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A Lady Cyclist's Guide to Kashgar: A Novel
A Lady Cyclist's Guide to Kashgar: A Novel
A Lady Cyclist's Guide to Kashgar: A Novel
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A Lady Cyclist's Guide to Kashgar: A Novel

Rating: 3.5 out of 5 stars

3.5/5

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It is 1923. Evangeline (Eva) English and her sister Lizzie are missionaries heading for the ancient city of Kashgar on the Silk Road. Though Lizzie is on fire with her religious calling, Eva's motives are not quite as noble, but with her green bicycle and a commission from a publisher to write A Lady Cyclist's Guide to Kashgar, she is ready for adventure.

In present day London, a young woman, Frieda, returns from a long trip abroad to find a man sleeping outside her front door. She gives him a blanket and pillow and in the morning finds the bedding neatly folded and an exquisite drawing of a bird with a long feathery tail, some delicate Arabic writing, and a boat made out of a flock of seagulls on her wall. Tayeb, in flight from his Yemeni homeland, befriends Frieda and, when she learns she has inherited the contents of an apartment belonging to a dead woman she has never heard of, they embark on an unexpected journey together.

A Lady Cyclist's Guide to Kashgar explores the fault lines that appear when traditions from different parts of an increasingly globalized world crash into each other. Beautifully written and peopled by a cast of unforgettable characters, the novel interweaves the stories of Frieda and Eva, gradually revealing the links between them, and the ways in which they each challenge and negotiate the restrictions of their societies as they make their hard-won way towards home.
LanguageEnglish
Release dateMay 22, 2012
ISBN9781608198320
Author

Suzanne Joinson

Suzanne Joinson is an award-winning writer of fiction and non-fiction whose work has appeared in, among other places, the New York Times, Vogue UK, Aeon, Lonely Planet collections of travel writing and the Independent on Sunday. Her first novel, A Lady Cyclist's Guide to Kashgar (2012) was translated into 16 languages and was a National Bestseller. She lives in Sussex. suzannejoinson.com / @suzyjoinson

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Reviews for A Lady Cyclist's Guide to Kashgar

