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Mornings in Jenin: A Novel
Mornings in Jenin: A Novel
Mornings in Jenin: A Novel
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Mornings in Jenin: A Novel

Rating: 4 out of 5 stars

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A heart-wrenching, powerfully written novel that does for Palestine what The Kite Runner did for Afghanistan.

Mornings in Jenin
is a multi-generational story about a Palestinian family. Forcibly removed from the olive-farming village of Ein Hod by the newly formed state of Israel in 1948, the Abulhejos are displaced to live in canvas tents in the Jenin refugee camp. We follow the Abulhejo family as they live through a half century of violent history. Amidst the loss and fear, hatred and pain, as their tents are replaced by more forebodingly permanent cinderblock huts, there is always the waiting, waiting to return to a lost home.

The novel's voice is that of Amal, the granddaughter of the old village patriarch, a bright, sensitive girl who makes it out of the camps, only to return years later, to marry and bear a child. Through her eyes, with her evolving vision, we get the story of her brothers, one who is kidnapped to be raised Jewish, one who will end with bombs strapped to his middle. But of the many interwoven stories, stretching backward and forward in time, none is more important than Amal's own. Her story is one of love and loss, of childhood and marriage and parenthood, and finally the need to share her history with her daughter, to preserve the greatest love she has.

Set against one of the twentieth century's most intractable political conflicts, Mornings in Jenin is a deeply human novel - a novel of history, identity, friendship, love, terrorism, surrender, courage, and hope. Its power forces us to take a fresh look at one of the defining conflicts of our lifetimes.
LanguageEnglish
Release dateJul 1, 2010
ISBN9781608191482
Mornings in Jenin: A Novel
Author

Susan Abulhawa

Susan Abulhawa is a Palestinian-American writer and political activist. She is the author of Mornings in Jenin—translated into thirty languages—and The Blue Between Sky and Water. Born to refugees of the Six Day War of 1967, she moved to the United States as a teenager, graduated in biomedical science, and established a career in medical science. In July 2001, Abulhawa founded Playgrounds for Palestine, a non-governmental children’s organization dedicated to upholding the Right to Play for Palestinian children. She lives in Pennsylvania.

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Rating: 4.06959726007326 out of 5 stars
4/5

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  • Rating: 4 out of 5 stars
    4/5
    The wars in Israel between the Jewish and Palestinian people have been ongoing for some time. Generally, we hear about the Jewish people and their fight to keep or attain what they believe is theirs, especially here in the US. This book gives a different perspective, giving a human face to the conflicts from the Palestinian side. I had never considered the conflicts from that point of view, and I am glad that this novel opened up a different world for me. A good book will do that. The tragedy is almost non-ending, but I am guessing that this picture is realistic. The struggles that Amal must handle are intense and frequent, whether in the US or in her hometown of Jenin. I will not look at news from Israel the same again.
  • Rating: 4 out of 5 stars
    4/5
    This is the story of Palestine told from the perspective of the Arabs as the Jews come in to their homeland. It certainly gave me a fresh insight into the situation and how our media can write what powerful individuals wanT others to know.
  • Rating: 5 out of 5 stars
    5/5
    Set against the Palestinian-Israeli conflict, and with much of the novel taking place in the refugee camp of Jenin, this is a powerful piece of fiction about a girl growing up in the midst of conflicts which started long before she was born and will, still, affect her every day. With a torn family, simple desires, and tragedy more familiar than happiness, her life unfolds in the camp, in Jerusalem, in Lebanon, and finally in America. While the beginning of the novel is slightly bogged down in history, and it's clear that Abulhawa is struggling to balance history and story in her first novel, the story takes over quickly.In the end, the novel is striking and delicate, exploring the subtleties of a life shadowed by this conflict while still managing to develop believable and engaging characters and storylines. The book is about struggle, survival, and forgiveness, and it forces readers to examine history and contemporary conflict on an individual and personal level that no reader will fail to relate to. More than any other text I've read, nonfiction or fiction, this made the Palestinian-Israeli conflict something that was alive, and not just a distant blur of war. Simply, this is not a perfect book, but it is necessary and beautiful, and telling. One of those few novels that everyone should read. Absolutely recommended.
  • Rating: 4 out of 5 stars
    4/5
    The message and themes in this book sometimes overshadowed the narrative, but there is no denying that it is a powerful and tragic story
  • Rating: 4 out of 5 stars
    4/5
    This is a really interesting, emotive read that bridges the gap between fiction and non-fiction seamlessly. Whilst the characters are fictional, the events and emotions are real, and based on the author's own experiences as a child of Palestinian refugees. The story stretches over six decades and follows the life of Amal, and her family, who are removed by the Israelis from their beautiful home in Ein Hod, to live in a refugee camp in Jenin. A beautifully written book, there are many times when the author's anger and pain is papable. However, my one criticism would be the sudden switch from the usual third person narrative to the first. Whilst I can understand why Susan did this, a heading at the start of these sections would have been useful to give the reader some warning. Overall though, a deeply moving and powerful book.
  • Rating: 5 out of 5 stars
    5/5
    a great leterary work that shouldn't be missed
  • Rating: 5 out of 5 stars
    5/5
    Morning in Jenin is purely eye-opening
  • Rating: 5 out of 5 stars
    5/5
    Mornings in Jenin by Susan Abulhawa was both a difficult book to read and a difficult book to write a review on. This was one of the most emotional reads I’ve had in a very long time. This is the story of the Palestine refugees told in a way that I personally had never known. This is a story of loss. The characters face the loss of their land, the loss of their dignity and the loss of their lives. The author opened my eyes to an event that has been on the world stage for a generation, yet one I really knew very little about. The story of one Palestinian family from the 1940’s through to 2003 was a story of hardship, war and hatred. I was surprised and angry to read of such horrible acts that were committed by the same people who were mistreated and murdered by the Nazis. I know this book is probably more than a little one-sided and I need to balance my views by reading something from the Israeli point of view, but the message I take from Mornings In Jenin is that violence begets violence in a never ending cycle.Both heart and gut-wrenching, Mornings In Jenin is a powerful read that resonated with me and left me feeling a sense of both loss and guilt. A moving story that takes one behind the headlines and gives us a personal look at the cost of disassembling a nation.
  • Rating: 1 out of 5 stars
    1/5
    A horrific and badly written screed, where Palestinians are cursed innocents and Jews are the devil.
  • Rating: 5 out of 5 stars
    5/5
    loved it!!!
  • Rating: 5 out of 5 stars
    5/5
    I try to limit the number of these sorts of books I read in year, because they are so depressing. As someone who is neither Jewish nor Palestinian, I am not personally connected to the 'conflict in Israel' tha has been going on since long before I was born. I know enough about it, though, that this novel was not a history lesson for me, more a reminder of the ugliness that humans can create for each other. I have Jewish and Palestinian friends, and have learned to remain respectfully silent about the violence and cruelty both sides continue to show each other in Israel. I can't stop the hatred and evil between these peoples, no matter how much I dwell on it, so I make sure I tune in every so often to what is happening in that part of the planet, and then go on with my own life as best I can.
    Books like this one bring the evils of humanity back into focus. In this story, we follow a Palestinian family from a pre-1940's peaceful village that grew olives, through the atrocities of WW2 and the 'birth' of Israel, to the still-ongoing simmer of evil perpetuated by both sides. Since this book follows a Palestinian family, we see mostly the evils visited on Palestinians by Israelis (a side that the American government has long been eager to suppress from American awareness). But from the stories American media does cover about the evils Palestinians visit on Israelis, I knew all the while I was reading this book that there are always more evils going on just off screen. The 'good guys', those non-combatant civilians who just want to live in safety and some sort of comfort, become the victims of both sides, and so long as Israel exists and has not yet completed its implied genocide of the Palestinian people, the violence seems like it must go on forever.
    Do I recommend this book? Of course. Israel is not the only place on Earth where we have created a perpetual cycle of evil, but it is a very important one because it is so visible and contained, and maybe if we ever figure out how to achieve lasting peace in Israel, we can apply what we learn to other places and 'conflicts'. But this is not a book to inspire hope for a better future. Reading this story may result in temporary dislike of humans, for the fact that the people who are doing the evil in this book are not monsters, but normal, nice people, not much different from everyone you yourself know and trust. Working out the nature of the evil in Israel and Chechnya and Sudan and everywhere else it has taken root is going to require really looking at it and recognizing that none of us are immune to it, and if we are not perpetuating the evil, there may be a time when we get to become its victims instead. (And yes, for the rest of the year I'll be reading happier or less realistic books and recovering some capacity to like humans again.)

