Discover millions of ebooks, audiobooks, and so much more with a free trial

Only $11.99/month after trial. Cancel anytime.

Heartless (Tales of Goldstone Wood Book #1)
Heartless (Tales of Goldstone Wood Book #1)
Heartless (Tales of Goldstone Wood Book #1)
Ebook414 pages6 hours

Heartless (Tales of Goldstone Wood Book #1)

Rating: 3.5 out of 5 stars

3.5/5

()

Read preview

About this ebook

Princess Una of Parumvir has come of age and will soon be married. She dreams of a handsome and charming prince, but when the first suitor arrives, she finds him stodgy and boring. Prince Aethelbald from the mysterious land of Farthestshore has traveled far to prove his love--and also to bring hushed warnings of danger. A dragon is rumored to be approaching Parumvir.

Una, smitten instead with a more dashing prince, refuses Aethelbald's offer--and ignores his warnings. Soon the Dragon King himself is in Parumvir, and Una, in giving her heart away unwisely, finds herself in grave danger. Only those courageous enough to risk everything have a hope of fighting off this advancing evil.
LanguageEnglish
Release dateJul 1, 2010
ISBN9781441212016
Heartless (Tales of Goldstone Wood Book #1)
Author

Anne Elisabeth Stengl

ANNE ELISABETH STENGL makes her home in Drakenheath with her handsome husband, beautiful baby daughter, and an ever-growing collection of rescue dogs and cats. Her novel STARFLOWER was awarded the 2013 Clive Staples Award, and her novels HEARTLESS, VEILED ROSE, and DRAGONWITCH have each been honored with a Christy Award. To learn more about Anne Elisabeth Stengl and her books visit: www.AnneElisabethStengl.blogspot.com

Read more from Anne Elisabeth Stengl

Related to Heartless (Tales of Goldstone Wood Book #1)

Titles in the series (6)

View More

Related ebooks

Religious Fiction For You

View More

Related articles

Related categories

Reviews for Heartless (Tales of Goldstone Wood Book #1)

Rating: 3.3565890744186047 out of 5 stars
3.5/5

129 ratings39 reviews

What did you think?