Rating: 3.4548386845161296 out of 5 stars
3.5/5

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  • Rating: 4 out of 5 stars
    4/5
    A story of adventurous women in the past and in the present. Eva travels the Silk Road pretending at missionary work but really wanting to experience a faraway place. Present day international researcher Freida unravels Eva’s story for us as she learns about her family and discovers her own rootlessness along with Tate’s, an illegal immigrant. Novel has lots of good points but a bit to general in nature. Not sure about the ending.
  • Rating: 3 out of 5 stars
    3/5
    I wanted to like this more but found it didn't hold my attention all that well. It is 1923. Evangeline (Eva) English and her sister Lizzie are missionaries heading for the ancient city of Kashgar on the Silk Road. Though Lizzie is on fire with her religious calling, Eva's motives are not quite as noble, but with her green bicycle and a commission from a publisher to write A Lady Cyclist's Guide to Kashgar, she is ready for adventure.In present day London, a young woman, Frieda, returns from a long trip abroad to find a man sleeping outside her front door. She gives him a blanket and pillow and in the morning finds the bedding neatly folded and an exquisite drawing of a bird with a long feathery tail, some delicate Arabic writing, and a boat made out of a flock of seagulls on her wall. Tayeb, in flight from his Yemeni homeland, befriends Frieda and, when she learns she has inherited the contents of an apartment belonging to a dead woman she has never heard of, they embark on an unexpected journey together.Of course there is a connection between the two stories. I never really connected well with either of them though.
  • Rating: 5 out of 5 stars
    5/5
    very literary approach: she is writing a guide book, gets swept up with missionaries, adopts a child. in the present, an unexpected inheritance leads freida on a quest.
  • Rating: 4 out of 5 stars
    4/5
    Eva's journey as a missionary on the Silk Road circa 1920 unearths bewildering cultures, perilous geography, disturbing blasphemy; and unfolds the destiny of Frieda in present day London.
  • Rating: 3 out of 5 stars
    3/5
    It was a good book (not great) with an interesting story line. It reads pretty quickly.
  • Rating: 5 out of 5 stars
    5/5
    I liked this intertwined tale of Eva, Lizzie and Millicent on a missionary journal to KAshgar and the present day of Frieda. Parts of the Kashgar portion may have been far fetched but despite this I was involved and entertained by both tales.
  • Rating: 4 out of 5 stars
    4/5
    Eva is going on a grand adventure. With her sister Lizzie and her acquaintance Millicent, they are traveling to Kashgar as missionaries. It's a treacherous road for 3 women in the 1920's, but Eva is determined to make the best of it. While she is traveling, Eva is writing a guide for cycling to Kashgar. Back in the present, Freida is a world traveler. She loves the freedom of being able to leave and experience so many wonderful places. Soon though, she meets Tayeb, a man trying to avoid deportation to his native Yemen. She also learns that she is responsible for an apartment full of stuff left to her by a person she has never met. The tales of Freida, Tayeb, and Eva all intermingle as they each work their way through their separate adventures.This book wasn't at all what I expected. There are two main stories, and it is unclear how they are related for quite a bit. I loved the way they tied in, but I wish the author had dropped a few more clues along the way. I had kind of figured it out, but the payoff felt a little late for me. I loved the feel of the book though. Eva is basically using the mission and missionaries for a chance to see the world. I thought she was a great character. Freida and Tayeb were a bit more difficult to get a feeling for. I also felt like their story had slightly less resolution too. I was very interested in their stories though. I was really drawn into this book, and there were some great surprises too.Millicent was perhaps the most interesting person in the book. I really wanted some more back story on her, although it really wouldn't have fit in the context of the story. When things were finally brought together in the end, it was nice to see it all make sense. Overall I found this to be a really absorbing and fascinating story.Galley provided for review.
  • Rating: 5 out of 5 stars
    5/5
    Reading this novel is a kaleidoscope of colors, scents and times. I love the interplay of characters and times. The descriptive power is such that you are there in the dust and in the fountained gardens. Meeting the smells and sights through the author’s word usage is a delight, a whirling evocative happening that evolves into a sustaining and satisfactory experience.It’s 1923 and two missionary women, sisters, travel to the city of Kashgar along the Silk Road, both for very different reasons. One has adventure in mind, the other missionary zeal.Their story is juxtaposed against the modern day meeting of and Frieda and Tayeb, a refugee from Yemeni, whom Frieda first comes across asleep in her London apartment doorway. The characters’ stories are linked by Frieda inheriting the contents of an apartment belonging to an unknown woman. Times and situations merge into each other under the microscope of this magically crafted novel.Highly recommended.A Netgalley ARC
  • Rating: 4 out of 5 stars
    4/5
    This is the dual story of two missionaries in 1920's China and of a friendship that develops between woman in current-day London and an illegal immigrant from Yemen whom she finds sleeping near her doorstep.The writing was elegant, and this kind of story is my cup of tea, so I loved it!
  • Rating: 4 out of 5 stars
    4/5
    Reason for Reading: First off the title attracted me, then secondly I was both interested in the location and time period as these are favourite topics of mine.A very intriguing story that kept me hooked from start to finish. Told in two points of view. One the first hand account of the diary of Eva as she travels through 1920s China as a Christian missionary at a time when it is under major Muslim upheaval. Second, the third person narrative of a modern day English woman and Arab immigrant man who meet surreptitiously and together put their lives back on track. I found the historical element entirely gripping and engrossing. I always enjoy stories told through journal entries and found Joinson has used this device well; bringing the reader into not only the time period and the plot but also the geography of a land that no longer exists in today's world. I found her detail for description to be just the right amount to bring her world to life without getting bogged down in tedium. It is a hot, dry, thirsty world and was perfect for my time spent reading in the hot days of summer. I totally loved the characters in this part of the story as well, though not actually personally liking anyone except Eva, they were all very large as life personalities who brought a tale of religious riot to life.On the other hand I found the modern day story somewhat lacking. Taking up much less space than the other story, less time is given to developing the characters and I never felt connected to either Frieda or Tayeb. Their story seemed somewhat rushed, their connection not quite coherent and honestly Freida's story could have been told to greater depths without the Tayeb connection. This could have allowed the author to concentrate more on the mother/daughter theme which runs through the book but got lost and wasn't fulfilled to any great satisfaction. Freida and Tayeb's story was a pleasant diversion though and while I wasn't happy with how it connected to the past, it did connect, and proved itself in the end. For fans of epistolary fiction and historical fiction that concentrates on society and character rather than events.
  • Rating: 5 out of 5 stars
    5/5
    I really enjoyed this book. Its premise is unusual in that half of it takes place in Kashgar in the early 1900's while the other half is in modern-day England. In Kashgar, three young women go off to be missionaries to the Moslems, and the women suffer all sorts of deprivations. In England, meanwhile, Frieda returns from a trip abroad to discover that she has inherited the entire estate of a woman who is unknown to her. She also finds a man sleeping outside the door to her apartment her first evening at home. The plot features all kinds of unexpected twists and turns as it links these two diverse stories. An excellent read!
  • Rating: 4 out of 5 stars
    4/5
    The title caught me first. Then the cover. And oh, the endpapers, they were quite wonderful … My imagination had been captured, and I was quite ready for the story to take hold of me. It did. I found myself in Kashgar, in East Turkestan, in 1923. I was in the company of three lady. Christian missionaries. Millicent was their leader, a very capable woman, who was quite sure of the rightness of her mission but was maybe unable to understand that others might see the world rather differently. Lizzie gave her full support to Millicent: but it seemed that she was a leader and not a follower, and I wondered if she was truly following her own path. And then there was Eva, Lizzie’s elder sister … “In my mind’s eye I conjure up Sir Richard Burton’s crackling eyes. Give me courage Sir Richard! I have convinced Millicent of my missionary calling. I have convinced a publisher of the worth of my proposed book. I have even tricked my dear sister who believes that I am here in His name to do His Good Works. I should be feeling clever. I have escaped England, but why, then always this apprehension? To my surprise, despite a childhood of reading maps and reading adventure stories, I realise that I am quite terrified of the desert …” Yes, Eva was a little different. I loved reading her words. I loved seeing the world through her eyes, described so beautifully and so naturally And I grew to love her. The three women changed – were changed – and their relationships changed, as they ran into difficulties and found their journey halted. I was absorbed, I was fascinated, as more and more of their characters were revealed. And I so wanted to know where the story would take them. That made it a little disappointing when I found myself pulled back to contemporary London from time to time. Frieda was another lady traveller, in an age when travel was taken for granted, and maybe the sense of wonder had been lost. She worked for a think tank, travelling through the Arab world, carrying out research. And she had come home to London to find a young Arab man sleeping on her doorstep and a solicitor’s letter, telling her that she was the heir to a woman she knew not at all. Her story was predictable in places, and there were times when I longed to return to Eva in Kashgar. But there were also wonderful moments, where the story twisted in ways that were quite unexpected, where I found wonderful insights into the human condition. Then I was quite happy to be in such a familiar place. A London that I recognised, but a London that occasionally felt as different as Kashgar. The two stories had similar themes threaded through: travel, cultural differences, motherhood, women’s independence … so much has changed, and yet so much has remained the same. They were of course connected. That connection was revealed quite naturally, and it felt completely right. Indeed, the whole story felt right. I turned the pages quickly, caught up with wonderful characters, fascinating stories, and different worlds, so wonderfully described that they came alive before my eyes. I suspect that Eva’s love of travel writing, that made her want to travel, reflects the passion of her creator. “It was reading her descriptions of the candles and lights and the mysterious glittering interiors, the tapirs, silks, the jewels and hangings that had inspired my desire to travel.” That love shone, and it made it easy for me to forgive those very few weaknesses, to fall in love with this book as a whole. And now I think I need to find another book to take me travelling again, to see more of the world through the eyes of other lady travellers …
  • Rating: 3 out of 5 stars
    3/5
    This book was not at all what I was expecting which was a book about a rather intrepid Victorian or Edwardian English woman having adventures with her bicycle in Asia. Instead this book is an insightful study on in culture clash , cultural dislocation and the age old dilemma of how mothers relate to daughters.It's told in alternating chapters bouncing from the 1920's in Asia to the present day in London. In the first instance Evangeline English has arrived in Kashgar in Turkestan with her sister, Lizzie and a rather gruff woman missionary named Millicent. Evangeline has no particular religious calling; she is there to be with her sister. But she does have a commission from a publisher to write A Lady Cyclist's Guide to Kashgar and it is her notes towards this end that tell her story.In the modern sections of the book a young woman named Frieda studying the youth of the Arab world for a think tank finds a man sleeping outside her door. She gives him a pillow and a blanket and thus ensues a relationship she has never anticipated.Of course Frieda's and Evangeline's lives are connected, and the story of how this is and how a life lived almost 100 years ago can have a profound affect on a person living in the 21st Century makes for a very good read.
  • Rating: 3 out of 5 stars
    3/5
    It's really difficult for me to competently write this review, since I do feel very ambivalent about A Lady Cyclist's Guide to Kashgar, about what it was and what it could have been.I enjoyed the two storylines almost equally. This is where Ms. Joinson serious writing skills show: creating and building up the characters that are interesting, engaging and keep the reader reading. I was especially drawn to the ones that were rather on the dark side, even though there were precious few of them. Millicent, the missionary who led Lizzie and Eva to Kashgar, turned out to be a pretty despicable creature in my eyes, mostly because of her selfishness and complete disregard for those devoted to her. However, this character alone added a lot of richness to A Lady Cyclist's Guide to Kashgar and without her the novel could have possibly turned out to be boring. To me, one of the top three factors determining the quality of a novel is the emotional aspect. A story, or even one element of it, has to evoke strong feelings within me. Both positive and negative will do. That's what happened in the case of Ms. Joinson's book and thank goodness for that. As awful as Millicent was, she added spice and dimension to A Lady Cyclist's Guide to Kashgar.The same also applies to the present story of Frieda and Tayeb. This one had actually three deliciously despicable people (Frieda's father, mother and married lover, Nathaniel) but boy, did I hate Frieda's mother. That little number was selfishness personified. It's as if Millicent's spirit was being reborn from generation to generation until it found its perfect host. Call me opinionated and judgmental, but if a woman makes a conscious decision to become a mother, raises the child for long enough to be loved by her/him and then simply disappears forever because there are more important things for here out there, then I won't even consider wasting my time trying to understand the motives. But yet again, Frieda's mother kept me reading A Lady Cyclist's Guide to Kashgar until the end.What exactly is the reason for devoting two paragraphs to characters only, very unlikeable ones nonetheless? It's because, sadly, everything else fell short for me. The historical aspect held a lot of promise. With the Christian first female missionaries arriving at that remote and hostile part of the world and the conflict between the Muslims, the Chinese and the missionaries (both female and male), a lot could have been happening to make A Lady Cyclist's Guide to Kashgar stand out. And again, the same applies to the modern story of the novel. The place of Muslims in today's England, the issue of child abandonment and finally the secrets we keep and how they affect our lives. None of them were explored and it's a shame.As I was making progress with Joinson's novel, the most important issue that I couldn't stop thinking about was how much better off this author would have been, had she abandoned the idea of two storylines and two timelines packed into one book, and instead wrote two separate books. I could even see a potential for a trilogy here. Both the story of Eve and Frieda could easily stand on their own if given proper, singular focus each. So maybe, next time we'll see Suzanne Joinson putting out a fantastic story with strong female characters (I believe that's what she was going for in this book), instead of an okay novel with a potential. I hope so. There's much to like and appreciate in Joinson's writing and enough promise in it to warrant my looking forward to what we'll read from her next.
  • Rating: 5 out of 5 stars
    5/5
    I really enjoyed this book, a story in 2 parts really. Eva and her sister Lizzie who are trying to establish a mission in Kashgar in the 1920s. They arrive to the scene of a young girl of 10 or 11 giving birth under a tree. Things go from bad to worse when the european women are accused of murdering the girl and are held under house arrest, with the girls baby.The other half of the story involves Frieda, in the present day, who has mysteriously been left the contents of a flat in England, thousands of miles from Kashgar, from someone she has no knowledge of! You are left wondering how on earth these 2 stories become one and the book has you guessing right up until the point it is revealed!A charming if unsettling book looking at the relationships between dramtically differing cultures.A really fascinating read.
  • Rating: 4 out of 5 stars
    4/5
    Great interweaving of a present day woman and a woman in the 1920s who goes on an ill-fated missionary trip to china. Another excellent use of anticipation--wanting to know what comes next. Note to self: interesting reference to the freedom biking brings to Eva. When she flees the country she doesn't want to leave the bike. p. 307: "I did not tell her that it was my shield and my method of escape; or that since the first time I pedalled and felt the freedom of cycling, I've known that it is the closest one can get to flying."

