Discover millions of ebooks, audiobooks, and so much more with a free trial

Only $11.99/month after trial. Cancel anytime.

The Iron King
The Iron King
The Iron King
Ebook369 pages6 hours

The Iron King

Rating: 4 out of 5 stars

4/5

()

Read preview

About this ebook

‘This is the original game of thrones’ George R.R. Martin

From the publishers that brought you A Game of Thrones comes the series that inspired George R.R. Martin’s epic work.

France became a great nation under Philip the Fair – but it was a greatness achieved at the expense of her people, for his was a reign characterised by violence, the scandalous adulteries of his daughters-in-law, and the triumph of royal authority.

LanguageEnglish
Release dateMar 26, 2013
ISBN9780007520930
Author

Maurice Druon

Maurice Druon was a French resistance hero, a Knight of the British Empire and a holder of the Grand Croix de la Légion d'Honneur. He was also a member of the Académie Française and a celebrated novelist, best known for his series of seven historical novels under the title of The Accursed Kings, which were twice adapted for television. A passionate Anglophile, he was a great expert on all things English, including its medieval history, which provides great inspiration for the series.

Related to The Iron King

Titles in the series (5)

View More

Related ebooks

Medieval Fiction For You

View More

Related articles

Related categories

Reviews for The Iron King

Rating: 3.925287361494253 out of 5 stars
4/5

348 ratings34 reviews

What did you think?

