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One Day at Pavia and Its Certosa From Milan
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About this ebook
Certosa di Pavia is the name of a famous monastery complex in Lombardy, Italy, situated near a small town (in Province of Pavia) with the same name.
Certosa is the Italian name for Charterhouse, which relates to the cloistered monastic order. The late medieval (northern Italian gothic) Certosa of Pavia is noted for a highly decorated facade and church interior.
This e-guide covers the Pavia Charterhouse and the city of Pavia.
There are extensive descriptions and photos of the attractions.
This e-guide is ideal for use on your smartphone or your tablet.
It also has listings of many reviews for the best-recommended restaurants that are at walking distance from the Certosa and from Downtown Pavia.
Author
Enrico Massetti
Enrico Massetti nació en Milán, Italia, donde vivió durante más de 30 años, visitando innumerables destinos turísticos, desde las montañas de los Alpes hasta el mar de Sicilia. Ahora vive en Washington, Estados Unidos. Sin embargo, visita regularmente su ciudad natal y disfruta recorriendo todos los lugares de su país, especialmente aquellos a los que puede llegar en transporte público. Puede contactar con Enrico en enrico@italian-visits.com.
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Book preview
One Day at Pavia and Its Certosa From Milan - Enrico Massetti
One Day in Pavia
Enrico Massetti
Copyright Enrico Massetti 2014
Published by Enrico Massetti
All Rights Reserved
second edition
La Certosa di Pavia
Carthusian abbey of Pavia (Certosa di Pavia)
Certosa di Pavia is the name of a famous monastery complex in Lombardy, Italy, situated near a small town (in Province of Pavia) with the same name.
Certosa is the Italian name for Charterhouse, which relates to the cloistered monastic order. The late medieval (northern Italian gothic) Certosa of Pavia is noted for a highly decorated facade and church interior.
The Certosa di Pavia contains a detailed bas-relief depiction of the founding on 27 August 1396 of the structure by Gian Galeazzo Visconti (1351-1402).
Certosa di Pavia – cloister
Little more than the nave was executed in this style, since the Renaissance, diffusing its new taste, quickly dominated the design of the edifice. The facade seems to have been begun in 1491 by a group of architects and sculptors
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