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The Silent Governess
The Silent Governess
The Silent Governess
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The Silent Governess

Rating: 4 out of 5 stars

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Believing herself guilty of a crime, Olivia Keene flees her home, eventually stumbling upon a grand estate where an elaborate celebration is in progress. But all is not as joyous as it seems.

Lord Bradley has just learned a terrible secret, which, if exposed, will change his life forever. When he glimpses a figure on the grounds, he fears a spy or thief has overheard his devastating news. He is stunned to discover the intruder is a scrap of a woman with her throat badly injured. Fearing she will spread his secret, he gives the girl a post and confines her to his estate. As Olivia and Lord Bradley's secrets catch up with them, will their hidden pasts ruin their hope of finding love?
LanguageEnglish
Release dateJan 1, 2010
ISBN9781441207500
Author

Julie Klassen

Julie Klassen (www.julieklassen.com) loves all things Jane--Jane Eyre and Jane Austen. Her books have sold more than 1.5 million copies, and she is a three-time recipient of the Christy Award for Historical Romance. The Secret of Pembrooke Park was honored with the Minnesota Book Award for Genre Fiction. Julie has also won the Midwest Book Award and Christian Retailing's Best Award and has been a finalist in the RITA and Carol Awards. A graduate of the University of Illinois, Julie worked in publishing for sixteen years and now writes full-time. She and her husband have two sons and live in St. Paul, Minnesota. For more information, visit julieklassen.com.

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Rating: 4.006147596721312 out of 5 stars
4/5

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  • Rating: 4 out of 5 stars
    4/5
    Olivia Keene must leave her old life, a secret keeping her separated from her family. On her way to a girls' school, Olivia overhears a conversation between Lord Brightwell and his son Lord Bradley, in which the father admits that the son is adopted. When Lord Bradley learns that Olivia has heard his secret, he hires her into his household to keep an eye on her. A recent accident has made Olivia temporarily mute, and so she cannot betray his secret which would ruin his status as a peer of the realm. This is a simple summary of a complex story. Klassen weaves a complicated tapestry of love and suspense that is not easily unfurled. Every character seems to have a secret, and their pasts are displayed and unwoven in a sophisticated and pleasing manner. The main love affair is exciting, if chaste, The Silent Governess being a Christian romance. The religious elements in the story are subtle and completely natural for its characters.
  • Rating: 5 out of 5 stars
    5/5
    The Silent Governess was only silent for a time. A young woman strikes the man strangling her mother with a fire iron. Fearing she had killed him the mother sent her away and told her not to return, that she would find her daughter when it was safe. While fleeing she encountered some very 'shady' men plus a group of gentlemen hunting. Neither were happy with her. Later she encountered uplifting people along with the negative sort. She was imprisoned, injured and was hired as a servant. All she wanted to do was to teach school. The flow of the events and attitudes were consistent and smooth. The reader never felt the need to skip pages. It was a large novel but very well written and connected prior events to the present-tense very well. Also very 'clean'. I won this in a Goodread's giveaway but would have eagerly purchased it. My thanks goes out to those who so generously offer these books for others to have the opportunity to win.
  • Rating: 4 out of 5 stars
    4/5
    Julie Klassen is a pretty good writer, and the plot of this book was interesting. I liked the characters, all the little mysteries going on, and the theme of redemption the book had. I don't know why it is called The Silent Governess, since Olivia is never a silent governess. She is a silent under-nurse, then a non-silent governess. I kept wondering how she could be a governess if she was silent, but that never happened.

    I thought the romance was the weakest part of the book. I never particularly liked Edward and I think he should have had more character development. Actually, Edward and Olivia's whole relationship needed more development. The way it is presented in the book makes it seem like it was all physical attraction, even though I'm sure that is not what the author meant. One thing that bugged me is how many times the author threw in instances where Edward and Olivia touch each other, sometimes accidentally (e.g. falling on top of each other while ice skating), but often purposely (e.g. Edward touching Olivia's cheek for no reason). There are also two instances where they walk into the other's bedchamber unannounced; both of these instances are quite inappropriate and unnecessary, and I don't think they actually would have happened. I didn't like the proposal scene either, because he doesn't actually propose, he just says something like "Do you know how long I've wanted to kiss you?" and then there is quite the description of the kiss. Anyway, the romance is probably only 20% of the book, and I did enjoy most of the book.

