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    1001 Brilliant Ways to Checkmate
    1001 Brilliant Ways to Checkmate
    1001 Brilliant Ways to Checkmate
    Ebook585 pages3 hours

    1001 Brilliant Ways to Checkmate

    By Fred Reinfeld

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    About this ebook

    A 21st-Century Edition of a Great Checkmate Collection!

    Ask most chessplayers from the “baby boomer†generation how they acquired and sharpened their tactical skills, and chances are a Fred Reinfeld tactics collection will be part of their answer. And now, for the first time, 1001 Brilliant Ways to Checkmate is available in modern algebraic notation.

    This may be the all-time great checkmate collection, with forced checkmate positions culled mainly from actual play. And Reinfeld's selection is simply marvelous, touching on all the important tactical themes.

    In short, this is an outstanding book to hone your tactical abilities. It will help you recognize mating patterns, develop visualization skills, enhance imagination, and improve tactical sharpness. And now, with a modern 21st-century edition of this great checkmate collection finally available, there is no excuse for not only improving your tactical skills, but also enjoying yourself along the way.
    LanguageEnglish
    PublisherRussell Enterprises, Inc.
    Release dateJun 3, 2014
    ISBN9781936490837
    1001 Brilliant Ways to Checkmate
    Author

    Fred Reinfeld

    Fred Reinfeld (1910–1964) was a well-known and prolific chess writer, whose writing is well known for its deceptive simplicity and clarity, tinged with warmth and humour.

    Read more from Fred Reinfeld

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      Book preview

      1001 Brilliant Ways to Checkmate - Fred Reinfeld

      Preface

      Many of today’s players, now the grandparents of chessplaying teenagers, fondly recall growing up with the Reinfeld books, which covered all aspects of chess, from the openings to the endgame, and included generous helpings of chess lore and the lives of the greatest chess masters.

      Reprinting chess books by our father, Fred Reinfeld (1910-1964), ended in the 1980s as descriptive notation was phased out in favor of the more popular algebraic notation. We are extremely grateful to Bruce Alberston, who has taken up the task of converting Reinfeld’s notations to algebraic.

      Thanks also to Russell Enterprises for publishing a 21st-century version of this, and, hopefully more, Reinfeld chess classics, thereby introducing Fred Reinfeld’s teaching genius to new generations of chess enthusiasts, especially to beginners and mid-level players eager to sharpen their skills at the chessboard.

      Don and Judith Reinfeld

      Editor’s Introduction

      This is the all-time great checkmate collection. Anything that has come out post-1955 automatically gets compared with Reinfeld’s masterful compilation, and usually unfavorably.

      These are all forced checkmate positions, culled mainly from actual play, thus the positions look game-like. Plus, Reinfeld’s selection is simply marvelous; he seems to have captured every conceivable theme. In fact, he’s organized the chapters by theme, such as Queen Sacrifices, Double Check, Pawn Promotion, but after that no more hints. There’s no one tapping you on the shoulder telling you this one is easy, the next one is hard. You have to figure that out for yourself.

      The sheer number of examples, 1001, is both catchy and daunting, and you may well ask, Does anyone go through all the positions? The answer is yes, your editor for one.

      Back in the fall of 1978, my chess was slipping, so I took drastic measures. I quit my job (naturally I’m not recommending this to everyone) and went over to a chess training program which included physical exercise, opening study, tactical exercises and tournament play.

      The tactical exercise book was the one you have in your hand, 1001 Ways to Checkmate (Brilliant was added in later editions). Approaching the matter seriously, I set a chess timer for a group of ten, recorded my answers on a sheet of paper, and then checked the solutions in the back of the book. Overly scrupulous, recording all variations I could think of, I even considered a problem wrong if I made a notational mistake.

      Results were not instantaneous but the training program eventually paid off. I became a much sharper tactician and in about nine months I was playing at master level. For whatever reason, the U.S. Chess Federation was way behind on their rating results, so the actual master rating took another year to reflect itself.

      So we have personal testimony: the Reinfeld Checkmate book works. And so does the companion volume 1001 Chess Sacrifices and Combinations.

      For the present edition, all the diagrams have been set again using Linares fonts. These are clear and easy to read. Since I threw out my thirty-year old notebooks a few years back, I had to solve each position anew. This is just as well, since I had to convert to modern algebraic notation anyway.