  • Rating: 5 out of 5 stars
    5/5
    Loved this book - flipping between 1920's Chinese missionary excursion and contemporary England. Combining a personal journey, road trip and a great story that moves quickly and introduces lots of interesting reveals. None of the central characters are conformist or predictable but it's not quirky.
  • Rating: 4 out of 5 stars
    4/5
    I feel like a need to make a shelf for "historical novels about women travelling" as it is a sort of favorite of mine. This was an intriguing read. The novel has two parallel threads, one set in 1923 in Asia and the other in contemporary London. The first plot is implied by the title. Evangeline English is travelling with her sister Lizzie and another missionary, the domineering Millicent to establish a mission somewhere along the Great Silk Road. Evangeline, ironically (due to her name), is actually non-religious and has come on the mission to satisfy her desire for travel and adventure. The book's title is also the title of the travel narrative she hopes to create from her adventures. The second plot is that of Frieda, whose job takes her frequently abroad, but who feels her connections with outside cultures is based on false pretenses, much like her lackluster affair with a married man. Frieda's life changes, however, when she receives word that she must clean out the flat of a mysterious woman, Irene Guy, an apparent relative of whom she has never heard. Nearly at the same time she finds a homeless Yemeni immigrant, Tayeb, sleeping in the corridor outside her apartment and loans him a pillow and blanket. Suddenly, Frieda is caught up in an intriguing web of familial and cultural connections that pull her out of her sterile connection with "global culture" and into the complex world of real human life and relations.