Tap to rate

Review must be at least 10 words

  • Rating: 2 out of 5 stars
    2/5
    I think I got this as a free Kindle book. I started it once or twice, and it didn't quite grab me. I'm trying to read things that I've already got, and not look for new, so I kept pushing through. There was a lot to like, the world-building was interesting at first, very fairy-tale-ish. At the same time, though, I find myself wondering why I bothered. A lot of the plot was really convoluted and confusing, and the heroine wasn't really all that likeable. The hero just sort of showed up exactly when we needed him, and I felt almost no connection to him, I didn't really care if he won the girl and slayed the dragon or not. The things that happened to her, were on a slow build, and then suddenly, wham. I'm still not entirely sure I know what happened. There were a lot of loose ends, too, which I guess were on purpose, to set up the next book(s) in the series. I'm not going to bother. More than enough to read....
  • Rating: 3 out of 5 stars
    3/5
    I did not expect to enjoy this book as much as I did! The first few chapters didn't bode well but the characters and plot seemed to gain strength as the novel went on. I never fell in love with Una, the protagonist, but a few other characters (notably Felix and Aethelbald) managed to carry the story on their own. The poetry was a bit dodgy, too. Overall mediocre, with a few very good things and a few very bad things, but certainly readable and at times even engrossing.
  • Rating: 3 out of 5 stars
    3/5
    This ended up to be better than I had expected, although, to be truthful, I didn't expect much when I realized that it was considered Christian Fiction.It was a pleasant surprise to see that the book didn't contain a lot of evangelism, and instead concentrated on the characters and the story.However, I found myself underwhelmed by the main character. Una starts out selfish, petty, and more than a little foolish- and there is very little description of any change, except that by the end she's sweet and in love with the good guy. She is difficult to care about, and I found it almost impossible to like her, no matter how hard I tried.I would have liked to hear more about Prince Aethelbald- why he was so willing to love Una at the request of his father, and the path he took to rescue her from the fate she threw herself into without regard for the people around her.The world was a fascinating one- the way that magic was rare but treasured, and the unique origin of dragons. I would be willing to give any sequels a read.
  • Rating: 5 out of 5 stars
    5/5
    I enjoyed this book a lot... I had realized it was a christian company after I received the book but since I won it I was determined to at least give it a try, and I am glad I did. This book isn't about religion it is about a beautiful fantasy story about love, adventure and it deeply immerses it's reader with a book that is hard to put down. I honestly believe I am glad that I didn't judge this book by it's cover and that I gave it a chance, and I believe it is a must read for any fantasy / romance lover. I must admit that the book wasn't perfect but as it is an ARC copy that hasn't gone through final editing... I am sure that the final copy will have all it's T crossed and i dotted. I must admit the only thing I disliked about the story was perhaps Una, I found her to be immature and well spoiled. I constantly had to remind myself that she was a princess and that was just because of the way she grew up. In a way I am sure that this review didn't have to have it but I will mention it. If you ever seen Sailor Moon (old Japanese anime,) she kind of reminds me of Princess Serena. Well with all that being said, it is still a must read, a fun little cliche drama that you can curl up with and drink hot coffee.
  • Rating: 3 out of 5 stars
    3/5
    When I started reading this book, it was... okay. It's not a terrible book, but it also felt very dull. Like it was just a flat story, with no small climaxes, no downs, no ups, nothing. It just stayed the same. This really wasn't an awful book, but I definitely had mote interesting books I'd rather be reading.
  • Rating: 5 out of 5 stars
    5/5
    Wow, I loved this book. I just couldn't put it down. The characters were absolutely incredible. Una might have seemed a little whiny, but she was a very strong character. The only character I didn't like was the duke. He was ok at first, but as the book continued he got pretty annoying. The writing is fantastic, because it always keeps you guessing what happens next and has you on the edge of your seat. I like the way the human to dragon change was explained and so easy to follow. The only thing I wish would have been explained in more detail is about how they can't cross the bridge, which might be described more in book two. I would definitely recommend this book for fans of fantasy.
  • Rating: 3 out of 5 stars
    3/5
    Heartless is book one of 'Tales of Goldstone Wood', debut novel by author, Anne Elisabeth Stengl.Princess Una of Parumvir has just turned eighteen and is excited about her suitors that are soon to apply for her hand in marriage. Her father, King Fidel, has promised she can marry whomever she wishes. Una dreams of a charming Prince, riding up on a white charger, proclaiming his undying love and devotion. However, when Prince Aethelbald of the mysterious kingdom of Farthestshore, does just that, Una is appalled and threatens to never marry him, ever.Among her suitors, is Prince Gervais, whom Una is sure is THE one, however, it comes to her father's attention that Gervais has been thrown from his kingdom by his father for gambling debts. He is a cad of the best kind and is only looking for Una's hand for the dowry she would bring.The Duke of Shippening is old, fat and arrogant and is looking for a young bride to have as a trophy. He cares nothing for Una and only wishes to use her to become king. When the Duke doesn't get his way, he declares war on the kingdom of Parumvir.Leonard, the jester and court fool, has also won Una's heart and after learning his secrets, she promises to wait for him. However, she comes to learn that he isn't all that he says he is and Una must come to terms with their relationship.The Dragon King is also on the hunt for Una, he can feel her and needs to make her one of his own. The Dragon King joins forces with the Duke and together, the two wreck havoc, death and destruction on all the kinsmen of Parumvir. Its up to Una's brother Felix, her cat, Monster and the magic of the Goldstone Wood to save the day.I wasn't un-impressed with the overall story, it has enough mystery and suspense to keep you reading, however, I did have a problem with Una, the heroine. I found her to be whiny, ignorant, naive and childishly head-strong. I think Prince Aethelbald could have taken the time to explain himself to Una, I feel she deserved the truth and not to be lied to nor manipulated. I really enjoyed Felix and Monster, they brought life and comedy to the story and I hope to see more of them in the future books.I enjoyed the combat scenes, they weren't too graphic in nature, and I feel young readers would probably really enjoy this book~!! It has all the components of a good fantasy novel, including magic, love, combat, dragons, fairy land creatures and so much more. I liked the flow of the story, one doesn't have to backtrack to stay focused, as well, the descriptive aspects of the narrative were well written and imaginative. Each character is believable, except perhaps, The Dragon King, I expected more from him, instead he was a bit stereo-typed and cliched. I'm also unsure why this is labeled as a Christian-fiction, for there was absolutely no mention of God nor were any Christian aesthetics involved. All in all though, the book was a good read and I'm sure YA fantasy lovers will enjoy it and want to read more!
  • Rating: 2 out of 5 stars
    2/5
    This book had promise, but fell flat. The characters were dull and the plot line was predictable. The storyline felt like something that I had read before somewhere and therefore I did not care as much about what happened in this book. I wanted to like this book but I couldn't.
  • Rating: 3 out of 5 stars
    3/5
    It did start out a bit slow for my taste but picked up nicely as it went along. There were a few predictable elements but that didn't seem to deter me very much. I liked the imagery throughout and found it a decently written fantasy novel.
  • Rating: 4 out of 5 stars
    4/5
    The cover to this book is gorgeous and very intriguing. It was one of the first things that drew me to the book. This book started out a little slow for me but I am glad I stuck with it. Anne tells a wonderful story about a princess, a prince, a cat and a dragon. I was intrigued by the characters and the story line. Una irritated me at times, but if she was any other way, the story wouldn't have been as good. The banter between some of the characters was very comical. I also liked the imagery Anne used to describe the land of Oriana. It made me like the story even more. Once the story picked up for me I didn't want to put the book down. Overall I thought this book was good. This is Anne Elisabeth Stengl's debut novel. She plans to write more on the Tales of Goldstone Wood. I am curious to see what direction she will take the next story.
  • Rating: 3 out of 5 stars
    3/5
    I did not expect to enjoy this book as much as I did! The first few chapters didn't bode well but the characters and plot seemed to gain strength as the novel went on. I never fell in love with Una, the protagonist, but a few other characters (notably Felix and Aethelbald) managed to carry the story on their own. The poetry was a bit dodgy, too. Overall mediocre, with a few very good things and a few very bad things, but certainly readable and at times even engrossing.
  • Rating: 2 out of 5 stars
    2/5
    I really excepted to like this book but the characters were flat and the plot felt forced. I really did not care if the heroine lived or died. I thought the dragon would make it interesting but the dragon was boring. The only character I enjoyed was Felix. I could not even finish it because I was so bored. I got over 100 pages in.
  • Rating: 4 out of 5 stars
    4/5
    This book made me laugh, cry, and sit at the edge of my seat in frustration at the same time. Wonderful book. Princess Una has come of age and as a result, many suitors came for her hand. (I'm rooting a particular suitor that I wish she would choose in the beginning, instead of being rude to him all the time). She made the wrong choice, payed dearly for it, but in the end, there was a happily ever after. You can really see the heroine's character development from beginning to end. The plot is also very entertaining. The rest of the characters... who wouldn't love charming princes, a jester, dragons, faerie-folks, shapeshifters, goblins and the like? This book is a must read for fans of fantasy-romance
  • Rating: 4 out of 5 stars
    4/5
    This is a fine debut novel in the genre of light Christian fantasy. Here there be dragons, a princess, princes, battles, love, fairies and mystical animals. The Christian content is apparent in the clean language and action, as well as a bit of spiritual allegory in the climax -- there are no direct religious references in the text. I enjoyed the book overall, although I did wonder where a few of the characters and one bit of intrigue from the first half of the novel disappeared to. There seemed to be a few threads that were dropped. The plot is well-paced, and the balance between action and romance is nicely balanced. Although the book leaves room for additional books in a series, this novel does tell a complete stand-alone story
