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The Half-Life: A Novel
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The Half-Life: A Novel
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The Half-Life: A Novel
Ebook433 pages6 hours

The Half-Life: A Novel

Rating: 3 out of 5 stars

3/5

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About this ebook

When Cookie Figowitz, the cook for a party of volatile fur trappers trekking through the Oregon Territory in the 1820s, joins up with the refugee Henry Brown, the two begin a wild ride that takes them from the virgin territory of the West all the way to China and back again. One hundred and sixty years later, Tina Plank, an unhappy teenager, meets Trixie, a girl with a troubled past, and the two become fast friends. But when two skeletons are accidentally unearthed from their common ground, the lives of Tina and Trixie, Cookie and Henry are brought together in unexpected and startling ways.
Jonathan Raymond attended Swarthmore College. He was an editor at Plazm magazine and received his M.F.A. from New School University. He currently lives in Brooklyn, New York.
"A marvelous novel...a mystery as rich as the history of the Oregon territory itself."-Vanity Fair
"Raymond nimbly interweaves these parallel tales and manages to surprise...[a] subtle portrait of friendship and loss...[from] an astute, patient observer."-Entertainment Weekly
"Raymond's debut novel teems with carefully researched period details, intrigue...yet it never feels overstuffed."-Washington Post
"With The Half-Life, [Raymond] has come home prospecting for literary gold ...Oregon has given him something back."-San Francisco Chronicle
"Quietly stunning...Raymond is a kind of stealth bomber of the epic."-Newsday
"Terrific...The Half-Life gazes upon those fierce but ephemeral attachments that evade the history books. Multiple plots elegantly veer across the sprawling terrain."-Village Voice
LanguageEnglish
Release dateDec 2, 2008
ISBN9781596918870
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The Half-Life: A Novel
Author

Jon Raymond

Jon Raymond is the author of the novels The Half-Life, Rain Dragon, and Freebird, and the story collection Livability, winner of the Oregon Book Award. He has collaborated on six films with the director Kelly Reichardt, including Old Joy, Wendy and Lucy, Meek’s Cutoff, Night Moves, First Cow, and the forthcoming Showing Up, numerous of which have been based on his fiction. He also received an Emmy Award nomination for his screenwriting on the HBO miniseries Mildred Pierce directed by Todd Haynes and starring Kate Winslet. He was the editor of Plazm Magazine, associate and contributing editor at Tin House magazine, and a member of the Board of Directors at Literary Arts. His writing has appeared in Zoetrope, Playboy, Tin House, The Village Voice, Artforum, Bookforum, and other places. He lives in Portland, Oregon.

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Rating: 3 out of 5 stars
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  • Rating: 3 out of 5 stars
    3/5
    I slogged through this, forgetting how much better a book could be until I started the next one. There are two parallel stories, both set in the same landscape near Portland, Oregon, one during the frontier period in the mid-nineteenth century, the other on a commnity of aging hippies in the 1980s. The first, by far the more interesting story, relates the friendship between two men, one a cook for trapping expeditions. They cook up a scheme to get rich by selling vials of a glandular extract from beavers in China. There "Cookie" is arrested, put in prison, & abandoned by his friend, who returns to America. Eventually Cookie befriends the Chinese prisoner in the next cell, brings him to American when they are released, only to encounter tragedy. In the other story, two teenaged girls become friends, smoke a lot of pot, & plan to make a film, before, again, tragedy occurs. In both friendships, the person of stronger character is thoroughly dominated by the one who is apparently stronger but fundamentally weaker. In that, the story had potential, but it didn't work very well. (The stories are loosely & ineffectively linked by an awkward story about finding two long abandoned bodies (both male, holding hands) on the property the girls are living on & a dispute over whether the bodies should be turned over to a forensic anthropologist or to local Indians.) The writer got carried away with descriptions, crossing the fine line, for me, between providing the details necessary to bring the characters & their attempts to life, or indulging oneself as a writer in displaying one's powers of description to no useful end. It was also a profance book, not just in the sense of being filled with profanity & drug use, but in that it sees life itself as tragic & unredeemable rather than, as Shakespeare & other great writers do, seeing that SOME people have tragic flaws that prevent them from reaping life's rewards.