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Let's Kill Uncle: A Novel
Let's Kill Uncle: A Novel
Let's Kill Uncle: A Novel
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Let's Kill Uncle: A Novel

Rating: 4 out of 5 stars

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When recently-orphaned Barnaby Gaunt is sent to stay with his uncle on a beautiful remote island off the coast of Canada, he is all set to have the perfect summer holiday. Except for one small problem: his uncle is trying to kill him.
Heir to a ten-million-dollar fortune, Barnaby tries to tell everyone and anyone that his uncle is after his inheritance, but no one will believe him. That is, until he tells the only other child on the island, Chrissie, who concludes that there is only one way to stop his demonic uncle: Barnaby will just have to kill him first. With the unexpected help of One-Ear, the aged cougar who has tormented the island for years, Chrissie and Barnaby hatch a fool-proof plan.
Playful, dark and witty, Let's Kill Uncle is a surprising tale of two ordinary children who conspire to execute an extraordinary murder - and get away with it.
LanguageEnglish
Release dateMar 1, 2011
ISBN9781608195961
Let's Kill Uncle: A Novel
Author

Rohan O'Grady

Rohan O'Grady is the pseudonym for June Margaret O'Grady Skinner, who also wrote as A. Carleon. O'Grady began writing poetry and stories as a young child and ventured into full-length fiction in her late thirties after her marriage to newspaper editor Frederick Skinner. June Skinner has resided in West Vancouver since 1959.

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Rating: 3.889610337662338 out of 5 stars
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  • Rating: 4 out of 5 stars
    4/5
    Two unruly kids are brought together on a small Canadian island. Through the guidance of a couple of wise adults, their competitive shenanigans slowly give way to cooperation and friendship.Sounds idyllic and even a bit sappy, right? Well, no. A creepy uncle brings in an evil undertone; the kids grow up quite a bit, and assorted adult characters provide comic relief. A ,it's unusual and enjoyable book.
  • Rating: 3 out of 5 stars
    3/5
    "The children loved the little church; it was such a pleasant, peaceful spot in which to plan a murder."

    In this delightfully dark little tale two 10 year olds, Barnaby and Christie, are spending their summer on a remote Canadian island. Unfortunately for them, none of the adults charged with their care are willing to believe that Barnaby's charming uncle wants him dead. They decide to take matters into their own hands when it becomes apparent they cannot depend of the adults, or the law, to keep them safe. It's good ole fashioned kill or be killed from then on.
    What fun I had rooting for these two young children to murder one wicked wicked uncle! This is the kind a book that an adult like myself may enjoy, but a child would likely love. It had a truly Evil (yes, with a capital "e") villain and just the right amount of danger. Thank you Bloomsbury for bringing this book back into print! I hope a new generation of readers will have the pleasure of following the devious exploits of Barnaby Gaunt and Christie McNab.