Tap to rate

Review must be at least 10 words

  • Rating: 5 out of 5 stars
    5/5
    I hate the word unputdownable. I really do. But I'm going to use it, because that's exactly what The Iron King is: terribly difficult to put down once the cover is cracked. I shouldn't be surprised as the series comes highly recommended by none other than George R. R. Martin himself, and it's easy to see how Martin was inspired by this historical epic.Humphrey Hare has done an excellent job of translating this French epic into English, and although I haven't read the originals, I can see that he has kept, as much as possible, to the tone and texture of Druon's narrative. The story reads almost lyrically and I found it simply gorgeous. Druon, understandably, makes multiple references to quirks of European history which would have been lost to me without the aid of the footnotes Hare adds, and I deeply appreciated them, although I concede that there is a potential to distract readers.Set in the turbulent year of the collapse of the Templars at the hands of the French monarchy and the Papalcy, The Iron King combines political and family intrigue with hints of magic and witchcraft that will have readers on their edge of their seats. There's enough assassination, treachery, adultery and corruption to keep readers entertained, and it's not hindered, as many historical epics are, by overexposure of every detail of like in the 14th century. In fact, the story is refreshingly sparse when it comes to details about gowns and costumes, food, furnishings and other trappings of noble life.King Philip, his two brothers, three sons, and his daughter (the wife of King Edward II of England) are wonderfully realised and realistically portrayed - displaying relatable shortcomings, fears and motivations. Of the many intertwined story lines, the most compelling, for me, are those of Queen Isabella, unhappily married to a homosexual King, and her cousin, Robert of Valois, who seeks revenge against his aunt for taking away his inheritance. I also enjoyed the adventures the young Guccio has as the protégé of his uncle, a Lombard banker who lends money to nobles, churches and the King himself. Considering the emphasis the blurb places on the adultery of the Princes' wives, I felt I didn't get to know the three princesses very well, but I feel I will get to know them a lot better in the coming books. The treachery of the royal wives is, surprisingly, a small stone among many others that starts the avalanche that cripples the royal family.Around the stories of these individuals lie deeper, more subtle concerns: the shift in social thought to give the people, the bourgeoisie, the power to take part in the governing process; the power the Lombards, the bankers, have over the Crown, and the question of how to fund the French kingdom, when the money of the persecuted Jews, and now the Templars, has been spent. I think that Druon has admirably drawn attention to these issues without turning his novel into a historical exposition on French politics and interests at the time. He keeps it light, easy to read and entertaining, but at the same time it's clear that a lot of research has gone into the book.The Iron King is not to be missed by admirers of the likes of George R. R. Martin, Robin Hobb and Joe Abercrombie, and is a great starting point for readers who like their stories magic-light. I am eagerly awaiting the publication of the second volume of the series, The Strangled Queen, which looks like it will be released in April 2013.A copy of this book was provided by the publisher for review.You can read more of my reviews at Speculating on SpecFic.
  • Rating: 4 out of 5 stars
    4/5
    A great period novel about Philip IV (Philip the Fair) of France during his reign 1284-1305. The Church played a great role during this time period as the papacy was "moved" to Avignon. Philip persecuted and burned at the stake Jews and the Knights Templar, because he owed them millions of dollars that he could never repay them. He also had three very dishonest daughters-in-laws who were confined to dungeons after committing adultery for the remainder of their lives. This book has been touted as the first "Game of Thrones", but since I'm not familiar with the Game of Thrones, I am unable to address that. The only "trouble" I encountered in the book were long phrases or sentences in French that I could not translate in context and had to look up, which made for choppy reading. I also would have liked a genealogical tree. For those two reasons, 4 stars instead of 5. There are 7 books in this series and I will read the next one
  • Rating: 2 out of 5 stars
    2/5
    Overall, I felt this was okay. The writing was kind of boring, I'm not sure if it's the translator or if it was originally boring. I did end up not quite finishing this book however, and will be giving away my copy.
  • Rating: 5 out of 5 stars
    5/5
    This book took a little time to get into, especially as all the characters were introduced. However as we approached the second third of the book I was totally hooked and needed to find out what happened next. Clearly this book has set it up well for others that will follow in the series. I really enjoyed this book and look forward to continuing this series soon. I certainly recommend it to people who enjoy good quality historical fiction.
  • Rating: 4 out of 5 stars
    4/5
    I read this series when I was in my teens and I was thrilled that it was being re-released by Harper Collins. The prose is still fresh in my mind, though dated, given that it was first published in 1956. The characters of course are legendary. Truth be told, this series, in addition to Disney's "Sleeping Beauty" hooked me on the medieval period in history. In fact, when the Cardinals met in conclave last week, I was reminded of Druon's account of the conclave in Avignon when Philippe le Bel's son, Philippe the Long walled up the entrances to the chapel and kept the Cardinals walled in until they came to a decision! The Iron King is the first of the seven part series, and begins with Philippe le Bel's suppression of the Templars and the aftermath of the so-called 'curse' Jacques deMolay pronounced on the King and his heirs before his death at the stake. Misfortune did fall on the shoulders of the king and those who succeeded him. This handsome king had his hands full not only with building up the Kingdom of France and keeping the French under his heel, but with his own household and the infamous scandal of the Tower of Nesle. His daughters-in-law took lovers, cuckholded their royal husbands and you may guess what happens to them. The first book also gives us a glimpse at Philippe's daughter Isabella, queen to England's Edward II and her interesting life.This is a quick and engrossing story and you will not be disappointed if you love medieval history as much as I do.I received an ARC of this book and I was a bit annoyed by the marketing device of "THE ORIGINAL GAME OF THRONES!" but if it will bring Mr. Druon's work more readers, so be it. I'm sure I'm not the only one who enjoyed the ARC, as when I received in the mail, the package had been opened and it looked like someone had already ready it! Fortunately, I've pre-ordered a copy for my e-readers and won't have to worry about fingerprints and stains on those copies.
  • Rating: 5 out of 5 stars
    5/5
    I suspect that I am not alone in choosing this book on the basis of George Martin's glowing endorsement. That said, I have not been a big fan of historical fiction, so I began this book with some trepidation and a fair bit of skepticism. By the end of the first chapter I knew that this would be my kind of book. The prose is surprisingly fluid for translation, and the notes were always pleasant though as a historian of a different era I suspect that they were at times somewhat lacking in nuance. By the end Druon had a new fan. Perhaps the best endorsement I can give is this: Though I received Book 1 for free as an ARC, I will happily be parting with cash for the rest of the series.
  • Rating: 3 out of 5 stars
    3/5
    This is a historical fiction novel, set in 14th Century France during the reign of Philip the Fair. As historical fiction goes, it is quite interesting as that was a quite busy period in French history. I am not a student of French history so I do not know how closely it follows real history. The author adds some fantasy elements and a bit of mystery to try and spice things up, but I didn't find the book to be very lively. There is quite a bit going on, but it still seemed to be flat and not inspiring.
  • Rating: 2 out of 5 stars
    2/5
    I love good historic fiction and, when I saw that George R.R. Martin endorsed The Iron King, I figured I'd be in for a good ride. Unfortunately, it didn't work out that way.I don't know why exactly this story fell short for me. There are several things I can think of that are just small things that got to me, but it is quite possible that all those small things just added up to me not enjoying myself while reading this book.The first thing was the language. It may have been a translation issue (this was originally written in French), but the story did not flow at all. Sentences were stiff and awkward at times. The transitions did not flow, at all. Moments that were just wrought with angst and horrible scenes that begged for tears, were not just written clinically, but almost glossed over as well. Having just read Geoffrey of Monmouth's The History of the Kings of Britain this semester, I can say that I've read some difficult British history that could run circles around the story in this book.The second thing I had a hard time with is the jumping from one story to the next. I understand that there were a lot of things that led to the 100 years war. Afterall, what war didn't start as a result of many little things leading up to a big act? But in a relatively short (340ish pages) book, it's nearly impossible to cover each thing in a manner that gives credit to where it is due. As a result, as I was bandied back and forth between characters, I felt the story was incredibly rushed.Finally, the story itself. The first two things quite possibly affected how I interpreted the story, but it just didn't seem interesting enough to be put down in anything other than a history book. The most exciting moment in the book was during the execution of two men, and even that was only given a cursory paragraph. I'm not bloodthirsty, don't get me wrong, but I was hoping for a bit of drama to make me want to keep picking up the book.Overall, I'd say give this one a pass. Pick up Geoffrey of Monmouth's book, or something by Sharon Kay Penman if you are looking for a bulky, but still interesting historical read. And if you are hoping this will give you your Game of Thrones fix while you wait for the next episode/book, let me just apologize in advance. I wish someone had warned me.
  • Rating: 3 out of 5 stars
    3/5
    Looking at the cover of the book, which says this is the original "Game of Thrones," I expected something more than the story this book presents. I was looking for all the drama, adventure, excitement that I got from G.R.R. Martin's series. All these are present in The Iron King, but really toned down. This book was more of a history than an adventure novel. Once I realized that, I was able to enjoy it, although it can't compare with "Thrones", if that's what you're looking for. Thank you LT, for my Early Reviewer copy.
  • Rating: 3 out of 5 stars
    3/5
    I finished this a few weeks ago and forgot to review it. Then went to my library for a new book to read and grabbed this one knowing it was on my list. Unfortunately that means this book was not memorable. After reading the first page I realized that I had already finished it. The chargers were decently written but the writing overall was not the strongest. I suppose it does say something that in the review copy they don't even have the title of the book on the front cover. Not a bad read but not memorable.
  • Rating: 4 out of 5 stars
    4/5
    The series of books that George RR Martain used as his inspiration for Game Of Thrones. Written in 1956, it is the story of the French King Philip Capet, or the Fair,with his impossibly inadequate children and the intrigue and corruption of the French Court in the 14th century. Unlike Game of Thrones , it is based on a true story, so no dragons.
  • Rating: 4 out of 5 stars
    4/5
    A promising opening to a series. Set in fourteen-century France, The Iron King is set in the final months of Philip the Fair's reign, as Templar knights are executed, adulterous princesses prosecuted, plots hatched, and schemes unravel. Knowing something of French and English history during this period, I think this series has great potential, especially as it follows the French and English monarchs as they move toward the Hundred Years' War.
  • Rating: 5 out of 5 stars
    5/5
    Got the idea to read this book from looking at George RR Martin's influence for Game of Thrones. Said he wrote this book with this series in mind. Martin had to throw in sci-fi/fantasy elements to GOT to throw people off the scent of being a derivative work; there are so many similar incidences. In fact, while reading many of the characters in the book I visualized as being the characters from GOT. If you are a fan of that show, which I am, you will like these books. I have not read the GOT series, and I would but I typically do not enjoy a book that is the basis for a movie or show I've already seen.
  • Rating: 4 out of 5 stars
    4/5
    Great first book. I look forward to reading the rest in the series.
  • Rating: 3 out of 5 stars
    3/5
    I enjoyed this, but it may not be for everyone - it was originally written in the 1950s and it is a translation, so stylistically it is different from contemporary historical fiction.
  • Rating: 5 out of 5 stars
    5/5
    This is the first book in The Accursed Kings series of French historical novels written in the 1950s by noted Academie francaise member Maurice Druon, and cited by George R R Martin as one of his inspirations for his fantasy series beginning with A Game of Thrones. It is set in the high Medieval period at the close of the reign of King Philip IV the Fair, the King who suppressed the Templars and whose daughter Isabella married and probably murdered the English King Edward II and later supported the claim of her son Edward III to the throne of France. This novel covers very dramatic events - the burning at the stake of the Templar leader Jacques de Molay, the serial adultery of the King's daughters-in-law, hideous executions, poisonings and betrayals. Unlike Game of Thrones, it's all real history, though; history being more my cup of tea than fantasy, I expect I'll be reading the second book in this series, The Strangled Queen, before I read A Clash of Kings (Druon's novels are much shorter also!). Great stuff.
  • Rating: 4 out of 5 stars
    4/5
    George R. R. Martin called this "the original game of thrones", and that's apt. Interesting to read the beginnings of the 100 years war from the French perspective, rather than the English one, as I usually do.
  • Rating: 3 out of 5 stars
    3/5
    No, I did NOT decide to read this because of George R.R. Martin; I was not enamored of his GoT! I wanted a sense of medieval France [most medieval historical fiction novels seem to be set in England and this was something unusual. And, I thought to pick up a little French history along the way.] The characters were absolutely unloveable: from Philip the Fair down to his dysfunctional family and courtiers. Everyone is absolutely selfish, hedonistic, manipulative, cruel, and some are even amoral. The story does draw you in to the political machinations of that period; I can't say how much the author exaggerated them and the absolute evil of his characters. The burning at the stake of the Templar Grand Master, Jacques de Molay, and his curse were absolutely chilling. The adulteries of the daughters-in-law and their lovers led to an inevitable, horrible conclusion. Part towards the end where the curse was beginning to be fulfilled was eerie. The parts about the Lombard bankers was boring.
  • Rating: 4 out of 5 stars
    4/5
    Herein are political machinations, violence, and scandals, but also the everyday concerns of Medieval life such as the weather and crop yields. The pace is a bit uneven as a result of the dense details which contextualize the exciting bits. But that excitement! Right away there's frustrated romance, bitter intrigue, and the dramatic monologue of a man facing execution.