    1 person found this helpful

  • Rating: 5 out of 5 stars
    5/5
    Mornings in Jenin (Susan Abulhawa)
    This book is the story of Amal Abulheja and her family spanning 54 years. It starts in 1948 when the family is removed from their home in Ein Hod and forced to live as refugees in Jenin. It is a tragic tale of war and loss, yet is also a story of family bonding, love and dedication.

    Amal goes through war and conflict between Palestine (Muslims) and Israel (Jewish). She is a strong proud woman, with tragedy following her. The vivid detail of war and terror is heart felt and grabbed me by the heart. It is difficult for one to imagine to live as refuges, with curfews and fear, bombs gunfire and death. The graphic detail of the treatment of the refuges, especially the children was heart wrenching. All the lives lost is saddening. This story left an impression. One that makes me want peace within the world, more than ever before. How this will happen, I have no clue.

    I admit I know little of the conflict between Palestine & Israel and I suppose most of the world does not understand, nor know as well. (I could be wrong, but it is my opinion). I found this an unforgettable read. I highly recommend Mornings In Jenin and would love to read more by Ms. Abulhawa.

    1 person found this helpful

  • Rating: 5 out of 5 stars
    5/5
    I can not count how many books I have read about war, the holocaust, death and dying and still I keep reading them. This is one of the better ones that was written so beautifully and portrayed the life of Palestinian people in a lyrical poetic way. Rarely due these stories bring tears to me eyes but this one moved me. Not sure why the ending had to be so dark because the message was already made but enjoyed the book never less.

    1 person found this helpful

  • Rating: 4 out of 5 stars
    4/5
    This book was always going to polarise opinion as I have just seen the proof of from reading the other reviews. If you know your history of the Arab-Israeli conflict there will be no surprises here really. Sometimes the reminiscences of characters can be a little too flowery perhaps, however the story kept turning over nicely and it was a great attempt at four generations in one 300 odd page book. It is difficult to sympathise with the cause of Zionist Israelis the more you learn about this conflict and no I don't think you have to be a HAMS or terrorist supporter to like this novel. If you can't admit that Israel has commited crimes against many Palestinia people then you don't really know much about the conflict probably. Sad to say but it is true. A subject that needs to be explored by bothe writer and reader in more detail.
  • Rating: 4 out of 5 stars
    4/5
    When about 10, became obsessed with reading everything about the Holocaust. Those books -- totally unsuitable for a child --strongly impressed me with the irrationality of anti-Semitism and the need of Jews to protect themselves from a future recurrence. Because of my profession and locations (currently Upper West Side of NYC), I've continued to be exposed primarily to the pro-Israeli, somewhat paranoid perspective of Jews for whom the Holocaust is never out of mind.

    This book was the first of what are probably hundreds, if not thousands, of novels written entirely from the Palestinian point of view. Four generations of women's lives are described from 1948 on. Altho I've (of course) known that many people were displaced, this novel describes the situation in a fresh light. As a Jewish friend said, the basic question is whether you believe that Israel must continue to exist. For Jews, the answer is yes and everything flows from that. This book shows part of that "everything."

