Improvising Jazz
By Jerry Coker
4.5/5
()
About this ebook
Improvising Jazz gives the beginning performer and the curious listener alike insights into the art of jazz improvisation. Jerry Coker, teacher and noted jazz saxophonist, explains the major concepts of jazz, including blues, harmony, swing, and the characteristic chord progressions. An easy-to-follow self-teaching guide, Improvising Jazz contains practical exercises and musical examples. Its step-by-step presentation shows the aspiring jazz improviser how to employ fundamental musical and theoretical tools, such as melody, rhythm, and superimposed chords, to develop an individual melodic style.
Jerry Coker
Jerry Coker, a tenor saxophonist and a noted jazz educator who has developed jazz curricula for a number of universities, is a professor at the University of Tennessee. He has been a featured soloist with Stan Kenton, Woody Herman, Clare Fischer, Frank Sinatra, and the Boston Symphony Orchestra. Coker is also the author of more than half a dozen books about jazz.
Related to Improvising Jazz
Related ebooks
Jazz Improvisation Basic Training Rating: 0 out of 5 stars0 ratingsThe Jazz Style: A Comprehensive Introduction Rating: 5 out of 5 stars5/5Analysis of Jazz: A Comprehensive Approach Rating: 5 out of 5 stars5/5Jazz: A Beginner's Guide Rating: 4 out of 5 stars4/5Giant Steps: Bebop and the Creators of Modern Jazz, 1945-65 Rating: 4 out of 5 stars4/5Jazz in Short Measures: Jazz History in 10 “Lectures” with Selected Cd Recommendations Rating: 0 out of 5 stars0 ratingsThe Making of Kind of Blue: Miles Davis and His Masterpiece Rating: 5 out of 5 stars5/5THE BOOK OF JAZZ - A Guide to the Entire Field Rating: 0 out of 5 stars0 ratingsWhat Is This Thing Called Jazz?: Insights and Opinions from the Players Rating: 0 out of 5 stars0 ratingsThe Jazz Book: From Ragtime to the 21st Century Rating: 4 out of 5 stars4/5Style and Idea Rating: 4 out of 5 stars4/5Talking Jazz With Ben Sidran: Volume 2: Solo Voices Rating: 4 out of 5 stars4/5Musical Structure and Design Rating: 3 out of 5 stars3/5Know About Jazz Rating: 0 out of 5 stars0 ratingsJazz Matters: Sound, Place, and Time since Bebop Rating: 0 out of 5 stars0 ratingsArranging for Salsa Bands - The Doctor Big Ears Essays Rating: 5 out of 5 stars5/5Jazz Practice Ideas with Your Real Book: Jazz & Improvisation Series Rating: 4 out of 5 stars4/5Melodic Exercises for Jazz Rating: 4 out of 5 stars4/5Jazzology: The Encyclopedia of Jazz Theory for All Musicians Rating: 4 out of 5 stars4/5The Tao of Jazz Improvisation: A Martial Arts Training Method for Jazz Improvisation Rating: 4 out of 5 stars4/5How to Get More Ideas while Improvising Jazz Rating: 4 out of 5 stars4/5The Diatonic Cycle: Essential Exercises for All Jazz, Traditional and Contemporary Musicians Rating: 5 out of 5 stars5/5220 Chromatic Exercises + 1165 Jazz Lines Phrases for the Modern Improviser Rating: 4 out of 5 stars4/5The Lobster Theory: (And Other Analogies for Jazz Improvisation) Rating: 4 out of 5 stars4/5Self learning Jazz Harmony Rating: 5 out of 5 stars5/5Improvise Now: How to Start a Phrase of Improvisation from Any Starting Point of the Scale Rating: 4 out of 5 stars4/5Connecting Chords with Linear Harmony Rating: 4 out of 5 stars4/520 Steps to Jazz Keyboard Harmony Rating: 4 out of 5 stars4/5Harmonic Exercises for Jazz Piano Rating: 5 out of 5 stars5/5
Music For You
Step By Step Mixing: How to Create Great Mixes Using Only 5 Plug-ins Rating: 5 out of 5 stars5/5Can I Say: Living Large, Cheating Death, and Drums, Drums, Drums Rating: 4 out of 5 stars4/588 Piano Classics for Beginners Rating: 4 out of 5 stars4/5Weird Scenes Inside The Canyon: Laurel Canyon, Covert Ops & The Dark Heart Of The Hippie Dream Rating: 5 out of 5 stars5/5The Circle of Fifths: Visual Tools for Musicians, #1 Rating: 5 out of 5 stars5/5Music Theory For Beginners Rating: 5 out of 5 stars5/5IT'S ALL IN YOUR HEAD Rating: 5 out of 5 stars5/5Learn Jazz Piano: book 1 Rating: 4 out of 5 stars4/5Guitar For Dummies Rating: 4 out of 5 stars4/5The Easyway to Play Piano: A Beginner's Best Piano Primer Rating: 5 out of 5 stars5/5Songwriting: Essential Guide to Lyric Form and Structure: Tools and Techniques for Writing Better Lyrics Rating: 4 out of 5 stars4/5The Mixing Engineer's Handbook 5th Edition Rating: 5 out of 5 stars5/5Learn Guitar A Beginner's Course Rating: 4 out of 5 stars4/5Music Theory For Dummies Rating: 4 out of 5 stars4/5Learn Your Fretboard: The Essential Memorization Guide for Guitar (Book + Online Bonus) Rating: 5 out of 5 stars5/5Open Book Rating: 4 out of 5 stars4/5The Everything Songwriting Book: All You Need to Create and Market Hit Songs Rating: 5 out of 5 stars5/5Guitar Practice Guide: A Practice Guide for Guitarists and other Musicians Rating: 5 out of 5 stars5/5Hal Leonard Pocket Music Theory (Music Instruction): A Comprehensive and Convenient Source for All Musicians Rating: 4 out of 5 stars4/5How to Read Music Rating: 3 out of 5 stars3/5The Meaning of Mariah Carey Rating: 5 out of 5 stars5/5Guitar Theory For Dummies: Book + Online Video & Audio Instruction Rating: 4 out of 5 stars4/5Songwriting For Dummies Rating: 3 out of 5 stars3/5Singing For Dummies Rating: 4 out of 5 stars4/5
Reviews for Improvising Jazz
27 ratings3 reviews
- Rating: 5 out of 5 stars5/5Very technical, but it is worth spending the time and effort on. Very thorough.
- Rating: 1 out of 5 stars1/5IMPOSSIBLE DOWNLOAD this and almost all really good books like this!!! Even with membership!!!
Just "Save for Later" and "Start Reading" available options... This service IS A FRAUD... Somebody knows how to get this book here?
Thanks to youv - Rating: 4 out of 5 stars4/5yeeeah
Book preview
Improvising Jazz - Jerry Coker
1
the Improvisor’s Basic Tools
Five factors are chiefly responsible for the outcome of the jazz player’s improvisation: intuition, intellect, emotion, sense of pitch, and habit. His intuition is responsible for the bulk of his originality; his emotion determines the mood; his intellect helps him to plan the technical problems and, with intuition, to develop the melodic form; his sense of pitch transforms heard or imagined pitches into letter names and fingerings; his playing habits enable his fingers to quickly find certain established pitch patterns. Four of these elements of his thinking—intuition, emotion, sense of pitch, and habit—are largely subconscious. Consequently, any control over his improvisation must originate in the intellect. While the intellect is limited in its capacity for control over intuition and emotion, it can be responsible for the training of the ear and for establishing a variety of helpful finger patterns, in addition to its function of solving technical