    I was pulled in by the stories of Evangeline, Frieda and Tayeb, intrigued by the stories themselves and also by the way that the crosscurrents of history flow through our individual lives in ways we can only dimly comprehend. The writing is vivid and well-paced, not rushed but never dragging. The settings are intriguing in themselves and beautifully rendered and the plotlines kept my interest. On the surface, a fairly quick and simple read, but touching on deeper ideas of global society and history.
  • Rating: 4 out of 5 stars
    4/5
    Flew through this novel and thoroughly enjoyed it. I enjoyed the parallel (then intersecting) stories set in contemporary London and colonial-era Kashgar (though surprisingly little is said about the eponymous bicycle). That said, there is plenty to nitpick from a historical perspective. A woman such as Eva, masquerading as one of the missionary faithful in order to seek a life adventure of the sort not permitted in England to a lady of her class, would almost certainly have been found out by the probing questions of the China Inland Mission's recruitment committee (or indeed that of any of the major missionary societies).
  • Rating: 4 out of 5 stars
    4/5
    Interesting story of two independent women in different periods of history. Both are interested in Muslim cultures. The single missionary in the 1920’s who finds herself q single parent to a baby orphan girl turns out to have a connection to the modern single girl who finds herself inheriting the possessions of a woman she didn't know. Both stories are interesting. I particularly enjoyed the historical aspects of Eva’s story about life in a Muslim society and her escape with Ai Lein to Russia and eventually back to England and her unconventional life there.
  • Rating: 4 out of 5 stars
    4/5
    This debut novel has a lot going on. There are two stories. The first is set in 1923 and involves a lady missionary who has found a disciple in Eva's sister Lizzie. Concerned about her epileptic sister, and not wanting to miss out on an adventure, Eva joins the duo as they head to Turkestan, to help with the missionary work (though not really a believer) and to write a travel book about the area. That book is named the same as this novel. The journey is hard, and things go horribly wrong for the women when they stop to help a very young outcast girl who was in labor at the side of the road. The girl dies and the women are put under arrest for her death, as well as given the task of taking care of the new baby. The area at the time is rife with unrest thanks to the very uneasy cohabitation of the Muslim and the Chinese in the area. Political unrest, religion, women's issues and sexuality make for tinder for a fire just waiting to explode.The second story is told in the modern day about an independent young woman, Frieda, who travels the world yet still feels a bit lost. One night she finds a man sleeping outside her door. A gentle soul, she brings him a blanket and a pillow, thus striking up a very interesting relationship that deepens as Frieda is informed of an inheritance from a woman she has never heard of. The true magic of this book is that these two narratives slowly twine together creating a story that is far larger than its parts. The subtle and very literary writing is simply brilliant. This is an astonishing debut of a writer who is about to become very, very well known.
  • Rating: 4 out of 5 stars
    4/5
    Romance, exoticism and travel team up in this unusual debut.The story is set in the stunning remote Muslim area along an old China silk route. Millicent is a domineering missionary out to convert local Muslims to Christianity. Her sister, Evangeline, the narrator and keeper of a diary, has no interest in establishing a mission. Her secret passion is to write a travel guide about the Kashgar desert. Another sister, Lizzie, a rather incidental character, worships Millicent much to Evangeline’s dismay. The story fluctuates between 1923 and the contemporary life of Frieda, a London resident who is an Arabic youth specialist. She is a communiqué of the Islamic youth to a European “think tank.” She becomes involved on several levels with a young Yemeni man. The plot eventually links them back to Evangeline.Evangeline evidently has a charming sense of humor, but that aspect of her personality is minimally developed. This reader wanted to hear more from the cyclist who noted in her diary, “Difficulties to overcome: There is the mounting difficulty and the steering difficulty and the pedaling difficulty; and then there is the general difficulty of doing all these things together.” This is not chick lit, but a study of opposing cultures and religious fanaticism. The title is a fetching hook, but the lack of development of the travel guide was a disappointment. The main theme is the failed relationships of women, but it is wrapped up with a bow of originality and alluring description.The Amazon Vine program graciously provided the review copy.
  • Rating: 4 out of 5 stars
    4/5
    Actually two stories, the first in 1923 in Turkestan and the second in the present. The first story started quickly, with Millicent, an dictatorial missionary and two sisters stranded in Kasgar. The second story started out slower but I ended up liking it more. Loved the history, the clashes between Christians and Muslims as well as the political climate under a Chinese ruled Turkistan. Frieda and Tayeb were my favorite characters and both stories highlighted the importance of family history as well as trying to break culture barriers when you are a stranger to that country. Beautifully written this was a most interesting and different read. ARC from NetGalley.
  • Rating: 2 out of 5 stars
    2/5
    Substance: What should be an interesting view of the central Asian world of the early 1920s was marred for me by a cast I did not care for and a tawdry exposition.Style: Chapters alternate between the 1920s cast and the contemporary descendants of some. The writing is okay but not outstanding. 
  • Rating: 3 out of 5 stars
    3/5
    This story was very involved and I struggled to get through it. My mind kept going back to the Kashmir Shawl which was also along similar lines with missionaries then, and relatives now.