    I was undoubtedly overimpressed by this book because of my personal background. Nonetheless, in a country known as a stalwart friend of Israel, I wonder how many others would benefit from reading even this obviously strongly biased account.
  • Rating: 2 out of 5 stars
    2/5
    the back and forth between past and present isn't seemless and makes for difficult reading
  • Rating: 5 out of 5 stars
    5/5
    I received this book a few months back as an early reviewer, but with my library school classes, just got around to reviewing it. This book was absolutely amazing. Typically, I am able to figure out much of what will happen in a book by halfway through, but Mornings in Jenin kept me interested and guessing what would happen next until the end. It tells the story of a Palestinian family and what happens to them as Israel is created. This book will leave you speechless and crying with the different perspective it puts on the Israeli-Palestinian conflict.
  • Rating: 4 out of 5 stars
    4/5
    Mornings in Jenin is a powerful story about several generations of a Palestinian family. Driven off the lands that their family had worked for generations during the expulsion of Palestinians by Israelies, the Abulheja family makes it way to Jenin, where a temporary camp for refugees becomes permanent, but cannot become home. This is a story of loss, loss of home, loss of family, loss of life, loss of freedom, and loss of hope among them.Mornings in Jenin is also a powerful counterpoint to the largely pro-Israeli story that is told in the U.S. This book personalizes and makes real the Palestinian side of this story, and while the truth may lie between the two, at least this book allows us to begin a search for that truth.Outside of the political message of the book, the writing is beautifully done. The story draws readers in and pulls them along effortlessly through decades. The sudden shifts in POV and in time create some confusion, but I think this only highlights the confusion and uncertainty of Palestinian life during these decades of conflict.
  • Rating: 4 out of 5 stars
    4/5
    Mornings in Jenin by Susan Abulhawa is many things. In summary, it's the story of one family's struggle and survival through over sixty years of the Palestinian-Israeli conflict, carrying us from the refugee camp of Jenin to Jerusalem to Lebanon and the anonymity of America. A patriarch dies returning to his stolen farm, a baby is taken from his Arab family and raised by survivors of the holocaust, a father and daughter read together in the early dawn of a refugee camp dreaming of a brighter future, two girls play together under the guns of an occupying army forming a life-long friendship, a young women raises her daughter – alone – in the safety of America but returns to the horrors of war. Mornings in Jenin is a love story. It's the story of four generations of one family's love for each other through the trials of dispossession, diaspora and death. A father's love provides the inspiration for his children to seek education in spite of huge odds. A mother's love provides the strength to endure horrible loss. A husband's love turns him from the path of revenge and destruction. A brother's longing for love leads him on a life-long journey for acceptance. One character describes the depth of their love like this:"It is the kind of love you can know only if you have felt the intense hunger that makes your body eat itself at night. The kind you know only after life shields you from falling bombs or bullets passing through your body. It is the love that dives naked toward infinity's reach. I think it is where God lives."Mornings in Jenin is also a horror story. Not in the classic sense of vampires, zombies or mysterious slashers, but in the sense of everyday horrific acts "ordinary" humans do to one another that populates our news: kidnapping children, political rape, murder and torture. This book slashes through the thin veneer of fiction surrounding the "Palestinian problem" in the Middle East and shows us the stark reality of a people dispossessed. It's not a new story; humans have been killing each other for land and resources from the dawn of time. But told through the lives of individuals, this inhumanity is a visceral punch in the gut, stealing your breath, and leaving you in tears.Mornings in Jenin is a political statement. The author is the daughter of Palestinian refugees and grew up in the US, but she's worked in the camps and visited Jenin shortly after the 2002 Israeli invasion of the camp. It was that experience, and subsequent cover-up of the massacre there, that led her to write this novel. She makes little effort to be "balanced" or present the "Israeli side" because that version is what is front and center in Western media. Her purpose is to correct the imbalance; to tell the "Palestinian side" -- which is generally ignored in the mainstream -- through literature. It is relentlessly sad with a slim hope for change at the end.Ultimately, Mornings in Jenin is a wonderful piece of literature about an enormously difficult subject. The writer obviously grew up reading poetry. The sentences and paragraphs sing with a poetic rhythm and interesting choice of words. I highly recommend this book, but beware it is an emotional rollercoaster.Writer's nit pick: I would have given it five stars except for (what I found) the author's annoying habit of switching person and point of view. The first section starts with an omniscient narrator to set the background story of the first generation and diaspora. The second section starts with first person reminiscences of the granddaughter, which shook me out of the story for a moment trying to figure out who is the narrator. The author uses this technique several times in the book and each time it took me a moment to reorient. I suppose this use of the craft could be called experimental, but I find anything that takes me out of the story distracting.
  • Rating: 5 out of 5 stars
    5/5
    From The IndependentAnjali JosephAt the heart of a bitter struggleIt's almost 62 years since the "nakba" or cataclysm that saw the invasion of Palestine or, to put it another way, the founding of the state of Israel.That makes post-occupation Palestine almost as old as India or Pakistan: both countries that have produced copious quantities of fiction since achieving independence. If it surprises that Mornings in Jenin is the first mainstream novel in English to explore life in post-1948 Palestine, it's worth remembering that the stability and distance literature often needs have been in short supply for Palestinians.Susan Abulhawa's novel, first published in the US in 2006 but since reworked, follows the Abulheja family, Yehya and Basima and their two sons, in Ein Hod, a village in Palestine. The pastoral opening crams into 40 pages a cross-faith friendship, a love story (both brothers fall for Dalia, who marries the elder son, Hasan), a death, the Zionist invasion of the village, and the theft of one of Hasan and Dalia's sons, the infant Ismael, by an Israeli soldier. He gives the child to his wife, a Polish Holocaust survivor. Usefully for narrative purposes, the baby, renamed David, has a scar on his face "that would eventually lead him to his truth".From these beginnings, which promise a Middle Eastern Catherine Cookson story, a fine novel emerges. Most of Mornings in Jenin is about Amal, Hasan's daughter, who grows up in the Palestinian refugee camp at Jenin, moves to boarding school in Jerusalem, and then goes to America on a scholarship. The everyday life of cramped conditions, poverty, restriction, and the fear of soldiers, guns, checkpoints and beatings, would have been enough to make the novel unforgettable, but Abulhawa's writing also shines, at best assured and unsentimental. Young Amal and her best friend, Huda, shelter in a cellar during the Six Day War, clutching the corpse of a baby cousin, but it's the loss of a doll and their secret playhouse in the bombing that hurts more. Friendship, adolescence, love: ordinary events, offset against extraordinary circumstances, make the story live.
