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Speculative Journeys
Speculative Journeys
Speculative Journeys
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Speculative Journeys

Rating: 3.5 out of 5 stars

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In Speculative Journeys, Irene Radford extends her short story collections into science fiction and contemporary fantasy with fourteen tales both old and new.
Why is time-travel reserved for wealthy tourists and forbidden to historians?
Can a spaceship captain keep secrets from her communication officer who speaks every language in the universe—even ones without words?
Is a maze cut into solid granite a portal to a safer world…or something else?
These stories and more with an exciting new introduction by speculative fiction superstar Sharon Lee—join the journey today!

LanguageEnglish
PublisherIrene Radford
Release dateFeb 3, 2015
ISBN9781611384321
Speculative Journeys
Author

Irene Radford

Irene Radford has been writing stories ever since she figured out what a pencil was for. A member of an endangered species—a native Oregonian who lives in Oregon—she and her husband make their home in Welches, Oregon where deer, bears, coyotes, hawks, owls, and woodpeckers feed regularly on their back deck. A museum trained historian, Irene has spent many hours prowling pioneer cemeteries deepening her connections to the past. Raised in a military family she grew up all over the US and learned early on that books are friends that don’t get left behind with a move. Her interests and reading range from ancient history, to spiritual meditations, to space stations, and a whole lot in between. Mostly Irene writes fantasy and historical fantasy including the best-selling Dragon Nimbus Series. In other lifetimes she writes urban fantasy as P.R. Frost and space opera as C.F. Bentley.

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Rating: 3.3125 out of 5 stars
3.5/5

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  • Rating: 2 out of 5 stars
    2/5
    'Hard-core' Sci-Fi buffs would be disappointed. A good collection of stories with surprise endings, as all short stories should be. The author is rather terse and to the point, not much is spent on banalities...saves the readers from flipping through pages. If you are looking for the 'real' science stuff...seek elsewhere. The introduction is imminently disposable!
  • Rating: 5 out of 5 stars
    5/5
    Speculative Journeys is a collection of 14 far fetched short stories and one essay by Irene Radford.Most of the stories are set in the sci-fi genre, with some more fantastical contributions.My favorite stories were:Welcome to the Crystal Arches: Charlotte's only way to complete here thesis is to travel back in time to the medieval ages. Unfortunately, Charlie, her former boyfriend is trying to stop her to complete his own thesis.Super Squirrel to the Rescue: A neighborhood is facing a crow infestation until a bigger than normal squirrel makes an appearance.Li'l Red in the Hood: A surprising take on the classic Little Red Riding Hood set in an urban sprawl. Wolves included ;)The other stories were very entertaining as well and I thoroughly enjoyed this collection.I can recommend it to any fan of sometimes humorous sci-fi and fantasy.
  • Rating: 4 out of 5 stars
    4/5
    This book of short stories ended up being quite satisfying. There were several in the beginning that seemed just a little too long to me (the Captain Kate set comes to mind), and that fact, coupled with the holidays and reduced reading time, made it slow going at the start. However, the stories picked up steam, and some of my favorites came in the middle and end, so I am so glad I kept reading! I especially liked Super Squirrel to the Rescue and Mirror Mirror in My Soul. Litany of Hope was very creative in the turn it took, and my absolute favorite was Alien Voices.
  • Rating: 3 out of 5 stars
    3/5
    Sometimes short story collections are a mixed bag, and _Speculative Journeys_ is one of those. Radford's writings include an assortment of different styles and sub-genres within science fiction, fantasy, and speculative fiction. I applaud that; but in the end, some of these clicked for me while others didn't. I can't fault the writing itself, but the overall feel of the narrative or message sometimes felt a bit off.
  • Rating: 3 out of 5 stars
    3/5
    If I were to put this collection into a sub-genre, I would call it chick spec-fic. If it doesn't exist, it should. Nothing to make you want to sleep with the light on when you've laid the book down for the night, but enough to leave the light on and keep reading. The stories are as varied as spec fiction can be. From "Alien Voices" which delves realistically into the psyche of an injured dancer working to heal her body because "To dance is to live." Did I say realistic? Well, except for the nanobots. To the whimsical "Super Squirrel to the Rescue" which has the best characterization of a cat -- especially a Siamese cat -- that I have ever read!! Dyflyn's shenanigans out shone the squirrel. In several stories redundancy in the narrative got in the way of a smooth read; for example, in "Price of Command" there is the repetition of Captain Katie's trust of Jimmy and his respect for her. (But maybe that is just the picky editor in me.) All in all, an entertaining read. And the introduction to each story was a special treat.
  • Rating: 4 out of 5 stars
    4/5
    This collection of short stories by Irene Radford is different than previous collections by this author that I have read. It doesn't include stories from any of her fantasy worlds that I am familiar with. There are science fiction stories, including a couple from her "Stargods" universe. There are urban fantasy stories. A couple of these are by her "co-author" P.R. Frost, a pseudonym of Radford's under which she writes the Tess Noncroire series. I especially enjoyed "Litany of Hope" an ecological moral tale which was written in response to the Gulf Oil Spill. I also enjoyed "Mirror, Mirror in My Soul" in which a modern witch struggles to follow the witches' rede "an it harm none". Many of the stories are humourous, although some are a bit lightweight for my taste. Altogether, an enjoyable collection showing a different side to a well-known fantasy author.
  • Rating: 4 out of 5 stars
    4/5
    I rather enjoyed this walk through the different styles and themes of Irene Bradford's short fiction. A few were a bit racy for me. A few made me laugh outloud. Others gave me a satisfied feeling when I finished them. (Like when you've had a really good piece of cake after a good meal).
  • Rating: 2 out of 5 stars
    2/5
    Having never read a Science Fiction/ Fantasy book before (as an adult), I found this book "Speculative Journeys to be very interesting.Of the 14 short stories there were several that I enjoyed reading as I felt their story-line flowed smoothly and I was able to visualize the characters, the dialogue and the scenery as if I were there. Three of these stories were "Welcome to the Crystal Arches; Price of Command and Litany of Hope".As for the story "Alien Voices" I found it to be Entertaining and Enjoyable apart from two things: Firstly: there was a constant mention of "Nanobots" but as far as i could ascertain there was no explanation of what these Nanobots were. I read and re-read the first few pages but could not ascertain what they were. Secondly: I felt the ending came about too suddenly leaving me up in the air. Did the Nanobots have a sudden reversal of thought and if so why so? I did not like the ending.Of the fourteen short stories there were also several that I did not particularly enjoy. There was "Divi" which as the first story in the book had me scratching my head wondering what it was all about and back tracking to find out what the abbreviations stood for.Similarly with "It's a Con World After All". Then the final one page story in the book "Absolutely" seemed to me to have no substance. I think it was an attempt at humour but did nothing for me.Overall I think the ideas were generally good but as a first-time science fiction/fantasy reader it was not to my taste.