    When it moves forward the story is being driven by the large cast of characters, who in spite of being historical figures are often larger-than-life. The dialogue in this series is like that of a stage play, more fraught and less naturalistic than typical modern novels. I thought that worked, but it is a big change from the typical modern novel.

    Highly recommended for anyone interested in 14th Century French politics.
  • Rating: 5 out of 5 stars
    5/5
    This is quite a work of art! I enjoyed the language, the historical setting, and the detail put into creating realistic characters. However I didn't feel a lot of urgency to finish the series, so while I'm interested in finding out how it ends, I'm not motivated enough to hunt down the next book yet.I enjoy a good historical fiction, and this book didn't disappoint. I learned a lot about French history. Prior to reading this book I was vaguely aware that the French were a major world power during medieval times, but while reading I learned a lot more about how France maintained and used it’s power. I don't know what 14th century French sounds like so I won't pretend to know this, but the language of the book itself (and to some extent the character's conversational language) was suitably alien to this 21st century English speaker. It was fun!The characters were also well-written, but I didn't find any one character stood out to me. The characterization felt strangely distant. I felt more like I was reading a plaque at a museum that said “Isabella was undoubtedly incensed at the King’s infidelity,” instead of the reactions of a human. This could be the fault historical nature of the book or the way it was translated, but it still irked me.Since everyone else is doing it, here’s my take on this being “the original game of thrones”. Yes, it’s dark fiction set in medieval (or pseudo medieval) times. Yes, a lot of time is given over to creating a complete image of the time period by venturing into the lives of people who aren’t straight-up royalty. However the treatment of the time period is vastly different; Druon’s book looks back fondly into history to piece together an entertaining and engaging story. Martin on the other hand write a fun story sure, but he wants us to look critically at the violence, grime and horror present during this period of history instead of putting it on some silly pedestal.
  • Rating: 4 out of 5 stars
    4/5
    Overall, I'm a fan of historical fiction, of medieval and Renaissance time periods, of France, and of stories about nobility, so I was expecting to like this book a lot more than I did. It relies heavily on political intrigue, which I suppose is to be expected, but not really what I was expecting from "The original Game of Thrones". That's not to say that it was a bad book, just that I had gotten my hopes up a little too high and the blurb was a little misleading.This book felt a little disjointed in its plot—suddenly new plot points would come up and others wouldn't be referred to again. Characters would come in and go out at random and with very little connection to one another, and I'm still not completely clear on a lot of their relationships to one another.Unfortunately, it's easy to tell that this is a translated edition. While I do believe it's important to stay true to the work that's being translated, it's also important to not have a literal, word-for-word translation that sacrifices clarity. The translator only seemed to get into the swing of the novel and of the author's writing style a hundred pages in, and fell out again toward the end of the book. The sentence structures that are fine in French may not be as comprehensible as they are in English!Some of the word choice, too, was a little bizarre. "Chap(s)" and "Tallyho" are not what I'd expect out of French-speaking mouths, particularly not in the early 14th century. It makes me think of the flaw of period (American?) TV shows—this takes place in Europe a long time ago, so everyone needs an English accent, no matter where they're from!The tough thing about this book is that when it's good, it's very, very good. I found the intrigue, well, intriguing, and I would have liked to have more development of virtually every character—but I guess that's why this is the first in a series. It wasn't a difficult book to read by any stretch, but some of the writing style was remarkably distracting, even during the parts that were keeping me on tenterhooks.
  • Rating: 2 out of 5 stars
    2/5
    This book took me a very very long time to get through, which is partly why I rated the book so low. I believe most of this problem stemmed from the writing. I looks as if the original was written in French and then translated by someone unnamed. Unfortunately the translation is not very good. The language is very awkward and inconsistent. I unfortunately could not get passed it, and it mostly ruined the book for me. It was too distracting. The characters also seemed to lack character development with is usually a high like on my list. And lastly, the blurb about the book being the “original Game of Thrones” really mislead me. They are not as alike as it makes you believe. I loved the Game of Thrones series. This one fell flat for me. Perhaps I would be able to pick this book up at another time and have the language not bother me as much as it did this time around. As it stands however, I did not enjoy plowing through this one.
  • Rating: 4 out of 5 stars
    4/5
    When GRRM tells me to read a book I generally give that book a serious look - he isn’t some grand prophet of my reading tastes, but he does throw out a good read for me from time to time. Fortunately, The Iron King was a thoroughly enjoyable read. Historical Fiction can be pretty hit or miss with me - it really makes no difference whether I know the history of a given a book or not, it just must be a good read... The Iron King is that! I knew very little of the historical events of this novel going in, but that made little difference in the end. I look forward to the future books of this series being re-released and reading more from Maurice Druon.
  • Rating: 4 out of 5 stars
    4/5
    Philip IV of France is putting an end to the Templars, in a bid to grasp their fortune for the crown, and he gets his lineage cursed in the process. Given the preponderance of Templars in fiction, I was happy that they don't long hold the stage. The story quickly progresses to illicit affairs among the princesses in line for the throne, and the subsequent fallout. It offers some closure but leaves several balls in the air for the rest of the series to untangle.This is written in the style of my favourite historical fiction, steering close to the actual record. Druon explores the thoughts and feelings of real people who experienced these events, embellishing only where it serves to fill in the blanks. Occasionally his narrator's voice offers comment, speaking from a perspective 700 years in the future, but for the most part he stands back and merely portrays. There are some fantastic end notes well worth reading, that I wish more fiction authors playing with the past would trouble themselves to include. It's a far cry from fantasy fiction like Game of Thrones, an often cited comparison, but the influence of this 1950s work on George Martin is clear in large and small ways: nobility caught up in earthly pleasures, people in high positions making grim and dramatic falls, the recitation of enemies' names. It hasn't nearly the breadth of that saga, despite the huge number of names who appear, and only a small measure of the atmosphere. If you appreciate the history it's teaching you, you won't mind those shortcomings.
  • Rating: 3 out of 5 stars
    3/5
    If you go into this thinking it's "The Game of Thrones" you'll be disappointed.
  • Rating: 3 out of 5 stars
    3/5
    This was a well-written and informative book. I did enjoy it, but can it be compared to the "Song of Ice and Fire" series? Most definitely not. It lacks the fantastic, the strong emotion, and the gripping tale. I feel that the mention of Martin's books within this book's description does more harm than good as it can be a bit misleading to the potential reader. I would definitely recommend "Iron King" but only to those readers who are more inclined to pick up a history book vs. a book of court intrigue and fantasy. Good, but not great.
  • Rating: 3 out of 5 stars
    3/5
    This was a tough book to review, as it is very good for what it is, but I did not enjoy it. Considering the age, it is VERY well written, and if you want a great historical novel and plenty of follow up books, start here. I also found it mildly dry.But worth it if it is your thing!
  • Rating: 4 out of 5 stars
    4/5
