Azanian Love Song
By Don Mattera
()
About this ebook
Don Mattera
Don Mattera, is a South African poet and author. He was awarded the PEN Award for his poetry collection Azanian Love Song in 1983, and the Noma Award for Publishing in Africa for his children's book The Five Magic Pebbles in 1993. His much acclaimed autobiography Memory is the Weapon was awarded the Steve Biko Prize when it was first published in 1987. He has worked as a journalist on The Sunday Times, The Sowetan, and The Weekly Mail (now known as the Mail and Guardian) and trained over 260 journalists. Don decided to convert to the Muslim faith and is now deeply involved in the Eldorado Park community where he resides. He has a special interest in young people and the rehabilitation of ex-prisoners.
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Book preview
Azanian Love Song - Don Mattera
For the children
of our beautiful land,
and to the memory
of our freedom fighters
who gave their lives.
May freedom reign!
The Department of Arts and Culture (South Africa)
has contributed financially to the reprinting of Azanian Love Song.
African Perspectives Publishing
PO Box 95342
Grant Park 2051
South Africa
www.africanperspectives.co.za
in association with
African Morning Star Publications
PO Box 562
Florida 1710
South Africa
© Don Mattera 2007
All rights reserved. No part of this publication may
be reproduced, stored in a retrieval system
or transmitted in any form or by any means,
electronic, mechanical, photocopying or otherwise,
without the prior written permission of the publisher.
First published by Skotaville Publishers 1983
Second edition published by Justified Press 1994
This edition (revised) published by African Perspectives Publishing
in association with African Morning Star Publications 2007
ISBN (soft cover) 978-0-620-39486-4
ISBN (hard cover) 978-0-620-39489-5
Edited by Paul Sulter
Typeset by Gail Day
Cover design by Design Mill
Cover photograph courtesy of The Star
Printed and bound by Intrepid Printers (Pty) Ltd
Contents
About Don Mattera
Introduction
Previous publications
Blood River
Day of thunder
Sophiatown
I feel a poem
The Day they came for our House
Submission
Fall
I saw a man
Demented
Ashamed
Protea
Vietnam
Friday night
On a man hanging
Let the children decide
Mine workers’ song
Black plum
Man to man
At least
For a cent
The sun has died
Cry of Cain
Departure
Sowing and Reaping
Futility
Gelvandale
Weave
Degrees
Lament
Weekend
Quest
Strange rhythm
Limitation
I am not there
Blackness blooms
Journey
Burning train
Offering
Fallen fruit
Truth
And yet
After the flowering
I watched
You would know
No time, Black man
They think us happy
Comparison
Expectation
Embryo
Even I
Remember
Final hour
Child
Old woman
The poet must die
Do you remember
Of reason and discovery
Tokologo
Contamination
Mystery
I am
First victim
At the mortuary
Heat of our chains
If we seek to be free
Azanian Love Song
No children
Curfew
A new time
I stood
Sobukwe
I am infinite
I sing
Dry your eyes
Shadows deepen
Ordeal
Sea and sand
Sea of shadows
New vision
Dying ground
Singing fools
Deluge
Softly
Morning
Your gift
Kumbaya
Elegy for Beirut
Freedom Fighters
Sometimes
Giovanni
Our sons, our daughters
Zimbabwean Love Song
Bitter seed
Salute the warrior
Namibian Love Song
A gift of words
I am nothing
Exiles
I will think of you
A Song for Mandela
I have been here before
About Don Mattera
Donato Francisco Mattera has been celebrated as a journalist, editor, writer and poet. He is also acknowledged as one of the foremost activists in the struggle for a democratic South Africa, and helped to found both the Union of Black Journalists and the Congress of South African Writers.
Born in 1935 in Western Native Township (now Westbury) across the road from Sophiatown, Mattera can lay claim to an intriguingly diverse lineage: his paternal grandfather was Italian, and he has Tswana, Khoi-Khoi and Xhosa blood in his veins. Yet diversity was hardly being celebrated at that time; in one of apartheid’s most infamous actions, the vibrant multicultural area of Sophiatown was destroyed in 1955 and replaced with the white suburb of Triomf, and the wrenching displacement can be felt in Mattera’s writing.
Writing was certainly