    I received a copy of this book via the Goodreads giveaway program.
  • Rating: 4 out of 5 stars
    4/5
    Another very enjoyable read. I imagine that Lemony Snicket read this before deciding to embark on the Series of Unfortunate Events. I understand that there is a film version of this book- I believe I will have to find it. Recommended.
  • Rating: 4 out of 5 stars
    4/5
    A mistake people may make with this book is assuming that with the two main characters being ten years old that the book is going to be *for* children. Well, it most certainly is not. Barnaby and Christie are the focal characters and the action surrounds them but it is the secondary adult characters whom the reader is given more insight into their personalities, their backgrounds, what makes them tick. This is a Gothic story, quite morbid, and everyone has a tragic story, but there is black humour to lighten the load and even though a Hollywood horror movie was filmed of the book, there is a certain tongue in cheek aura to the whole thing. This book is certainly not going to be for everyone but with my delight in the macabre I found it entirely enchanting. Evil Uncle is the villain, but all the "good guys" have their foibles or a certain something that makes them unlikable and yet I couldn't help but be charmed by them all. And I loved the ending; it was a big "Ha!" and I thought it was funny; though some readers may find it annoying. So not for everyone but I was very much taken with this macabre, quirky tale.
  • Rating: 3 out of 5 stars
    3/5
    This is the story of 10-year-old Barnaby Gaunt, who stands to inherit $10M on his 21st birthday. His only living relative, "Uncle" plans to kill Barnaby for the money. Unable to convince anyone except 10-year-old Christie of Uncle intentions, the children decide they have no choice but to kill Uncle before he kills Barnaby.What makes this story interesting is that it is set on a small Canadian island with a strong cast of supporting characters: the RCMP officer, Albert, who is the only one of his generation to have survived World War II; Mr. and Mrs. Brooks who see in Barnaby the reincarnation of their lost son; Desmond, a mentally challenged man who the children befriend, a one-eared cougar and various others. The story moves along well, but I was never sure whether it was intended to be darkly humourous or just dark. Several frightening scenes are set up, yet I never felt terror or a strong sense of empathy for the children.
  • Rating: 4 out of 5 stars
    4/5
    The experience of reading this book was as interesting as was the book itself. As a reader I found myself continually having to reassess exactly what type of book this was. Time and again I arrived at a conclusion only to find myself rethinking that conclusion come the next chapter. The book is both an artifact of its time and strangely timeless. It is firmly set in a world where World War II ended recently enough that a person's conduct during that war weighed heavily on his public image. It is world where Native Canadians are still seen as specially vulnerable to the alcohol. Yet it is also a world in which a single mother is struggling to raise her daughter. It is a world in which children are presumed to be innocent of many of the sophisticated dangers they face today and yet still a world in which child abuse exists, is clearly indicated in the text and is considered a possibility by legal authorities.The book is actually a work of magical realism although it presents itself, particularly in the earliest chapters, as more than usually realistic portrait of two difficult to deal with city children who have arrived to spend the summer on an island of the west coast of Canada. The final mystery of the book is not how and why uncle "needs to" die but where the line between reality and magic can be drawn. Well worth the read and a inspiration for me to find more works by the same author.
  • Rating: 4 out of 5 stars
    4/5
    This book began as a deceptively quirky story, and slowly evolved into something much darker and more menacing. What could be a simple thriller is so much more than that in the writer's hands.
  • Rating: 5 out of 5 stars
    5/5
    Let's Kill Uncle is a darkly funny, quirky story and I loved it. I wish I'd started reading it early in the day as I did not want to put it down until I'd finished reading it.
  • Rating: 4 out of 5 stars
    4/5
    Barnaby and Christie are both sent to the small island off the coast of Canada to spend the summer. Christie has been sent by her hardworking mother to stay with "The Goat-Lady" of the island, while orphaned heir Barnaby has been sent by his uncle.The two can't stand one another, but being the only children, they are forced to rely on each other for company. When Uncle arrives for a weekend it upsets Barnaby so much that he tells Christie why he is afraid of being around Uncle, and the two decide that the only way to save Barnaby's life is to kill Uncle first. Getting in the way at every turn is the Sergeant, a mountie of the highest morals.This is a story about children having to fend for themselves, about how often adults don't know best and that telling truth sometimes gets you nowhere. Though the main characters are children, this isn't a children's book.
  • Rating: 4 out of 5 stars
    4/5
    This oddly pleasing story of two kids on a Gulf Island in the late fifties is fresh and quirky and a little bit Goth. The characters are lovingly drawn but not sentimentally so.
  • Rating: 4 out of 5 stars
    4/5
    I've been meaning to read more Canadian fiction, and this was a great introduction. The story of a young boy whose uncle means to kill him, and so who decides to kill his uncle first, is a dark evocation of post-WWII life. The descriptions of the islanders, who lost all but one son -- and resent the one who came back because he ruined their perfect score -- are sad and funny and poignant by turns. It's a delightful twist on the tropes about orphan children too. And yet, it felt like there were so many plot threads introduced and so few actually resolved in a satisfying way. I wound up feeling a bit put out by promises unfulfilled.
  • Rating: 5 out of 5 stars
    5/5
    I really wasn't sure what I thought of this book because it started out just a little bit odd. I can safely say that it really isn't like any other book that I have read in a long time. That makes it refreshing and original which I definitely think is a positive. The children are delightfully real sorts of children. You can see that they grow to be less unpleasant as the book progresses. Then there is Uncle. Uncle is just well Uncle is unique and really should be read about to be understood. If black humor is your thing I think you would really enjoy this book.
  • Rating: 5 out of 5 stars
    5/5
    I took a chance on this book, hoping it might be interesting and not boring. My expectations were exceeded by a long shot. This dark novel of suspense is a compelling read and I didn't want to put it down. It is a mixture of mystery, suspense, coming of age story with a hint of the fantastic (is Uncle really a werewolf?). But the quality of the writing makes it work. The two children in the story visit an island where there are no other children. All the eligible men were lost during the two wrold wars, except for one man, who is now the RCMP officer for the islands in the area. His realtionship with the children is at first official, but diring the course of the novel he becomes involved with their lives. But it is a bit of blackmail that forces him to become the Guardian of the little boy. They know each others' secrets. I would not recommend this book to small children, but even for young adults it would be a bit of stretch. Uncle has a very dark side and while it is not explicit, we know what he has done and wants to do to the children. Whether he is a werewolf or a sadist or a child molester he is a monster. But that is not where the heart of the book is, itis in the children and how they learn to relate to one another and also learn to become a part of the island community.And that makes it worht reading.