    George R. R. Martin once wrote in a blog post that if you love his A Song of Ice and Fire series and are looking for "something like it", then you really need to check out The Iron King by Maurice Druon. In the newest edition of the book's foreword, he calls it the "original game of thrones" and credits it for being one of the great historical novels that inspired his own epic series.Even if I hadn't known all this, the parallels are clear; this is only the first book of The Accursed Kings series and already it has it all, just without the fantasy elements -- conspiracies, assassinations, illicit affairs, royal scandals, rivaling families, public executions, lies, sex, betrayals and torture and poisonings and death curses, oh my.Originally written in French and published in the mid-1950s, the books in this series were long out of print and apparently quite difficult to get your hands on, until now. Fortunately, the English translation of the first book recently made it back into print (with the rest to follow, I hear), thus resulting in yours truly just about tripping over her own feet rushing to press the "buy" button for the Kindle version. Even without GRRM's glowing recommendation, I'm always up for good historical fiction, especially books involving European monarchies and the Middle Ages.The Iron King is a fascinating take on the events which preceded and led up to arguably one of the most significant conflicts of the medieval period, The Hundred Years' War. King Philip IV of France, called "The Iron King" because of his aloof nature and severe rule, sentences the last Grand Master of the Knights Templar Jacques de Molay to burn at the stake. Upon his death, the Templar maintains his innocence and publicly curses the three men whom he feels has unjustly put him there: Pope Clement, King Philip, and Guillaume de Nogaret, Keeper of the Seals.Meanwhile, all is not well in Philip's family. Two of his sons, Louis and Charles are being cuckolded by their wives, cousins Marguerite and Blanche of Burgundy. If that wasn't bad enough, his third son's wife, Jeanne of Burgundy, is also privy to these affairs, even if she doesn't cheat herself. When Philip's only daughter Isabella discovers what the Burgundy women are doing to her three brothers, she begins scheming to expose them, and Robert III of Artois, who harbors a deep hatred for the Burgundys, is only all too happy to help.The scandal is blown wide open, of course, as we know from the events of the Tour de Nesle Affair. The king and his family recall the the last words uttered by Grand Master Jacques de Molay: "Pope Clement, Chevalier Guillaume de Nogaret, King Philip, I summon you to the Tribunal of Heaven before the year is out, to receive your just punishment! Accursed! Accursed! You shall be accursed to the thirteenth generation of your lines!" Are the troubles involving the unfaithful wives part of the curse? Or is the worst yet to come?I have to say, I liked this book a lot. The story takes quite a bit of time to get get set up, but then so much of the history and the characters have to be detailed and introduced. As the reader, I felt I needed the ramp-up time to refresh myself on the historical facts and get all those "Philip"s, "Charles"s and "Louis"s sorted out anyway. As always, trying to keep names in order is a common occupational hazard when reading historical fiction about European kings and queens. However, all the people and events Druon decided to include and write about in his storytelling are there for a reason, building up and forming a cogent picture by the end of the book.Also, fair warning: the writing can be a little hard on the eyes. As with many books translated from their original language, it's not always pretty. I'm not sure this can be helped, and I certainly don't hold that against the author or the translator; sometimes, that's just the way things are. I admit I've had better times with other translated-to-English books, but then again, I've also had worse. The experience was definitely not as rough as I expected after seeing other reviews talking about the same topic, and to me the book was still very readable and easy to get into.
  • Rating: 4 out of 5 stars
    4/5
    Fascinating historical novel of the events that lead to the 100 years war. Story begins with the destruction of the Knights Templar by Philip IV and ends with the future of the Capetian dynasty in peril. While the book is marketed as the original "Game of Thrones" the intrigue is rather light. The characters were for the most part shallow and could use a bit more depth.A quick and easy read but with very little depth in plot and character devolpment. If a deeper plot and character devolpment is what your after then I suggest you read Nigel Trantor,Dorthy Dunnett and Sharon Penham. I gave it an extra star as it does center around a French Royal family which is rare as most medieval historical novels usually center around the English/Brits.
  • Rating: 4 out of 5 stars
    4/5
    A fascinating look at the events during the reign of France's Philip IV, and which directly led to the Hundred Years War between England and France. A bit dry, but long on detail and intrigue, and with an impressively large cast, The Iron King's influence on later novels, across genres, is undeniable. Widely read and recognized, Druon's epic work has been published and republished in the 50 years since it first came to be, but its story is as fresh and fascinating as ever. Anyone who enjoys descriptive and detailed historical fiction about France, England and the Hundred Years' War will find a lot to enjoy here.Much has been made of its particular impact on the popular fantasy world of George R. R. Martin's A Song of Ice and Fire series (or A Game of Thrones if you're solely a fan of the tv show). Spanning seven volumes, with a large, disparate cast - from kings to bankers to heretics - the numerous parallels between Druon and Martin's work are easy to spot. While there are (sadly) no dragons to be found in the Iron King, there are she-wolves, betrayals, family curses, torture, court intrigue, and ambition to keep things interesting. Historical fiction is at its best when it makes you curious about the people and times portrayed, and Maurice Druon captures these particular times and these complex people so well, it's hard not to be inquisitive about them once the novel is over.A Game of Thrones has rival families: The Starks and the Lannisters. The Iron King has the royal rival families of the French Capets and the English Plantagenets. George R. R. Martin wasn't lying when he said his Starks and Lannisters had nothing on the Capets and Plantagenets. Both families are filled with fools, ambitious men, capable and deceptive women, and more. While the first Accursed Kings book lacks the amount of sheer drama that A Game of Thrones packs into one novel, it is admittedly much shorter (by hundreds of pages!). But, thankfully, the author manages to infuse those too-short 275 with enough machinations and manipulations to make Littlefinger himself proud.A Game of Thrones has the stalwart and rigidly serious Ned Stark. The Iron King has the severe and authoritarian Philip "the Fair" IV of France. Both men are descended from a noble and respected lineage (Ned - Brandon the Builder; Philip - Saint Louis aka Louis IX of France) and both take their responsibilities as leaders very seriously. The comparisons between the two are inevitable for those that have read both works, and it's easy to see how Ned was inspired (and improved upon) Druon's French king. Ned is easier to like, and more personable than the more remote and dispassionate Philip, but they are two men cut from the same cloth.A Game of Thrones has a family matriarch with steel and determination in Catelyn Tully. The Iron King has Isabella, She-Wolf of France (and reigning Queen of England with Edward II). You may know her best (and inaccurately) as William Wallace's weepy lover in the 1995 movie Braveheart, but that film does her character a disservice. Cold, calculating, and highly intelligent, Isabella and her actions have more of an impact on the history of two countries than one would guess. Much like Catelyn, Isabella has goals and ambitions of her own - for her children, she will start a war that will kill thousands of people before it is all said and done. Both Isabella and Catelyn are remote and hard to like and can be traced as the imitators of huge struggles, but each are thoroughly fascinating to read.A Game of Thrones has Cersei Lannister, a woman determined to have the love she wants regardless of the constraints society - and marriage - would put upon her. The Iron King has Marguerite of Burgundy, who, like Cersei, is unfaithful (and eventually found out) to her royal husband, which casts the paternity and thus the rights of her children in serious doubt and helps set off the series of dynastic disputes. SPOILER for later ASOIAF novels: And, like the Lannister lioness, Marguerite finds herself imprisoned against her will, without hope of freedom or redemption. Cersei may be easier to label as outright evil rather than selfish and short-sighted, but the similarities between the two women are apparent.A Song of Ice and Fire is set to be published in a series of seven novels. Druon's series The Accursed Kings is a seven volume work. They are hard to come across, especially in English, but Harper Collins seems to be in the long process of republishing them in 2013. I, for one, am eagerly awaiting the day I can continue this series and see how it all plays out in Druon's version of the Hundred Year's War.The story that has begun to unfold here in the first novel continues in book two, The Strangled Queen. If it is anything like its predecessor I will be a big fan.

