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Blood: A Scientific Romance
Blood: A Scientific Romance
Blood: A Scientific Romance
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Blood: A Scientific Romance

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Twin sisters Poubelle and Angelique are bonded in both biology and shared tragedy after a car accident leaves them orphaned along a prairie highway in a pool of blood. But the young twins are brought home with Dr. Glass after their remarkable recovery, and quickly find themselves the subject of endless experiments. In a quest to study Poubelle and Angelique's undeniable bond, Dr. Glass's questionable practices are soon scrutinized by a young doctor who might be the twins' only hope for a normal life. Blood: A Scientific Romance probes the questions: Do relationships take on new meaning when they begin to shape not only our experiences, but our biology? And do we, in fact, complete one another?
LanguageEnglish
Release dateSep 19, 2013
ISBN9781770911734
Blood: A Scientific Romance
Author

Meg Braem

Meg Braem’s plays have won the Gwen Pharis Ringwood Award for Drama at the Alberta Literary Awards and the Alberta Playwriting Competition, and Blood: A Scientific Romance was nominated for a Governor General’s Literary Award for Drama. Her work has been presented at the Citadel Theatre, Theatre Calgary, Lunchbox Theatre, the Belfry Theatre, Sage Theatre, Sparrow & Finch Theatre, Theatre Transit, Atomic Vaudeville, and Intrepid Theatre. She is a past member of the Citadel Playwrights Forum and was a playwright-in-residence at Workshop West Playwrights’ Theatre. Her next book, Feminist Resistance: A Graphic Approach (co-authored with Norah Bowman and Domique Hui), will be published by University of Toronto Press in 2019. Meg currently divides her time between Edmonton as the Lee Playwright in Residence at the University of Alberta and Calgary as the co-director of the Alberta Theatre Projects Playwrights Unit.

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    Book preview

    Blood - Meg Braem

    Blood: A Scientific Romance premiered at the Pumphouse Theatre in Calgary on September 30, 2010, produced by Sage Theatre, with the following cast and crew:

    Poubelle: Nicola Elson

    Angelique: Ellen Close

    Dr. Glass: Christopher Youngren

    Max: Tyrell Crews

    Director: Valerie Planche

    Stage manager: Rachel Parris

    Apprentice stage manager: Michelle Kennedy

    Assistant director: Dylan Metcalfe

    Set, properties, and lighting designer: Cimmeron Meyer

    Costume designer: Julia Wasilewski

    Costume assistant: Anastasia Vogl

    Composer and sound designer: Andrew Blizzard

    Production manager: Carla Ritchie

    Technical directors: Ajay Bondoni and David Smith

    Production assistant: Marcia Liber

    Set construction: Jed Tomlinson

    CHARACTERS

    Poubelle: Fraternal twin to Angelique. Seventeen years old.

    Angelique: Fraternal twin to Poubelle. Seventeen years old.

    Dr. Glass: Sixty-five-year-old scientist/doctor. He has been worn and damaged by his life.

    Dr. Max Street: Twenty-seven years old. A recent graduate from medical school.

    Maman and Papa: These voices are heard and may be pre-recorded.

    SETTING

    A farmhouse on the Canadian prairie, 1962.

    A NOTE ABOUT STAGING

    Blood is meant to be performed without blackouts; scenes should flow effortlessly from one to the next. Directors and designers are encouraged to approach the physical production of the play with imagination and a certain abstract sensibility.

    Scene 1

    ANGELIQUE and POUBELLE walk on stage and sit down in two chairs set side by side. The chairs represent the car at times throughout the scene. We hear MAMAN and PAPA's voices throughout.

    POUBELLE

    The rhyming couplets,

    ANGELIQUE

    Our lovely set of twins,

    BOTH

    God knows where one ends and the other begins.

    ANGELIQUE

    A double of everything sweet to pleasure the eye,

    BOTH

    Of breath,

    They inhale together.

    ANGELIQUE

    Of breath and of softness of thigh.

    The girls are in the back seat of the family station wagon.

    POUBELLE

    Maman, Angelique is pulling my hair!