    ETA: One other thing that bothered me is how often Olivia shrugged. I can't really imagine a Regency lady shrugging, so it bugged me every time she did it.
  • Rating: 4 out of 5 stars
    4/5
    Even though this book was a bit longer than I am generally used to, I didn't notice the length as the chapters were quite manageable and the plot had me guessing and speculating over what would happen next. The book reminded me of Jane Eyre, which I still have yet to finish, but with more modern language. I found it interesting how well the Christian elements were woven into the plot - dare I use the word tastefully. I've read books in which the use of Christian influence feels stilted and awkward, almost as if it were added in as an afterthought to appeal to a certain audience. This does not feel that way, this feels genuine and sincere, such as when Olivia does not feel she is following the path God wants for her and her father's remorse over his alcoholism. All of the characters were well-defined and the loose ends of each of their subplots were resolved by the end of the text very satisfactorily. I also found the "silent" theme entertaining in how it played a part throughout the text, and the various ways that it popped up, whether for humor or for a more serious note. While I likely would not have selected this text for my reading pleasure if it were not offered to me to review, I am glad that I was given the opportunity to read it, as I thoroughly enjoyed the time I spent within its pages.
  • Rating: 5 out of 5 stars
    5/5
    I enjoyed this book very much. For those readers who love a blend of historical, regency and romantic mystery; this book is for you. The secrets, and mystery kept me guessing until the very end. There were so much twists and turns. I loved it.
  • Rating: 4 out of 5 stars
    4/5
    This was my first book by Julie Klassen and I mostly enjoyed it. Even though the plot was convoluted and full of twists and turns, I found it entertaining and and a real page-turner. I was expecting more romance in this book but I would classify it as more of a gothic novel with a touch of romance. There were lots of characters and they were very well written but my biggest objection was the abundance of secrets. Almost every character (except the children) had some kind of secret and somewhere in the middle it started getting annoying. Klassen writes very well and despite some annoyances I found it hard to put down. However I don't really care for Christian inspiration fiction but if this author were to write something a bit more steamy I would probably try her again.
  • Rating: 4 out of 5 stars
    4/5
    The Silent Governess is a Regency "romance" in the Christian fiction genre. I am not an avid reader of Christian fiction because in the past I have found it to be too preachy. However, this was not the case with this book. The main character, Olivia, has been through a traumatic experience and while fleeing her situation, she finds herself mixed up in another's dark secret. Not only must she keep her secret, but she must also keep the secret of Lord Bradley. All this secrecy makes for an intriguing read because you really never find out the whole truth until the very end. I usually figure out the plot before then and while I had my theories early on, I really did not have it 100% right. Also, while this is technically a "romance", I was so glad that it was not overly sappy and that it did not contain any explicit sex scenes. It was actually very Jane Austen in tone and content, although I will not go so far as to say that it was as well written as an Austen novel. I recommend this book to anyone who likes a good Regency historical and/or is a Jane Austen fan.
  • Rating: 4 out of 5 stars
    4/5
    A well written plot, great characterizations. Co-incidence plays too strong a role at one point, but aside from that quibble, this is a great read.
  • Rating: 5 out of 5 stars
    5/5
    I could not put this book down, it was so well-written and clever. I loved the characters and the story. It will leave you wanting to read more from Julie Klassen. Great book!! I picked it for our book club to read and I'm the first to finish it. I can't wait to hear what everyone else thought. I'm sure it will be a hit.
  • Rating: 4 out of 5 stars
    4/5
    This was an enjoyable story to read. I really liked the fact that I couldn't put all the pieces together until the very ending of the book. It kept me interested and wanting to know how everything was going to come together at the end. Olivia Keene finds herself leaving her home and family quite suddenly. She happens upon a secret conversation at a party and finds herself being forced to take a position at Brightwell Court, under the scrutiny of Lord Bradley. Lord Edward Bradley has a secret and if the truth gets out he could lose his inheritance, his home and everthing. Which is why he must keep Olivia under his watchful care, since she overheard this secret. But keeping an eye on a lady he is not sure he can trust, soons turns to more for both of them.There are alot of other interesting characters in this book and alot of mystery surrounding these characters. It is well worth the time to read this book!
  • Rating: 3 out of 5 stars
    3/5
    Well, here's the good news; after the first dozen or so chapters I was interested in the story and happy to read to the end. Was I diverted? Yes. Was I deeply involved or moved? No. This is a good-hearted fireside tale, and I'm sure it will be enjoyed by many. Now that I've been even-handed and fair, please let me continue to its minor flaws. This book is preposterous, uses some overfamiliar tricks, is not entirely true to its period, and downright loopy when it comes to the ending. None of these stop it from being a good read, but you'll forgive me if I get more specific.Preposterous:1. Once our heroine, the shabby-genteel Miss Olivia Keene, hears Edward's Big Secret, why does he install her in his house as a nurserymaid? What the hell is his plan? Why not buy her a coach ticket to Bath, slip twenty pounds into her purse, and tell her never to show her face again? Why does he give this suspicious character the care of his improbably pleasant and lovely little cousins? Oh, so he can fall in love with her. Right.2. Why does she put up with being held captive in his house and being forced to feign muteness? Why does she persist in this charade when she keeps on talking in her sleep? Why doesn't she write home and find out what happened after the violent scene that cast her out? Oh. Because she has to stay around and fall in love with Edward. Right. 3. Two encounters with wild dogs. Two?Familiar:1. A rival for Edward's love torn right from the pages of Jane Eyre. 2. Everyone falls in love with Olivia's meek, pretty, motherly ways, from the lowest scullery maid to the Earl himself. They all sit around her sickbed after a wild dog attack, fretting and realizing how much they have come to care for the sweet, pretty thing.3. Edward's sneering, haughty, distrustful ways, which only hide his growing fascination with Olivia.4. Rough, sexually threatening poachers; rough, sexually insistent groom; caddish, sexually insistent worthless cousin. They all pop up at frequent intervals, mostly so Olivia can be caught unwilling in their arms and then be sneered at distrustfully by Edward. I do give Olivia some points for bopping one of them in the eye. The author's later attempts to redeem one of them is in period (oh, all men do that, it doesn't mean anything), but feels like a bit of a cop-out if one takes the modern view that a man who gropes an unwilling nurserymaid in a darkened corridor is not a man to befriend.5. I'm not sure how common this is in romance novels, but I saw the hero's secret humble hobby coming a mile away, possibly because it reminded me of Moning's Beyond the Highland Mist. Why do all these sons of a hundred earls sneak off to the carpentry shed as soon as no-one's looking? Highland warrior-lord or English nobility, apparently all old-fashioned aristocrats just loved to spend an afternoon making wooden toys for the kids, just like any suburban dad. Period ProblemsWhile the period of the setting wasn't made clear, the comparisons to Austen and the characters' clothing suggest that it's set in the earlier part of the 1800s. How much anachronisms bother you really depends on how picky you are and how much you know about the period - so, a big deal for some, not a problem for others. There was nothing really weird, but here are a few things that stuck out for me. 1. the hero's desire to be a good, affectionate father figure, involved in his cousin's lives. Not impossible in that period, but worthy of comment.2. the "good" characters' transgressions of social rank, especially the easy emotional intimacy between people of different ranks. The young lord casually volunteering to drive the governess to the county market? I doubt it. 3. the waltzing scene - the waltz was considered borderline pornographic when it first came out, and was still risqué in the 1820s. I'm not sure a proper governess would teach it to her students, let alone dance it with her employer.4. the oddly progressive behaviour, like an employer keeping on a pregnant & married servant, a gentleman allowing his wife to work outside the home, and an employer allowing a servant to attend school. Loopy endingOh my. Bassinet-swapping all over the place. I began to wonder if anyone was raised with the right last name. I know that Big Revelations regarding one's True Lineage are characteristic of Victorian melodrama (though not as characteristic of Regency novels), but I thought they were telegraphed too early, one even before page 70. I am plot-twist impaired, so if I'm getting it, you probably will.The ending was bizarrely happy. I think she's going for a Jane Eyre-ish "reader, I married him," but there are so many miraculous reconciliations, reformations, accommodations between enemies, new babies, softenings of old grudges and... and.... I just couldn't quite take it all in. All the good people were rewarded and the bad people... went away. After all that, it was still readable, and there were some things I genuinely liked; Edward's journey from Regency lordling to middle-class dad; Bob the pet pheasant; Olivia's commitment to her own ambitions; the subtlety of the religious theme. Really, the romance itself didn't end up feeling like the main plotline to me. The unravelling of the various plots and schemes and the discovery of all the to-ing and fro-ing of twenty years before held more of my interest than the rather bland attachment between the hero and heroine. If I reread this, it will be for the supporting characters and the gentle but engaging pace.
  • Rating: 4 out of 5 stars
    4/5
    Pretty decent read. Somewhat predictable in parts. Overall, an entertaining and enjoyable book.
  • Rating: 3 out of 5 stars
    3/5
    An enjoyable 'period' novel, with just enough 'intrigue' to keep you hooked. The tension never got to the level of those old gothic novels, but it was definitely enough to raise your curiosity. I quite enjoyed it. The Christian content was present, but very understated, though. I thought it could have had a bit -more- to build up the reader. But yeah. Had some problem with the 'hero'. Nothing about him made me, as the reader, care about him. He acted like a jerk through most of the book, and one has to wonder what the heroine saw in him. One of the few books I've read where the hero could be replaced easily by any one of a million others.
  • Rating: 5 out of 5 stars
    5/5
    Olivia Keene walks into her dimly lit home to find her mother being choked. She quickly grabs a fire iron and strikes the man hard on the back of the head. Her mother gives Olivia a purse with only a few items in it and gives her instructions of where to go and tells her not to return home. When she finally looks inside the purse, there is a clipping that mentions Brightwell Court. As she is traveling to the place her mother instructed her to, she passes by Brightwell Court and decides to take a closer look. While she is secretively looking around she overhears a conversation she should not have heard. To ensure her silence and keep and eye on her Lord Bradley insists she stay on at Brightwell Court to help with his niece and nephew. The problem is he is beginning to have feelings for Olivia. Thank you Bethany House for providing me with a complimentary review copy.The back of the book described this story as moving, mysterious and romantic and I think that is an outstanding description. I was moved by the way this author took you though the emotions of Olivia being sent from her home into a new situation where she is not sure what will become of her life. Of the way one conversation can change a whole mans life and future. It was a mystery of whether or not it was her father she struck. And who was sending those blasted letters? How will all come out in the end? The author slowly leaks out little pieces of information as you continue through the story so at the end the puzzle all fits together very deliciously! I must say that this story was very romantic. I absolutely loved the scene where Olivia and Edward were dancing. The faith aspect of the story was done very well. I highly recommend the Silent Governess. You won't be disappointed. Thank you Bethany House for providing me with a complimentary review copy.
