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Tasos Livaditis: Selected Poems
Tasos Livaditis: Selected Poems
Tasos Livaditis: Selected Poems
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Tasos Livaditis: Selected Poems

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For years I’ve prepared myself for that big moment
the miracle of the century, on the other hand
you have to admit I’m one of a kind in my field —
but, God, what happened, who betrayed me, where
they found all the proof? The procedure was quick
the district attorney to the point, “are you him?”
he asked me, “him” I answered
is there any worst charge?

LanguageEnglish
Release dateNov 13, 2014
ISBN9781311457639
Tasos Livaditis: Selected Poems

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Tasos Livaditis - Manolis Aligizakis

COPYRIGHT

Translation copyright © Manolis Aligizakis 2020

Published in 2020 by:

Libros Libertad Publishing Ltd.

2244 154A Street

Surrey, B.C. V4A 5S9

All rights reserved. No part of this book may be reproduced in any form without the written permission of the publisher, with the exception of brief passages in reviews. Any request for photocopying or other reproduction of any part of this book should be directed in writing to the publisher or to ACCESS: The Canadian Copyright Licensing Agency, One Yonge Street, Suite 800, Toronto, Ontario, Canada, M5E 1E5.

ISBN 9798636708858

Cover design by Iryna Spica

Ebook by www.ebookconversion.ca

FOREWORD

The people’s poet in more than one way, Tasos Livaditis stands apart from other poets of his era because of his deep understanding, his heart rendering existential agony, initially expressed as a tender cry filled with compassion within the boundaries of his optimistic realism and on the second phase of his creative career as an introverted search for the meaning of life after the dissolution of his expectations as an artist-fighter for a better future.

The calendar will show October

with the wilted leaves and revolutions

It was October when he said his farewell to us.

Here I‘ve come to the end. Time to go. As you will also go.

and the ghosts of my life will search for me

running in the night and leaves will shiver and fall.

Autumn comes this way. For this, I say to you,

let us look at life with more compassion, since it was never real.

He never imagined that the ghosts of his life would multiply in such a fast pace soon after his death. The adventure of his vision turned out to become a hardship, the rapid fashion of change in social behaviour by the most suspicious of men truly shifted dramatically in the short nineteen years after his death. Within one or two years after his death his so called socialistic dream collapsed in an irreversible way that turned his dream for a just world into a fable.

However Livaditis knew deep inside that only the Time of Justice eventually justifies one. Today Livaditis is considered a very important poet of his era. He was not at all insignificant although not recognized enough. Because as times passes and values change or shift position Time of Justice shifts as well and sets laws and flawless details in the Stock Market of Values.

Tasos Livaditis is one of the last poets who dreamed of a different Greece and gave all he had to turn that dream into reality. He was one of the last who believed in the collective versus the personal even if that collective meant dramatic adventures: surely his exile and persecution but also the adventure of his internal revolution. The person who dreamed of a better world was embittered when he realized the utopia of his vision. Yet he never lost faith and he always stood gracefully opposite the descending sun and in that glamour of the red dusk he wept alone but with optimism for the future. Unfortunately his life was cut short and at the age of 66 he departed leaving a nation to mourn the people’s poet and to reflect on his teachings; a nation that shifted its focus toward his vision because the world of the poet is the world of humiliation and exhaustion. It’s the world of bitterness and futility and Tasos Livaditis suffered a lot, was persecuted a lot and pendulated a lot in his life. How else could he write such great poems?

There is a similarity in the life of this man and the life of Yannis Ristsos whom Tasos Livaditis refer to as the teacher. Both men were leftists along with Avgeris, Varnalis, Anagnostakis and others, they were both exiled for their political views, they both left behind a vast bibliography, they both had one daughter and they both went through a poetic shift, a change of focus from writing poetry to serve the cause of the left to writing poetry having in its center the progress, improvement and refinement of the external and internal facets of man.

In the Introduction of this edition I have added one poem written by Yannis Ritsos and excerpts from reviews written in Greek on the twentieth of his death by friends and close associates of this great poet. I have translated these excerpts and placed them in the order I thought most appropriate. I chose to introduce this great poet to the English speaking world not only with the regular introduction format but also with these comments published by Kedros in 2008, this poet’s exclusive publisher.

The sources of these reviews are referred to in the bibliography of this book.

My heartfelt thank you is extended to Mr. Stelios Petros Halas for granting me his permission to do this translation.

~ Manolis Aligizakis,

Cretan, writer, poet, translator

INTRODUCTION

Tasos Livaditis belongs to a group of twentieth century Greek poets who devoted a long period of their lives fighting for the cause of the left. This man much like Yannis Ritsos and others was exiled for his political views, he was persecuted and found himself at the jaws of circumstances that defined a major part of his life with a struggle and a collapse and a disappointment and a turn toward a hazy horizon with hopes of finding their way in this world but who doubtlessly found his footing by looking inward and by focusing his attention to the everyday men their aspirations and dreams.

He was a poet who every day in his life lived poetry in every possible form discovering it in the most common and in the timeworn aspects of daily routine. His life was turned into poetry. Nothing else speaks more

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