIS DEL MAR WAKES BEFORE FIVE, WIND ROCKING THE TRAILER, HISSing in around the aluminum door and window frames. The shirts hanging on a nail shudder slightly in the draft. He gets up, scratching the grey wedge of belly and pubic hair, shuffles to the gas burner, pours leftover coffee in a chipped enamel pan; the flame swathes it in blue. He turns on the tap and urinates in the sink, pulls on his shirt and jeans, his worn boots, stamping the heels against the floor to get them full on. The wind booms down the curved length of the trailer and under its roaring passage he can hear the scratching of fine gravel and sand. It could be bad on the highway with the horse trailer. He has to be packed and away from the place that morning. Again the ranch is on the market and they’ve shipped out the last of the horses, paid everybody off the day before, the owner saying, Give em to the real estate shark, I’m out a here, dropping the keys in Ennis’s hand. He might have to stay with his married daughter until he picks up another job, yet he is suffused with a sense of pleasure because Jack Twist was in his dream.

The stale coffee is boiling up but he catches it before it goes over the side, pours it into a stained cup and blows on the black liquid, lets a panel of the dream slide forward. If he does not force his attention on it, it might stoke the day, rewarm that old, cold time on the mountain when they owned the world and nothing seemed wrong. The wind strikes the trailer like a load of dirt coming off a dump truck, eases, dies, leaves a temporary silence.

They were raised on small, poor ranches in opposite corners of the state, Jack Twist in Lightning Flat up on the Montana border, Ennis del Mar from around Sage, near the Utah line, both high school dropout country boys with no prospects, brought up to hard work and privation, both rough-mannered, rough-spoken, inured to the stoic life. Ennis, reared by his older brother and sister after their parents drove off the only curve on Dead Horse Road leaving them twenty-four dollars in cash and a two-mortgage ranch, applied at age fourteen for a hardship license that let him make the hour-long trip from the ranch to the high school. The pickup was old, no heater, one windshield wiper and bad tires; when the transmission went there was no money to fix it. He had wanted to be a sophomore, felt the word carried a kind of distinction, but the truck broke down short of it, pitching him directly into ranch work.

In 1963 when he met Jack Twist, Ennis was engaged to Alma Beers. Both Jack and Ennis claimed to be saving money for a small spread; in Ennis’s case that meant a tobacco can with two five-dollar bills inside. That spring, hungry for any job, each had signed up with Farm and Ranch Employment—they came together on paper as herder and camp tender for the same sheep operation north of Signal. The summer range lay above the tree line on Forest Service land on Brokeback Mountain. It would be Jack Twist’s second summer on the mountain, Ennis’s first. Neither of them was twenty.

They shook hands in the choky little trailer office in front of a table littered with scribbled papers, a Bakelite ashtray brimming with stubs. The Venetian blinds hung askew and admitted a triangle of white light, the shadow of the foreman’s hand moving into it. Joe Aguirre, wavy hair the color of cigarette ash and parted down the middle, gave them his point of view.

Forest Service got designated campsites on the allotments. Them camps can be a couple a miles from where we pasture the sheep. Bad predator loss, nobody near lookin after em at night. What I want, camp tender in the main camp where the Forest Service says, but the HERDER—pointing at Jack with a chop of his hand—pitch a pup tent on the q.t. with the sheep, out a sight, and he’s goin a sleep there. Eat supper, breakfast in camp, but SLEEP WITH THE SHEEP, hunderd percent, NO FIRE, don’t leave NO SIGN. Roll up that tent every mornin case Forest Service snoops around. Got the dogs, your .30-30, sleep there. Last summer had goddamn near twenty-five percent loss. I don’t want that again. YOU, he said to Ennis, taking in the ragged hair, the big nicked hands, the jeans torn, button-gaping shirt, Fridays twelve noon be down at the bridge with your next week list and mules. Somebody with supplies’ll be there in a pickup. He didn’t ask if Ennis had a watch but took a cheap round ticker on a braided cord from a box on a high shelf, wound and set it, tossed it to him as if he weren’t worth the reach. TOMORROW MORNIN we’ll truck you up the jump-off. Pair of deuces going nowhere.