    I think the title of this book was misleading as it gave a promise of something else.

    This is a good book and is nicely written, but it did not suit my reading.

    (Won in giveaways)
  • Rating: 4 out of 5 stars
    4/5
    I can't imagine going to Kashgar even now (it is very remote) but to go as part of a team of three women missionaries from England in 1923 seems very brave. Of course, this is a novel; although there were European missionaries who went to Kashgar in the early 1900s none of them appear to have been women. So I guess this story is more fantasy than based on reality. I did have to suspend my disbelief at times.Eva English travelled with her sister Lizzie and her sister's mentor Millicent from England to Kashgar (now situated in the Xinjiang Uygur Autonomous Region of China) to act as missionaries to bring Christianity to the primarily Muslim region. In addition to being viewed with suspicion because they were Christian and female when they helped a young Muslim girl give birth which resulted in her death they were placed under house arrest. Eva was given the task of looking after the infant girl who survived the birth. Ai-Lien, as Eva called her, must have been strong since she survived illness, lack of food and water, changes in milk, and long hours of travel. Millicent was not worried about the house arrest and she continued to try to convert women she encountered. While all this was going on in Kashgar the Muslims in other areas were rebelling against the Chinese government. A male missionary visited them and urged them to leave Kashgar but Millicent refused to do so.There is a parallel story set in the present day in London. Frieda has been contacted by the housing authority because she is the next of kin named by Irene Guy, a woman who has just died. Frieda has a week to remove any belongings from Irene's apartment; the problem is that Frieda has never heard of Irene Guy and she must find and confront her own mother to learn about Irene.Of course, the reader can easily deduce that Irene Guy is the same as the infant Ai-Lien. Frieda's examination of her apartment gives us the full story of what happened to Eva and Ai-Lien.It was interesting to read this book in the latter part of 2019 because the Uygar people are in the news as a result of China imprisoning thousands of the Muslim Uygars. It seems the tensions in that area keep on.

Book preview

A Lady Cyclist's Guide to Kashgar - Suzanne Joinson

A Few Things to Remember: Study the country you are to travel and the road-surface, understand your map, know your route, its general direction, etc. Always observe the road you cover; keep a small note-book, and jot down everything of interest.

Maria E. Ward, Bicycling for Ladies, 1896

1. A Lady Cyclist’s Guide to Kashgar – Notes

Kashgar, Eastern Turkestan. May 1st, 1923

I unhappily report that even Bicycling for Ladies WITH HINTS AS TO THE ART OF WHEELING – ADVICE TO BEGINNERSs – DRESS – CARE OF THE BICYCLE – MECHANICS – TRAINING – EXERCISES, ETC., ETC. cannot assist me in this current predicament: we find ourselves in a situation.

I may as well begin with the bones.

They were scalded, sun-bleached, like tiny flutes and I called out to the carter to stop. It was early evening; anxious to reach our destination we had travelled, in the English fashion, through the hottest part of the day. They were bird bones, piled in front of a tamarisk tree and I suppose my fate could be read from the pattern they made in the dust, if I only knew how to see it.

This was when I heard the cry. An unholy noise, coming from behind a gathering of dead poplar trunks whose presence did nothing to alleviate the desolate nature of this particular desert plain. I climbed down, looking behind me for Millicent and my sister, Elizabeth, but could see neither. Millicent prefers horseback to carts, it is easier for her to stop at will to smoke a Hatamen cigarette.

For five hours our path had descended through a dusty basin, its lowest part dotted with tamarisk trees emerging from mounds of blown soil and sand that had accumulated around their roots; and then, these dead poplars.

Twisted stems of grey-barked saksaul clustered between the trunks, and behind this bracken was a girl on her knees, hunched forward and making an extraordinary noise, much like a bray. In no hurry, the carter joined me and together we stood watching her, he chewing on his splinter of wood – insolent and sly like all of his type – saying nothing. She looked up at us then. She was about ten or eleven years old with a belly as ripe as a Hami melon. The carter simply stared and before I could speak she fell forward, her face on to the ground, mouth open as if to eat the dust and continued her unnerving groans. Behind me I heard the crack of Millicent’s horse’s hooves on the loose-stoned pathway.

‘She’s about to give birth,’ I said, guessing.

Millicent, our appointed leader, representative of the Missionary Order of the Steadfast Face – our benefactress – took an age to extract herself from the saddle. Hours of travelling had evidently stiffened her. Insects vibrated around us, drawn out by the slackening heat. I watched Millicent. Nothing could be a more incongruous sight in the desert than she, gracelessly dismounting, with her dominant nose cutting the air, and a large ruby ring on her hand at odds with the rest of her mannish dress.

‘So young, just a child.’

Millicent bent down and whispered to the girl in Turki. Whatever she said provoked a shout and then came terrible sobs.

‘It’s happening. We’ll need forceps I think.’

Millicent instructed the carter to bring forward the supply cart and began fumbling through our possessions, looking for the medical kit. As she did I saw that a group of women, men and children – a large family perhaps – were coming along the track towards us, pointing and nudging each other with astonishment at us foreign devils with hair like pig straw, standing as real as anything on their path. Millicent looked up at them, then used her preacher voice:

‘Stay back and give us room, please.’

Clearly shocked at her accurate words, repeated in both Chinese and Turki, they arranged themselves as if positioning for a photograph, only hushing when the girl in the dust leaned forward on hands and knees and screamed loud enough to kill trees.

‘Eva, support her, quickly.’