  • Rating: 4 out of 5 stars
    4/5
    This book was supposed to be in the style of Jane Austen or Charlotte Bronte, two of my favorites, so I was excited to read it. I did thoroughly enjoy it and looked for more to read by this author; however, saying it is akin to Bronte or Austen is very unrealistic. They penned lasting, profound, classic novels, while this one is really more of an enjoyable, yet forgettable story. It does take place in the same era as an Austen novel and of course features a governess, which is in keeping with Anne or Charlotte Bronte (or pretty much any educated female author of that time;) however, it does not feature the same thought provoking social statements. That said, there is certainly nothing wrong with simply reading a book for fun and enjoying it!I did like the story, and the unusual (yet hokey,) plot of a governess who must pretend she is unable to speak. Of course, as with many novels, this story features a happy ending with the young, innocent woman and grouchy, richer, older man falling in love. As much as I like a happy ending, (and this one was rather obvious from the start,) the characters' relationships weren't really developed enough to make it believable. They didn't have long conversations, instead the man just decided he was in love and the woman just went with it. Yay for hormones! Good thing fiction allows for a suspension of disbelief :)This novel has a Christian background but it definitely is not thrown in your face. It is more of a nonchalant mention without much preaching. So, while the ideas may appeal to Christians, they shouldn't be offensive to non Christians. The main character is simply a nice, innocent young girl.If you enjoy reading historical fiction or Victorian novels, etc., from a different era that was not so sexually overt as our own, you might enjoy this sweet little story.
  • Rating: 4 out of 5 stars
    4/5
    I received an ARC copy of Julie Klassen's The Silent Governess through the LibraryThing Early Reviewer program. The book was published in January. This review is based on an unedited galley proof.Every month I browse through the LT review books and select anything that sounds interesting. The Silent Governess captured my attention because it was described as a cross between Jane Austen and Jane Eyre, so that was enough to pique my curiosity. I did not know at the time that it was published as Christian fiction, which may have skewed my perception and made me turn away; however, I am glad that I was unaware of this because the novel was a delightful surprise and not at all the moralistic treatise that my personal prejudice would have led me to expect.***spoiler alert***Miss Olivia Keene, schoolteacher, faithful daughter, and mathematical genius, has but one ambition--to open a school for girls, until she becomes tangled in a series of events that will make her question her very identity and change her life forever.When Olivia witnesses a man attacking her mother, she rushes to her aid. Thinking only of saving her dear mother's life, Olivia strikes the man with a fire-iron and sees him drop to the ground, wounded and unconcious. Certain that she has murdered him, she flees at her mother's urging, seeking shelter in the woods and planning to travel to St. Aldwyn's School for Girls, where she hopes to find shelter and a situation. But one complication inevitably leads to another and Olivia encounters a group of poachers in the woods and comes under attack herself before a grizzled, haggard man named Croome secures her escape.With nowhere to turn, Olivia wanders into the town of Arlington and makes the acquaintance of the local vicar, who offers to assist her and help her on her way. After a run-in with the local earl, Lord Bradley of Brightwell Court, Olivia becomes curious and decides to take a look at Brightwell Court. It is just her luck that she happens to overhear a conversation that can destroy Lord Bradley's position as an earl and his future as a peer. Caught by the manor's gamekeeper, Olivia is imprisoned in the local gaol in a cell with one of the poachers that threatened her during her journey through the woods. When the poacher tries to strangle her, Olivia is saved just in time, but temporarily loses her voice as a consequence. Not trusting her to keep his dreadful secret, Lord Bradley takes her into his home and assigns her a position in the nursery, looking after his two young step-cousins. Olivia's strength and integrity, and her innate generosity make her a favorite among the members of the household, but when her voice returns, Lord Bradley refuses to believe she will not divulge his secret and ensures that she will stay on as a governess.No longer a member of the staff, Olivia's position places her above the other servants, but beneath the family. It is a lonely life that she leads as a governess, until she unexpectedly finds a friend in Lord Bradley, who comes to view her in a new light when he learns that Olivia also has secrets she would rather keep.---A touch of romance and mystery lend suspense to the tale in a way that would make the Brontes proud, while the manners and setting are Austenian indeed. The plot is fast-paced and the characters genuine. I was afraid that Olivia would be a self-effacing, highly moral miss (Christian fiction, silent governess... my prejudice again), but she was smart and daring, and defended her honor with untiring grace. Lord Bradley's admiration for Olivia evolved naturally, and the bond between them emerged in a manner similar to Jane and Mr. Rochester's, a pair of flawed equals. The mystery subplot was engaging and kept me guessing throughout, while the glimpse of life in a country house added to the idea that Olivia and Lord Bradley were part of a community filled with individuals, each of whom had their own story to tell.Olivia's experience of life as a governess reminded me of the series "Berkeley Square," and the epigraphs at the head of each chapter (quoted from documents and texts concerning the lives of governesses) were particularly insightful. Overall, a great read for any Regency fan.Gricel @ things-she-read.org
  • Rating: 4 out of 5 stars
    4/5
    I received this through the Er program and was very happy with it. The governess aspect put me in mind of "Jane Eyre" but this is an entirely different story. Overall I'd recommend it for historical fiction lovers, and those who enjoy Christian fiction- though the faith part of it does not take away from the rest of the story if you aren't crazy about that type of fiction.
  • Rating: 4 out of 5 stars
    4/5
    I enjoyed this light hearted mystery/romance. What annoyed me was that it was not categorized as Christian fiction.
  • Rating: 5 out of 5 stars
    5/5
    In Julie Klassen's book [The Silent Governess] we find Olivia Keene fleeing her home because she believes she has committed a crime. After overhearing a private conversation she is caught as a trespasser and thrown into jail. While in jail she is injured and cannot speak. To keep her from telling his secret if she does recover her voice, Lord Bradley hires her to help take care of his niece and nephew. As Olivia wins the hearts of most on the estate, we see the lives of many changing.My thoughts: I enjoyed this book very much. I couldn't wait to read the next part whenever I had time.The ending seemed to wrap up a little quickly for my taste. I would have preferred another chapter or two that explained events in a realistic time period.
  • Rating: 3 out of 5 stars
    3/5
    I read/reviewed this book as part of a blog tour for Baker/Revell publishing, so I'm going to paste in the review right from my blog:Synopsis:Olivia Keene is running away from her own secrets, but when she accidentally overhears a dangerous secret belonging to the Lord Bradley, she has little choice but to accept a post at his father’s court — a place where Lord Bradley can ensure Olivia’s silence about his own secret.As Miss. Keene teaches the children at Brightwell Court, Lord Bradley finds himself both drawn to her and frustrated by her. What is the secret she hides, and why does his heart feel so conflicted?Thoughts:At first glance, The Silent Governess is an intriguing tale of relationships in nineteenth-century England: familiar characters, social mores, elegant costuming, and people who never quite say what they mean. It’s fairly typical of this style of historical fiction, and fans of Julie Klassen’s previous work will find much to appreciate here.The characters are well-drawn, and sub-plots arise at every turn — and not only that, but Klassen manages to weave them all together at the end with skill, leading to a relatively satisfying conclusion. However…My primary issue with the book was the amount of crying/weeping/tears from the main character throughout the first half of the novel. Every ten pages or so, Miss. Keene either cries, holds back tears, or feels teardrops rolling down her cheeks. Yes, admittedly, she goes through quite a bit at the beginning of the book, but do we really need to join her at every moment of her tears? It gets rather tedious, and at one point I actually shouted at the novel, “Listen, just suck it up and deal with it!”At the end of the book, the resolution with Miss. Keene’s father also seemed somewhat contrived. It felt as through Klassen was desperate to tie up all the threads into a neat little bow, and that subplot in particular was resolved far too conveniently and neatly to be believable. It’s eye-roll worthy, to say the least.That aside, the book held my interest at length — I read the entire thing in one evening. I suspect that, despite its flaws, people who are a fan of this genre and of Klassen’s work will enjoy The Silent Governess. On the whole, I much preferred Klassen’s Lady of Milkweed Manor — but, it’s worth giving this one a try.I’d also recommend it for church libraries, as I think it would find quite a large readership there.
  • Rating: 4 out of 5 stars
    4/5
    Julie Klassen aims somewhere between Jane Austen and Charlotte Bronte with this one, providing plenty of intrigue, mystery, and secret identities along with a good dose of social commentary and subtle humor. Despite the unrealistically happy ending which ties everything up in a bow, The Silent Governess is a pleasant read--mainly due to the author's beautiful writing and vivid descriptions. I'm looking forward to reading The Lady of Milkweed Manor, since I hear it's Klassen's best.
  • Rating: 3 out of 5 stars
    3/5
    I have a love-hate relationship with Christian fiction. The stories are often interesting, some characters are surprisingly three-dimensional, and the genre is generally free from the preponderance of profanity and immorality found in many other categories of fiction. So I love Christian fiction because it generally won't corrupt. But it seems like every book follows the same pattern: boy meets girl; one or both are far from God; both have a crisis moment where they choose God; boy and girl finally can move forward in their relationship. This book is no different. The story is well-told (though the pacing was maybe a little slow at times), and the characters are engaging. I was fully entertained the whole time, and the author's writing style wasn't the least bit distracting. She wrote a Regency story using "the king's English," but she uses it so handily that I wasn't often aware of sentence structure or word choice - that's hard to do in the Regency sub-genre! I appreciated the reality of many of the details, and how the author made certain social conventions come alive. She allowed things that would've been issues back then to remain issues in the novel - she didn't just do away with them for her convenience. They became part of the plot and served a real purpose (character development vs. "here's how much I researched," for instance).I do have one criticism, and this is more a genre criticism than anything against this particular novel. Theology isn't central to the plot, really, so when it does come in, it's so incongruous that it seems like an after-thought. Like the story was written, and THEN it was picked up by a Christian publisher so the Gospel had to be thrown in right...HERE! Don't get me wrong: I don't have a problem with the Gospel. I believe the Gospel. I believe the Gospel should be a part of Christian story-telling. The issue is the mode and extent of inclusion. The essential idea is there - grace - but it's not fleshed out as it really should be to be effective. There's not enough of a spiritual element to the journey beforehand to make a character's new understanding of the grace of God at all life-changing. I know this is a novel, not a theological treatise, but whatever kind of text it is, the Gospel is never something we should leave muddy or include as an after-thought. The price He paid is too great; the purpose of His life and death is too important (Philippians 2:5-10).THE SILENT GOVERNESS is a great read; I'm glad it's part of my library, and I do recommend it to you. Read it, be transported back a few centuries, be immersed in its world. Just don't try to use it as a witnessing tool. In that sense alone, the book does the reader no favors.
  • Rating: 4 out of 5 stars
    4/5
    I like period pieces, so this was right up my alley.
  • Rating: 5 out of 5 stars
    5/5
    Olivia Keene has been forced into silence to protect the secrets of the past and the security of the future.