  • Rating: 3 out of 5 stars
    3/5
    Like many of the books that are set during this time and place, this book sways so far in one political direction that it makes the story difficult to read and accept. Neither the Israelis nor the Palestinians were that perfect before the conflict.
  • Rating: 5 out of 5 stars
    5/5
    This is the story of several generations of a Palestinian family, told from the perspective of a woman born in the Jenin refugee camp in 1955. Existence is precarious, and at times there seems to be enough loss to shatter any threads of hope, and yet the family soldiers on.When I read the book, I intended to take some time to think about what I'd read before writing a review. Days turned into weeks, and weeks turned into months, and while I regret not sitting down to put thoughts into words sooner, the very fact that certain images and emotions evoked by this novel feel almost as strong now as they did when I turned the last page... well, that tells me that this is a book that makes a real difference in how we perceive the Palestinian-Israeli conflict of the time.Going into this novel, I didn't know much about the conflict, and after reading it, I find myself wanting to learn more -- from both sides. I've since heard that the travesties of Jenin caused the Israeli army to approach warfare differently (allowing people to leave before bombing villages, by letting people know a few days in advance where they were targeting)... so as horrifying as the things were that happened here, people learned from it and changed their actions because of it.But back to the novel. You can't read this novel quickly, because it grips your heart and will cause you to ache for the characters inside. Some sections will require large wads of tissues, and you may need to walk away for a bit -- the images can become that horrifying, the loss that deep. In the end, it's a novel from a rare perspective, and the author has done an incredible job, helping us see this conflict through fresh eyes. If it isn't on your reading list, it should be. Then you should pass it on to others, so they too can understand what happened in Jenin.
  • Rating: 4 out of 5 stars
    4/5
    Reading this intense story of life within a Palestinian refugee camp and the lasting impact on an entire people pulled me out of the newspapers and into real life. It challenged my previous political leanings as well. I just do not know how anyone endures the kind of fear and loss that so many human beings have suffered in life. Why must people continue to destroy families like this? I know it is not a new question, yet I consider it with renewed fervor after reading this book.
  • Rating: 5 out of 5 stars
    5/5
    Mornings In Jenin (Bloomsbury) is a wonderful multi-generational fiction that spans over 60 years. It follows a family from the early 1940's all the way to 2002 in Palestine, Lebanon, the US and Israel.... Though a fiction, all of the historical events are real, making the book a great primer that is a fun read as well.
  • Rating: 4 out of 5 stars
    4/5
    I admit to not being well-versed about the Israeli-Palestine conflict. And of course, much of what I read has been highly biased to the Israeli point of view. So it was quite literally jarring to read this book written from the point of view of Palestinians in that conflict. It was a stark reminder that there are at least two perspectives to every conflict and that behind every political drama there are real human lives. But beyond being a lesson in conflict, his book was a well-written and moving romance, family saga, and work of historical fiction. Well worth reading and highly recommended.
  • Rating: 5 out of 5 stars
    5/5
    If you haven't "got" the Palestinian-Israel conflict from the tit-bits you get in the media, you will get it if you read this book. Glancing through the reviews, some of the people seem surprised on reading Susan Abulhawa's point of view. I think people have to understand that war refugees do not make it to CNN and NPR - hence, their narration comes across as unfamiliar. The important thing is that a conflict cannot be understood till we hear the side of the refugee - which Susan Abulhawa is.
  • Rating: 5 out of 5 stars
    5/5
    The Palestinian narration, long since missing in the Western Audience comes alive with this book. This is likely to be a major book club hit that would eventually become a movie."Mornings in Jenin" weaves an emotional story around incidents relating to the Israeli-Palestinian conflict. It is the Palestinian "Exodus" or the Palestinian "Kite Runner" based on your own inclination. Which only shows that it is a book not to be missed!
  • Rating: 5 out of 5 stars
    5/5
    An excellent introduction to the Palestinian / Israeli conflict.I had previously read a couple of books set in Palestine, dealing with the effect of the invasion of Israel into Palestinian lands. Both left me with several questions. I was really impressed with Mornings in Jenin because it filled in the gaps in my knowledge with such ease, whilst providing an excellent narrative and a rewarding read.The fact that the author was born in a refugee camp gives her a hands-on view of events from the Palestinian point of view. Whilst I recognise that this will, necessarily, be a biased view, there are books available written from the other side of the fence that also describe the Israeli experience. It must be almost impossible to write a book on this subject that will be impartial.The family in the novel are from El-Hod, originally in Palestine; they are displaced from their olive farm in 1948. The story is narrated by Amal, the young daughter of the Abulheja family, and continues over 4 generations of the same family. The strong hope for the future, in spite of the hardships, is evident, as well as the effects on youngsters, of life lived entierly in times of war.Whilst not an easy read, I hope this will become a popular book, spreading the plight of the Palestinians in the West where the Israelis are generally thought to be the 'good-guys'.
  • Rating: 3 out of 5 stars
    3/5
    This book was an easy read, yet I had a feeling for some of the characters. I know this is the perception of the author, and much of it may be true. However, because of some incorrect information, it's hard to know how much of the story was based on fact. What's most important, is that there are many people who believe these perceptions, and the value of their lives must be respected. This did give me a real feeling for people who are living a displaced life. I was also upset by the fact that the Israelis were blamed for the massacre in Shatila. Yes, they allowed the Lebanese to enter, but the Israelis did not commit the slaughter.
  • Rating: 4 out of 5 stars
    4/5
    I have studied the Holocaust and the culture of Eastern Europe for many years. I accepted that after the Shoah, the Jewish people needed and could not be denied a homeland. I still believe that. But after reading this novel, which reads like a memoir, but is not, I have decided that I must read both nonfiction about the Israeli/Palestinian conflict and more fiction out of Palestine. The line that sticks with me most is that the Palestinians are the ones paying for the Jewish Holocaust.