  • Rating: 4 out of 5 stars
    4/5
    I had high hopes when I picked up this book - from the cover alone it demanded to be read. I must say I was not disappointed! This was a great read. The characters are well developed, the plot was intriguing. The reality of the idea of being heartless was one I haven't seen and the author wields it well.This is a story of loyalty, fealty, faith, corruption, honor, love, family, and mystery. A story of young people becoming who they want to be and the choices they have to make to get there. The characters come from all walks and worlds. The author mingles worlds and dimensions without leaving the reader lost.The story is filled with action; so even though it is essentially a love story, it is not JUST a love story. We have battles of all kinds - physical and emotional. The relationships in this story are extraordinary. You are drawn into each of them as they unfold between all of the characters throughout the story. You watch as Felix goes from being a young and foolish boy to a man (who has not gotten older, but had to make adult decisions). You are witness to Una and the fate that befalls her and those around her because of the choices that she makes. As in all stories - there is a villain. The shape changing bad guy here makes you dislike him from the start (which is what we all want to do). There are also elusive game players in the story that we aren't outright introduced to that appear to have the fate, or at least some of the fate, of the characters held at the mercy of the roll of the dice.I fell in love with the characters and can't wait for the rest of the series.
  • Rating: 4 out of 5 stars
    4/5
    I like many others enjoyed this book, and agree that it started slow. It was worth finishing. I am having trouble getting some students to finish it, though. It would have benefitted from some tighter editing at the beginning. My daughter read it just for the cat. I will want to read more of these tales and will look for them.
  • Rating: 3 out of 5 stars
    3/5
    I loved the names in this book, Princess Una, Prince Aethelbald and even her more simply named brother Felix. It's not a modern fantasy tale, but one rooted in old tales of dragons and princes appearing out of nowhere. There is some incongruity of language that bothered me in the beginning precisely because the essence of the book feels old and classic but some of her dialogue was distinctly modern.The book is a little slow in the beginning but picks up nicely by the middle. The non-traditional love story between the two with aspects of darkness (and dragons) reminds me alot of the Darkangel Trilogy by Meredith Ann Pierce.
  • Rating: 3 out of 5 stars
    3/5
    After reading the rather cliched back cover copy, I approached this book with skepticism... I hoped it wouldn't be that bad, but I kept putting off reading it because I didn't want to start yet another mediocre fantasy and have to write a lukewarm review on another ER book.Honestly, it didn't start well... it was a bit slow, the writing style was in that vague, flow-y fantasy vein that tends to annoy me to no end (why can't the author just SPEAK PLAINLY?!), and the plot seemed rather generic.So, imagine my surprise when, in the second half of the book, I became extremely invested in the characters, the plot, and the world that Stengl created. In fact, I read the entire book in one sitting... I think I got up once to refill my tea mug. The book has its weaknesses: the heroine is a bit underdeveloped, and the love story feels somewhat contrived. But it also has its strengths: the way dragons are born was unexpected and unique, and the hero (and his rival) are rather interesting on their own terms. One thing to note is, I spent the first two thirds of the book waiting for the 'Christian' part of the book to happen... it's published as a CBA book, which usually means some form of evangelism will appear at least for a few pages (even in the rare CBA fantasy novels), and imagine my delight when I realized that... it wasn't coming. There wasn't going to be a forced 'Christianese' aspect to the world, rather, the book simply reflected a Christian worldview and let the story stand on its own as a well written, interesting fantasy novel.I will say that I don't think the book will be for everyone. I'm also not entirely sure how this is going to develop as a series, which is clearly the author's intent -- I think it does well as a stand-alone.
  • Rating: 3 out of 5 stars
    3/5
    This ended up to be better than I had expected, although, to be truthful, I didn't expect much when I realized that it was considered Christian Fiction.It was a pleasant surprise to see that the book didn't contain a lot of evangelism, and instead concentrated on the characters and the story.However, I found myself underwhelmed by the main character. Una starts out selfish, petty, and more than a little foolish- and there is very little description of any change, except that by the end she's sweet and in love with the good guy. She is difficult to care about, and I found it almost impossible to like her, no matter how hard I tried.I would have liked to hear more about Prince Aethelbald- why he was so willing to love Una at the request of his father, and the path he took to rescue her from the fate she threw herself into without regard for the people around her.The world was a fascinating one- the way that magic was rare but treasured, and the unique origin of dragons. I would be willing to give any sequels a read.
  • Rating: 2 out of 5 stars
    2/5
    This book has a lot of potential, but for me it fell flat in many ways. The concept of the mysterious wood, the prince from a far-away and magical land, the evil dragon, etc. is all very interesting and full of great ways to develop a plot. Unfortunately, most of the plot in this book focused on a young, mostly whiny princess who wanted nothing more than to have scores of suitors coming to her house to appreciate her and propose to her. Ugh. The relationship between the two romantic leads is under-developed; by the end I was rooting for him to dump her b/c I can't see what he would want with her in the first place. The hero rocks, the heroine is flat. I felt like their romance was odd, too. She swore she'd hate him from the start and never really showed any major turnaround but ended up loving him in the end. What? Overall, this book had some great and original ideas but I feel like it left most of them hanging without proper character and plot development. This is a series, I believe; I have no interest in reading the next installment.
  • Rating: 3 out of 5 stars
    3/5
    I requested Heartless from the Early Reviewers list because I love fantasy series, dragons, etc. I'm going to start this review by saying that I did enjoy it and it held my interest enough to finish it in a 24-hour period. However, I started reading and for a while was disappointed, wondering if this was a "young adult" book. The first half of the book seemed to be just a bit too long and repetitive and I was wondering when there was going to be some action in this world. Then with no warning the pace and action picked up and kept up until the end of the book. Not to give away the ending but it was rather predictable and left me wondering what would be covered in the rest of the series. Pick up with another character?It was obvious that this is a first novel. At times it was awkward, unevenly paced, and lacking in character development. I would have like to have read more background or history of the world - the book just plops you down in the middle of it with no explanations why things, places, people are important, where they came from or how they developed or related to each other. I kept wondering what things or places were as the story moved around to several different geographic places. But I think the author and the series have potential with some good feedback and editorial guidance.
  • Rating: 4 out of 5 stars
    4/5
    This was a very enjoyable first book. Stengl creates a new world with new rules and characters, but does a wonderful job of not getting caught up in the details of describing every new race that comes along, rather she gives you enough details in passing comments and assumes you'll catch on.The ending was a bit abrupt and the story was a bit predictable, but it was fresh and new all the same. I found this to be quite good and will definitely look forward to more books by this author.
  • Rating: 4 out of 5 stars
    4/5
    The best thing about starting a book you know nothing about is that everything really is left to the tale to spark your imagination. I'm very happy to say that in this case, the spark was definitely there as I enjoyed the book quite thoroughly. Although at first I feared the "drama" of Princess Una's quest for love would be a bit too heavy handed, things take a very unexpected turn just when the story could have fallen into a cliched trap.What also speaks very well of this book is that as much as the back notes point out that this is part of a new series of books, the tale in Heartless is very much self-contained. There may be a "happily every after" hinted at the end of the tale which may come from many other stories to be told... but you aren't forced into needing to read those stories when they finally will be made available!This is a Fairy Tale that sure to appeal to a wide audience. I was very glad to have had a chance to read through the preview book prior to its official launch in July!
  • Rating: 3 out of 5 stars
    3/5
    I got this book through Librarything's Early Reviewer program. I was excited to read it, it looked right up my alley. Over all it was an okay book, some parts were unique but the heroine left a lot to be desired.Princess Una lives near Goldstone woods. When she comes of age suitors begin arriving. Una wants a romantic suitor and when Prince Aethelbald of Farthestshore arrives he is anything but romantic; despite the fact that he claims to love Una. A variety of suitors parades through Una's life, each more dreadful than the last. That's when Una gives her heart to a different type of Prince. Una's worries over marrying are suddenly overshadowed when their kingdom is attacked by a fierce dragon. Una is the only one the dragon wants kept alive. Why is Una kept alive? Will the Prince to whom she gave her heart save her? Which Prince of all her suitors, if any, will rescue her?There were a couple things I liked about this book. The idea behind how dragons are created was unique and interesting. Prince Aethelbald and the realm of fairy were mysterious and intriguing. I really wanted to learn more about both Aethelbald and fairy. Unfortunately you don't really get to learn a whole bunch more about those things in this book.There was a lot I didn't like all that much about this book. The world itself was not well built and was a bit confusing setting wise. For example everything is set up like medieval times with princesses and kings, nothing is modern. Then at one point Una is running around in jeans...it just seemed odd. Una herself switches between using very princess-like stilted language and then suddenly is thinking/talking in modern slang. I just thought that the setting and speech were very inconsistent and I had trouble forming an image of what the world was actually likeThe writing style itself is pretty easy to read and well-done; if you can ignore the inconsistency in speech patterns and stuff you should be okay. The characterizations are also okay but a bit weak. Aethelbald is by far the best character in the story and he isn't in the story all that much, you also really never get to learn what drives him.It takes a long time to set up the story. Over half the book deals with Una lurking around the castle lamenting her choice of suitors. The good part, when the Dragon King enters the scene, doesn't happen until the second half of the book. So while the first half of the book is pretty boring, the second half felt too rushed.Una herself is not an admirable heroine. She spends all her time mooning over the perfect romantic man and can't seem bothered to take any action to make anything happen in her life. The whole book she is a victim. Never once does she help herself or rescue herself. Even when she is fleeing the castle she tries to depend on former suitors to guide her path. I didn't enjoy her as a character at all and most of the time was just sick of listening to her whining and pleading.The book is summed up nicely and ties up all the loose ends of the story. If this book had't been part of the Tales of Goldstone Wood I would think it was a stand alone. This is very much a romantic fantasy; but by romance I mean the strictly non-sexual kind. This book contains some violence but other than that it is very PG. If you are into princess/dragon/romance type of fantasy you might enjoy this story. The book didn't offend me, but I didn't think it was all that great either. There were just too many inconsistencies. Overall it was okay. I probably won't bepicking up anymore of Stengl's books though.