    Being in the wrong place at the wrong time causes events to spin out of control for Olivia. Her life takes a completely different direction than she anticipated. So many secrets, so many mysteries of the past. Edward Bradley is fearful of what the truth will mean for his future. His father, Lord Brightwell, must answer for his past actions. We get to see this story through the eyes of Edward and Olivia. They both struggle with their identity when everything they thought they knew about themselves starts to crumble. Through their journey we discover what it means to find your identity in Christ and how being a child of The King, our future is always certain.

    One of the things that I enjoy the most about Mrs. Klassen’s work is that she is so talented at bringing scripture and truth into her books. Our leading lady, Olivia Keene, does not have much, if any faith, in the beginning of our story. She suffers loss and heartache, but in the end discovers the truth about the Father, his love and tenderness, and that “All things work together for good”. I love witnessing the journey of faith and redemption in a very believable way. At first I was slightly taken aback by the fact that the lines between classes become blurred in her books. But the more I read the more I enjoy it. It allows for more imagination. The depth of character in Julie Klassen’s books is astounding. I feel like I know Olivia and Edward on a personal level. That it would not be odd if I were to receive a phone call from Olivia and chat for hours. Julie Klassen has won 3 Christy Awards to date and I sincerely hope that more awards are in the very near future for her.

    bookwormmama14.blogspot.com
  • Rating: 3 out of 5 stars
    3/5
    Overall, I enjoyed this book. It was a light, quick read, perfect for recovering from school finals. The setting was well thought out, with no glaring anachronisms or inaccuracies, and the characters were (for the most part) believable. My only issues were with how the mystery worked out--I generally like to have more clues so that I can try to figure it out on my own, and here the villain seemed to come from nowhere. Although the cover compares it to Jane Austen (why does every period romance published these days have to be compared to her?), I would recommend it instead for fans of Bronte's "Jane Eyre."
  • Rating: 5 out of 5 stars
    5/5
    Having read Klassen's previous two works, I was not disappointed with The Silent Governess. Weaving together historical detail with drama, it did not take long to be immersed into the story of Olivia Keene in 19th century England. The characters were worth getting to know and there was enough intrigue surrounding the mystery of Olivia and Lord Bradley's families to keep me in suspense until the end. In addition to the imagery and emotion of the story, the author's message of faith permeated the novel in a gentle and implicit way. The theme of God working all things together for good and for His glory was evident, even if it was not overtly proclaimed throughout the book. Although there were a few instances where unfamiliar words were left without explanation, they did not detract from the overall story. I would recommend this book to those who enjoy learning about life in Regency England and who want to read a story of redemption and hope.
  • Rating: 4 out of 5 stars
    4/5
    Olivea Keene, through mishap, finds herself homeless. On her way to seek employment she is waylaid by fate and Lord Bradley. After gaining his trust and the trust of others she uncovers the mystery of not only Lord Bradleys past but of her own. I enjoyed this book greatly, the plot was well written and I was pleasantly surpised at the end. I am pleased that it was morally clean, although perhaps a little too obviously preachy in places for me.
  • Rating: 4 out of 5 stars
    4/5
    This is the first book that I've read by Julie Klassen and it did not disappoint. It was a very good historical mystery/romance. Good plot and great characters. I loved Olivia and Edward's story and will plan to read more by Julie Klassen.
  • Rating: 5 out of 5 stars
    5/5
    This novel is well written and drew me into the complex storyline.
  • Rating: 3 out of 5 stars
    3/5
    Solid inspirational regency romance. I enjoy Julie Klassen's books, so I picked up one of her earlier titles. I did enjoy it, but I feel like her writing has improved over time.This one involves a young woman fleeing a difficult family situation. She is sent out the door by her mother with some vague instructions about finding a nearby abbey and asking for work there. As she walks through the countryside she has several strange encounters, the last of which involve her overhearing something she shouldn't have from a young Lord. He finds out that she has overheard his secret and says that she must stay at his estate as a servant (nursemaid) until he can find out what to do. Oh, and she briefly loses her voice but then keeps pretending like she can't speak so that no one will discover her secrets. Of course romance will eventually develop between her and the Lord, and along there way there are some adorable children, a vicar with a lot of Christian advice, a meddling cousin, and also a mischievous one. Klassen does do a good job of creating some memorable characters, but some of the plot points and decisions made seemed far fetched to me. Still, I would definitely recommend it to fans of Inspirational, clean romances - especially if they enjoy the Regency time period.