    Although I have always felt that the conflict was unfair, Palestinians with rocks versus Israelis with rocket launchers; hundreds of Palestinians dead for every Israeli, I have never before commiserated with individual Palestinians as I did with the characters in this book. And it is only by seeing individuals that we can truly humanize a conflict in our minds and perhaps change our behavior.

    I read the advanced reader's copy of the book, which clearly needed more editing. I think this book could be exceptional if the author were to refine a bit more her writing style, smoothing out transitions, and flow. Her language is beautiful, it is the mechanics that are distracting. Such a compelling story and beautiful language are sure to win her acclaim.

Book preview

Mornings in Jenin - Susan Abulhawa

Guide

Prelude

Jenin

2002

AMAL WANTED A CLOSER look into the soldier’s eyes, but the muzzle of his automatic rifle, pressed against her forehead, would not allow it. Still, she was close enough to see that he wore contacts. She imagined the soldier leaning into a mirror to insert the lenses in his eyes before getting dressed to kill. Strange, she thought, the things you think about in the district between life and death.

She wondered if officials might express regret for the accidental killing of her, an American citizen. Or if her life would merely culminate in the dander of collateral damage.

A lone bead of sweat traveled from the soldier’s brow down the side of his face. He blinked hard. Her stare made him uneasy. He had killed before, but never while looking his victim in the eyes. Amal saw that, and she felt his troubled soul amid the carnage around them.

Strange, again, I am unafraid of death. Perhaps because she knew, from the soldier’s blink, that she would live.

She closed her eyes, reborn, the cold steel still pushing against her forehead. The petitions of memory pulled her back, and still back, to a home she had never known.

I.

EL NAKBA

(the catastrophe)

ONE

The Harvest

1941

In a distant time, before history marched over the hills and shattered present and future, before wind grabbed the land at one corner and shook it of its name and character, before Amal was born, a small village east of Haifa lived quietly on figs and olives, open frontiers and sunshine.

It was still dark, only the babies sleeping, when the villagers of Ein Hod prepared to perform the morning salat, the first of five daily prayers. The moon hung low, like a buckle fastening earth and sky, just a sliver of promise shy of being full. Waking limbs stretched, water splashed away sleep, hopeful eyes widened. Wudu, the ritual cleansing before salat, sent murmurs of the shehadeh into the morning fog, as hundreds of whispers proclaimed the oneness of Allah and service to his prophet Mohammad. Today they prayed outdoors and with particular reverence because it was the start of the olive harvest. Best to climb the rocky hills with a clean conscience on such an important occasion.

Thus and so, by the predawn orchestra of small lives, crickets and stirring birds—and soon, roosters—the villagers cast moon shadows from their prayer rugs. Most simply asked for forgiveness of their sins, some prayed an extra rukaa. In one way or another, each said, My Lord Allah, let Your will be done on this day. My submission and gratitude is Yours, before setting off westward toward the groves, stepping high to avoid the snags of cactus.

Every November, the harvest week brought renewed vigor to Ein Hod, and Yehya, Abu Hasan, could feel it in his bones. He left the house early with his boys, coaxing them with his annual hope of getting a head start on the neighbors. But the neighbors had similar ideas and the harvest always began around five a.m.

Yehya turned sheepishly to his wife, Basima, who balanced the basket of tarps and blankets on her head, and whispered, Um Hasan, next year, let’s get up before them. I just want to get an hour start over Salem, that toothless old bugger. Just one hour.

Basima rolled her eyes. Her husband revived that brilliant idea every year.

As the dark sky gave way to light, the sounds of reaping that noble fruit rose from the sun-bleached hills of Palestine. The thumps of farmers’ sticks striking branches, the shuddering of the leaves, the plop of fruit falling onto the old tarps and blankets that had been laid beneath the trees. As they toiled, women sang the ballads of centuries past and small children played and were chided by their mothers when they got in the way.

Yehya paused to massage a crick in his neck. It’s nearly noon, he thought, noting the sun’s approach to zenith. Sweat-drenched, Yehya stood on his land, a sturdy man with a black and white kaffiyeh swathing his head, the hem of his robe tucked in his waist sash in the way of the fellaheen. He surveyed the splendor around him. Mossy green grass cascaded down those hills, over the rocks, around and up the trees. The sanasil barriers, some of which he had helped his grandfather repair, spiraled up the hills. Yehya turned to watch Hasan and Darweesh, their chest muscles heaving beneath their robes with every swing of their sticks to knock the olives loose. My boys! Pride swelled Yehya’s heart. Hasan is growing strong despite his difficult lungs. Thanks be to Allah.

The sons worked on opposite sides of each tree as their mother trailed them, hauling away blankets of fresh olives to be pressed later that day. Yehya could see Salem harvesting his yield in the adjacent grove. Toothless old bugger. Yehya smiled, though Salem was younger than he. In truth, his neighbor had always a quality of wisdom and a grandfatherly patience that gave of itself from a face mapped by many years of carving olive wood outdoors. He had become Haj Salem after his pilgrimage to Mecca, and the new title bestowed him with age beyond that of Yehya. By evening, the two friends would be smoking hookahs together, arguing over who had worked hardest and whose sons were strongest. You’re going to hell for lying like that, old man, Yehya would say, bringing the pipe to his lips.

Old man? You’re older than me, you geezer, Salem would say.

At least I still have all my teeth.

Okay. Get out the board so I can prove once again who’s better.

You’re on, you lyin’, toothless, feeble son of your father.

Games of backgammon over bubbling hookahs would settle this annual argument and they would stubbornly play until their wives had sent for them several times.

Satisfied by the morning’s pace, Yehya performed the thohr salat and sat on the blanket where Basima had arranged the lentils and makloobeh with lamb and yogurt sauce. Nearby, she set another meal for the migrant helpers, who gratefully accepted the offering.

Lunch! she called to Hasan and Darweesh, who had just completed their second salat of the day.

Seated around the steaming tray of rice and smaller plates of sauces and pickles, the family waited for Yehya to break the bread in the name of Allah. Bismillah arrahman arraheem, he began, and the boys followed, hungrily reaching for the rice to ball it into bites with yogurt.

Yumma, nobody is as good a cook as you! Darweesh the flatterer knew how to assure Basima’s favor.

Allah bless you, son. She grinned and moved a tender piece of meat to his side of the rice tray.

What about me? Hasan protested.

Darweesh leaned to his older brother’s ear, teasing, You aren’t as good with the ladies.