Book preview

The Iron King - Maurice Druon

Prologue

Image Missing

At the beginning of the fourteenth century, Philip IV, a king of legendary personal beauty, reigned over France as absolute master. He had defeated the warrior pride of the great barons, the rebellious Flemings, the English in Aquitaine, and even the Papacy which he had proceeded to install at Avignon. Parliaments obeyed his orders and councils were in his pay.

He had three adult sons to ensure his line. His daughter was married to King Edward II of England. He numbered six other kings among his vassals, and the web of his alliances extended as far as Russia.

He left no source of wealth untapped. He had in turn taxed the riches of the Church, despoiled the Jews, and made extortionate demands from the community of Lombard bankers. To meet the needs of the Treasury he debased the coinage. From day to day the gold piece weighed less and was worth more. Taxes were crushing: the police multiplied. Economic crises led to ruin and famine which, in turn, caused uprisings which were bloodily put down. Rioting ended upon the forks of the gibbet. Everyone must accept the royal authority and obey it or be broken by it.

This cruel and dispassionate prince was concerned with the ideal of the nation. Under his reign France was great and the French wretched.

One power alone had dared stand up to him: the Sovereign Order of the Knights Templar. This huge organisation, at once military, religious and commercial, had acquired its fame and its wealth from the Crusades.

Philip the Fair was concerned at the Templars’ independence, while their immense wealth excited his greed. He brought against them the greatest prosecution in recorded history, since there were nearly fifteen thousand accused. It lasted seven years, and during its course every possible infamy was committed.

This story begins at the end of the seventh year.

PART ONE

A CURSE

Image Missing

1

The Loveless Queen

Image Missing

A HUGE LOG, LYING UPON a bed of red-hot embers, flamed in the fireplace. The green, leaded panes of the windows permitted the pale light of a March day to filter into the room.

Sitting upon a high oaken chair, its back surmounted by the three lions of England, her chin cupped in her hand, her feet resting upon a red cushion, Queen Isabella, wife of Edward II, gazed vaguely, unseeingly, at the glow in the hearth.

She was twenty-two years old, her complexion clear, pretty and without blemish. She wore her golden hair coiled in two long tresses upon each side of her face like the handles of an amphora.

She was listening to one of her French Ladies reading a poem of Duke William of Aquitaine.

D’amour ne dois-je plus dire de bien

Car je n’en ai ni peu ni rien,

Car je n’en ai qui me convient …

The sing-song voice of the reader was lost in this room which was too large for women to be able to live in happily.

Bientôt m’en irai en exil,

En grande peur, en grand péril …

The loveless Queen sighed.

‘How beautiful those words are,’ she said. ‘One might think that they had been written for me. Ah! the time has gone when great lords were as practised in poetry as in war. When did you say he lived? Two hundred years ago! One could swear that it had been written yesterday.’

And she repeated to herself:

D’amour ne dois-je plus dire de bien

Car je n’en ai ni peu ni rien …

For a moment she was lost in thought.

‘Shall I go on, Madam?’ asked the reader, her finger poised on the illuminated page.

