Count Orlok: The Bloody Truth about the Greatest Vampire to Ever Un-Live
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About this ebook
Count Orlok, the famous vampire in the silent film Nosferatu, has had it with modern interpretation of what it means to be a vampire. So, he's putting on a play, HIS play, to show people how it really was. He has his own cast, crew, and even has incorporated music and dancing routines. However, there are problems. The biggest one being him. His ego is only outmatched by his thirst, and the two major problems is his perfectionist attitude and how he can't help himself from eating the crew. Will he be able to finish the play its opening night? Will he get everyone to understand that vampires are old, creepy, and scary? Will he manage to not trip over his own feet during the doctors scene? Who can tell these things? They are up to Fate!
Justin Blasdel
This is an attempt to make my works public. If you like them and want to produce them, please contact me first. Thank you.
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Count Orlok - Justin Blasdel
Count Orlok
The Bloody Truth about the Greatest Vampire Ever to Un-Live
By
Justin Blasdel
Inspired by the film, Nosferatu: Symphony of the Night
by F.W. Murnau
Copyright
Justin Blasdel
6/10/10
Version 5
justin_blasdel@yahoo.com
Smashwords Edition Copyright Justin Blasdel 2010
Primary Cast
(Characters/Actors)
Count Orlok: Vain, Monstrous Creature of the Night/Same
Ellen Hutter: Innocent, Beautiful Wife/Young Vampire Groupie
Thomas Hutter: Foolhardy Businessman/Arrogant Snot
Professor Bulwar (BULL-var): Enigmatic Scientist/ Professional Actor
Knock (kuh-NAHK): Odd, Repulsive Minion of Evil/Same
Secondary Cast
Mrs. Ruth Harding: Family Friend
Edward Giles Buffington the Third: Director
Jamie: Asst. Director
Villagers: Folks of the Old World
Doctors: A Disbelieving Bunch
Stagehands: Underpaid and Overworked
Time
Present; Late 19th Century, Fall
Place
A Theatre; Weisberg, Germany and Transylvania, Romania
Production Notes: This play is written as if the film Nosferatu: Symphony of the Night
had never been made. My rule of in character
and breaking character
is that when one breaks character
, all following lines are to be understood as breaking character
too, until said otherwise in stage directions or before character dialogue. The Secondary Cast lends itself to double casting (except for BUFFINGTON and JAMIE) at your convenience. Also, the scenery for each scene should be somewhat visible to the audience during the whole performance and be kind of low quality to express the small budget COUNT ORLOK and his crew have to work with. A STAGEHAND should be designated as the announcer for each scene's title as well as placing title cards on a easel.
ACT I
PROLOGUE: THE GLORIOUS VILLAIN GRACES US WITH HIS PRESENCE.
Organ music plays a song meant for a champion of the people, the hero of an epic tale, a messiah to the hopeless. Center and Downstage are bare except for pieces of the scenery to come.
When the music reaches its peak, the organ stops playing and a spotlight shines down upon the stage. BUFFINGTON walks out and bows to the audience.
BUFFINGTON is a respectable, majestic, low-level devil who takes pride in HIMSELF and HIS supernatural species.
BUFFINGTON
Thank you, thank you. I am Edward Giles Buffington the Third, and the Walking Dead Theatre Troupe and I are honored that you have graced us with your presence. For years, our theatre company has relied upon the endless charity of your wonderful organization. You, the Supernatural Underworld of Creatures for Killing, or S-U-C-K, have funded our legendary titles such as The Werewolves’ Barber Shop
, A Dime a Demon
, and let’s not forget the world famous Honey, I Ate the Children
.
BUFFINGTON takes a moment to laugh with the crowd.
BUFFINGTON
Yes, we all remember that cute little story of the hungry zombie who couldn’t wait for dinner. Following that grand legacy, we come to you with another story. Count Orlok: The Bloody Truth about the Greatest Vampire ever to Un-Live
. A story that is demanded by the injustices of our time. A story meant to set the record straight about vampire kind once and for all. A story…a fable...to show the world that vampires are not the ivory statue, emotionally distraught creatures that Hollywood makes them out to be. No, they are not teenage Adonises searching hundreds of years for the perfect girlfriend. No, they are not productive citizens who fight evil in order to redeem themselves...somehow. No, they are evil creatures of the night without a moral fiber in their entire corpses. And to prove this point, the legendary Count Orlok brings us his version, the true version, of his most prolific conquest over the forces of good. A story of love and family, and how evil always triumphs over it. Tonight, Count Orlok will show you all what it truly means to be a vampire, and S.U.C.K. willing, the world! Let us begin.
As BUFFINGTON moves to exit, JAMIE nervously and apologetically walks onto the stage and whispers something into BUFFINGTON’s ear.
BUFFINGTON
She's what?!?
JAMIE
I'm so sorry.
BUFFINGTON
How can we start the play with our lead actress missing? Can you tell me that? Hmm?
JAMIE
The last time I saw her, she was talking to Count Orlok, and then I heard a scream and--
BUFFINGTON
Whatever. We'll have to go with the understudy. (to audience) So sorry. One moment, please. (to offstage) Ms. Dillon! Ms. Dillon, come here quickly!
ELLEN (or rather the understudy for ELLEN) enters. SHE is young, innocent, and full of spunk. SHE has obviously been waiting for this moment HER whole life, and this is a dream come true.
ELLEN
Hello, Mr. B! I'm here, and you can call me Zoe--if you like.
BUFFINGTON
Ms. Dillon, you will be playing the role of Ellen tonight. Congratulations.
ELLEN
Really?! Oh thank you, thank you, thank you! You won't regret it!
ELLEN runs offstage.
BUFFINGTON
Ms. Dillon, the dressing rooms are that way.
ELLEN runs onstage.
ELLEN
Sorry! I'm just so excited! You understand, right? I'll be ready in a bit!
ELLEN exits.
BUFFINGTON
The Devil help us all. (to audience) Enjoy the show...hopefully.
BUFFINGTON exits, leaving JAMIE behind.
BUFFINGTON