  • Rating: 4 out of 5 stars
    4/5
    Oh, the Brits and their black humor. Sometimes they get so dark it freaks me out...even when I'm giggling."Let's Kill Uncle" was written in 1963 (now republished by The Bloomsbury Group, which publishes out-of-print treasures) and Rohan O'Grady is sort of the anti-Gene Stratton Porter. Her little hero and heroine - Barnaby Gaunt, sullen, grubby and devilishly inventive, and Christie, belligerent, evil-tempered and cynical - come to a remote Canadian island to spend the summer. Christie is a city urchin, boarding with "the goat lady" to get some fresh air; Barnaby is there to summer at his uncle's island home. The two children, immediately antagonistic to each other, accomplish some epic knock-down, drag-out -fighting, but it soon becomes evident that making friends is their only viable option: Barnaby's charming, mild-mannered uncle is actually a homicidal maniac intent on murdering both children.. . .unless the little darlings murder him first.What delighted me about this book was the way O'Grady turned her genre on its head. In many ways, "Let's Kill Uncle" follows a traditional storyline: sulky, unhappy city children, forced into a rural paradise, discover the simple joys of childhood and become model children. Barnaby and Christie are no more immune to simple country pleasures than more traditional literary children; it's just that they have an extremely complex chore to perform before they can truly enjoy their island idyll. Uncle is deliciously mad and perverse, but the children are hard-headed little savages, and their machinations are extremely funny....especially their final coup, which caused me some involuntary tea-snorting.The pace of "Let's Kill Uncle" is rather meandering; there are several little subplots, each entertaining in its way, but the novel cuts back and forth between them in ways that can be jarring. I would have preferred fewer interruptions to the flow of the story, and I think it would have quickened the pace; but overall, this one was just delightful. It may have overshadowed "Henrietta's War" as my new favorite Bloomsbury. Thanks to LT's Early Reviewer program for my copy of this novel!
  • Rating: 4 out of 5 stars
    4/5
    Let's Kill Uncle belongs on the book shelf right next to "I Capture the Castle" and "Cold Comfort Farm." It's a dark (very dark) nasty comedy about Barnaby Gaunt and his friend Chrissie who decide that since no grownup will ever believe a child, the only way to save themselves from Barnaby's sadistic uncle is to murder him. The book cover was once illustrated by Edward Gorey, and the illustration is included in this edition. The book is a little thin on plot. Chrissie and Barnaby are not particularly likable themselves, rather beastly which is a good thing considering what they're up against. The setting, an island somewhere off the coast of Vancouver, BC, is wonderful. It's full of wacky characters that behave poorly and police who are clueless and ultimately brave children who persevere against the odds. I found it delightful.
  • Rating: 3 out of 5 stars
    3/5
    I'm a bit confused by the "Bloomsbury Group" series, a set of reprints of early twentieth-century novels. It's nice to have these books back in print, most of them long forgotten, but the title of the series suggests that the books in the series, or their authors, constitute a group connected in some meaningful way. Indeed, there was a group of authors and intellectuals in London called the Bloomsbury Group, including such writers as E. M. Forster, John Maynard Keynes, Virginia Woolf, and Lytton Strachey, but none of the authors featured in this new series (with the possible exception of E. F. Benson) can be said to have any connection to this original "Bloomsbury Group". Indeed, it's hard to say that authors like Benson, Frank Baker, or Wolf Mankowitz have anything to do with each other at all. Very mysterious.The novel at hand is Let's Kill Uncle by Rohan O'Grady, a pen name used by the Vancouver-based novelist June Skinner. The story chronicles a summer spent by two children on a small island off the coast of British Columbia. The boy, Barnaby Gaunt, has been orphaned under mysterious circumstances and is under the care of his sinister uncle; the girl, Christie MacNab, is spending her vacation with a family friend. The two take an instant dislike to each other - Christie is reserved and supercilious, while Barnaby seems to be a born troublemaker - but since there are no other children on the island, they eventually learn to like and depend upon each other. Barnaby soon realizes, however, that his uncle has designs upon the fortune Barnaby is to inherit, and that he intends to kill both of the children to get it. There is no use asking the islanders for help - they all have good reason to think that Barnaby is a mischiefmaker and a liar, especially the local RCMP sergeant, Albert Coulter. Finally, Christie hits upon the only solution. If the evil uncle is trying to kill them, they'll just have to kill him first.It's a clever setup, and the shock value of the concept - a couple of small children trying to pull off a very adult assassination plot - gets the reader's attention immediately. Let's Kill Uncle belongs to a growing genre of "children behaving badly" stories, along with titles like Golding's Lord of the Flies and Hughes's A High Wind in Jamaica; all of these titles take aim at sentimental nineteenth-century myths about the goodness and innocence of children, demonstrating that children have the capacity for considerable evil if left to their own devices. O'Grady is somewhat more sanguine about human nature than either of the two other writers mentioned; her children suffer occasional pangs of conscience about some of their more morally ambiguous actions, like their aborted attempt to pin the murder on the village idiot. Still, there are not all that many shades of gray here. The uncle is an cardboard cut-out villain, wholly immoral and endued with preternatural powers both physical and mental; the narrator informs us that his favourite author is the Marquis de Sade and depicts him returning from a trip to the mainland "laden with groceries and sin". There is no question that killing him is morally justified, and the rather black-and-white nature of this conflict makes this book much lighter in tone than other "children behaving badly" books.O'Grady carries off the story well. The many subplots to the main story are all held together with a sure hand, and the final resolution ties together a number of older story points in a very satisfying way. Many of the subsidiary characters are particularly memorable. I think in particular of One-ear, the old and battle-scarred cougar who lives on the island; the portions of the story told from his cynical, world-weary point of view are among the most effective in the novel. Unfortunately, many of the other characters fail to rise above caricature: does literature really need another mean old lady who dotes on her pet parakeet? The narration is also frequently clunky. Here's an example chosen more or less at random, in the middle of one of Sgt. Coulter attempts to question Christie about their activities:"Sergeant Coulter tried to possess his soul with