‘No, my dear,’ replied the Queen. ‘My heart has wept enough for today.’

She sat up straight in her chair, and in an altered voice said, ‘My cousin, Robert of Artois, has announced his coming. See that he is shewn in to me as soon as he arrives.’

‘Is he coming from France? Then you’ll be happy to see him, Madam.’

‘I hope to be … if the news he brings is good.’

The door opened and another French lady entered, breathless, her skirts raised the better to run. She had been born Jeanne de Joinville and was the wife of Sir Roger Mortimer.

‘Madam, Madam,’ she cried, ‘he has talked.’

Really?’ the Queen replied. ‘And what did he say?’

‘He banged the table, Madam, and said: Want!

A look of pride crossed Isabella’s beautiful face.

‘Bring him to me,’ she said.

Lady Mortimer ran out and came back an instant later carrying a plump, round, rosy infant of fifteen months whom she deposited at the Queen’s feet. He was clothed in a red robe embroidered with gold, which weighed more than he did.

‘Well, Messire my son, so you have said: Want,’ said Isabella, leaning down to stroke his cheek. ‘I’m pleased that it should have been the first word you uttered: it’s the speech of a king.’

The infant smiled at her, nodding his head.

‘And why did he say it?’ the Queen went on.

‘Because I refused him a piece of the cake we were eating,’ Lady Mortimer replied.

Isabella gave a brief smile, quickly gone.

‘Since he has begun to talk,’ she said, ‘I insist that he be not encouraged to lisp nonsense, as children so often are. I’m not concerned that he should be able to say Papa and Mamma. I should prefer him to know the words King and Queen.’

There was great natural authority in her voice.

‘You know, my dear,’ she said, ‘the reasons that induced me to select you as my son’s governess. You are the great-niece of the great Joinville who went to the crusades with my great-grandfather, Monsieur Saint Louis. You will know how to teach the child that he belongs to France as much as to England.’1 fn1

Lady Mortimer bowed. At this moment the first French lady returned, announcing Monseigneur Count Robert of Artois.

The Queen sat up very straight in her chair, crossing her white hands upon her breast in the attitude of an idol. Though her perpetual concern was to appear royal, it did not age her.

A sixteen-stone step shook the floor-boards.

The man who entered was six feet tall, had thighs like the trunks of oak-trees, and hands like maces. His red boots of Cordoba leather were ill-brushed, still stained with mud; the cloak hanging from his shoulders was large enough to cover a bed. With the dagger at his side, he looked as if he were going to the wars. Wherever he might be, everything about him seemed fragile, feeble, and weak. His chin was round, his nose short, his jaw powerful and his stomach strong. He needed more air to breathe than the common run of men. This giant of a man was twenty-seven years old, but his age was difficult to determine beneath the muscle, and he might well have been thirty-five.

He took his gloves off as he approached the Queen, went down on one knee with surprising nimbleness in one so large, then stood erect again without even allowing time to be invited to do so.

‘Well, Messire, my Cousin,’ said Isabella, ‘did you have a good crossing?’

‘Horrible, Madam, quite appalling,’ replied Robert of Artois. ‘There was a storm to make you bring up your guts and your soul. I thought my last hour had come and began to confess my sins to God. Fortunately, there were so many that we’d arrived before I’d had time to recite the half of them. I’ve still got sufficient for the return journey.’

He burst out laughing and the windows shook.

‘And, by God,’ he went on, ‘I’m more suited to travelling upon dry land than crossing salt water. And if it weren’t for the love of you, Madam, my Cousin, and for the urgent tidings I have for you …’

‘Do you mind if I finish with him, cousin,’ said Isabella, interrupting him.

She pointed to the child.

‘My son has begun to talk today.’

Then to Lady Mortimer: ‘I want him to get accustomed to the names of his relatives and he should know, as soon as possible, that his grandfather, Philip the Fair, is King of France. Start repeating to him the Pater and the Ave, and also the prayer to Monsieur Saint Louis. These are things that must be instilled into his heart even before he can understand them with his reason.’

She was not displeased to be able to show one of her French relations, himself a descendant of a brother of Saint Louis, how she watched over her son’s education.

‘That’s sound teaching you’re giving the young man,’ said Robert of Artois.

‘One can never learn to reign too soon,’ replied Isabella.

Unaware that they were talking of him, the child was amusing himself by walking with that careful, uncertain step peculiar to infants.

‘To think that we were once like that!’ said Artois.

‘It is certainly difficult to believe it when looking at you, Cousin,’ said the Queen smiling.

For a moment she thought of what the woman must feel who had given birth to this human fortress and of what she herself would feel when her son became a man.

The child went over to the hearth as if he wished to seize a flame in his tiny fist. Extending a red boot, Robert of Artois barred the road. Quite unafraid, the little Prince seized the leg in arms which could barely encircle it and, sitting astride the giant’s foot, he was lifted three or four times into the air. Delighted with the game, the little Prince laughed aloud.

‘Ah! Messire Edward,’ said Robert of Artois, ‘later on, when you’re a powerful prince, shall I dare remind you that I gave you a ride on my boot?’

‘Yes, Cousin,’ replied Isabella, ‘if you always show yourself to be our loyal friend. You may leave us now,’ she added.

The French ladies went, taking with them the infant, who, if fate pursued its normal course, would one day become Edward III of England.

Robert of Artois waited till the door was closed.

‘Well, Madam,’ he said, ‘to complete the admirable lessons you have given your son, you will soon be able to inform him that Marguerite of Burgundy, Queen of Navarre, future Queen of France, granddaughter of Saint Louis, is qualifying to be called by her people Marguerite the Whore.’

‘Really?’ asked Isabella. ‘Is what we suspected true then?’

‘Yes, Cousin. And not only in respect of Marguerite. It’s true for your two sisters-in-law as well.’

‘What? Both Jeanne and Blanche?’

‘As regards Blanche, I’m sure of it. Jeanne …’

Robert of Artois sketched a gesture of uncertainty with his hand.

‘She’s cleverer than the others,’ he added; ‘but I’ve every reason to believe that she’s as much of a whore.’

He paced up and down the room and then sat down again saying, ‘Your three brothers are cuckolds, Madam, as cuckold as any clodhopper!’

The Queen rose to her feet. Her cheeks showed signs of blushing.

‘If what you’re saying is sure, I won’t stand it,’ she said. ‘I won’t tolerate the shame, and that my family should become an object of derision.’

‘The barons of France won’t tolerate it either,’ said Artois.

‘Have you their names, the proof?’

Artois sighed heavily.