    ANGELIQUE

    Non, Maman, Poubelle a commencé.

    POUBELLE

    Non! Papa, est-ce que vous pouvez dire à Angelique d'arrêter!

    PAPA

    Arrêtez, les filles! Why don't you look outside your windows? Garde le beautiful, big sky. Garde ça instead of ripping each other apart back there.

    POUBELLE

    Papa, where are we? It's so terribly flat.

    PAPA

    The prairies, ma chère.

    POUBELLE

    Flat like a pancake. Pancake land.

    ANGELIQUE

    Flapjack land!

    POUBELLE

    You're a flapjack.

    ANGELIQUE

    You're going to marry a flapjack!

    POUBELLE

    Well, at least I'm getting married. Who'd want you?

    PAPA

    Ça suffit, les filles!

    Lights change.

    BOTH

    Two little girls, one brunette and one blond,

    ANGELIQUE

    Capillaries, cartilage, strengthening bond.

    POUBELLE

    With eyes set in hazel

    ANGELIQUE

    And eyes bathed in blue,

    POUBELLE

    Begging the question, one soul or two?

    ANGELIQUE

    To find the answer we'll use science to gage

    POUBELLE

    What keeps two together in this day and age.

    ANGELIQUE

    No questions for heaven and the powers above,

    POUBELLE

    We'll distill this bond, this liquor called love.

    In the car.

    Maman, ARE WE THERE YET?

    MAMAN

    Why don't you open up your colouring?

    PAPA

    But les filles, do I want to see wax on the upholstery?

    BOTH

    Non, Papa.

    Lights change.

    ANGELIQUE

    Cut it up, dissect it, drained and wrung dry.

    POUBELLE

    In the name of science, we must always ask, why?

    ANGELIQUE

    Slaughter it, butchered like the finest-cut meat.

    POUBELLE

    Love's but a word, we need proof how hearts beat.

    In the car.

    POUBELLE is drawing.

    ANGELIQUE

    Can I see your colouring book?

    POUBELLE shows her.

    You're going outside of the lines, you know.

    POUBELLE

    Je sais. I'm making it better. I'm making it into our house in Montreal. C'est le tree in the front yard. Tu vois?

    ANGELIQUE

    Ah, oui. Can I try one?

    POUBELLE rips out a piece of paper and gives it to her sister.

    This is going to be the car because it feels like we live in here. We've been driving forever! Papa, when are we going to be there?

    PAPA

    At least another twelve hours, ma bleue.

    POUBELLE

    You make one of the car and then we can park it on mine of the house.

    ANGELIQUE

    Okay.

    Lights change.

    POUBELLE

    What's between those twins is where we'll start.

    To find it! Love! We must pull them apart.

    ANGELIQUE

    And the parts joining them one were made two.

    POUBELLE

    Science unkindly undid all of God's glue.

    In the car.

    ANGELIQUE

    Fini!

    POUBELLE

    Let's see. Pretty good. Like my house?

    ANGELIQUE

    Don't forget to put Puss Puss in.

    POUBELLE

    Ah, oui! (draws in the cat) Finis!

    ANGELIQUE

    Maman, 'garde ça! Regarde qu'est-ce qu'on a fait!

    POUBELLE

    Papa, look at Ange and me's drawing.

    MAMAN

    Ange and I, Poubelle—and don't bother your papa when he is trying to drive.

    POUBELLE

    But I just want to show him my drawing.

    She waves it in her father's face.

    ANGELIQUE

    Me too!

    ANGELIQUE waves her picture in her father's face. They are both waving them so it's impossible for him to see the road.

    PAPA

    Arrêtez, les filles! I can't see the road!

    MAMAN

    POUBELLE! ANGELIQUE!

    Lights flash and we hear the sounds of a car crash. The girls fly out of the car in slow motion. The scene is one of horror and confusion. The girls end up lying on the ground, separated. Their parents are gone.

    POUBELLE

    Bruises blushed purple, yellow, and blue.

    ANGELIQUE

    Blood pooling where severed in two.

    The girls are dazed

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