patience. He hated questioning juveniles. If you looked sideways at the little bastards they burst into interminable tears. Tears that made sympathetic old magistrates cast cold eyes on big cruel Mounties."This isn't bad, but it doesn't really work. The diction jumps from elevated ("interminable tears", "sympathetic old magistrates") to colloquial ("looked sideways at the little bastards") in a way which makes it unclear whose thoughts are being represented here. Its clunkiness, however, has to do with the fact that the narrator is telling us things about the characters that would make a more meaningful impact if they were instead demonstrated to us. Rather than making us discover the inward motivations of the characters by inference, the author frequently takes the easy road and informs us about the characters' personalities, with the result that we feel distanced from the story.Let's Kill Uncle would probably be most thoroughly enjoyed by a young reader who likes stories and has a certain taste for the macabre - someone, in fact, much like myself around the eighth grade. For an older reader, the experience is more mixed. A good story, this, and one with considerable sophistication, but the prose style and uneven characterization draw attention to themselves after a while. It is unquestionably worth reading, especially if the story concept appeals to you, but probably not worth re-reading.
  • Rating: 4 out of 5 stars
    4/5
    This was an old-fashioned and strange little novel. It reminded me quite a bit of A High Wind in Jamaica, one of my favorite books of all time, but this book was not quite on that level. Let's Kill Uncle has a similar sadistic humor and utter lack of sentiment in its depiction of children.
  • Rating: 4 out of 5 stars
    4/5
    Two unruly kids are brought together on a small Canadian island. Through the guidance of a couple of wise adults, their competitive shenanigans slowly give way to cooperation and friendship.Sounds idyllic and even a bit sappy, right? Well, no. A creepy uncle brings in an evil undertone; the kids grow up quite a bit, and assorted adult characters provide comic relief. A ,it's unusual and enjoyable book.
  • Rating: 4 out of 5 stars
    4/5
    Originally published in 1963, this novel tells the story of two bright, devious, difficult children sent to a small, remote island off the coast of Vancouver, Canada, for their summer vacations around the early 1950’s. It is hard to characterize this fascinating book. At first it appears to be a charming tale of how the boy and girl grow and evolve after being exposed to the fine denizens of this island and, indeed, this is part of the narrative. The more intriguing plotline is how the children spending their unsupervised time befriending a cougar (who acts as one of the narrators) and plotting the murder of the boy’s uncle because they are convinced that the uncle plans to murder the boy. The author really delivers on atmosphere and characterization. Rohan O’Grady manages to mix true darkness with a charming whimsicality. I couldn’t put it down.
  • Rating: 5 out of 5 stars
    5/5
    Marketing Let’s Kill Uncle must have been a pain in the backside; it must have had Mad Men and the directors of art departments scratching their Vitalised and martini-addled heads. How do you sell a book that has the tone of a favorite children’s adventure story and deals with a homicidal maniac, 10-years-olds plotting murder, an island rumored to be cursed, the village idiot, a blood-mad cougar who can’t be bothered to kill it’s tormentors, and a handsome and lovesick Royal Canadian Mountie? I think I even remember a cow.The premise is simple- two children are sent to an island in western Canada for their summer holiday. Chrissie’s mom worked two jobs so that she could send her to enjoy the sea and sun. Barnaby’s uncle wants the 10 million Barnaby has inherited and sent him to the island so that he could kill him and make it look like an accident. Nobody believes Barnaby when he tells them his uncle is trying to kill him; nobody but Chrissie, who’s solution is to simply kill Uncle first and then get on with summer. She also wants the million dollars Barnaby promises her in exchange for her help.Let’s Kill Uncle shines. It is charmingly mad and maddeningly charming. I personally was hooked as soon as the boat captain ferrying the children to the island tells the story of the island- that there are no children there because they’ve all but one been killed in war, and the one who returned alive is now the local Mountie. The set-up is perfect, and I was reminded of the dark comedies of the B&W era because you don’t see the kids until the boat docks, just the screaming and harassed crew. The children emerge on the gangplank like actors finally revealing themselves in an Ealing comedy. The kind with a high body count.Get a copy of Rohan O’Grady’s [Let’s Kill Uncle] as soon as you can. What a tonic.
  • Rating: 4 out of 5 stars
    4/5
    “The children loved the little church; it was such a pleasant, peaceful spot in which to plan a murder.”Let’s Kill Uncle is a cheery little book that will leave you warm and spongy inside.Written in 1963 by West Coast Canadian author Rohan O’Grady (the pen name of June Skinner), it is an adventure-mystery that perhaps was aimed at young adults but is more than dark and outré enough for all audiences.Set on an unnamed Gulf Coast island off of British Columbia*, it is the story of two children who, separately, are sent to the island to spend a summer.The boy, Barnaby Gaunt, heir to the $10 million Gaunt Biscuit fortune when he reaches his ascendancy, must stay with the doddering Brooks family until his uncle arrives to claim him. Sydney Brooks and his digitalis-dependent wife appear to inhabit a feeble-minded fantasy world since the death of their only son in the recently settled War. All 30 of the island’s young men that served came back in boxes – save one – Sgt. Albert Coulter, who spent the war in a prison camp, appears to be resented by a clutch of islanders who lost their sons, and is now a Mountie and the Island’s only law enforcement.Barnaby’s eponymous “Uncle” is after the Gaunt fortune and intends to murder Barnaby, the last obstacle in his path to riches. The book turns on the efforts of Barnaby and his friend Christie, the only other child on the island, to murder “uncle” first! The characters are complex and wonderfully developed.Mrs. Nielson, the goat lady; Mister Brooks, the elderly keeper of the Post Office and General Store and his aforementioned wife; poor simple Desmond, middle-aged with the mind of a 4 year old; the evil Uncle Major Murchison-Gaunt, the unredeemable villain of the tale; and One Ear, an aged and battered philosophic cougar – his moody inner monologue highlights some of the best parts of this novel.The interior world of children – their complicated rationale and innocent perversity – is wonderfully illustrated in this forgotten jewel of a book.The original edition, published by MacMillan in 1963 contained original drawings by Edward Gorey, and this stylish new edition from Bloomsbury Publishing includes his original cover drawing as a frontispiece. It would not surprise me to learn that Lemony Snicket had read Let’s Kill Uncle. His dear Count Olaf shares many of the charms of Uncle Major Murchison-Gaunt, and many of the plot points seem to intersect.The trailer for the William Castle film based on the book can be seen on YouTube.*According to a profile published in the January 2009 issue of The Believer “Skinner herself had vacationed on one of these [islands], named Salt Spring, and this was the model she had in mind as she detailed the novel’s own unnamed island.”