Book preview

The Silent Governess - Julie Klassen

1856

Prologue

For years, I could not recall the day without a smoldering coal of remorse burning within me. I tried to bury the memory deep in the dark places of my mind, but now and again something would evoke it—a public house placard, a column of figures, a finely dressed gentleman—and I would wince as the memory appeared and then scuttled away, like a silverfish under the door. . . .

The day began wonderfully well. My mother, father, and I, then twelve, rode into Chedworth together and spent a rare afternoon as a harmonious family. We viewed many fine prospects and toured the Roman ruins, where my mother met by chance an old friend. I thought it a lovely outing and remember feeling as happy as I had ever been—for my mother and father seemed happy together as well.

The mood during the journey home was strained, but I chalked it up to fatigue and soon fell asleep in the gig, my head lolling against my mother’s shoulder.

When we arrived home, I remained in such buoyant spirits that when my father dully proclaimed himself off to the Crown and Crow, I offered to go along, although I had not done so in many months.

He muttered, Suit yourself, and turned without another word. I could not account for his sudden change of mood, but then, when had I ever?

I had been going with him to the Crown and Crow since I was a child of three or four. He would set me upon its high counter, and there I would count to a thousand or more. When one has mastered one hundred, are not two, five, and nine so much child’s play? By the age of six, I was ciphering sums to the amusement and amazement of other patrons. Papa would present two or three figures and there before me, as if on a glass slate, I would see the totals of their columns.

What is forty-seven and fifty-five, Olivia?

Instantly the numbers and their sum would appear. One zero two, Papa.

One hundred two. That is right. That’s my clever girl.

As I grew older, the equations grew more difficult, and I began to wonder if the weary travelers and foxed old men would even know if I had ciphered correctly. But my father did, I was certain, for he was nearly as quick with numbers as I.

He also took me with him to the race clubs—even once to the Bibury Racecourse—where he placed wagers entrusted to him by men from Lower Coberly all the way to Foxcote. Beside him, with his black book in my small hands, I noted the odds, the wins and losses, mentally subtracting my father’s share before inscribing the payouts. I found myself caught up in the excitement of the race, the smells of meat pasties and spiced cider, the crowds, the shouts of triumph or defeat, and the longed-for father-daughter bond.

Mother had always disliked my going with Papa to the races and public house, yet I was loath to refuse him altogether, for I was hungry for his approval. When I began attending Miss Cresswell’s School for Girls, however, I went less often.

In the Crown and Crow that day, being twelve years of age, I was too old to perch upon the high counter. Instead I sat beside my father in the inglenook before the great hearth and drank my ginger beer while he downed ale after ale. The regulars seemed to sense his foul temper and did not disturb us.

Then they came in—a well-dressed gentleman and his son, wearing the blue coat and banded straw hat of a schoolboy. The man was obviously a gentleman of quality, perhaps even a nobleman, and we all sat up the straighter in defense of our humble establishment.

The boy, within a year or two of my own age, glanced at me. Of course we would notice one another, being the only young people in the room. His look communicated disinterest and contempt, or at least that was how I ciphered his expression.

The gentleman greeted the patrons in gregarious tones and announced that they had just visited a lord somebody or other, and were now traveling back toward London to return his son to Harrow’s hallowed halls.

My father, cheeks flushed and eyes suddenly bright, turned to regard the boastful gentleman. A Harrow lad, ey?

Just so, the gentleman answered. Like his old man before him.

A fine, clever lad, is he? Papa asked.

A flicker of hesitation crossed the gentleman’s face. Of course he is.

Not one to be outwitted by a village girl like this, then? Papa dipped his head toward me, and my heart began to pound. A sickening dread filled my stomach.

The gentleman flicked a look at me. I should say not.

Father grinned. Care to place a friendly wager on it?

This was nothing new. Over the years, many of the regulars had made small wagers on my ability to solve difficult equations. And even fellows who lost would applaud and buy Papa ale and me ginger beer.

The gentleman’s mouth twisted. A wager on what?

That the girl can best your boy in arithmetic? They do teach arithmetic at Harrow, I trust?

Of course they do, man. It is the best school in the country. In the world.

No doubt you are right. Still, the girl here is clever. Is she not, folks? Papa turned to the regulars around the room for support. Attends Miss Cresswell’s School for Girls.

Miss Cresswell’s? The gentleman’s sarcasm sent shivers down my spine. My, my, Herbert, we had better declare defeat before we begin.

My father somehow retained control of his temper. Even feigned a shrug of nonchalance. Might make for a diverting contest.

The gentleman eyed him, glass midway to his lips. What do you propose?

Nothing out of the ordinary. Sums, divisions, multiplications. First correct answer wins. Best of three?

That was when I saw it—the boy’s look of studied indifference, of confidence, fell utterly away. In its place pulsed pale, sickly fear.

The gentleman glanced at his son, then finished his drink. I don’t find such sport amusing, my good man. Besides, we must be on our way. Long journey ahead. He placed his glass and a gold guinea on the counter.

I don’t blame you, Papa rose and placed his own guinea on the bar. A bitter pill, bein’ bested by a girl.

Pu-ppa . . . I whispered. Don’t.

Well, Herbert, we cannot have that, can we. The gentleman poked his son’s shoulder with his walking stick. What do you say, for the honour of Harrow and the family name?

And in the stunned dread with which son regarded father, I saw the rest. I recognized the fear of disappointing a critical parent, the boy’s eagerness for any morsel of approbation, and his absolute terror of the proposed contest. Clearly he was no scholar in mathematics, a fact he had perhaps tried desperately to conceal—and which was now about to be exposed in a very public and very mortifying manner.

Excellent, my father said. Ten guineas to the winner?

Per equation? Excellent, the gentleman parroted shrewdly. Thirty guineas total. Even I am skilled in ciphering, you see.

I swallowed. My father had not meant thirty guineas. Did not have thirty guineas, as the gentleman must have known.

My father did not so much as blink. Very well. We shall start out easy, shall we? First with the correct answer wins.

He enunciated two three-digit numbers, and the sum was instantly before me and out of my lips before conscious thought could curtail it.

I glanced at Herbert. A trickle of sweat rolled languidly from his hairline to his cheek.

Come, Herbert, there is no need to act the gentleman in this instance. You may dispense with ‘ladies first’ this time, ey?

Herbert nodded, his eyes focused on my father’s mouth as though willing the next numbers to be simple ones, as though to control them with his stare.

Papa gave a division problem, not too difficult, and again the answer painted the air before me.

And again the young man did not speak.

Go on, I silently urged. Answer.

Come, Herbert, his father prodded, features pinched. We haven’t all night.