Book preview

Speculative Journeys - Irene Radford

SPECULATIVE JOURNEYS

Irene Radford

Book View Cafe

www.bookviewcafe.com

Book View Café Edition

November 18, 2014

ISBN: 978-1-61138-432-1

Copyright © 2014 Irene Radford

Table of Contents

Introduction, by Sharon Lee

The Divi

Welcome to the Crystal Arches

Stink of Reality

It’s a Con World After All

Signed in Blood

Price of Command

Classified Information

Litany of Hope

Phone Calls and Lies

Super Squirrel to the Rescue

Alien Voices

Li’l Red in the Hood

Mirror Mirror in My Soul

Fantasy and Science Fiction in the Modern Age

Absolutely

Copyright & Credits

Acknowledgments

About the Author

Also by Irene Radford

About Book View Café

Introduction

Sharon Lee

We humans speculate about a lot of things, here in what we call Real Life. Quite apart from our antics with the stock market, we wonder if our coworker’s nasty mood is the result of having eaten a stale jelly donut for breakfast, or our boss’ expansiveness has something to do with the redhead down in Accounting. We wonder if it’s going to rain, and we try to guess what—or if—we’re likely to receive on our birthday.

It’s second nature, speculation. Humans are cursed with busy brains, and with a bone-deep belief that things—by which I mean life, the universe, and everything—that, if only we knew all of the circumstances . . . that things—that everything—would hang together as a narrative.

That’s why we like stories so much.

Unlike Real Life, stories give us a narrative that hangs together. The best stories leave us with the belief—the belief—that the world has become, or could become, a better, a more coherent, place.

Stories satisfy us in a way that Real Life never can.

But the best stories? They’re not only speculation; they’re not just guesswork, or theory. The best stories are crafted by experienced and skilled storytellers, who pursue a varied and diverse Real Life, and who possess and nurture an active and adamant imagination, and who entertain a lively appreciation for what is possible, in this world.

And this is where you—yes, you—are three times fortunate. Because Phyl Radford (by whom I mean Phyllis Irene Radford, who I met, years ago, as Phyl, and who writes fiction variously under Irene Radford, P.R. Frost and C.F. Bentley) has embraced a variety of Real World experiences, such as museum curator, insurance underwriter, lace maker, retail seller, dancer, teacher—the list is long, but you get the idea; this isn’t a woman who shrinks from experience.