  • Rating: 4 out of 5 stars
    4/5
    I got this book as an Early Reviewer and I must say, I really got into it. I felt fear when Princess Una felt fear and my heart broke when hers did. She seemed to be a spoiled princess (what princess isn't), but she was still just a girl looking for love.I was totally engrossed in the story and then...the unthinkable, the......out in left field unexpected happened! 'That' changed the idea of the story for me from a "believable" fantasy to something that I don't usually look for in a book. My favorite character is Prince Aethelbald. I am glad he turned out to be who he is.All in all, a great story.
  • Rating: 3 out of 5 stars
    3/5
    I really wanted to like this book. It took your basic fairy tale tropes and had the potential to create an unusual and gripping story. At times it succeeded. But overall, the characters and the plot did not hold together to live up to its promise. Una is naive, easily swayed, and prejudiced, and while her experiences help her to change, she remains a passive creature. We never have any basis for Aethelbald's steadfast love, given before he has even met the princess--it simply exists. Regardless of the underlying mythos driving the tale, for story's sake, there should have been some development. After all, although he is trying to redeem all who have transformed into dragons, he is marrying Una in particular. One wonders if Fidel could possibly have been an effective king, as he, along with so many other characters, seems driven only by emotion, making poor decision after poor decision. Felix and Lionheart seem the most fully developed characters, and the Dragon certainly has power. But this book could have benefitted from extensive rewriting and editing, developing the plot lines and characters more from within with fewer "deux ex machina" elements.
  • Rating: 4 out of 5 stars
    4/5
    A dragon story of a different color! I have not read of dragons written in this light before. I enjoyed the new lore -- it is an ingenious addition to dragon stories. The characters are interesting and fun to get to know though I did find Princess Una to be uncommonly thick. I especially loved Aethelbald and the evil Dragon. If the future books in the series have more of Aethelbald and less of Una, I'll definitely keep reading. It was a good start to what looks to be a promising series.
  • Rating: 5 out of 5 stars
    5/5
    Every once in a while, there comes a story that has such simplistic beauty that it takes your breath away. Anne Elisabeth Stengl's Heartless is one such story. It's like a fairy tale in many ways, but with a deeper underlying meaning to the story that just resounds with such poignancy that it cannot be overlooked or ignored. The setting is fantasy, but the themes are true to life. Love, loss and betrayal are too universal to not connect in various ways with readers.Princess Una is a heroine that one can enjoy, not a superwoman, but a realistic one with her own strengths and weaknesses. This means that at times she came across as what she was, a sixteen year old spoiled and shallow girl. But, her redeeming characteristics also shone through, her love for her family, her determination, and in the end, her kindness pulled her into your heart.The other characters, even the evil ones, are explored in such a way that one cannot help but to want to know more about them, and feel that the wonderful story we have is just the beginning.The Princess, having given her heart away to someone who does not return her love, becomes heartless and embittered, and the way this theme is explored is so unique and intriguing that the book and characters stayed in my mind for days after having finished it.Goldstone and it's people, is a place I look forward to revisiting as the cover promises this is the first of the series.The only complaint I have about the book is the way the characters cut off giving information to the reader. Even though most of the time, the message was hinted at or became clear later in the text, it was most frustrating to feel as though you never quite knew exactly what they had been referring to. This was especially true when the subject of dragons breeding surfaced, and also the question of WHY didn't anyone go over the old bridge, and what would happen if they did? This last question was not answered, and so we are left hoping for a sequel to explain the mystery to us.This is a book that will be cherished in many a library.
  • Rating: 5 out of 5 stars
    5/5
    I enjoyed this book a lot... I had realized it was a christian company after I received the book but since I won it I was determined to at least give it a try, and I am glad I did. This book isn't about religion it is about a beautiful fantasy story about love, adventure and it deeply immerses it's reader with a book that is hard to put down. I honestly believe I am glad that I didn't judge this book by it's cover and that I gave it a chance, and I believe it is a must read for any fantasy / romance lover. I must admit that the book wasn't perfect but as it is an ARC copy that hasn't gone through final editing... I am sure that the final copy will have all it's T crossed and i dotted. I must admit the only thing I disliked about the story was perhaps Una, I found her to be immature and well spoiled. I constantly had to remind myself that she was a princess and that was just because of the way she grew up. In a way I am sure that this review didn't have to have it but I will mention it. If you ever seen Sailor Moon (old Japanese anime,) she kind of reminds me of Princess Serena. Well with all that being said, it is still a must read, a fun little cliche drama that you can curl up with and drink hot coffee.
  • Rating: 3 out of 5 stars
    3/5
    Anne Elisabeth Stengl's Heartless is the first novel in her fantasy series centered on the mythical Goldstone Wood. In this story, the Princess Una of Parumvir has just come to the age when neighboring princes will start "paying their respects" and seeking her hand in marriage. Una's dreams of romance are rosy until the arrival of a stodgy Faerie prince bearing the name Aethelbald. Aethelbald! Una rejects his suit out of hand, preferring a more dashing hero. But there is another with his eye on Una, and he is no prince, but the most terrible enemy Parumvir has ever known.Let me fully disclose lest unwary readers feel themselves deceived: Heartless is published by Bethany House, a Christian publisher. But although there are some arguably Christian themes in the story, they are muted, with no preachiness. The closest Stengl comes to being preachy is when Una gives her heart unwisely, but that plot point is more than just a warning about being careful in romantic relationships. When Una gives her heart away and does not receive a lover's heart in return, she becomes "heartless"... and this makes her vulnerable to her enemy. What this enemy can do with a heartless person is not a predictable storyline, and I actually found it rather surprising. I think anyone, Christian or not, could read this story and completely miss its religious pieces, so small are they. On the whole, this is a good thing. They're there if you want them.J. R. R. Tolkien, a committed Roman Catholic, believed that real-world religion was inimical to a really well-written fantasy world, and his distaste for the Narnia stories of his friend C. S. Lewis is well known. Christian fiction writers, especially writers of fantasy, have been struggling with the dichotomy ever since. Can a Christian author succeed in telling a good story that contains elements of Christian belief? Can such a tale have any appeal for the non-Christian reader? Is it even possible for an author to write a story that is contradictory to or dismissive of his/her deepest convictions?Story has to come first (or, in Lewis' word, "images"). Proselytism disguised as fiction just never works unless you're John Bunyan. (And even Bunyan's purpose was not to evangelize his readers, but to encourage those he believed to already have been converted.) Lewis did not plan to write stories that would contain elements of Christianity. Those themes worked themselves naturally into his work, because they were part of him. Any fiction author, of any religious or nonreligious persuasion, would do well to start with story rather than message.And the story of Heartless is probably its greatest strength. Despite the sometimes weak writing, I found myself wrapped up in the tale and impatient to return to it when interrupted. It's true that part of me was just waiting for the preachiness to start, but it never did. The hints of Christian ideology never overtake the force of the plot, which carried me along happily. Parts even reminded me, distantly, faintly, of something Patricia McKillip might write.I have said the prose is weak in this book, and unfortunately this isn't a problem I can gloss over lightly. Perhaps as an editor I am more sensitive to the problems: clichéd characters (the unsympathetic Nurse, the mischievous little brother, etc.), awkward phrasing, made-up words (Una gets "whapped" on the head by said unsympathetic Nurse), abrupt pacing, slightly illogical events (one day there is a big fuss about Una trying to get out of her lessons, and another day she simply excuses herself from them with no problem), and repetitive description (the "tired-eyed tutor" appears three times, twice in the same paragraph). There is nothing grammatically incorrect in the book, just a general stylistic awkwardness. And yet Stengl's style is not hopelessly bad, and I noticed the prose less and less as the story picked up. Stengl would benefit greatly from an editor with an eye for more than just grammar.I enjoyed this book and would give it a much higher rating if the writing had been better. As it is, I will look for the next book in the series, in the hope that Stengl will refine her style and become a worthy successor to those Christian authors — Tolkien, Lewis, MacDonald — who helped establish the fantasy genre.