The crying child, whose swollen stomach was an abomination, looked to me like a dribbling wildcat and I did not want to touch her. None the less, kneeling in the dust in front of her, I pulled her head on to my knees and attempted to stroke her. I heard Millicent ask an elderly woman for help but the hag shrank away, as if contact with us would contaminate her. The wretched girl’s face buried against my legs, I felt a wetness from her mouth, possibly she tried to bite but then abruptly she heaved away, back on to the ground. Millicent wrestled with her, turning her over on to her back. The girl let out pitiful cries.

‘Hold the head,’ Millicent said. I tried to hold her still as Millicent opened her knees and pushed them down with her elbows. The material around her groin came off easily.

My sister still had not arrived. She too prefers to travel by horseback so that she can go at whim into the desert to ‘photograph sand’. She believes that she can capture sight of Him in the grains and dunes. The burning sand will become a pool, the thirsty ground bubbling springs. In the haunts where jackals once lay, grass and reeds and papyrus will grow . . . These and other words she sings in the peculiar high voice she has acquired since being fully possessed with the forces of religion. I looked round for her, but it was futile.

I can still hear those screams now, a hideous anguished noise, as Millicent pushed her finger into flesh, creating a space for the forceps until a combination of blood and some other liquid came out, streaking her wrist.

‘We should not do this,’ I said. ‘Let’s move her into the town instead, there must be someone more experienced than us.’

‘No time. All merciful Christ look upon us and preserve us,’ Millicent did not look at me, ‘thy servants, from fear and evil spirits, which hope to destroy the work of Thy hands.’

Forceps pushed in and a scream that was white-pitched murder.

‘Lord, alleviate the hardships of our pregnancy,’ Millicent said, tugging, pulling as she incanted, ‘and grant us the strength and fortitude to give birth and enable this with Thine all-powerful help.’

‘We should not do this,’ I repeated. The girl’s hair was damp and her eyes were panic-filled, like a horse in a thunderstorm. Millicent tipped her own head back so that her eye-glasses retreated along her nose. Then, with a quick movement, as if pulling up an anchor, a blue-red creature came slithering out along with a great swill of watery substance and was caught, like a fish, in Millicent’s hands. Blood from the young mother quickly formed a red crescent in the dust. Millicent put her knife to the umbilical cord.

Lizzie came then, Leica camera in hand, wearing our uniform of black satin trousers covered with a dark-blue silk skirt and a black Chinese cotton over-coat. Her skirt hem was blotted with the pink dust that engulfs everything here. She stood, staring at the scene before her like a lost girl at the edge of a fairground.

‘Lizzie, get water.’

Millicent’s knife separated for ever the baby from its mother who shuddered, her head lolling back as the fish-baby loudly demanded to be let into heaven. The crescent continued to grow.

‘She’s losing too much blood,’ Millicent said. The girl’s face had turned to the side; she no longer struggled.

‘What can we do?’

Millicent began a soft prayer that I could not hear very well beneath the cries of the baby.

‘We should move her, find help,’ I said, but Millicent did not respond. I watched her lift the mother’s hand. She shook her head, did not look up at me.

‘Millicent, no.’

I spoke uselessly, but I could not believe it: a life disappeared in front of us, down into the desert cracks, as simple as a shift in the clouds. Immediately, there was uproar from our gaping spectators.

‘What are they saying Lizzie?’ I shouted. Blood kept coming from between her legs, a hopeful tide looking for a shore. Lizzie stared at the red tracks on Millicent’s wrist.

‘They are saying we have killed this girl,’ she said, ‘and that we have stolen her heart to protect ourselves from the sandstorms.’

‘What?’ The faces in the crowd dared to come close to me, rushing against me, placing their hands with black nails on me. I pushed the hands away.

‘They say we have taken the girl to give ourselves strength, and that we plan to steal the baby and eat it.’ Lizzie spoke quickly, in that odd, high voice. Her ability with this impenetrable Turki language is much better than mine.

‘She died in childbirth, natural causes, as you can all very well see,’ Millicent shouted uselessly in English, and then repeated it in Turki. Lizzie set about bringing water in our tankards and a blanket.

‘They are demanding that we are shot.’

‘Nonsense.’ Millicent took the blanket from Lizzie and they stood together; a lady and her handmaiden.

‘Now, who’, Millicent held the screeching baby high up as if it were a severed head, an offering, ‘will take this baby?’

There was not a sound from the disbelieving faces watching her.

‘Who is responsible for this baby girl? Is there a relative?’

I knew already. No one wanted her. None of that crowd even looked at the girl in the dust, just a child herself, or at the blood becoming earth. Insects walked on her legs already. Lizzie held the blanket out and Millicent wrapped the furious, wailing scrap of bone and skin into a bundle. Without saying anything she handed it to me.

We were then ‘escorted’ by the family elder and his son to Kashgar’s city gates where, through whatever magical form of communication, notice of our arrival had already been received. The Magistrates’ Court was open, despite it being early evening, and a Chinese official brought in, because, although this is a Moslem–Turkic area, it is ruled by the Chinese. Our carts were searched through, our possessions examined. They took my bicycle from the back of the cart and it, as well as us I suppose, attracted a large crowd. Bicycles are rarely seen here, and a woman riding one is simply unimaginable.

Millicent explained: ‘We are missionaries, entirely peaceful. We came upon the young mother as we approached your city.’ Then, ‘Sit as still as the Buddha,’ she whispered. ‘Indifference is best in situations like these.’

The baby’s skull was a curious hot thing in my hand, not soft, but neither hard; a padded shell filled with new blood. This was the first time I had ever held a baby so new, and a baby girl. I wrapped her in the blanket, tight, and held her against me in an effort to soothe the angry fists and the purple-red face of a raging soul howling with indignation and terror. Eventually, she swooned into an exhausted sleep. I checked her every moment, fearful that she would die. We struggled to sit as still as we could. There were murmurs and discussions in the fast local dialect. Millicent and Lizzie hissed at me:

‘Cover your hair.’