Here you are, darling. Basima tore off another piece of good meat for Hasan.

The meal was over quickly without the usual lingering over halaw and coffee. There was more work to be done. Basima had been filling her large baskets, which the helpers would carry to the olive press. Each of her boys had to press his share of olives the day of their harvest or else the oil might have a rancid taste.

But before heading back, a prayer was offered.

First, let us give thanks for Allah’s bounty. Yehya issued his command, pulling an old Quran from the pocket of his dishdashe. The holy Book had belonged to his grandfather, who had nurtured these groves before him. Although Yehya could not read, he liked to look at the pretty calligraphy while he recited surahs from memory. The boys bowed, impatiently listening to their father sing Quranic verses, then raced down the hill when granted their father’s permission to head for the press.

Basima hoisted a basket of olives onto her head, lifted in each hand a woven bag full of dishes and leftover food, and proceeded down the hill with other women who balanced urns and belongings on their heads in plumb uprightness. Allah be with you, Um Hasan, Yehya called to his wife.

And you, Abu Hasan, she called back. Don’t be long.

Alone now, Yehya leaned into the breeze, blew gently into the mouthpiece of his nye, and felt the music emerge from the tiny holes beneath his fingertips. His grandfather had taught him to play that ancient flute and its melodies gave Yehya a sense of his ancestors, the countless harvests, the land, the sun, time, love, and all that was good. As always, at the first note, Yehya raised his brows over closed eyelids, as if perpetually surprised by what majesty his simple hand-carved nye could make from his breath.

Several weeks after the harvest, Yehya’s old truck was loaded. There was some oil, but mostly almonds, figs, a variety of citrus, and vegetables. Hasan put the grapes on top so they would not be crushed.

You know I’d rather you not go all the way to Jerusalem, Yehya said to Hasan. Tulkarem is only a few kilometers away and gasoline is expensive. Even Haifa is closer, and their markets are just as good. And you never know what son-of-a-dog Zionist is hiding in the bushes or what British bastard is going to stop you. Why make the trip? But the father already knew why. You taking this long ride to meet up with Ari?

Yaba, I gave him my word that I was coming, Hasan answered his father, somewhat pleadingly.

Well, you’re a man now. Watch yourself on the road. Be sure to give your aunt whatever she needs from your cart and tell her we want her to visit soon, Yehya said, then called to the driver, who was well known to everyone and whose features asserted their common lineage. Drive in the protection of Allah, son.

Allah give you long life, Ammo Yehya.

Hasan kissed his father’s hand, then his forehead, reverent gestures that filled Yehya with love and pride.

Allah smile on you and protect you for all your days, son, he said as Hasan clambered into the back of the truck.

As they drove away, Darweesh cantered alongside on Ganoosh, his beloved Arabian steed. Let’s race. I’ll give you an hour head start since the truck is weighed down, he challenged Hasan.

Go race the wind, Darweesh. That’s more up to your speed than this old clunker. Go on, I’ll meet you in Jerusalem at Amto Salma’s house.

Hasan watched his younger brother fly away bareback, the hatta tight around his head, its loose ends grabbing at the wind behind him. Darweesh was the best rider for miles around, maybe the best in the country, and Ganoosh was the fastest horse Hasan had ever seen.

Along the dusty road, the land rose in sylvan silence, charmed with the scents of citrus blooms and wild camphires. Hasan opened the pouch that his mother filled each day, pinched off a glob of her sticky concoction, and raised it to his nose. He breathed it in as deeply as his asthmatic lungs would allow. Oxygen diffused through his veins as he opened one of the secret books Mrs. Perlstein, Ari’s mother, had instructed him to study.

TWO

Ari Perlstein

1941

Ari was waiting by the Damascus Gate, where the boys had first met four years earlier. He was the son of a German professor who had fled Nazism early and settled in Jerusalem, where his family rented a small home from a prominent Palestinian.

The two boys had become friends in 1937 behind the pushcarts of fresh fruits, vegetables, and dented cans of oil in Babel Amond market, where Hasan had sat reading a book of Arabic poems. The small Jewish boy with large eyes and an unsure smile had started toward Hasan. He moved with a limp, the legacy of a badly healed leg and the Brown Shirt who had broken it. He had bought a large red tomato, pulled out a pocketknife, and cut it, keeping half and offering the rest to Hasan.

Ana ismi Ari. Ari Perlstein, the boy had said.

Intrigued, Hasan had taken the tomato.

Goo day sa! Shalom! Hasan had tried the only non-Arabic words he knew and motioned for the boy to sit.

Though Ari could improvise some Arabic, neither spoke the other’s language. But they quickly found commonality in their mutual sense of inadequacy.

Ana ismi Hasan. Hasan Yehya Abulheja.

Salam alaykom, Ari had replied. What book are you reading? he had asked in German, pointing.

Book. English. Dis, book.

Yes. English. Kitab. Book, Arabic. Yes. They had laughed and eaten more tomato.

Thus a friendship had been born in the shadow of Nazism in Europe and in the growing divide between Arab and Jew at home, and it had been consolidated in the innocence of their twelve years, the poetic solitude of books, and their disinterest in politics.

Decades after war had divided the two friends, Hasan told his youngest child, a little girl named Amal, about his boyhood friend. He was like a brother, Hasan said, closing a book that had been given to him by Ari in the autumn of their boyhood.

Though Hasan would experience a colossal physical growth, at twelve he was a sickly boy whose lungs hissed with every breath. The labor of his breathing pushed him to the sidelines of the strict confederacies of boys and their rough play. Likewise, Ari’s limp invited the relentless mockery of his classmates. Both possessed an air of recoil that recognized itself in the other, and each, at a young age and in his own world and language, had found refuge in the pages of poets, essayists, and philosophers.

What had been a bothersome occasional travel to Jerusalem became a welcome weekly trip, for Hasan would find Ari waiting there and they would pass the hours teaching each other the words in Arabic, German, and English for apple, orange, olive. The onions are one piaster the pound, ma’am, they practiced. From behind the cart’s rows of fruit and vegetables, they privately poked fun at the Arab city boys, with their affected speech and fancy clothes that were little more than displays of servile admiration for the British.