Book preview

Heartless (Tales of Goldstone Wood Book #1) - Anne Elisabeth Stengl

© 2010 by Anne Elisabeth Stengl

Published by Bethany House Publishers

a division of Baker Publishing Group

P.O. Box 6287, Grand Rapids, MI 49516-6287.

E-book edition created 2010

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means – electronic, mechanical, photocopying, recording, or otherwise – without the prior written permission of the publisher. The only exception is brief quotations in printed reviews.

ISBN 978-1-4412-1201-6

Library of Congress Cataloging-In-Publication Data is on file at the Library of Congress, Washington, DC.

To Dean and Jill Stengl

Contents

PROLOGUE

1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

17

18

19

20

21

22

23

24

25

26

27

28

29

30

31

32

33

34

35

36

37

38

39

ACKNOWLEDGMENTS

ABOUT THE AUTHOR

PROLOGUE

Two children, a brother and a sister, played down by the Old Bridge nearly every day, weather permitting. None observing them would have guessed they were a prince and a princess. The boy, the younger of the two, was generally up to his elbows in mud due to his brave exploits as a frog catcher. His sister, though significantly more prim, was often barefoot and sported a few leaves and flowers stuck in her hair. She thought these romantic, but her nurse, when she brushed the princess’s hair at night, called them common, and said it with a distinct sniff.

This never stopped the princess, whose name was Una, from weaving daisies and wild violets and any other forest flower that fell under her hand into garlands and coronets, with which she festooned herself, thereby transforming from an ordinary princess – which was rather drab – into a Faerie Queen of great power and majesty. Felix, her brother, was never a Faerie. He, by dint of a few expert dabs of mud in the right places, made himself her gremlin guard instead and waged war against all her imaginary enemies.

The Old Bridge was the perfect place for these games for a number of reasons. Most important, none of their entourage of servants and tutors, not even Una’s intrepid nurse, dared follow them there, for the Old Bridge was located in Goldstone Wood, outside the boundaries of Oriana Palace’s seven-tiered garden. Plenty of stories were told about Goldstone Wood, and its history was strange enough to ward off most people. But Una and her brother liked the stories – the stranger and more superstitious the better. So they often made their way to the Old Bridge and did their utmost to disturb the ancient quiet of Goldstone Wood with their laughter and games.

Una was not so fond of mud as Felix; thus she would invent adventures to occupy him while she sat on the planks of the bridge and scrawled thoughts and ideas in her journal.

Faithful gremlin, she declared one fine afternoon as they made their way down the side of Goldstone Hill toward the bridge, you must seek the fabled Flowing Gold of Rudiobus, lost somewhere in this raging river. She indicated the stream that trickled down the side of Goldstone Hill. Raging river it was not, but facts never stopped the course of Una’s imagination. You must bring it back to me before the sun has set, or all my kingdom will be lost in darkness without end.

Righto! Felix hurtled headlong through the foliage and splashed into the stream. He grabbed a pebble and held it over his head. Is this it, Una?

"Does that look like flowing gold?"

He studied the pebble, shrugged, and tossed it over his shoulder before plunging on down the stream, wallowing with all the joy of a boy set loose in the mud.

Una wove a crown appropriate for her Faerie Queen status, placed it on her head, and took a seat on the middle of the Old Bridge. Removing her shoes, she dangled bare feet over the stream, turning up her toes so that they did not quite touch the cold water. Taking from the pocket of her full skirts a nub of pencil and a small journal, which she pressed open in her lap, she wrote a few scrawling lines, frowned, and scratched them out.

Is this it, Una? Felix bellowed from farther downstream.

She looked. Her brother held up a ragged handful of waterweeds, brown and dripping and slimy. What do you think? she called back.

"Well, it’s flowing!"

Is it gold?

Bah!

He tossed it away and continued his search, and his sister returned to her writing. She scribbled uninterrupted for some time, and the noise of her brother’s questing faded away as she pored over the little journal. At last she smiled, held up the page, and read her work.

Then she frowned and crossed it all out with vigorous strokes.

Sighing, she chewed the end of her pencil. A wood thrush sang somewhere far away in the forest, and Una allowed her gaze to wander to the trees on the other side of the Old Bridge.

The far forest began only a few steps away – two, maybe three at most. It looked much like her side of the bridge: stately trees, new spring growth, last year’s leaves damp on the ground. Perhaps the sun did not shine as brightly on that side, perhaps more shadows lurked along the ground.

Una had never crossed the Old Bridge. It was an unwritten law that had been imprinted on her mind: No one crossed the Old Bridge. Not once in all the years that she and Felix had escaped their nursemaids’ clutches and run to this very spot had either of them actually crossed the narrow wooden planks and stepped into the forest on the other side.