Would you mind repeating the numbers, sir? Herbert asked weakly, and my heart ached for him.

I felt my father’s pointed look and heard his low prompting, Out with it, girl.

Six hundred forty-four, I said apologetically, avoiding the gazes of all.

Murmurs of approval filled the room.

The gentleman stood, eyes flashing. There is no way the girl could figure that in her head. I see what this is. A trick, is it not? No doubt we are not the first travelers to be taken in by your trained monkey who has memorized your every equation.

I cringed, waiting for my father to rise, fists first, and strike the man. Cheaters infuriated him, and many was the time I’d seen him fly into a rage over a thrown game or race. Yes, he’d take his share of other men’s winnings, but not a farthing more.

"Let us see how she fares if I propose the question, the gentleman demanded. And the first correct answer wins the entire wager."

Would my father abide such an insulting insinuation?

The proprietor laid a hand on his arm, no doubt fearing for the preservation of his property. Why not, man? he quietly urged. Let Olivia prove herself the clever girl we all know she is.

My father hesitated.

Unless you are afraid? the gentleman taunted.

I am not afraid.

My father’s eyes bore into the face of the proud traveler, while I could not tear mine from the son’s. Such humiliation and shame were written there. It was one thing for a girl to be clever—it was unexpected. A parlor trick, however honestly come by. But for a son, his father’s pride, and no doubt heir, to be proven slow, to be made a fool by a girl? I shuddered at the thought of the piercing reprimands or cold rejection that would accompany him on the long journey ahead. And perhaps for the rest of his life.

The gentleman eyed the hop-boughed beams as he thought, then announced his equation. No doubt one he knew the answer to, likely his acreage multiplied by last year’s average yield. Something like it, at any rate. Against the background of the boy’s pale face and bleak green eyes, the numbers appeared before me, but lacked their usual clarity. Instead they swayed and slithered like that old silverfish and slid beneath the door.

The young man’s eyes lit up. He had likely hit upon the number by memory rather than calculation, but as soon as he proclaimed the answer, I knew he was correct. The relief and near-jubilation on his face buoyed me up for one second. The answering smile and shoulder-clap from his father, one second more. Then the disapproval emanating from my own father’s eyes pulled me around, and I saw the terrible truth of what I had done. Too late, I saw. Never again would he take me with him. Never again would he call me his clever girl, nor even Olivia.

The gentleman picked up my father’s guinea from the bar. I will take only one guinea, and let that be a lesson to you. I shall leave the rest to cover your debts to the others you have no doubt tricked over the years. Turning with a flourish, the gentleman placed a gloved hand on his boy’s shoulder and propelled him from the room.

I watched them go, too sickened to be relieved that all I had cost my father was one guinea. For I knew I had cost him far more—the respect of every person in that room.

Slowly I became aware of their hooded looks, their unconscious shrinking back from us. Now they would believe the traveler’s accusation that my ability had been a trick all along. All their applause and ale and wagers accepted dishonestly. In his eyes—in theirs—they had all been made fools by us. By me.

By my silence.

Chapter 1

It is nought good a slepyng hound to wake.

—GEOFFREY CHAUCER

Twelve years later

November 1, 1815

Heart pounding with fear and regret, Olivia Keene ran as though hellhounds were on her heels. As though her very life depended upon her escape.

Fleeing the village, she ran across a meadow, bolted over the sheep gate, caught her skirt, and went sprawling in the mire. The bundle in her cape pocket jabbed against her hip bone. Ignoring it, she picked herself up and ran on, looking behind to make sure no one followed. Ahead lay Chedworth Wood.

The warnings of years echoed through her mind. Don’t stray into the wood at night. Wild dogs stalked that wood, and thieves and poachers camped there, with sharp knives and sharper eyes, looking for easy game. A woman of Olivia’s four-and-twenty years knew better than to venture into the wood alone. But her mother’s cries still pulsed in her ears, drowning out the old voice of caution. The danger behind her was more real than any imagined danger ahead.

Shivers of fear prickling over her skin, she hurled herself into the outstretched arms of the wood, already dim and shadowy on the chill autumn evening. Beneath her thin soles, dry leaves crackled. Branches grabbed at her like gnarled hands. She stumbled over fallen limbs and underbrush, every snapping twig reminding her that a pursuer might be just behind, just out of sight.

Olivia ran until her side ached. Breathing hard, she slowed her pace. She walked for what seemed like an hour or more and still hadn’t reached the other side of the wood. Was she traveling in a circle? The thought of spending the night in the quickly darkening wood made her pick up her pace once more.

She tripped on a tangle of roots and again went sprawling. She heard the crisp rip of fabric. A burning scratch seared her cheek. For a moment she lay as she was, trying to catch her breath.

The pain of the fall broke through the dam of shock, and the hot tears she had been holding back poured forth. She struggled up and sat against a tree, sobbing.

Almighty God, what have I done?

A branch snapped and an owl screeched a warning to his mate. Fear instantly stifled her sobs. Hairs prickling at the back of her neck, Olivia searched the moonlit dimness with wide eyes.

Eyes stared back.

A dog, wiry and dark, stood not twenty feet away, teeth bared. In silent panic, Olivia scratched the ground around her, searching for something to use as a weapon. The undergrowth shook and the ground pulsed with a galloping tread. Two more dogs ran past, one clenching something round and white in its jaws. The head of a sheep?

The first dog turned and bounded after the other two, just as Olivia’s fingers found a stout stick. She gripped it tightly, wishing for a moment that she still held the fire iron. Shivering in revulsion, Olivia thrust aside the memory of its cold, hard weight. She listened for several tense seconds. Hearing nothing more, she rose, stick firmly in hand, and hurried through the wood, hoping the dogs wouldn’t follow her trail.

The moon was high above the treetops when she saw it. The light of a fire ahead. Relief. Wild animals were afraid of fire, were they not? She tentatively moved nearer. She had no intention of joining whoever had camped there—perhaps a family of gypsies or a gentlemen’s hunting party. Even if the rumors of thieves and poachers were stuff and nonsense, she would not risk making her presence known. But she longed for the safety the fire represented. She longed, too, for its warmth, for the November night air stole mercilessly through her cape and gown. Perhaps if another woman were present, Olivia might ask to warm herself. She dared move a little closer, stood behind a tree and peered around it. She saw a firelit clearing and four figures huddled around the flames in various postures of repose. The sound of men talking and jesting reached her.

Squirrel again tonight, Garbie? a gravelly voice demanded.

Unless Croome comes back with more game.

This time o’ night? Not dashed likely.

More likely he’s lyin’ foxed in the Brown Dog, restin’ his head on Molly’s soft pillows.

Not Croome, another said. Never knew such a monkish man.

Laughter followed.

Every instinct told Olivia to flee even as she froze where she stood. This was no family, nor any party of gentlemen. Fear slithering up her spine, she turned and stepped away from the tree.

Wha’s that?

A young man’s loud whisper stopped Olivia’s retreat. She stood still, afraid to make another sound.

What’s what? I don’t hear nofin’.

Maybe it is Croome.

Olivia took a tentative tiptoe step. Then another. A sticky web coated her face, startling her, and she stumbled over a log onto the ground.

Before she could right herself, the sound of footsteps surrounded her and harsh lamplight blinded her.

Well, kiss my bonnie luck star, a young man breathed.

Olivia struggled to her feet and pushed down her skirts. She brushed her fallen hair from her face and tried to remain calm.