Book preview

Let's Kill Uncle - Rohan O'Grady

Imprint

‘LIAR! LIAR! LIAR!’

Even the pounding of the engines couldn’t drown out the sound.

The first mate, leaning against the deck rail of the S.S. Haida Prince, winced. That shrill little voice had been bouncing on his eardrums for three hours.

‘Cheer up, this is their stop.’

The purser joined him, and they stood watching a sea gull waddle along the deck rail.

‘It’s a beautiful place,’ the first mate pointed to the Island. ‘Well, it won’t be for long. Not after they land. This is your first trip on this run, isn’t it?’

The purser nodded.

‘It isn’t always this bad, you know.’

The seagull gave a hoarse shriek of delight, cocked a reptilian-bright eye past his feathered shoulder, then rose to the air, skimming over the choppy waters to the Island.

‘I’ve shipped all over the world,’ said the first mate, ‘and this is my favorite. Someday I’m going to retire to one of these islands. I’ll get myself a cottage on the beach, and a nice little sloop. Maybe on Benares - it has a beer parlour. The best salmon fishing on the coast is here.’

The deck steward, an ex–fighter with sloping, powerful shoulders, approached them.

‘Excuse me, sir,’ he said. ‘Do you know anything that will dissolve chewing gum? Something that won’t dissolve a dog?’

The first mate and the purser exchanged glances.

Them?’ asked the first mate.

‘Yes, sir. One of the border collies in the hold. Its muzzle is glued together. They just thought he’d like a wad of gum, the little bastards.’

‘Try rubbing alcohol,’ suggested the purser.

‘And keep them off the bridge!’ said the first mate, his ears still burning from the captain’s salty expletives.

He turned to the purser.

‘When I’ve got my master’s papers and run my own line, there’ll be an iron-clad rule: no kids on board unless accompanied by their jailers, and even then they’ll be confined to the hold.’

They stood gazing at the Island as the ship plowed nearer the dock.

‘You can’t beat these islands,’ he continued. ‘Get yourself a couple of acres, keep a small vegetable garden, with maybe a dozen fruit trees. A man can live well on next to nothing. Driftwood for fuel, fish in the water, crabs, clams, oysters on the beach, and venison when the Mountie’s back is turned.’

‘Are you really going to settle on one?’

‘Yes, but not this one.’

‘Why not?’ The purser laughed. ‘Oh, those kids.’

‘No,’ said the first mate, ‘not because of them. This island is the most beautiful of the lot, but it’s cursed.’

‘Who are you kidding?’

‘I mean it,’ said the first mate. ‘It’s hexed. Any of the others, but not this one. And I’m not kidding. You can check the records if you want. In two world wars thirty-three men have left it to fight for their country. Only one has come back alive. See that Mountie on the dock? He’s the fellow. All the rest killed, down to the last man. If there’s such a thing as a dead island, this is it.’

They turned their eyes to the curly arbutus trees crowning the sloping, moss-covered rocks, down to the white sand, with the ocean wind fanning softly and smelling like perfume to an old sailor.

‘I don’t care how beautiful it is. I’ve been at sea too long not to be superstitious, and you couldn’t pay me to live on this island. Well, I’d better check the cargo.’

As the first mate went down the companionway, he stopped to remove a fire axe which had been lifted from its wall bracket and left temptingly, blade up, on the stairs. He replaced it and continued, only to glance to the upper deck where a lifeboat was swinging crazily on its davit.

‘Good God!’ he said, and bumped into the dining steward.

‘They left a piece of blueberry pie on a sofa in the lounge!’ said the steward. ‘Admiral Featherstonehaugh, Retired, Royal Navy, sat on it. He was wearing white flannels. He says he’s going to sue the company.’

‘I know, I know,’ said the first mate. ‘They have also spilled ink on the captain’s charts.’