      Just so the reader understands, the solutions reflect my solving the positions in the spring of 2012 and then reconciling with Reinfeld’s 1955 originals. There are a few corrections along the way and an additional side line here and there. But for the most part I was guided by Reinfeld’s formula, which was to let the main lines speak for themselves. It’s not that he didn’t show sidelines, it just that he didn’t believe in getting tangled up in them.

      As for the corrections mentioned, you can certainly find more by turning your computer loose on the positions. Of course this defeats the purpose of working things out for yourself, but it’s always fun to catch the masters in a mistake. Hey, I was an amateur once; I still remember the feeling. In any case, I’ll defer to Reinfeld for any mistakes the reader may find. Blaming your predecessor is tried a true method of getting off the hook.

      Of course the way to tackle this book is to pick a chapter and solve the problems, one at a time. And don’t think of it as drudgery. You’ll have a lot more fun if you approach the positions as mini-challenges. Also don’t feel like you have to solve every single problem the first time around. You can do what I did, put the missed problems on a wrong list, come back, and do them later.

      There’s a group of Two-Move Composed Problems beginning with #931 and running to the end of the book. I have to admit I did not work through these back in 1978-1979. I waited some twenty years before I eventually went through them all. You might want to do something similar, but you don’t have to wait twenty years.

      Summing up, this is an outstanding book to hone your tactical abilities: recognizing mating patterns, developing visualization skills, enhancing imagination, and improving tactical sharpness. You can probably think of other good things as well.

      Bruce Alberston

      Astoria NY

      January 2014

      Chess Notation

      The chessboard can be viewed as an 8x8, 64 square grid, where each individual square is given a name. Here’s how it’s done:

      First, the vertical rows (files) are given lower case letter names, a through h. Second, the horizontal rows (ranks) are named by the numbers one through eight, running up the board. The intersection of file letters with rank numbers provide the names of the squares.

      Sample square names

      Three of the pieces in the diagram stand on their initial starting squares: the white king on e1, the black queen on d8, and the white rook on a1.The white bishop is on g2, the black pawn on g6 and black knight on d4. X marks the spot, the intersection of the c-file with the fourth rank, the vacant square c4.

      Pieces have capital letter abbreviations: K for king, Q for queen, R for rook, B for bishop and N for knight. Pawn moves are shown by the squares they move to and capital P is rarely used. Here’s a short sample game given in long form algebraic notation.

      After 4.Qh5xf7 mate

      The same game in short form algebraic notation, without the helping letters and numbers at the side of the board. In short form we dispense with the departure squares and just give the arrival squares.

      As you can gather by the question marks, Black’s third move was pretty bad, allowing immediate checkmate.

      In the present book solutions are presented in short form algebraic notation and the diagrams are clean, no numbers and letters on the sides.

      Standard Symbols and Abbreviations (not all of which are used in this book)

      K or K stands for King

      Q or Q stands for Queen

      R or R stands for Rook

      B or B stands for Bishop

      N or N stands for Knight

      P or P stands for Pawn although in

      practice the P is rarely used

      x stands for captures

      e.p. indicates the en passant pawn

      capture

      - (dash) stands for moves to

      0-0 castles kingside

      0-0-0 castles queenside

      /Q means pawn promotes to a queen

      /N means pawn (under) promotes to a

      knight

      ! means a very fine move

      !! means a brilliant move

      ? means a bad move

      ?? means a blunder

      + stands for check

      # or mate stands for checkmate

      1. Queen Sacrifices

      To lose your queen is one of the worst catastrophes that can happen in a game of chess. But to sacrifice the queen in a brilliant combination – that’s something else again.

      And yet, in sacrificing the queen, you’re playing for high stakes. You need a goal that’s worthy of such a sacrifice, or if you please, such an investment. As far as this chapter is concerned, nothing less than checkmate will serve as the goal.

      But how can we tell when the position is ripe for such a sacrifice? There are telltale indications, and you will see them repeatedly as you study these positions. These indications are just as clear to the practiced observer as slight marks and prints were to the Indian stalking his enemy in the trackless forest.

      For example: in Diagram 1 White is able to sacrifice his queen successfully because Black is weak on his back rank. And the same kind of weakness turns up in Diagrams 4, 14, 16, and many other instances.

      Consider also, the exposed position of Black’s king in Diagrams 6, 7, 8, 13. No wonder Black’s king comes to a violent end in these positions! No wonder a brilliant queen sacrifice is possible in each case.

      And so it goes. Time and again you will find very similar patterns leading to very similar refutations. When you have reached the point where a setup in one diagram reminds you irresistibly of a similar pattern in

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