Croome’s got a mite prettier since we saw ’im last, said a second young man.

Beside him, a bearded hulk glowered down at her. In the harsh, gravelly voice she had first heard, he demanded, What are ya doin’ here?

Panic shot through her veins. Na—nothing! I saw your fire and I—

Looking for some company, were ya? The big man’s leer chilled her to the marrow. Well, ya come to the right place—hasn’t she, lads?

Aye, another agreed.

The big man reached for her, but Olivia recoiled. No, you misunderstand me, she said. I simply lost my way. I don’t want—

Oh, but we do want. His gleaming eyes were very like those of the wild dog.

The stout stick she had been carrying was on the ground, where it had landed when she fell. She lunged for it, but the man grabbed her from behind. Where d’ya think yer going? Nowhere soon, I’d wager.

Olivia cried out, but did manage to get her hand around the stick as he hauled her up.

Let go of me!

The burly man laughed. Olivia spun in his arms and swung the stick like a club. With a thwack, it caught the side of his head. He yelled and covered the wound with his hands.

Olivia scrambled away, but two other men grabbed her arms and legs, wrestled the stick from her, and bore her back to the fire.

You all right, Borcher? the youngest man asked, voice high.

I will be. Which is more’n I can say for her.

Please! Olivia implored the men who held her. Release me, I beg of you. I am a decent girl from Withington.

My brother lives near there, the youngest man offered.

Shut up, Garbie, Borcher ordered.

Perhaps I have met your brother, she said desperately. What is his na—?

Shut yer trap! Borcher charged forward, hand raised.

Borcher, don’t, young Garbie urged. Let her go.

After the hoyden hit me? Not likely. Borcher grabbed her roughly, pinning both arms to her sides with one long, heavy arm and pressing her back against a tree.

She tried in vain to stomp on his foot, but her kid slippers were futile against his boots. No! she shouted. Someone help me. Please!

His free hand flashed up and clasped her jaw, steely fingers clamping her cheeks in a vise that stilled her shouts. She wrenched her head to the side and bit down on his thumb as hard as she could.

Borcher yelled, yanked his hand away, and raised it in a menacing fist.

Olivia winced her eyes shut, bracing herself for the inevitable blow.

Fwwt. Smack. Something whizzed by her captor’s ear and shuddered into the tree above her. She opened her eyes as Borcher whirled his head around. Across the clearing, at the edge of the firelight, a man stood atop a tree stump, bow and arrow poised.

Let her go, Phineas, the man drawled in an irritated voice.

Mind yer own affairs, Croome. Borcher raised his fist again.

Another arrow whooshed by, slicing into the tree bark with a crack.

Croome! Borcher swore.

Next time, I shall aim, the man called Croome said dryly. Though he appeared a slight, older man, cool authority steeled his words.

Borcher released Olivia with a hard shove. The back of her head hit the tree, where long arrows still quivered above her. Even the jarring pain in her skull did not diminish the relief washing over her. In the flickering firelight, she looked again at her rescuer, still perched on the stump. He was a gaunt man of some sixty years in a worn hat and hunting coat. Ash grey hair hung down to his shoulders. A game bag was slung over one of them. The bow he held seemed a natural extension of his arm.

Thank you, sir, she said.

He nodded.

Glimpsing the stout stick by the light of the forgotten lamp, Olivia bent to retrieve it. Then turned to make her escape.

Wait. Croome’s voice was rough but not threatening. He stepped down from the stump, and she waited as he approached.

His height—tall for a man of his years—and limping gait surprised her. Take the provisions I brought for these undeserving curs.

She accepted a quarter loaf of bread and a sack of apples. Her stomach rumbled on cue. But when he extended a limp hare from his game bag, she shook her head.

Thank you, no. This is more than enough.

One wiry eyebrow rose. To make up for what they did to you—and would have done?

Olivia stiffened. She shook her head and said with quiet dignity, No, sir. I am afraid not. She handed back the bread and apples, turned, and strode smartly from the clearing.

His raspy chuckle followed her. Fool . . .

And she was not certain if he spoke of her or of himself.

Olivia walked quickly away by the moonlight filtering through the autumn-bare branches, the stick outstretched before her like a blindman’s cane. She stayed alert for any hint of being followed but heard nothing save the occasional to-wooo of a tawny owl or the feathery scurrying of small nocturnal creatures. Eventually her fear faded into exhaustion and hunger. Perhaps I should not have been so proud, she thought, her stomach chastising her with a persistent ache.

Finally, unable to trudge along any further, she curled into a ball beside a tree. She searched her cape pockets for her gloves, but only one remained—the other lost in the wood, no doubt. She again felt the firm bundle in her pocket but did not bother to examine it in the dark. Shivering, she drew her hooded cape close around herself and covered her thin slippers with handfuls of leaves and pine needles for warmth. Images of her mother’s terrified eyes and of a man’s body lying facedown on the dark floor tried to reassert themselves, but she pushed them away, escaping into the sweet forgetfulness of sleep.

Chapter 2

Send her to a boarding-school,

in order to learn a little ingenuity and artifice.

Then, Sir, she should have a supercilious knowledge in accounts . . .

—R. B. SHERIDAN, THE RIVALS, 1775

Olivia awoke to birdsong and mist, her hand still grasping the heavy stick. It reminded her once more of the fire iron, and she was tempted to hurl it away. But was it not her only protection from wild dogs if not wicked men?

The sunrise glimmered through the canopy of branches, beribboned with sparse, tenacious leaves. Her limbs were stiff, her toes numb from sleeping on cold, rooted ground. She rubbed warmth into her hands, then her feet, before replacing her shoes. If she had known what would happen yesterday, she would have taken time to lace on half boots instead of wearing her flimsy kid slippers.

The dreadful scene replayed in her mind.

She’d come home late from her post at Miss Cresswell’s school. Found her father’s coat on an overturned chair. Her slippers crunched on broken glass. What had he thrown this time? A drinking glass? A bottle? A shrill cry pulled her into the bedchamber, dark, but light enough to see a chilling sight—the back of a man with his hands around her mother’s throat. Her mother’s eyes wide, gasping for air . . .

Olivia had not thought, only reacted, and suddenly the fire iron was in her hand. She raised it high and slammed it down with a sickening clang, and he fell facedown on the floor. The force of the blow reverberated up her arm and into her shoulder. Numbing shock followed like an icy wave. She stared, unmoving, as her mother sucked in haggard draws of air.

Then her mother was beside her, pulling the fire iron from her stiff fingers, and drawing her from the room, through the kitchen to the front door, both of them trembling.

Did I kill him? Olivia had whispered, glancing back at the darkened bedchamber door. I did not mean to do it. I only—

Hush. He breathes still, and may revive any moment. You must leave before he sees you. Before he learns who struck him.

By the light of the kitchen fire, Olivia glimpsed the welts already rising on her mother’s neck. Then you must come with me. He might have killed you!

Dorothea Keene nodded, pressing shaky fingers to her temples, trying to concentrate. But first I will go to Muriel’s. She will know what to do. But he must never know you were here. You . . . you have left the village . . . for a post. Yes.

But where? I don’t know of any—

Far from here. Her mother squeezed her eyes shut, thinking. Go to my . . . go to St. Aldwyns. East of Barnsley. I know one of the sisters who manage the school there. They may have a post, or at least take you in.

Her mother turned and hurried across the kitchen. Reaching up, she winced as she pulled a small bundle from behind a portrait frame.

I cannot leave you, Mamma—you are hurt!