‘Forty-two years at sea, I signed on as a boy of twelve,’ said the steward, ‘and never, never an afternoon like this. I wish you could see the dining saloon. Why, I’ve been through typhoons in the Orient with less damage. Then the girl threw a salt cellar at the boy and hit him on the head, so he threw a plate of salad at her and hit that lady missionary. You remember the one, she gave us tracts and said we were all going to die on the fields of Armageddon.’

‘If we live through this afternoon,’ said the first mate. ‘Well, don’t tell me your troubles. I’ve got enough of my own. I’m not a nursemaid. Kids shouldn’t be allowed on board alone!’

Sergeant Coulter of the Royal Canadian Mounted Police watched the S.S. Haida Prince docking. Like a tourist’s snapshot brought to life, he was a shining symbol of impassive and impartial justice. His shoulders bulged through his immaculate shirt, his Sam Browne belt hugged his narrow waist, the leather polished to the same gleaming russet as his riding boots. His steel spurs flashed in the sun, as hard and cold as his blue eyes, and his broad-brimmed hat was set squarely and stubbornly on his head.

Others might wilt in the summer heat, but not Sergeant Albert Edward George Coulter. He stood as though guarding the Khyber Pass, his back as solid as his royal names and his brick-red neck immovable in his tight collar.

Mr Brooks, the elderly keeper of the post office and general store, approached the police officer, the top of his silvery head barely reaching the august shoulders of Sergeant Coulter.

‘Good afternoon, Sergeant.’

Mr Brooks was waving an open letter in his hand.

The Mountie’s face relaxed and he nodded.

‘I’ve just received some rather upsetting news, Sergeant.’ Mr Brooks looked up at the policeman. ‘Our cottage was leased for the summer by a Major Gaunt, no, let me see, Major Murchison-Gaunt. His lawyers wrote he would be here to open the place on July 2nd.’

He paused and gazed up at Sergeant Coulter again.

‘It is now July 4th, Sergeant, and Major Murchison-Gaunt has not yet arrived,’ he announced.

The officer stared down at him.

‘Well?’

‘Well,’ said Mr Brooks, ‘I’ve just received another letter from Major Murchison-Gaunt’s lawyer saying he has been unavoidably detained and he may not be able to get here for several weeks.’

‘Yes, Mr Brooks?’

‘Oh, I forgot to tell you. Major Murchison-Gaunt’s young nephew is being sent here from his private school, to join his uncle for the summer. The boy is an orphan. He’s on the Haida Prince now.’

‘I suppose he’ll have to be sent back to Vancouver,’ said the Mountie. ‘If that’s where he’s from, of course.’

‘But that’s impossible! The school is closed and the child has no relatives except his uncle, who is in Europe now.’

Mr Brooks’s nose twitched nervously, but Sergeant Coulter, who quelled riots single-handed, was not upset by the untimely arrival of a small boy.

‘I imagine Major Murchison’s lawyer will look after the situation.’

Mr Brooks nibbled the edge of the letter as though it were a piece of lettuce.

‘But that’s just it! Murchison-Gaunt, by the way. The lawyer writes that Major Murchison-Gaunt is the boy’s legal guardian, and that he, the lawyer, wants no part of the boy whatsoever. As a matter of fact, he seems very explicit on that point.’

‘I’ll file a report with the child welfare department.’

Sergeant Coulter stared over Mr Brooks’s head, to the Haida Prince, as the ship neared the dock.

Mr Brooks cleared his throat meekly.

‘The lawyer suggests – he – he almost implores, that Mrs Brooks and I see to the lad until his uncle arrives.’

‘Is that agreeable with you and Mrs Brooks?’

There was a pause.

‘Mrs Brooks and I have talked it over, Albert. We hate to think of the little fellow being knocked about from pillar to post, and now that— ’ a look of self-pity came to Mr Brooks’s eyes, ‘and now, of course, our own boy being gone, well, we’d be only too glad to do what we can for this little fellow. It may be lonely for him here, with no children left on the Island, but – but – Mrs Brooks and I would like to do what we can for him.’

As the expression on Mr Brooks’s face softened, the expression on Sergeant Coulter’s hardened.

‘Very well, Mr Brooks. If you’ll give me the address, I’ll see that the lawyer is notified.’

Sergeant Coulter stared at the ship without seeing it. Was he to be always silently reproached for being the only one to return? He came back, the son of the poor addled old Sergeant-Major Coulter. The sons of admirals were coral in the briny deep, the sons of generals had little white crosses over them in all the graveyards of Europe, and the young eagles, like old Brooks’s son, Dickie, hardly through school, they had flown back to the motherland. Like glorious phoenixes, they had plunged flaming to earth and burned, young and pure and untouched. Only the son of the old Sergeant-Major had returned.

He glanced up at the war monument in the center of the village square. A tall, plain granite shaft. ‘To the Memory of our Island Boys’ and then the long list of names, his own the only one absent.

No, there were no children left on the Island. The widows and their young broods had moved away, to the cities, and it was no wonder. There was no electricity on the Island, no doctor, no dentist. There was a church but services were held only a few times a year, when the minister came over from the neighbouring island of Benares.