They found a bar and drank beer through the afternoon, Jack telling Ennis about a lightning storm on the mountain the year before that killed forty-two sheep, the peculiar stink of them and the way they bloated, the need for plenty of whiskey up there. He had shot an eagle, he said, turned his head to show the tail feather in his hatband. At first glance Jack seemed fair enough with his curly hair and quick laugh, but for a small man he carried some weight in the haunch and his smile disclosed buckteeth, not pronounced enough to let him eat popcorn out of the neck of jug, but noticeable. He was infatuated with the rodeo life and fastened his belt with a minor bull-riding buckle, but his boots were worn to the quick, holed beyond repair and he was crazy to be somewhere, anywhere else than Lightning Flat.

Ennis, high-arched nose and narrow face, was scruffy and a little cave-chested, balanced a small torso on long, caliper legs, possessed a muscular and supple body made for the horse and for fighting. His reflexes were uncommonly quick and he was farsighted enough to dislike reading anything except Hamley’s saddle catalog.

The sheep trucks and horse trailers unloaded at the trailhead and a bandy-legged Basque showed Ennis how to pack the mules, two packs and a riding load on each animal ring-lashed with double diamonds and secured with half hitches, telling him, Don’t never order soup. Them boxes a soup are real bad to pack. Three puppies belonging to one of the blue heelers went in a pack basket, the runt inside Jack’s coat, for he loved a little dog. Ennis picked out a big chestnut called Cigar Butt to ride, Jack a bay mare who turned out to have a low startle point. The string of spare horses included a mouse-colored grullo whose looks Ennis liked. Ennis and Jack, the dogs, horses and mules, a thousand ewes and their lambs flowed up the trail like dirty water through the timber and out above the tree line into the great flowery meadows and the coursing, endless wind.

They got the big tent up on the Forest Service’s platform, the kitchen and grub boxes secured. Both slept in camp that first night, Jack already bitching about Joe Aguirre’s sleep-with-the-sheep-and-no-fire order, though he saddled the bay mare in the dark morning without saying much. Dawn came glassy orange, stained from below by a gelatinous band of pale green. The sooty bulk of the mountain paled slowly until it was the same color as the smoke from Ennis’s breakfast fire. The cold air sweetened, banded pebbles and crumbs of soil cast sudden pencil-long shadows and the rearing lodgepole pines below them massed in slabs of somber malachite.

During the day Ennis looked across a great gulf and sometimes saw Jack, a small dot moving across a high meadow as an insect moves across a tablecloth; Jack, in his dark camp, saw Ennis as night fire, a red spark on the huge black mass of mountain.

Jack came lagging in late one afternoon, drank his two bottles of beer cooled in a wet sack on the shady side of the tent, ate two bowls of stew, four of Ennis’s stone biscuits, a can of peaches, rolled a smoke, watched the sun drop.

I’m commutin four hours a day, he said morosely. Come in for breakfast, go back to the sheep, evenin get em bedded down, come in for supper, go back to the sheep, spend half the night jumpin up and checkin for coyotes. By rights I should be spendin the night here. Aguirre got no right a make me do this.

You want a switch? said Ennis. I wouldn’t mind herdin. I wouldn’t mind sleepin out there.

That ain’t the point. Point is, we both should be in this camp. And that goddamn pup tent smells like cat piss or worse.

Wouldn’t mind bein out there.

Tell you what, you got a get up a dozen times in the night out there over them coyotes. Happy to switch but give you warnin I can’t cook worth a shit. Pretty good with a can opener.

Can’t be no worse than me, then. Sure, I wouldn’t mind a do it.

They fended off the night for an hour with the yellow kerosene lamp and around ten Ennis rode Cigar Butt, a good night horse, through the glimmering frost back to the sheep, carrying leftover biscuits, a jar of jam and a jar of coffee with him for the next day saying he’d save a trip, stay out until supper.

Shot a coyote just first light, he told Jack the next evening, sloshing his face with hot water, lathering up soap and hoping his razor had some cut left in it, while Jack peeled potatoes. Big son of a bitch. Balls on him size a apples. I bet he’d took a few lambs. Looked like he could a eat a camel. You want some a this hot water? There’s plenty.

It’s all yours.

Well, I’m goin a warsh everthing I can reach, he said, pulling off his boots and jeans (no drawers, no socks, Jack noticed), slopping the green washcloth around until the fire spat.

They had a high-time supper by the fire, a can of beans each, fried potatoes and a quart of whiskey on shares, sat with their backs against a log, boot soles and copper jeans rivets hot, swapping

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