She frowned around the pencil nub.

Miles and miles of forest lay beyond the bridge. Goldstone Wood was the largest wood in all the kingdom of Parumvir, so large that no one had ever attempted to map its mysteries. And here Una was, a girl of imagination with a taste for adventure, and she’d never even thought to cross over! Wasn’t it strange –

An icy splash of water down her neck shocked her from her reverie. Una dropped her pencil with a scream. Felix! She watched the pencil swirl out of sight in the muddy water, then snapped her journal shut and whirled about.

Her brother stood on the bank, his hands cupped and dripping. He laughed. Wake up!

I was not asleep!

You weren’t awake either. Still laughing, he scrambled up the steep embankment and around to the bridge. He flopped down at her side, grinning, and held a glob of mud under her nose.

Eeeew, Felix! She pushed his hands away. Stop it!

It’s all that was left, he said.

All that was left of what?

The Flowing Gold, he said. I think it got melted by a dragon.

Melted gold doesn’t turn into muck.

He let the mud dribble between his fingers and plop into the stream beneath them, then sneaked a peek at her journal. What are you writing?

Nothing. Una glared at him.

Are you composing verses?

Maybe.

Can I see?

"May I see."

Felix rolled his eyes and made a grab for her book, but she pulled it away, leaning back across the bridge. Let me see! he demanded. Feigning reluctance, she opened her journal. She turned her shoulder to keep him from reading and flipped through to find the most recent page, full of her scratched-out work. She could still discern the words, and she read them aloud, half singing:

"I ask the silent sky

Tell me why

As I look so high

Into the leaf-laced sky

You do not reply

So I – "

So I flop down and cry in a muddy pigsty! Felix flung his arms wide and burst forth in a squeaky falsetto. Then I go bake a pie out of apples and rye! O hey, nonny-ni and a fiddledee –

Una closed her book and smacked him in the stomach, then knocked him again on the back of the head as he doubled up, laughing wickedly.

Resisting the urge to push him into the stream after her lost pencil, Una instead grabbed her stockings and buckle shoes from behind her, pulled them on, and got to her feet. Tucking her journal into her pocket, she stepped away from Felix to the middle of the bridge. I’m going to cross over, she said.

Felix, still rubbing the back of his head, looked up. What?

Yes, she said, nodding. A determined line settled between her brows, and she took a few more steps across the bridge, the heels of her shoes clunking on the planks. I’m going to cross over.

No, you aren’t. Felix swung his feet up onto the bridge and leaned back to support himself on his hands. He watched her, his head tilted to one side as she stood looking into the far forest extending down Goldstone Hill. You aren’t, he said again.

I will.

When?

She did not answer for several long moments. Felix pushed himself to his feet and went to stand beside her. They gazed into the leaf-shrouded shadows.

Goldstone Wood waited.

A breeze darted between them, dragged at Una’s skirt, and skittered off into the forest beyond, rustling leaves as it went. The trees laughed quietly together, and their branches seemed to point at the brother and sister standing solemnly on the Old Bridge. Somewhere far away down the hillside, a wood thrush sang again. The breeze darted back, carrying the silvery song to their ears – a song of mystery, of secrets.

Now, Una whispered at last. I’ll go right now. She took a step, then another.

A horrible caterwaul filled the air, startling her out of her skin. She leapt back, stumbling into Felix, and the both of them nearly went into the stream. Clutching each other in surprise, they stared into the trees beyond.

A cat stepped into view.

Ha! Felix burst out laughing and pinched Una. You were scared of a kitty cat!

Was not! Una glared at him and pursed her lips, then looked back at the cat.

It was a large golden animal with a plumy tail, but its fur was a mass of burs and snarls. It appeared from among thick-growing ferns on the far side of the bridge, picking its way carefully, as though hurt.

What’s wrong with it? Una said as it made its way down the steep embankment of the stream. At last it reached the water’s edge, where it put its nose down and lapped. Then it raised its face to them.

It had no eyes.

Oh, the poor thing! Una cried. The poor little cat! Do you see that, Felix?

Poor little cat, my foot. Felix snorted. He’s ugly as a goblin. A regular monster.

She’s blind! Her venture into the Wood forgotten, Una scrambled back to the familiar side of the bridge and down to the stream. She stood across from the cat, which seemed to watch her without eyes, the tip of its tail twitching slightly. Kitty-kitty-kitty! she called, holding out an inviting hand.

It began to groom its paw.

Felix! she called to her brother, who still stood watching on the bridge. Felix, get her for me.

Why?

She needs help!

No, he doesn’t.

She’s blind!

Not my problem.

Felix. She huffed. Then a sudden inspiration struck. She’s the Flowing Gold, Felix. Don’t you see? The gold fur . . . the flowing, um, tail?

Felix rolled his eyes, but this persuasion worked its magic. He swung down from the bridge into the stream and waded across to the cat. It raised its nose, gave a polite Meeaa, and made no protest when the boy scooped it up. He’s heavy, Felix grunted, splashing back across to his sister. And his claws are in my shoulder. Right to the bone!

She needs help, Una declared staunchly, holding out her arms.

The Flowing Gold to save your fair kingdom, my lady. Felix deposited the cat into her keeping. It began purring as soon as she held it – a loud purr that Felix declared obnoxious but Una thought sweet.

We’ll take her home, the princess said, turning and beginning the long walk back up Goldstone Hill. I’ll brush her fur and give her a good meal –

He doesn’t need a good meal. He’s heavy!

She’s blind and lost, Una snapped. She needs a good meal. Isn’t she lovely?

He’s ugly.

So with the cat draped over the princess’s shoulder, the children returned home, leaving the Old Bridge uncrossed and the far forest unexplored.

Goldstone Wood watched them go.

1

Five Years Later

Do you think they will come before the year is out? Princess Una asked her nurse.

Who will come? her nurse replied.

Suitors, of course!

Though the sun was bright, the air blew chill through the open window that spring morning, and Una wrapped a shawl around her shoulders as she sat waiting for Nurse to finish the awful business of preparing her for the day. Nurse, who had long since ceased to function as a real nurse and these days played the part of maid and busybody to her princess, wielded a brush with the tenderness of a gardener raking last year’s dead leaves, making every effort to tame Una’s honey-colored hair into an acceptable braid. One would have expected that, with many years’ practice, she might have acquired rather more gentleness. Not so Nurse.

She paused now, mid-tug, and scowled at Una’s reflection in the glass. What brings on this fool talk? She raised a bushy eyebrow and gave the braid an extra tug, as though to wrest all the unruliness out of it in one go. You keep your mind busy with your lessons and deportment, just as always, and leave that messy business of courting and arranging marriages to your father, as is right.

But I’m of age! Una winced again and tried not to pull away from the vicious brush. She twisted her mouth into an unattractive shape as pain shot through her scalp. Papa always said that he wouldn’t accept a single inquiry from a single prince or single dignitary in a single realm of the whole Continent until I came of age.