Two world wars had bled the Island white. Now only a few farmers and the old people were left. The old people, remittance men, aged pensioners, ancient exiled aristocrats, living in sweet and poor gentility.

On rare occasions American tourists and summer visitors came. Sometimes commercial fishermen and Indians tied their seiners and gas boats at the wharf, but apart from them, the Island was as silent as a tomb.

‘Ah, there’s the goat-lady.’

A middle-aged woman came heavily down the wharf and scanned the decks of the Haida Prince.

‘Good afternoon, Mrs Nielsen. Are you expecting someone on the Prince too?’ Mr Brooks was at her side.

She nodded and craned her neck at the sightseers hanging over the rails of the boat.

‘Yes, a little girl. Her mother worked in the ward of the hospital when I was in two years ago.’

Her eyes flitted over the passengers.

‘She’s coming for the summer. It’s the first time I’ve had anyone to board with me, but I thought I’d try it. It’s lonely now Per’s away fishing.’

She turned to Mr Brooks.

‘I don’t see any little girl. I hope she isn’t lost. She had to get on the boat by herself because her mother was working.’

‘She’s probably inside,’ said Mr Brooks, and then his face brightened. ‘A little girl? How nice! Mrs Brooks and I are having a young lad with us for a few weeks. They’ll be company for each other.’

He paused. ‘It’ll seem strange, children on the Island again.’

The goat-lady nodded, but said nothing.

Sweating deckhands heaved lines to the wharf and the ship, like a big horse backing into a stall, shuddered against the pilings. Finally the gangplank was shoved across and freight was hoisted to the dock, swinging dizzily. Winches groaned, commands were shouted, Mr Brooks and Mrs Nielsen strained their eyes and Sergeant Coulter stood lordly and impassive.

A bent old gentleman, carrying a knobby stick and followed by two border collies, came slowly down the gangplank.

‘Oh, Mr Allen,’ shouted Mr Brooks, ‘how did you do in the sheep trials?’

The old man fumbled in his shabby overcoat and brought out a blue satin ribbon.

‘Good! Very good indeed.’ Mr Brooks gave him a friendly wave. ‘Oh, Mr Allen, you didn’t see a young boy on board, did you? Or a little girl?’

One of the border collies cringed. Mr Allen gave Mr Brooks a horrified look, and motioning to his two collies, he sprinted up the wharf, pausing only once to stop and shake a crotchety fist.

Mr Brooks and Mrs Nielsen approached the first mate.

‘Did you see— ’

‘Yes! Yes!’ he said irritably. ‘Thank God somebody’s claiming them.’

Sergeant Coulter moved to the foot of the gangplank. The first mate turned to him, shook his head and wiped his brow.

‘Whew!’ he said.

‘What’s the trouble?’ asked the Mountie.

The mate gave a sigh of relief, realising his watch was over.

‘Oh,’ he said wearily, ‘I guess the girl isn’t too bad. But that boy!’

The burly steward in his wilted white jacket arrived panting at the top of the gangplank, a squirming child under each arm.

‘Time, ladies and gentlemen!’ he shouted with a harsh Cockney accent. ‘The end of the line for you two!’

He set the two children on their feet and gave a comic salute to the Mountie.

‘You’ll wish you was back on the quiet beaches of Dunkirk!’ he called as he beat a hasty retreat.

A smaller steward, carrying a leather suitcase and a paper shopping bag, dashed between the children, down to the wharf, dropped the bags, raced up the gangplank and fled into the bowels of the ship.

The children stood spitting at each other and refused to come down the gangplank.

‘You did!’

‘I didn’t!’

‘You did too!’

‘I did not!’

‘You’re a liar!’

‘I am not! So are you!’

I saw you!

Mr Brooks and Mrs Nielsen, with empty waiting arms, stood ignored, and the big Mountie watched with hard eyes.

‘You went in the captain’s cabin!’

‘How do you know? I did not! You must of been up there too!’

‘You dumped ink on his charts!’

‘Liar! I bumped it with my elbow!’

‘Liar! Liar! Liar!’ The girl drew back and faced the boy triumphantly. Then, as a final insult she turned and hissed: ‘And I don’t care if you are going to get ten million dollars. You haven’t got a mother!’

With this parting shot, she stalked down the gangplank.

Sergeant Coulter thought he had never seen such an unprepossessing child, not that he cared much for children in any form. They were miniature grown-ups, and as such bore careful watching.

The child, her lank, straw-colored hair hanging lifelessly about her pinched white face, looked straight ahead, and marched down like a small royal personage.

Sergeant Coulter noticed that, though her clothes were shabby, they were neat and clean, and somehow she already had the air of an indomitable Island spinster.

When she reached the waiting group she looked about, and her eye settled on Mrs Nielsen.

‘Are you Mrs Nielsen, the goat-lady?’

Mrs Nielsen nodded, unsure of how to greet the child.

‘And you are Christie,’ she said finally.

‘My mother told me you had a little house. She said you had a cow and a cat and a dog.’ She paused while she looked the goat-lady up and down. ‘Have you?’

Mrs Nielsen nodded.

The child became aware of the policeman.

‘Who’s he?’ she gasped.