Ari even began to wear traditional Arab garb on weekends and often returned to Ein Hod with Hasan. Immersed in the melodies of Arabic speech and song and the flavors of Arabic food and drink, Ari gained a respectable command of his friend’s language and culture, which in no small measure would contribute to his tenured professorship at Hebrew University decades later. Similarly, Hasan learned to speak German, to read haltingly some of the English volumes in Dr. Perlstein’s library, and to appreciate the traditions of Judaism.

Mrs. Perlstein loved Hasan and was grateful for his friendship with her son, and Basima received Ari with similar motherly enthusiasm. Although they never met face-to-face, the two women came to know one another through their sons and each would send the other’s boy home loaded with food and special treats, a ritual that Hasan and Ari grudgingly endured.

At thirteen, a year before Hasan’s formal schooling was to end, he asked his father’s permission to study with Ari in Jerusalem. Fearful that further education would take his son away from the land he was destined to inherit and farm, Yehya forbade it.

Books will do nothing but come between you and the land. There will be no school with Ari and that is all I will say on the matter. Yehya was certain he made the right decision. But years later, Yehya would reproach himself with deep consternation and regret for denying what Hasan had dearly wanted. For this decision, one day Yehya would beg his son’s forgiveness as they all camped at the mercy of the weather, not far from the home to which they could never return. Yehya, a withering refugee in the unfamiliar dilapidation of exile, would weep on Hasan’s forgiving shoulders. Forgive me, son. I cannot forgive myself, Yehya would cry. And it was for the same decision and subsequent regret and heartbreak that Hasan would resolve, with determined hard labor and its pittance pay, that his children would receive an education. For this decision, Hasan would tell his little girl, Amal, many years later, Habibti, we have nothing but education now. Promise me you’ll take it with all the force you have. And his little girl would promise the father she adored.

Although Hasan was denied the privilege of formal schooling beyond eighth grade, he received superior tutoring from Mrs. Perlstein, who sent her eager young student home every week loaded with books, lessons, and homework. The private lessons started as a scheme between Basima and Mrs. Perlstein to lift Hasan from his dejection in the months after Yehya issued his final word on the matter of education.

Hey, brother! The young men embraced, locked hands, and kissed each other on each cheek, the Arab way. They unloaded the truck, setting the driver up with other street vendors. Weaving through narrow cobblestone paths of the Old City, the friends headed for their usual treat before walking to Ari’s house. From Babel Amoud, they walked toward el Qiyameh. The aromas of earthen jars, molasses, and assorted oils drifted from shops as sidewalk vendors called to passersby to stop and sample. They turned on Khan el Zeit, their heads brushing against leathers and silks hanging from store walls. A few more steps and they entered el Mahfouz café.

Two heads of honey apple, Hasan called to the attendant.

This can’t be good for your lungs, Hasan, Ari warned him. Does Uncle Yehya know you smoke?

Of course not!

At the Perlsteins’, Hasan delivered the two trays of halaw and knafe.

The usual from Mother, he said in German.

Thank you, Mrs. Perlstein said, taking the sweets.

She was a reserved, long-limbed woman and Hasan thought her appearance gave no hint of her expansive kindness. His instinct, when he saw her, was to look for her family heirloom, pinned on her chest, always. One, two, three, four . . . eighteen. He developed a habit of counting the small pearls of her brooch while she inspected his homework.

Over the years, Hasan proved himself an assiduous pupil and quick study. The mentorship with Mrs. Perlstein continued until he graduated with Ari in 1943, the year when the two young men drifted apart for a while, as Ari developed a small group of friends at his school and Hasan became smitten with a young Bedouin girl named Dalia, who had stolen Ganoosh, his brother’s horse.

THREE

The No-Good Bedouin Girl

1940–1948

Unlike marriages of their time, arranged at birth and kept within the family clan, Hasan’s union with Dalia was born of forbidden love. He was a descendant of the original founders of Ein Hod and heir to great stretches of cultivated land, orchards, and five impressive olive groves. Dalia, on the other hand, was the daughter of a Bedouin whose tribe came to work in the village every year during the harvest and eventually settled there.

The youngest of twelve sisters, Dalia was willful and paid little mind to convention. Despite living at the pitiless end of her father’s belt, she did not always remember to wear the traditional coverings of hijab and let the wind roam her hair. Unlike proper girls, she’d hike up her dress to chase a lizard, soiling the bright Bedouin designs of her thobe with mud stains and cactus thorns. Often, she would forget to empty her pouch of strange new bugs and beetles collected that day, for which her mother would beat her. But the force of nature within her compelled her back to her curious ways. She relished her time with her six- and eight-legged little secrets until she had a four-legged one, a horse named Ganoosh.

Its young master, a boy whom she knew to be Darweesh, son of Yehya Abulheja, offered her a ride when he happened to see her walking the hills. She couldn’t accept a ride with a boy. She’d be beaten if her father learned of it.

No. She was as emphatic as an eleven-year-old can be, but as soon as she answered, her face relaxed into maybe. Darweesh spoke softly, I am happy just to walk in front and I swear on my honor I will not look back at you on the horse. He seemed trustworthy and there was no one around for miles among the hills. She looked around at the quiet expanse of rolling land. Her heart was pure. How do I get on?

Watch me first, then try it when I turn my back, Darweesh said. Ganoosh allowed the petite figure to mount his back and then he walked slowly on. Suddenly she was overcome with fear of being caught with a boy and his horse. She demanded to stop, and as soon as she had dismounted she ran off.

Weeks later she returned to the spot to wait for her magnificent four-legged secret, until it arrived with Darweesh and she experienced the magic again. The secret lasted more than two years and in that time, Dalia learned to ride alone. Darweesh would have done anything she asked, if only she had asked. In all that time, they never exchanged a word except on that first day. When Darweesh saw her coming, he would avert his eyes to show no disrespect, turn his back to her, and hold Ganoosh steady while she hitched up her thobe, pants underneath, mounted, and rode away. Darweesh would wait until she returned and go through the same ritual of modesty in reverse.