‘When you came to France last summer with your husband, to attend the festivities at which I had the honour to be dubbed knight with your brothers – for you know,’ he said, laughing, ‘they don’t stint me of honours that cost nothing – I told you of my suspicions and you told me yours. You asked me to watch and keep you informed. I’m your ally; I’ve done the one and I’ve come here to accomplish the other.’

‘Well, what have you discovered?’ Isabella asked impatiently.

‘In the first place that certain jewels have disappeared from the casket of your sweet, worthy and virtuous sister-in-law, Marguerite. Now, when a woman secretly parts with her jewels, it’s either to make presents to her lover or to bribe accomplices. That’s clear enough, don’t you agree?’

‘She can pretend to have given alms to the Church.’

‘Not always. Not, for instance, if a certain brooch has been exchanged with a Lombard merchant for a Damascus dagger.’

‘And have you discovered at whose belt that dagger hangs?’

‘Alas, no,’ Artois replied. ‘I’ve searched, but I’ve lost the scent. They’re clever bitches, as I’ve told you. I’ve never hunted stags in my forest of Conches that knew better how to conceal their line and take evasive action.’

Isabella looked disappointed. Stretching wide his arms Robert of Artois anticipated what she was going to say.

‘Wait, wait,’ he cried. ‘That is not all. The true, pure, chaste Marguerite has had an apartment furnished in the old tower of the Hôtel-de-Nesle, in order, so she says, to retire there to say her prayers. Curiously enough, however, she prays there on precisely those nights your brother Louis is away. The lights shine there pretty late. Her cousin Blanche, sometimes her cousin Jeanne, joins her there. Clever wenches! If either of them were questioned, she’s merely to reply, What’s that? Of what are you accusing me? But I was with the other. One woman at fault finds it difficult to defend herself. Three wicked harlots are a fortress. But listen; on those very nights Louis is away, on the nights the Tower of Nesle is lit up, there has been movement seen on that usually deserted stretch of river bank at the tower’s foot. Men have been seen coming from it, men who were certainly not dressed as monks and who, if they had been saying evensong, would have left by another door. The Court is silent, but the populace is beginning to chatter, since servants always start gossiping before their masters do.’

He spoke excitedly, gesticulating, walking up and down, shaking the floor, beating the air with great swirls of his cloak. Robert of Artois paraded his superabundant strength as a means of persuasion. He sought to convince with his muscles as well as with his words; he enclosed his interlocutor in a whirlwind; and the coarseness of his language, so much in keeping with his appearance, seemed proof of a rude good faith. Nevertheless, upon looking closer, one might well wonder whether all this commotion was not perhaps the showing-off of a mountebank, the playing of a part. A calculated, unremitting hatred glowed in the giant’s grey eyes; and the young Queen concentrated upon remaining mistress of herself.

‘Have you spoken of this to my father?’ she asked.

‘My good Cousin, you know King Philip better than I. He believes so firmly in the virtue of women that one would have to show him your sisters-in-law in bed with their lovers before he’d be willing to listen. Besides, I’m not in such good favour at Court since I lost my lawsuit.’

‘I know that you’ve been wronged, Cousin, and if it were in my power that wrong would be righted.’

Robert of Artois seized the Queen’s hand and placed his lips upon it in a surge of gratitude.

‘But precisely because of this lawsuit,’ Isabella said gently, ‘might one not think that your present actions are due to a desire for revenge?’

The giant bounded to his feet.

‘But of course I’m acting out of revenge, Madam!’

How disarming this big Robert was! You thought to lay a trap for him, to take him at a disadvantage, and he was as wide open with you as a window.

‘My inheritance of my County of Artois has been stolen from me,’ he cried, ‘that it might be given to my aunt, Mahaut of Burgundy – the bitch, the sow, may she die! May leprosy rot her mouth, and her breasts turn to carrion! And why did they do it? Because through trickery and intrigue, through oiling the palms of your father’s counsellors with hard cash, she succeeded in marrying off to your brothers her two sluts of daughters and that other slut, her cousin.’

He began mimicking an imaginary conversation between his aunt Mahaut, Countess of Burgundy and Artois, and King Philip the Fair.

‘My dear lord, my cousin, my gossip, supposing you married my dear little Jeanne to your son Louis? What, he doesn’t want her? He finds her rather sickly-looking? Well then, give him Margot, and Philip, he can have Jeanne, and my sweet Blanchette can marry your fine Charles. How delightful that they should all love each other! And then, if I’m given Artois which belonged to my late brother, my Franche-Comté of Burgundy will go to those girls. My nephew Robert? Give that dog some bone or other! The Castle of Conches and the County of Beaumont will do well enough for that boor! And I whisper malice in Nogaret’s ear, and send a thousand presents to Marigny … and then I marry one off, and then two, and then three. And no sooner are they married than the little bitches start plotting, sending each other notes, taking lovers, and set about betraying the throne of France. … Oh! if they were irreproachable, Madam, I’d hold my peace. But to behave so basely after having injured me so much, those Burgundy girls are going to learn what it costs, and I shall avenge myself on them for what their mother did to me.’2

Isabella remained thoughtful during this outpouring. Artois went close to her and, lowering his voice, said, ‘They hate you.’

‘Though I don’t know why, it is true that as far as I am concerned, I never liked them from the start,’ Isabella replied.

‘You didn’t like them because they’re false, because they think of nothing but pleasure and have no sense of duty. But they hate you because they’re jealous of you.’

‘And yet my position is not a very enviable one,’ said Isabella sighing; ‘their lot seems to me far pleasanter than my own.’

‘You are a Queen, Madam; you are a Queen in heart and soul; your sisters-in-law may well wear crowns but they will never be queens. That is why they will always be your enemies.’

Isabella raised her beautiful blue eyes to her cousin and Artois sensed that this time he had struck the right note. Isabella was on his side once and for all.

‘Have you the names of the men with whom my sisters-in-law …?’ she asked.

She lacked the crudeness of her cousin and could not bring herself to utter certain words.

‘Do you not know them?’ she said. ‘Without their names I can do nothing. Get them, and I promise you that I shall come to Paris at once upon some pretext or other, and put an end to this disorder. How can I help you? Have you told my uncle Valois?’

She was once more decisive, precise and authoritative.

‘I took care not to,’ answered Artois. ‘Monseigneur of Valois is my most loyal patron and my greatest friend; but he is the exact opposite of your father. He’d go gossiping all over the place about what we want to keep quiet, he’d put them on their guard, and when the moment came when we were ready to catch the bawds out, we should find them as pure as nuns.’