Mr Brooks, with his courtly, old-world manner, stepped forward.

‘This is Sergeant Coulter of the Royal Canadian Mounted Police, and I’m Mr Brooks. I run the store here. Welcome to the Island.’

Sergeant Coulter did not look at all welcoming.

Christie gazed up at him and down again, from the top of his broad-brimmed hat to his polished boots. Then she smiled and her face was radiant.

‘A real Mountie,’ she said softly. She remembered her fellow traveller who still stood at the top of the gangplank, and she jerked her thumb at him.

‘Can you put him in jail? He’s a bad boy. He tells lies and he’s not nice.’

Picking up the paper shopping bag, she turned to the goat-lady.

‘Well, let’s go.’

As she and Mrs Nielsen walked up the wharf she looked over her shoulder to Sergeant Coulter and smiled again.

‘A real Mountie,’ she repeated.

The boy suddenly hurtled down the gangplank, his face sullen and his bold eyes insolent.

‘I am not a liar! I have so got ten million dollars! She threw the salt cellar at me!’ He pointed to a purple bump on his forehead, ‘and she said she’d push me overboard if I didn’t shut up!’

When the Mountie stood expressionless and silent, the boy’s outburst stopped and he looked about.

Mr Brooks stepped forward.

‘You must be Barnaby,’ he said and held out his hand.

Barnaby took no notice of the gesture.

‘Where’s my uncle? And I am not a liar! She’s a liar!’

His voice was shrill, almost hysterical.

Mr Brooks put his arm about the boy’s shoulder.

‘Of course you aren’t. Your uncle isn’t here, Barnaby. At least, not yet, so you are going to stay with Mrs Brooks and me for a little while.’

He patted the boy’s flaxen head, but the child drew away from him.

‘Won’t that be nice, Barnaby? We’re so happy to have you, we’ve wanted a little boy like you for such a long time.’

Barnaby turned to Sergeant Coulter.

‘Are you a real Mountie?’

‘Of course he is,’ said Mr Brooks. ‘He always meets the boat when he’s on the Island. This is Sergeant Coulter, Barnaby, and he was born here. Now then, shall we go up to the store and see Mrs Brooks? She’s so anxious to meet you.’

The boy ignored Mr Brooks, his admiring eyes fixed on the policeman.

‘When I grow up, I’m going to be a Mountie.’

‘Why?’ asked Sergeant Coulter, speaking for the first time.

‘Because you can put people in jail if you don’t like them.’

The policeman smiled and turned to Mr Brooks.

‘It’s not quite as simple as that, is it, Mr Brooks?’

‘Shall we go and see Mrs Brooks, Barnaby?’

‘Where’s my uncle?’

Mr Brooks and Sergeant Coulter looked at each other.

‘But I just told you, Barnaby, he couldn’t get here in time.’

‘You mean he’s really not here? He’s not playing a game?’

The child’s manner changed, his face crumpled and he looked dependent and pathetic as he gazed in a confused way from Mr Brooks to Sergeant Coulter.

‘No, of course he’s not playing a game, Barnaby. He’s been detained, but he’ll be here soon. Everything will be all right, my boy, and in the meanwhile, I know you’ll be happy with us. Now come along.’

He offered Barnaby his hand again, and this time, looking dazed, the child took it.

They walked together for several yards, then the boy pulled away from Mr Brooks and ran back to the policeman.

‘But if he isn’t here, where is he?’

His face was desperate.

The Mountie pointed to Mr Brooks.

‘He’s in Europe. Mr Brooks will explain everything to you. Go with him like a good boy. We’ll get in touch with your uncle. Don’t worry, we’ll look after you.’

The boy stared up at him.

‘You mean you’ll really look after me?’

‘Mr and Mrs Brooks will.’

‘And nothing will happen to me?’

Puzzled, the Mountie stared down at the boy.

‘No, of course not. You run along with Mr Brooks now. Mrs Brooks is waiting to meet you.’

Barnaby returned to Mr Brooks, and as they walked up the wharf he turned and shouted: ‘I’m going to be a Mountie. Just like you.’

Sergeant Coulter sat in the police launch, pondering. One small boy unmet by uncle.

He was a precise, dedicated man who rarely made snap judgements, but he felt that there was something very much the matter with that boy.

He leaned back and lit a cigarette. When you stopped to think of it, there was something the matter with most children these days. They needed more discipline. Take that boy, rude, spoiled, private-school brat. ‘I’ve got ten million dollars!’ Imperious little devil. A good hiding was what he needed. But that sort of treatment was considered old fashioned today. It worked when he was a boy, though.

Well, the boy was, after all, only a child. Frightened when his uncle wasn’t there to meet him. Left stranded on the dock like a lost puppy.

Sergeant Coulter, smiled as he remembered the admiration in the boy’s eyes. They all wanted to be Mounties.

But the smile faded. There was something the matter with that boy. He was more than frightened. He looked almost insane, and that expression on his face when he asked about the uncle …

What was it? Where had he seen that expression before? The policeman’s mind couldn’t let it go. Then things clicked into place and he remembered. The prisoner reprieved from the gallows.

Oh, no. He was imagining things.

Sergeant Coulter put his fountain pen away and brushed a speck of dust from his

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