Not only has she been an adventurer in life, but her imagination spans, and spins, worlds.

Phyl pulls off this neat trick of using her Real World experiences as a jumping off point into a world where that experience has a whole different meaning than it has here, in our world. She has the guts—and that diamond-tough imagination—to build whole worlds; and she has the skill to make you believe those worlds are real, that those people—as strange in their necessities as they are familiar in their humanity—exist.

You’ll find plenty to believe in inside this book.

For instance, you’ll believe in a world where psi powers are not only a fact, but the entire justice system has been built around that fact.

You’ll believe in a dancer so passionate about her art that she accepts the possibility of madness, so long as she can continue.

You’ll believe in a world where space pirates fly in the face of the Emperor’s marines; in another, where your sense of smell might be turned against you; and in yet a third, in which your actions do rebound upon you, three times…

There are more worlds, more stories, here; I’m not going to tease you with any more. After all, Phyl built those worlds for you, to discover, to receive—and to speculate upon.

Don’t let me keep you from experiencing those adventures one minute longer.

Sharon Lee

Cat Farm and Confusion Factory

Central Maine

March 11, 2014

Return to Table of Contents

This story bounced from rejection to rejection, rewrite to rewrite, and then sat abandoned on a floppy disc. Yes it is that old and so am I. Then I heard about a new anthology from Roc edited by Laura Anne Gilman and Jennifer Heddle: Treachery and Treason. Oh I had just the story and it needed only a little tweaking. They even put my name on the cover!

The Divi

Irene Radford

You are accused of Treason, Mary Gray, for murdering our beloved governor, Eloise Abernathy. We have physical evidence, but we need your memories of the event to convict you. Stefan Marble, the police lieutenant in charge of the investigation read from a pre-printed form in a bored monotone that betrayed none of his true emotions. The white badge on his crisp yellow uniform proclaimed his name to the world in letters two inches high.

Mary couldn’t read anything else about him. Yet.

He sat back in his chair and signaled the two psychics in the room, already introduced as Lily and Julian to take over.

Tell me, Mary. How do you ‘know’ when an object has been handmade? Lily’s voice dropped into a musical lilt, as lovely as an undammed creek chuckling through the woods. She stared directly into Mary’s eyes and never glanced aside at her fellow psychic or the police officer who shared the interrogation room.

Mary stared at the police psychic, knowing she had to answer the question. Lily had locked onto her mind and would pull the information from her memory even if she resisted.

When I’m near a genuine antique, I sense . . . I don’t know. My hands get clammy and my heart races. It’s like my brain gets washed clean with cold water and the only thing left is a compulsion to touch the thing. Her fingers arched and reached. The instinctive gesture relayed to Lily and Julian her need to break free of the talent-damping iron handcuffs that bound her to the uncomfortable wooden chair. The absence of her signet on her left index finger, a plain garnet representing the non-precious level of her psi talent, left her feeling naked and alone.

Stefan Marble clenched his fists until his knuckles blanched. Mary didn’t have to be psychic to know he hated working with psychics. His posture, his hastily averted eyes, and his uneasy fists broadcast his mistrust of his trained minions as well as of Mary.

Mary swallowed a small smile of triumph. She could use his mistrust. He didn’t have enough hard physical evidence to convict her.

Mary is a registered Psychic, Lily, Stefan Marble said. He almost spat the words. I can order a dose of Mental Transmission Equalizer so you can finish your Readings. He grimaced as he made the offer.

Bare white walls without windows absorbed his words without a trace of an echo. Only a few pieces of ugly utilitarian furniture were present to capture the emotions of the four people present. Mary almost screamed at the lack of readable vibrations. She had only their words to help her understand what they wanted of her. Those words chilled her to the bone.

She huddled into herself. The MTE drugs would do more than force her to tell the truth. Too frequently, they stripped the psi synapses in the brain. Sometimes MTEs stripped the entire brain.

Not yet. Julian the TelePath smiled so that his long eye teeth extended menacingly over his lower lip.

Mary had seen police psychics work before. They always came in pairs of complimentary talents, one sympathetic, the other hostile. Julian’s and Lily’s one-hundred percent arrest and conviction rate was well known in Mary’s circle of dubious antique dealers. None of them talked about what happened to the innocents who came under their interrogation. Best not to tempt fate by discussing the growing number of blithering idiots now on the Subsistence Roles.