To the villagers, Dalia was like a wild gypsy, born of Bedouin poetry and colors instead of flesh and blood. Some thought the child had an aspect of the devil and convinced Dalia’s mother to bring a sheikh to read Quranic verses over her. Most assumed the girl would simply grow out of her ways. Eventually, folks agreed that Dalia ought to be broken. Almost fourteen now, she needed to be disabused of her childish carelessness.

Break her, beat her, teach her a lesson, another Bedouin woman told her mother. Look at her eat that orange! What shame on her family. All the boys are staring at her. Such was the village scorn of Dalia. The jingle of her ankle bracelets bothered the women. More, they hated Dalia’s immunity to their acrimony. The unapologetic force that shone from her skin and floated off her hair reminded them of an irretrievable old bliss that they had willingly discarded. Dalia’s vulgar carelessness was sexual, more so because she didn’t know it.

Basima, Um Hasan, thought Dalia a godless thief with no shame, after Dalia had stolen her son Darweesh’s horse for a covert respite from the backbreaking monotony of the olive harvest. No one would have been the wiser had Dalia not fallen and broken her ankle, sparking a scandal that caught the attention of Hasan. The whole village was abuzz. Darweesh thought of ways to defend Dalia, but he knew his involvement would bring a far greater punishment to bear on her.

Disgraced, Dalia’s father vowed to crush his youngest daughter’s insolence once and for all. To restore his honor, he tied Dalia to a chair in the center of town and put a hot iron to the hand she was forced to admit had been the one that had stolen the horse.

This one? Put it out where I can burn it good, the father said, seething, as Dalia offered her right palm. And if you scream, I’ll burn the other hand, he added, turning to the crowd of onlookers for approval.

Dalia made no sound as the burning metal seared the skin of her right palm. The crowd gasped. How cruel the Bedouins are, said a woman, and some people implored Dalia’s father to stop in the name of Allah, to have mercy because Allah is Merciful. Al Rahma. But a man must be the ruler of his home. My honor shall have no blemish. Step back, this is my right, the Bedouin demanded. It was his right. La hawla wala quwatta ella billah.

Dalia pulled the pain inward, the mean odor of burned flesh scorching the life at her core. Her complicity with nature, the intimacy of her hair with the wind, the jangling of her coin ankle bracelets, the sweet aroma of her sweat when she toiled, the gypsy colors of her—all of it that day became an ash heap in the center of town beneath the deep blue sky. Had she screamed, perhaps the fire would not have reached so deeply into her. But she did not. She spied a rabbit and transfixed them both in an impossible stare. She gripped the torture in her hand and held it there with a clench of her jaw as tears streaked her face. For the rest of her life, Dalia would have the unconscious habit of rubbing the tips of the fingers of her right hand back and forth on their palm while she gritted her teeth, giving the impression that she held something in her grip that was living and trying to get out.

* * *

Basima was unnerved by the Bedouin girl’s stoicism and she wanted no part of that family, for she was not unaware of Hasan’s watchful eyes that followed the young Dalia as she worked at her daily chores in the village and in the fields.

To Basima, Dalia was a no-good Bedouin who would bring all manner of trouble to their peaceful village. Indeed, her worst fears were confirmed when her son, the young Hasan Yehya Abulheja, was unable to resist the audacity of Dalia’s beauty and the wildness of her spirit and resolved to marry her.

With the determination that would characterize Hasan all his life, and with the reluctant blessing of his father, Hasan faced his mother with his decision.

Yumma, marriage is not a sin, Hasan said, trying a conciliatory approach.

No, no, no, no, no! Basima was wild. In the drama of scandal, she flailed her arms, tugged at her thobe with pleas to Allah, beat her chest, and slapped her own face. She bemoaned the humiliation and rued the day that Bedouin ever stepped foot in Ein Hod. Her embarrassment would ripen to shame when she would be obliged to deliver the news of her son’s rebellion and his refusal of his own cousin, who was already betrothed to him.

Ya Abu Hasan, what will people say of us? she pleaded with her husband.

Yehya tried to reason with his wife. Um Hasan, let it be. He’s a man now. We cannot force him.

But she went on as if her husband had not spoken. That our word is not honorable? That we promise a girl marriage to our son, then allow him to disobey us? What fault has my innocent niece committed to be rejected for a filthy Bedouin thief?

This is Allah’s will. Let it be, woman! The country is being turned upside down by Zionists and you’re in a bad temper because your son wants to marry a pretty girl you don’t like. Don’t you hear the news every day? Zionists killing British and Palestinians every cursed day? They’re getting rid of the British so they can get rid of us and everybody’s too stupid to see it or do anything about it. Yehya grabbed his cane in one hand, his nye in the other, and walked outside in disgust of his fears, which had been intensifying with the near daily BBC reports of terrorism by the increasingly militarized Zionist gangs.

On the marble steps of their home, Yehya exhaled through his precious nye, moved his fingers, and raised his brow at the first sound. He played for his trees, to resurrect simplicity and peace.

Stop that! Basima marched onto the portico Yehya had designed and tiled himself. She was furious.

One of these days I’m going to break that thing, Basima growled softly, so the neighbors wouldn’t hear, and stomped away, fearful that she had crossed a line. She was still muttering her displeasure as she walked across the Persian rugs of her foyer, through the tiled grand arches, into the family room, where she struggled onto her knees to sit briefly on the floor cushion. Years earlier, Yehya had wanted to buy sofas, like the British had, but Basima had refused; and now she thought sofas might be better. Restless, she unfolded her prayer mat to submit to Allah. After she had prayed two rukaas, she pulled herself up, walking over more Persian rugs scattered over the marble floor into the kitchen, where she looked around at Yehya’s blue and green tile design. He’s stubborn, but he sure is an artist, she thought. Ya, Yehya, how can you agree to this marriage!

No amount of Basima’s pleading or cursing could dissuade her son. Only Darweesh understood the resolve with which Hasan defied their mother, for he too loved Dalia. And when the family went to ask for Dalia’s hand in marriage, Darweesh wept in the company of his beloved Ganoosh and Fatooma, his other Arabian horse and Ganoosh’s mate that had a distinctive white streak between her eyes.

Dalia’s father accepted with a great sense of relief from the burden of his

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