Returning, her mother gripped her arm. If he should die, it will be the noose for you. And that would kill me more surely than he ever could.

She shoved the bundle into Olivia’s cape pocket. Take this and go. And promise me you will not return. I will come to you when I can. When it is safe.

A low moan rumbled from the other room, and panic seized them both. Go now. Run!

And Olivia ran.

The scene faded from her mind, and Olivia shuddered. She drew forth the small bundle, studying it by morning’s light. At first glance, it looked like an old, folded handkerchief, but on closer inspection, she saw that it had seams and a small beaded clasp.

Why had her mother made this? Had she foreseen last night’s events and Olivia’s need to flee? Or had she been prepared to make her own escape, from a husband whose violent temper had been escalating for months?

Olivia opened the concealed purse and examined its contents. Four guinea coins were tacked in with thread, to keep them from jingling and giving away their hiding place, she supposed. There was also a letter. She picked it up, but saw it was firmly sealed with wax. She turned it over and read the tiny script in her mother’s fine hand: To be opened only upon my death. Olivia’s heart started. What in the world? She thought once more of her father’s jealous rages—the overturned chairs, the broken glass, the holes punched in the wall. Still, Olivia had never believed he would actually harm his own wife. Had her mother feared that very thing? Curiosity gnawed at her, but she quickly returned the letter to its place.

As she did, she felt a thin disk within the folds of fabric, apparently a fifth, smaller, coin. A small tear in the lining revealed its would-be escape route. Curious, she worked the coin with stiff fingers back to the hole. As she extracted the shilling, a scrap of paper came with it. It was an inch-by-three-inch rectangle, torn from a newspaper, yellowed with age. It appeared to be a brief portion of a marriage announcement.

. . . the Earl of Brightwell of his son,

Lord Bradley to Miss Marian Estcourt

of Cirencester, daughter of . . .

Brightwell . . . Estcourt . . . the names echoed dully in Olivia’s mind. She could not recall her mother mentioning either name before. Why had she kept the clipping?

Her stomach growled and Olivia tucked away the paper—and her questions—for another time. Gingerly she rose and began pulling leaves and needles from her hair. Brushing off her cape and dress, she grimaced at a long tear in her bodice. Her shift and one strap of her stays showed. Thinking of her peril of the previous night, she shuddered, realizing the damage could have been far worse. She pulled up the hanging flap of bodice and tied it crudely to the strip of torn cloth at her shoulder. She hoped she didn’t look as dreadful as she felt.

She tried to run her fingers through her hair and discovered it was a knotted mess, her neat coil long-since fallen. She longed for a bath and a comb. No use in fretting about it now, she told herself. If I don’t get moving, no one but the trees shall see me anyway.

Olivia once more wove her way through the trees and underbrush, wondering if the schoolmistress her mother knew would really take in a stranger, and what Olivia would do if not. She bit the inside of her cheek to hold back self-pity and tears. She breathed a quick prayer for her mother and kept walking, her breath rising on the cold morning air.

The trees thinned as the sun rose higher in the sky, lifting her spirits with it. She saw a ribbon of road ahead and decided to follow it, knowing she could return to the shelter of the wood if necessary.

She walked along the road for several minutes, then accepted a ride in the back of a farmer’s wagon. His wife looked askance at the stick in her hand but did not comment.

After many jostling, jerking miles, the farmer called a welcome whoa to his old nag and smiled back at Olivia. That’s our farm up the lane there, so this is as far as we can take you.

Thanking the couple, Olivia climbed stiffly from the wagon and asked the way to St. Aldwyns.

Follow the river there, the farmer said, pointing. It’ll be quicker than the road, though you’ll not meet another wagon.

Olivia followed the river as it passed through a rolling vale, skirted a tiny hamlet, then another. Soon after that, the river disappeared within a copse of trees. Not another wood . . . Olivia lamented. She did not wish to lose her way, so she took a deep breath and entered the copse.

The trees were not dense, and through them she saw an open field beyond. Having had her fill of trees the previous night, she walked faster.

A sound startled Olivia, and she stopped abruptly. Listening over her pounding heart, she heard it once more. Barking. Her stomach lurched. More wild dogs? Coming fast! She was running before she consciously chose to, stick banging against her leg. With her free hand, she hiked up her skirts and darted onto the field. Ignoring the cinder burning in her side, she ran on, not daring to pause to look behind her. Another sound joined the first—a low rumble, growing louder. Thunder? A search party?

The dogs drew closer—she could hear the barking distinctly now—they were nearly upon her. Panic gripped her. Something nipped at her skirts, and she spun around, swinging the stick and yelling at the top of her voice.

Be gone! Go! The barking dogs skidded and jumped. She grazed one on its rump, and it yelped and ran away.

Slowly the blur of mottled fur came into focus and she realized these were not wild dogs at all. Horse hooves thundered around her. She looked up in a daze as a small army of scarlet coats and black hats—men in hunting attire—charged up on all sides.

Stand clear! one of the riders shouted, his roan galloping dangerously close.

She leapt out of his way. Then she screamed and lifted her arms over her head—for she had jumped right into the path of an oncoming horse. Its rider pulled up sharply and the black horse skittered and reared up. Dirt flew, splattering Olivia’s face. The horse’s hooves flashed inches from her chin and then exploded onto the ground before her.

What on earth do you think you are doing? The rider of the black yelled down. Are you mad?

Other riders—whippers-in and gentlemen on field hunters of white, grey, and chestnut—circled around her, their voices raised and angry.

You have spoilt an excellent hunt! This from the elderly master of the hunt, silver side-whiskers showing beneath his telltale velvet hat. His lined, aristocratic face was nearly as red as his coat.

She tried to kill the hounds! another accused. The lead dog is limping.

I thought they were wild dogs! Olivia sputtered in lame defense.

Wild dogs! the huntsman echoed, copper horn hanging from his neck. I don’t believe it. Are you daft?

She wiped her sleeve across her eyes to clear the mud and her mind. No. I . . . I—

I believe her, gentlemen. The rider of the black horse dismounted and grabbed the stick from her hand. She is obviously armed to ward off wild dogs.

From the looks of the chit, the stout rider of the roan called down, I’d say she battled a mud puddle—and lost.

The other men laughed. Ignoring the jeers, Olivia kept her eyes on the tall young man before her. Though not the master of the hunt, and by all appearances no older than she was, he was clearly a leader of men and cut an imposing figure in his hunting kit and Hessian boots.

Forcing her voice into cool civility, she said, I am sorry about the dog. Now kindly return my stick, sir.

His eyes were glittering blue glass in a face that would have been handsome were it not imperious and angry. I believe not. You are far too dangerous.

Olivia could feel her anger mounting as the men continued their laughter and taunts. But it was the disdainful smirk of the young man before her that threatened her self-control, already worn thin by recent stress and lack of sound sleep. She thrust out her hand. Return it to me at once.

The elderly master of the hunt called derisively, "Have you any idea whom you are addressing, ghel?"

Keeping her eyes on the haughty young man before her, she answered levelly, Someone with very poor manners.

The others reacted with barely concealed snorts of laughter.

Good, she thought. See how he likes being laughed at.

Some new emotion flickered across the man’s face, but the expression was quickly overlaid with contempt. Broad shoulders strained against his close-fitting coat as he carelessly flung the stick into the brush some thirty yards away.

Olivia opened her mouth to protest, but the old master called down a steely warning. "Careful, ghel. Bradley

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