Mary shuddered again at the thought of the drugs at Julian’s and Lily’s disposal. Maybe she shouldn’t have registered with the Bureau of Psychic Assistants. It wasn’t as if her abilities were truly useful to society. Not like Lily the TruthReader and Julian the TelePath, both of whom worked full time for the Portland State Constabulary. But Mary’s talent was socially acceptable and earned her a decent living. In this world of make-a-fast-buck-and-leave-before-you-get-caught, fakes and reproductions flooded the jewelry and antique markets. Mary could literally sense a real antique from a block away.

The BPA listed her as a PsychoMetric. Other psis contemptuously called her a divi. No capitals.

I have three witnesses and a good set of fingerprints on the murder weapon, Stefan Marble replied, as if Mary wasn’t present, sitting less than two yards away. She has no alibi. He kept looking at a spread of papers on his desk rather than at Mary.

He accused her of murder and treason. Why wouldn’t he meet her eyes?

He looked like a thousand other cops. Uniform height, weight, coloring, and lack of personality seemed to be the major qualifications to become a member of Portland’s finest these days. Probably so they wouldn’t have to order more than one size uniform. His neutral skin tone, sand colored hair, and light brown eyes gave no evidence of his ethnic background. If he couldn’t be linked to any one group, he couldn’t offend a member of another and possibly lose an arrest on grounds of prejudice.

She has no memory of killing Governor Abernathy. We have no psychic evidence that will stand up in court. Your dependence upon the fingerprints isn’t enough either, Julian, the TelePath, said to the anxious police lieutenant. His signet ring from the BPA winked in the glare of the single, bare light bulb in the ceiling.

A diamond for TelePath, platinum setting because he was male—the year of his registration and the level of his powers were engraved on the sides. Mary knew from the cut of the diamond, he’d had the piece custom made from an older piece of jewelry. She longed to touch it and read the gem cutter’s emotions at the time of the crafting.

She felt suddenly empty. She needed to take the gem cutter’s emotions into herself, adding that craftsman’s life and personality to her own. Who was she but the hundreds of artisans she’d accumulated over the years?

Mary, physical evidence as well as antiques can be faked, Lily said. The justice system in the State of Portland recognizes that no one can fake psychic evidence. Show me your true memories so Julian and I can set you free. The testimony of two psychics authenticating the weapons, fingerprints and witnesses is required. The Provinces aren’t as enlightened. Her contempt for the region outside Portland dripped from her voice like venom.

The city of Portland had seceded from the old State of Oregon and formed its own state twenty years ago, partly over the relative merits of Psychic versus physical evidence. The state and the city state had more differences of opinion than the use of psychics in court, but that had been the loudest issue at the time of the split.

Lily and most every other psychic proclaimed that police procedures in the majority of the states—The Provinces—as barbaric. Only those jurisdictions that allowed psychic evidence were considered humane. Mary wondered about the humanity of MTEs.

The authorities in Oregon forbade drugs during interrogation.

Maybe I should have set up shop in Salem, Mary thought. I could have run an honest antique and curio shop without hiring out as a divi to make a living.

Her TruthReading shows total neutrality. I can’t tell if she’s telling the truth or not. Lily continued to scan Mary’s face and aura. "In fact I’m not picking up any information from her at all. It’s as if she’s blending in with the office furniture. If I look with my Sight, I can’t see her. I have to use my eyes." She rubbed the sapphire in her gold signet ring. Mary sensed the stone had been manufactured rather than mined. But if she managed to touch the stone while the iron handcuffs bound her to the chair Lily would know from her aura that iron didn’t really dampen a talent unless the psychic thought it would.

"We’ll have to resort to drugs, Mary, if you don’t lower your shields and let us Read you, Julian coaxed in a voice Mary thought was supposed to be soothing. How in the hell does she have shields with the handcuffs on?"

Unconscious shields aren’t unheard of, Lily replied.

Mary’s heart raced in panic.

I hate to resort to MTEs, Julian said to the policeman. "Any talent she has will be destroyed forever. She’ll be useless in her job and have to go on state subsistence after her rehab. Will you take responsibility for creating another ward of the state, Steve?"

I want a Murder One and Treason conviction. This woman killed our governor. Steve Marble pounded the desk with his fist. The force of his blow set up a shock wave of emotions that the desk had absorbed from him. Mary drank them in and understood some of Steve Marble’s thought processes.

She understood the desk as well; 1954, machine made, walnut, no veneer, standard institutional issue. Rare and moderately valuable now because of its age and solid wood. Dozens of policemen had used the desk, their personalities were buried deeper in the wood grain than Steve Marble’s. She’d have to work at rooting them out.

But she couldn’t lose herself in the desk. She needed to respond to Julian’s and Lily’s threats.