I quickly adjusted my scarf. Like my mother’s, my hair is a terrible, bright red, and in this region it seems to be a sensation. Along the last stage of our journey from Osh to Kashgar in particular men stared with open mouths as if I were naked, as if I were cavorting before them with wings on my back and silver rings in my nose. In the villages children ran towards me, pointing, then moved backwards as though scared until I was done with it and covered my head with a scarf like a Mohammedan. This worked, but it had fallen off during the scuffle in the dust.

Millicent translated: due to the accusations of the witnesses we were to undergo a trial, charged with murder and witchcraft (or the summoning of devils). Or rather, Millicent was. She was the one who had held the baby aloft and had used her knife on the girl.

‘We will have to bribe our way out of this,’ Millicent whispered, her face was as hard as the sun-charred desert earth.

‘We will give you the money,’ Millicent said, her voice quiet, but clear, ‘though we have to send a message to our supporters in Shanghai and Moscow, which will take some days.’

‘You will be our guests,’ the official responded. ‘Our great city of Kashi is pleasured to host you.’

We are, therefore, forced to remain in this pink, dusty basin. Not under ‘house-arrest’ exactly, though as we must have permission to leave the house, I confess I fail to see the difference.

2. London, Present Day

Pimlico

Lighting the scented candles had been a mistake; now the room smelled like a synthetic pine forest. Frieda blew them out with an excessive puff-puff at each one. It was 1.20am. She closed the window, pulling the sash-frame down with a bang, and looked in the mirror. Her silk vest was the colour of the inside of a shell – cool, silver, shivery – and its pearl-shade faded and melted her down. She glanced around for a cardigan and tipped the bottle of wine she had opened – to let breathe – down the sink, watching for a moment the blood-swill of it drain away. It could breathe as much as it wanted now. From the smell it was rough stuff anyway. At least I didn’t cook for him. She looked at her phone on the table. Not a call, a text, anything.

She deliberated, vaguely, over the thought of running a bath, but didn’t have the energy for submergence, or the decision of when to get out. Mascara came off with a cotton pad. The last time she was in bed with Nathaniel, several months or so earlier, he had said, ‘I can’t believe you let grubby me lie beside you’. She rubbed her face with a towel. She couldn’t believe she let him, either. Three cacti stood along the windowsill like tired soldiers waiting for instructions. She put a finger against a yellow spike of the largest one and pushed on to it to get the sting but the spike was soft, and fell off at her touch. The cacti had anaemic patches all over them. They were in need of tending. She went to the kitchen.

Children come first. That’s how it is. If there were a contest or a selection process or a ranking system then children would always win. Top priority: the boys. Afflicted, apparently, with disrupted nights, perpetually waking up to check that Daddy is there, to make sure he is breathing in the room, that his hand is near to their head and that they will never be left alone in the dark. Their dreams come scarily – monsters, pirates and loneliness – as do thoughts they can’t control or articulate properly, yet. The last thing they want is for him to disappear to the garage for cigarettes for a few hours in the middle of the night.

Her palms were itchy, hot then cold. It had all worked well with Nathaniel for a while, the balance of freedom and intimacy. You’re a free spirit, Frie’. You come. You go. The travelling and the landing; the hot, profound, close impulsiveness of him. It used to leave her body light and her daily existence unreal and immaterial, so that it did not matter that he wasn’t in much of it. She was in control, back then, when Nathaniel suggested that he leave his wife to come and be with her, but she refused. She did not want three little boys’ battered hearts upon her conscience. Though there was more to it. He was one of those men who needed tending, like her patchy cacti. She wanted none of that.

She stood at the kitchen sink. Her first night back and he’d missed it. Cool fingers of September air came in from somewhere. Outside a train appeared, heading for Victoria Station. Electrical lines above the tracks linked and flashed, creating a line of light that sliced Frieda’s face and neck like a laser so that she was exposed for a second, a hung x-ray in white light, and then thrown immediately back into darkness. It was a relief to be home. That last trip, the last hotel, was not at all fun: a four-star, but with no room service and an empty mini-bar. Police and military vans moving around the square outside the hotel and loudspeakers booming instructions. The internet had been turned off by the authorities across the entire region and the streets were empty apart from packs of soldiers jogging in groups of eight holding riot shields. She had stood at the window staring at her phone as if it were a broken heart in her palm. It flashed up disconnect every time she tried to make an international call. Some sort of civil unrest, but she had no way of knowing what was happening; she just knew she wasn’t meant to be there. Where? It didn’t really matter. The cities were blending into one, now. It was just yet another place that was no longer safe for her to be in, being English, being a woman. Actually, it was the English part that was the problem. In taxis she always told drivers she was Irish. Nobody hates the Irish any more.

She had booked the first possible flight home and all through the long journey had thought of Nathaniel. In the airport lounge – that existential zone for the lonely traveller – it occurred to her that lately the balance of control was ambiguous. Nathaniel’s unreliability brought out a brutal, almost paralysing frustration in her. She was feeling something new in herself and with horror realised that it was neediness, or worse, a craving for consistency. For the first time, her work was not enough.

There was a cough at the door. Damn. Just as she had taken all of her make-up off. She walked towards the door, but stopped. There it was again. It wasn’t Nathaniel. She waited several moments and then walked quietly to the spy-hole. The night light was on in the stairwell and a man was sitting on the floor just outside her door with his back against the wall, legs stretched out in front of him. His eyes were closed but he did not look asleep.

Frieda jumped backwards with her heart whacking against her chest, but she could not resist peeping out again. He was facing her now, as if he could see right through the door. She thought he was going to stand up, come towards her, but he glanced down at his hand and did not move. He was holding a pen.