As is right.

Well, now that I’m eighteen, shouldn’t he start receiving them? When will they come to pay their respects? To pay their respects, according to the definition given the phrase by the courtiers of Oriana Palace, was a tactful way to say, investigate marriage possibilities with the resident princess.

That’s not for you to be speculating, Miss Princess, said Nurse. She pronounced it speckle-ating. Una dared not laugh. Though Nurse had not been brought up to speak an elegant dialect, her ideas on what was and was not proper behavior for a princess went far beyond anything Una had ever learned from her decorum instructors.

Suitors indeed! Why, in my day, a girl never put two thoughts together concerning a boy – not till her father gave her the go-ahead. Never?

Not once!

Not even when –

Nurse whapped the top of Una’s head with the back of the brush. No more! There, you’re tidy as mortal hands can make you. Get you gone to your morning tutorials, and I don’t want to hear another word of this romantic drivel!

Rubbing the top of her head, Una gathered herself up, grabbed an armload of books, and made her way to her chamber doors, muttering, I like romantic drivel. She stepped from the room and, just as the door swung shut behind her, called over her shoulder, Your day was a singularly unromantic one, Nurse!

The door clunked, and Nurse’s voice came muffled from behind. You’d better believe it!

Una glared at the closed door. A demanding Meeeowl? at her feet drew her gaze, and she looked down at her cat, Monster, who sat before her, his tail curled elegantly about his paws. He seemed to smile all over his furry face, despite his lack of eyes.

She wrinkled her nose at him. Don’t look so smug.

With that, she turned on her heel and marched down the corridor, the blind cat trotting behind, unlike a dog in every way because, of course, he wasn’t truly following her. He merely happened to be going her way.

Nothing in life is as romantic as it should be, Monster, Una said as they made their way along the white hall and down a graceful staircase. She nodded civil acknowledgements to members of the household who greeted her as she passed. Here I am, a princess, of age to be courted and married, and where am I? On my way to another history lesson! Then there’ll be a tutorial on the proper ways to address ambassadors from Beauclair as opposed to dignitaries from Shippening. Then dancing. And not a single respects-paying gentleman of certain birth as far as the eye can see. She sighed at the heaviness of the world. "Nothing ever changes, Monster."

Meeaa? the cat said.

Una looked down her nose at him. You’re not just saying that, are you? Trying to make me feel better?

Meeaa.

I knew it. She sighed again. Someday, Monster, won’t you express an original idea? For me?

Felix waited for her in the large but nonetheless stuffy classroom they shared, doodling caricatures of their tutor in the margins of an essay he was supposed to be composing. He scarcely looked up when Una entered. Monster took a moment to rub a cheek against the young prince’s knee before dodging Felix’s backhand and arranging himself on the windowsill to catch the sunlight.

Una took a seat and opened her book just as the tired-eyed tutor shuffled in. He fortified himself behind his desk, attached a pair of spectacles in place – which made his eyes seem still more tired – and looked upon his students with the air of a man resigned to his fate.

At what are you so diligently working, Prince Felix? he asked. His voice never varied from a mournful drone.

Felix held up his essay full of doodles.

The tutor winced. Most amusing, Your Highness.

See how big I made the nose on this one?

A remarkable likeness, Your Highness.

Doesn’t look a thing like him, Una said.

Felix made a face. Not supposed to. This one’s you.

The tutor closed his eyes during the ensuing argument and let the storm pass. When at last calm returned, he slowly creaked his eyelids back up and dared face the world again. Prince Felix, do you recall at what passage we left off our reading yesterday?

I do, Una said.

He was talking to me!

She continued, We were studying the rise of Corrilond in the year of the Sleeper’s Awakening during the reign of King Abundiantus IV –

Know-it-all!

The tutor shoved his glasses up onto his forehead and rubbed his eyes. It was a day like all others, a mirror of yesterday and a foretelling of tomorrow: The prosperous sameness and drudging boredom of lives placidly spent proceeding as endlessly as the mind could conceive.

Nothing ever really changed, and as far as anyone in Oriana Palace could surmise, nothing ever would.

But then, something did.

__________

For two hundred years they had not been seen.

They first appeared as deeper shadows among the shadows of the Wood, all staring eyes and sniffing noses, as wary as children dipping a toe in deep water, fearful to take a dive.

Then one stepped forth, and he, with a smile, beckoned to the others. A huge creature with eyes as wide and white as the moon and skin like craggy rocks followed with a strange grace of movement; behind him walked another who was black as a shadow but whose eyes shone like the sky. After these came the others. Out of the Wood they streamed in parade – carrying with them the scent of dusk, the sound of dawn – and they arranged themselves upon the lawn outside the walls of the city of Sondhold, in the shadow of Goldstone Hill.

A shepherd boy saw them first. His heart leapt with fear at the sight, though not because of their strangeness, for such strangeness he had witnessed a thousand times in dreams. Rather, he feared that he dreamed them now and that, as soon as his old dad caught him snoozing at his watch, he’d fetch a hiding and perhaps be sent to bed without supper. So he pinched himself, and when that did not work, he pinched himself again.

His lazy flock all lifted their heads, regarded the oncoming throng a moment, and then returned to their grazing. But the quick-eyed herding dog let out a joyous bark and left the shepherd, left the flock, and ran to greet the strangers as though welcoming long-lost friends.

Then the boy jumped up and ran as well, shouting as he went. But he ran the opposite direction, down the dusty path toward Sondhold. Though he had only ever seen them in dreams, he recognized those who came.

The market! The market! he cried. The guards at the gates let him through, calling derisively after him, but he paid them no mind. The market! he shouted, gathering too much speed so that he lost his balance and scraped the skin from his palms and knees. But he was up again in a flash, shouting all the louder. The Twelve-Year Market is come from the Wood!

The very oldest grandmama in all Sondhold could only just recall her old grandmama talking about her grandmama’s visit to the Twelve-Year Market. Many families in the city boasted prized heirlooms, strange oddities handed down from father to son, mother to daughter, for generations. A silver spoon that never tarnished; a kettle that sang familiar old tunes when the water boiled; a mug that never let the tea grow cold; a pair of boots that, if polished with the right stuff, would carry a man seven leagues in a step – too bad the polish ran out ages ago. The items once purchased at the Twelve-Year Market were rare and wonderful indeed, items of Faerie make and ever so expensive. But the Twelve-Year Market was the stuff of stories.

Until it showed up on the lawn below Goldstone Hill that day in early spring, soon after Princess Una came of age.

A washerwoman hanging up her second load of the day to dry paused in her work, her wrinkled white fingers momentarily still as the shepherd boy ran by. The Twelve-Year Market! he bellowed as he went, and she dropped the clean shirt – dropped it right in the dust – brushed off her apron, and hitched up her skirts to hasten from the city, out to the green lawn.

The boy ran on, shouting, The market! The market is come!

Merchants by the docks closed up booths and locked away their wares.