I didn’t kill anyone! Mary protested. She fought the iron handcuffs that bound her to the chair. She knew the chair was an original mate to the desk. A set. Her assessment of their value doubled. Was Steve Marble’s chair also part of the set? Damn the handcuffs that kept her in place.

If you didn’t kill Governor Abernathy, then you can show me the truth in your mind, Julian said. Show me how you spent the hours between 11 A.M. and 1 P.M. today. Let down your shields, Mary. He used psychic compulsion in his words. He placed his hands on the arms of her chair, well away from the iron handcuffs, and leaned closer to her, pinning her in place with his eyes.

Something started to slip in Mary’s mind. She relived the first two hours of her day in sparkling detail. Then, like cellophane, wrapping air out and freshness in, she drove away all other memories.

Damn! Julian exploded away from Mary’s chair and began pacing the little interrogation room. The walls seemed to grow closer with each pass he made in front of Mary. She either has the strongest controls I’ve ever seen in a registered psychic or no controls at all and her own fear is shutting her down.

Where did you learn to control your shields under interrogation by a Level 6 TelePath while in iron bonds? Lily asked. That kind of control is unprecedented. Under your oath as a member of the Bureau of Psychic Assistants, you are required to reveal all new techniques and where you learned them. Her eyes crossed slightly, a signal that she was going into a trance. Mary would have a very difficult time hiding anything from a trance induced aura Reading.

I have no formal training. I just ‘know’ when an item is handmade or machine made. Mary tried to make herself invisible again. Physically and Psychically. She didn’t trust Lily to report an accurate aura reading.

She had to prove she hadn’t murdered Governor Abernathy before they manufactured evidence to gain a conviction. Any conviction. Why else did Julian and Lily have a one hundred percent conviction rate?

Eloise Abernathy had paved the way for Psychic respectability. The psychics of the world idolized her. They’d want her murderer tried, convicted, and executed immediately. Publicly. Brutally.

As a respected judge, Eloise Abernathy had accepted psychic testimony in her courtroom. As a legislator she helped set up the BPA and made psychic operations outside the organization illegal. As governor, she set up training facilities and tuition grants for psychics. No true member of the BPA would wish to harm a hair on that lady’s head.

Steve Marble moved away from his desk and stood over Mary. His knees almost touched hers. If he’d come just two inches closer, she’d know what drove him—if he truly loved Governor Abernathy or was pursuing this investigation strictly under orders.

What happens when you actually touch the antique? Lieutenant Stefan Marble leaned forward as he spoke. His eyes crossed too. But he wasn’t a psychic. Policemen weren’t allowed to be psychics, only employ them.

Mary studied him warily.

The person who makes an object by hand, Mary replied, choosing her words and her emotions carefully. That person puts a lot of love and care into the making. Especially artifacts made long ago when craftsmanship was a thing of pride. Their emotions become embedded in the object. When I touch it, I re-live the act of creation with that person. Mary closed her eyes. Some of her most compelling visions of the past flashed across her memory. The memories and personalities of those long dead artisans lived on inside her. Through them she could be artistic too.

Maybe she could use their presence as a defense if Julian and Lily managed to concoct evidence to the contrary.

She sensed Julian trying to share her memories. She let him. The blacksmith who had made a truly unique wrought iron fence jumped to mind. He had led a particularly violent life.

Julian retreated to a corner, a look of puzzled alarm on his face.

That part of her story is the truth, Lily said. I think we can settle this matter without drugs. Steve, bring in the murder weapon. The violence of the murder should have impregnated the metal.

Mary grew cold, colder than the iron burns on her wrists. She would re-live the murder.

She shrank within the bonds, hoping to pull free. But they’d been designed by a psychic to trap a psychic. Once set by a TeleKinetic, they could only be opened by the same TeleKinetic or one of the same rating who knew the working methods of the first.

Mary pushed the violent blacksmith away from the front of her mind. He’d relish reliving the murder whether she had wielded the weapon or not. She brought forward the memories of a lacemaker who cringed at the thought of blood marring her beautiful white threadwork.

We’ll have to open the cuffs and free her talent, Julian said. He sat down in a straight-backed chair in the corner, a smug grin replaced the previous alarm.

Mary thought about the chair. 1982, machine made, walnut veneer over pine. More institutional furniture, no value at all, except as firewood.

That’s okay, we’ll have a med-tech standing by with an injection of MTE in case she gets out of hand or tries to bolt. Steve Marble stepped away from Mary and rubbed his left hand across the back of his neck. Something in his eyes—weariness? desperation? maybe pity? compelled Mary to watch him as he exited the room. He slammed the door behind him. The thin walls

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