She went as quietly as she could back into the kitchen. There was a number on the pinboard for the City Guardians, a group of volunteers responsible for cleaning up streets and clearing off the homeless; she could always phone that, or the police? There was the double lock on the door, but if she put that on now he would hear it and she would only draw attention to herself. She moved into the living room, instead, and returned to the window. In the street the group of kids with their mobile phones had gone and there seemed to be nobody left out there, just the rain, and the concrete swelling in the wetness and the shake of trees sagging under water. At intervals she heard the cough from the stairwell. A city fox, scrawny and barely coated, flashed underneath the skip bins. Frieda looked down the empty, wet street and made a decision. From a cupboard she pulled out a pillow and a blanket. She took another look. He was curled up on the floor now; she could just see his bent back, his leather jacket, the black scruff of his hair.

It was undoubtedly inadvisable to let him know that there was a young woman living here, probably alone, but she opened the door anyway. The man immediately scrambled himself up into a sitting position and looked at her. He had a moustache, and sleepy-looking eyes, not an unpleasant face. Frieda didn’t say anything, didn’t smile, but handed him the pillow and the blanket and quickly closed the door. Five minutes later she looked again through the peephole. He was sitting with the blanket wrapped around his legs, leaning against the wall with the pillow propped behind his head, smoking a cigarette.

In the morning she found the blanket folded up with the pillow balancing on top of it, and on the wall next to her door was a large drawing of a bird: long beak, peculiar legs and a feathery tail. It was not a bird she could identify. There were some words in Arabic and although she actually had elementary Arabic, she wasn’t up to understanding what it said. Below, in English, was written:

As the great poet says you’re afflicted,

like me, with a bird’s journey.

Next to the bird was a swirl of peacock feathers, and alongside that an intricate drawing of a boat made out of a flock of seagulls, the seagulls floating off and forming a sunset. Frieda walked out of the doorway to have a proper look. She touched the black marks with her finger, then leaned over the railing to look down the spiral of the receding staircase. The cleaner was on the ground floor, with his mop. He looked up at her and nodded.

For Beginners: Mount and Away! How easy it seems. To the novice it is not as easy as it looks, yet everyone, or almost everyone, can learn to ride, though there are different ways of going about it.

3. A Lady Cyclist’s Guide to Kashgar – Notes

May 2nd

We have been put up in a Moslem inn because we are considered too unlucky for the Chinese to house. We are ‘guests’ at this Inn of Harmonious Brotherhood and I am minded of the words of Marco Polo about this heat-crushed city:

The people of Kashgar have an astonishing acquaintance with the devilries of enchantment, inasmuch as they make their idols to speak. They can also by their sorceries bring about changes in the weather, and produce darkness, and do a number of things so extraordinary that no-one without seeing them would believe them.

I can believe it. It would not surprise me to see the devil lurking in every corner of this courtyard to which we are confined.

This morning as we waited for Millicent, Lizzie and I strained to see the women in veils and drapes as they fluttered back and forth. They wear gaudy scarves over tunics and vibrant headscarves and though faces are covered it is possible to guess who is handsome, and who less so, from the artfulness of the headwear arrangement.

‘They are more colourful than I expected.’ We were seated on the floor, on bright bolsters and cushions, in a reception-area room that led on to the courtyard. Lizzie sat opposite me, flicking at her precious camera.

Outside the main entrance to this inn is a wooden sign with the words ‘One True Religion’ painted across it in red. Tin pots line the shelves in the cramped kitchen and embellished, ornamental teapots with complicated handles made from bone are proudly placed in the divan room. Our host, Mohammed, pours green-coloured bitter tea for us himself, holding his curious teapot high above the cups, allowing the stream of liquid to lengthen like a twinkling rope. Breakfast is served on large copper trays, arranged so that we can look out towards the centrepiece of the house, a small fountain whose running water falls into a shallow pool that is decorated with a scattering of rose and geranium petals. Carved columns of poplar wood lead up the rafters, and a colourful balcony encases a second floor of rooms. The running water, in this thirsty desert area, is, I suppose, an ever-flowing symbol of this Mohammed’s personal wealth.

‘There are so many of them. Millicent says it is a combination of wives and daughters.’

‘Lizzie, I want to ask about the baby. Do you think she is alive?’

Lizzie shrugged.

Mohammed returned and methodically covered the table with pitchers full of the juices of peaches and melons, plates of wobbling, slightly cooked eggs, flatbreads, rose yoghurt and tomatoes sprinkled with sugar. Next came blue earthenware bowls containing honey, almonds, olives and raisins were placed in a row along with bowls of thick, worm-like noodles. Beneath his peculiar beard, Mohammed’s face is thinner and younger than one first suspects, and although he only has a small amount of English, I noticed that when Millicent said grace quietly over her food last night he turned his head and snorted through his nose, like a horse pulling at its reins.

Lizzie and I both started slightly, and looked up as Millicent emerged from one of the dark rooms, dressed in a blue cotton coat. Her rebellious hair, a frizz that strains against her attempts to control it with wax, was as usual in a cloud around her head.

‘The bribery money from the Inland Mission will take several weeks to arrive, which means we have no choice but to remain here in Kashgar,’ she spoke as she knelt down at the breakfast spread without smiling, poking her chin upward as if she were trying to reach a ledge to rest it on. Millicent’s body has the contradictory look of a woman of a certain age who has not borne children: surprisingly girlish about the hips and waist, as if the milk of womanhood has passed her by, though she is not mannish either, despite operating outside of the usual restraints of femininity, which is at odds with her woman’s mouth, laugh and her high voice.

‘And the baby, Millicent?’

‘They have found a wet-nurse for her. She will be returned to us shortly.’ Millicent took a sip of peach juice, and licked her thin lips. She looked at me.

‘The question of the baby is unresolved, but for the time being, you will be responsible for her.’

‘Goodness, Millicent, I have no comprehension of how to look after a baby. I merely wanted to reassure myself that she is not dead, or being burned on a pyre.’ She ignored me and lit a Hatamen.

‘Remember, he is tolerating us infidels in his inn because we are women, the undangerous sex – we should not waste this opportunity. I’ve discovered that one of the middle daughters, Khadega,

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