The market! the shepherd boy cried.

The cobbler’s wife and the baker’s sister ceased their gossip, blinked startled eyes, and joined the merchants.

The boy went on, shouting until he was too hoarse to make himself heard, but by then his work was complete. The folks of Sondhold streamed through the gates: the washerwoman, the merchants, the cobbler’s wife and her brood of children, even the guards who were supposed to stand at the gates. They all made their way down the dusty track from the city to the lawn below the hill. There they beheld the Faerie bazaar.

They stopped on the fringes, afraid to go forward.

The first to hail them was a man so incredibly ancient that his upper lip nearly reached his chin. His skin was like a walnut, and his eyes like acorn caps. A big black sow pulled his rickety cart, on which two enormous pots of alabaster hummed, as though some musical instrument played the same three notes again and again inside. Water sloshed as he lifted them down, and the city folk could hear the creak of every joint in his body, a crackling percussion accompanying the humming.

When he saw the gathering crowds his acorn-cap eyes winked twice, first with fear, then with a smile. Come! he cried, raising a gnarled hand, beckoning. Come, folk of the Near World! Come inspect my wares! Unicorn fry, fresh from the sea, caught just this morning – or last century, depending on your view. Learning to sing; hear them for yourself! Come hear the sea unicorn young as they sing!

The folk of Sondhold looked from him to each other, afraid to move closer, unwilling to leave.

Then the cobbler’s wife took hold of her youngest son and strode boldly to the lawn, her chin set in defiance though the baker’s sister called a warning to her. I’d like a look, she told the old man with the acorn-cap eyes.

He grinned and lifted the lid of one jar. The strange humming filled the air, only three notes dancing in the ears of all those near, but the sweetest three notes ever played together.

The cobbler’s wife stood on tiptoe to peer inside. Coo! she breathed. Then, May I show the boy?

The old man nodded, and she lifted her littlest one to peer into the alabaster jar. The child made a solemn inspection and finally declared, Pretty.

Unicorn fry! the old man cried. Caught fresh this morning! I’ll sell them at a bargain, good dame, and you can raise one at home, hear sweet music every day!

With that, the market truly opened. The crowd standing on the edges of the lawn could not bear to miss whatever wonders lay just before them, and they flooded in to inspect the hundred colorful stalls. The lawn below Goldstone Hill was suddenly as merry as a festival, as noisy as a circus, as frantic as a holiday. Music sang from all corners, outlandish music on outlandish instruments played by even more outlandish people. But although the songs were different, somehow they blended into each other in cheerful harmonies, often underscored by a low, melancholy tune that heightened the curiosity and the fun of those who browsed the many stalls.

Word spread fast. Soon all of Sondhold was bestirred. Working girls feigned sickness to be excused, and schoolboys made no pretense of attending classes. The washerwoman let the dirtied white shirt lie untouched, and the smithy allowed his fires to die. How could anyone attend to mundane things on the day of the Twelve-Year Market?

The hubbub bubbled all the way to the crest of Goldstone Hill and flowed on into the palace, where Princess Una sat with her nose in her history text, wallowing in academic misery. Dates and battles and dead kings’ names swam before her eyes while spring fever, cruel and demanding, picked at the back of her brain. She and her brother had ceased their squabbling for the time being, and their tutor’s voice filled the room in one long, endless drone that commanded no one’s attention, least of all the tutor’s.

Monster stood up on the windowsill. He stretched, forming an arch with his body, and flicked the plume of his tail. Then, after a quick wash to make certain his whiskers were well arranged, he interrupted the lecture.

Meaaa.

The tutor droned on without a glance at the cat. Abundiantus V was never intended to sit upon his father’s throne, being the second son –

Meaaa! Monster said, with more emphasis this time. He unsheathed his claws and scratched the window, a long grating noise.

Dragon-eaten beast. Felix threw a pencil at the cat’s nose, missing by inches.

Princess Una, the tutor said, we have had this discussion. Would you kindly remove that creature from the room so that our studies may continue uninhibited?

Una huffed and went to the window. But when she reached for him, Monster made himself heavy and awkward, slipping through her grasp. He landed back on the windowsill with another Meeeaa! and pressed his nose to the glass.

Una looked out.

She saw the colors. She saw the movement. She saw the dancing far below, as though she was suddenly gifted with an eagle’s eyes and able to discern every detail even at that great distance. Wonderingly, she opened the window, and music carried up Goldstone Hill and filled the room.

Oh, she said.

Meeeea. Monster looked smug.

Felix was on his feet and at her side in a moment. He too looked down. Oh, he said.

The tutor, frowning, came around from behind his desk and joined them at the window. He looked as well and saw what they saw. His mouth formed an unspoken Oh.

A clatter of hooves in the courtyard drew their gazes, however unwillingly, from the sight down the hill. Una and her brother saw their father, King Fidel, mounting up with a company of his guard around him. Brother and sister exchanged a glance and bolted for the door, falling over themselves in a headlong dash from the chamber, down the stairs, and out to the courtyard, heedless of the tutor’s feeble attempts to restrain them. Monster trailed at their heels.

Father! Una burst into the courtyard, shouting like a little girl and hardly caring that she drew the eyes of the stable boys and footmen standing by. King Fidel, upon his gray mount, looked back at his daughter. Father! she cried. Are you going to see? She did not have to say what.

Yes, Una, Fidel replied. I must make certain all is well below.

May we come? Una said, and before the words were all out of her mouth, Felix was shouting to the stable boys, My horse! Bring my horse!

King Fidel considered a moment, his eyebrows drawn. But the day was fine, the air was full of holiday spirit, and his children’s faces were far too eager to refuse. Very well.

Una and Felix rode on either side of him as he descended the King’s Way, the long road that wound down Goldstone Hill to the teeming lawn. The breath of the ocean whipped in their faces, carrying the spice of other worlds up from below.

Sheep left neglected trailed across the road as the riders came to the bottom of the hill. The animals trotted out of the way, lambs scurrying behind their mothers. Una saw a man leaving the market with a great embroidered rug over his shoulder, and children ran hither and yon eating golden apples. A juggler tumbled just in front of Felix’s horse, tossing what at first looked like knives, but then seemed to be silver fish, and then, Una could have sworn, shooting stars. A dancer with eyes as large and wet as the moon on water, with pupils like a cat’s, too strange to be either beautiful or ugly, twirled past trailing what could have been iridescent scarves or perhaps wings. A man with green-cast skin sprang alongside Una’s mount and held up an empty hand. Flowers bloomed from his fingertips, and he smiled hugely, bobbing and bowing.

Blossoms for the lovely lady? A fair price! Always fair! I do but ask for a strand of your hair. Is that not fair? A single strand of hair!

Una urged her horse closer to her father’s, uncertain whether or not to be frightened. But the green-cast man darted away into the crowds, shouting as he went, Prices always fair! Blossoms to share! She could hear his voice amid the din

Enjoying the preview?
Page 1 of 1