‘Well, what do you suggest?’

‘Two courses of action,’ said Artois. ‘The first is to appoint to Madam Marguerite’s household a new lady-in-waiting who will be in our confidence and who will report to us. I have thought of Mme de Comminges for the post. She has recently been widowed and deserves some consideration. And in that your uncle Valois can help us. Write him a letter expressing your wish, and pretending to interest on the widow’s behalf. Monseigneur has great influence over your brother Louis and, merely in order to exercise it, will at once place Mme de Comminges in the Hôtel-de-Nesle. Thus we shall have a creature of ours on the spot, and as we say in military parlance, a spy within the walls is worth an army outside.’

‘I’ll write the letter and you shall take it back with you,’ said Isabella. ‘And what more?’

‘You must allay your sisters-in-law’s distrust of you; you must make yourself amiable by sending them nice presents,’ Artois went on. ‘Presents that would do as well for men as women. You can send them secretly, a little private friendly transaction between you, which neither father nor husbands need know anything about. Marguerite despoils her casket for a good-looking unknown; it would really be bad luck if, having a present she need not account for, we don’t find it upon the gallant in question. Let’s give them opportunities for imprudence.’

Isabella thought for a moment, then went to the door and clapped her hands.

The first French lady entered.

‘My dear,’ said the Queen, ‘please bring me the golden almspurse that the Merchant Albizzi brought me this morning on approval.’

During the short wait Robert of Artois for the first time ceased to be concerned with his plots and preoccupations and looked round the room, at the religious frescoes painted on the walls, at the huge, beamed roof that looked like the hull of a ship. It was all rather new, gloomy and cold. The furniture was fine but sparse.

‘Your home is not very gay, Cousin,’ he said. ‘One might think one was in a cathedral rather than a palace.’

‘I hope to God,’ Isabella said in a low voice, ‘that it does not become my prison. How much I miss France!’

He was struck by her tone of voice as much as by her words. He realised that there were two Isabellas: on the one hand the young sovereign, conscious of her role and trying to live up to the majesty of her part; and on the other, behind this outward mask, an unhappy woman.

The French lady-in-waiting returned, bringing a purse of interwoven gold thread, lined with silk and fastened with three precious stones as large as thumbnails.

‘Splendid!’ Artois cried. ‘This is exactly what we want. A little heavy for a woman to wear; but exactly what a young man at Court dreams of fastening to his belt in order to show off.’

‘You’ll order two similar purses from the merchant Albizzi,’ said Isabella to her lady-in-waiting, ‘and tell him to make them at once.’

Then, when the Frenchwoman had gone out, she added for Robert’s ear, ‘You’ll be able to take them back to France with you.’

‘No one will know that they passed through my hands,’ he said.

There was a noise outside, shouts and laughter. Robert of Artois went over to the window. In the courtyard a company of masons were hoisting to the summit of an arch an ornamental stone engraved in relief with the lions of England. Some were hauling on pulley-ropes; others, perched on a scaffolding, were making ready to seize hold of the block of stone, and the whole business seemed to be carried out amid extraordinary good humour.

‘Well!’ said Robert of Artois. ‘It appears that King Edward still likes masonry.’

Among the workmen he had just recognised Edward II, Isabella’s husband, a good-looking man of thirty, with curly hair, wide shoulders and strong thighs. His velvet clothes were dusty with plaster.3

‘They’ve been rebuilding Westminster for more than fifteen years!’ said Isabella angrily. (She pronounced it Vestmoustiers, in the French manner.) ‘For the whole six years I’ve been married I’ve lived among trowels and mortar. They’re always pulling down what they built the month before. It’s not masonry he likes, it’s his masons! Do you imagine they even bother to say Sire to him? They call him Edward, and laugh at him, and he loves it. Just look at him.’

In the courtyard, Edward II was giving orders, leaning on a young workman, his arm round the boy’s neck. About him was an air of suspect familiarity. The lions of England had been lowered back to earth, doubtless because it was thought that their proposed site was unsuitable.

‘I thought,’ Isabella went on, ‘that I had known the worst with Sir Piers Gaveston. That insolent, boastful Béarnais ruled my husband so successfully that he ruled the country too. Edward gave him all the jewels in my marriage casket. In one way or another it seems to be a family custom for the women’s jewels to end up on men!’

Having beside her a relation and a friend, Isabella at last allowed herself to express her sorrows and humiliations. The morals of Edward II were known throughout Europe.

‘A year or so ago the barons and I succeeded in bringing Gaveston down; his head was cut off, and now his body lies rotting in the ground at Oxford,’ the young Queen said with satisfaction.

Robert of Artois did not appear surprised to hear these cruel words uttered by a beautiful woman. It must be admitted that such things were the common coin of the period. Kingdoms were often handed over to adolescents, whose absolute power fascinated them as might a game. Hardly grown out of the age in which it is fun to tear the wings from flies, they might now amuse themselves by tearing the heads from men. Too young to fear or even imagine death, they would not hesitate to distribute it around them.

Isabella had ascended the throne at sixteen; she had come a long way in six years.

‘Well! I’ve reached the point, Cousin, when I regret Gaveston,’ she went on. ‘Since then, as if to avenge himself upon me, Edward brings the lowest and most infamous men to the palace. He visits the low dens of the Port of London, sits with tramps, wrestles with lightermen, races against grooms. Fine tournaments, these, for our delectation! He has no care who runs the kingdom, provided his pleasures are organised and shared. At the moment it’s the Barons Despenser; the father’s worth no more than the son, who serves my husband for a wife. As for myself, Edward no longer approaches me, and if by chance he does, I am so ashamed that I remain cold to his advances.’

She lowered her head.

‘If her husband does not love her, a queen is the most miserable of the subjects of a kingdom. It is enough that she should have assured the succession; after that her life is of no account. What baron’s wife, what merchant’s or serf’s would tolerate what I have to bear … because I am Queen? The least washerwoman in the kingdom has greater rights than I: she can come and ask my protection.’

Robert of Artois knew – as indeed who did not? – that Isabella’s marriage was unhappy; but he had had no idea of the seriousness of the situation, nor how profoundly she was affected by it.

‘Cousin, sweet Cousin, I will protect you!’ he said warmly.

She sadly shrugged her shoulders as if to say: ‘What can you do for me?’ They were face to face. He put out his hands and took her by the elbows as gently as he could, murmuring at the same time, ‘Isabella …’

She placed her hands on the giant’s arms and said, ‘Robert …’

They gazed at each other with an emotional disturbance

Enjoying the preview?
Page 1 of 1