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Groundwork
Groundwork
Groundwork
Ebook85 pages31 minutes

Groundwork

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In this new collection Rustum Kozain, who won both the Ingrid Jonker Prize (2006) and the Olive Schreiner Prize (2007) for This Carting Life, raises his own bar. Groundwork retains strong connections with Kozain's early work, but it does so while simultaneously introducing a group of poems that indicate the promise of work to come. His voice has strengthened and has a new confidence, making the poems (paradoxically) lighter - though they are not without his trademark seriousness. This is a thoughtful, pitch-perfect collection that resonates with the reader long after the last poem is read.
LanguageEnglish
PublisherKwela
Release dateJul 16, 2012
ISBN9780795704314
Groundwork

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    Book preview

    Groundwork - Rustum Kozain

    Groundwork_final.jpg

    Rustum Kozain

    Groundwork

    Kwela Books/Snailpress

    for Hetta

    Crouching

    deep in our jagged-dagger dreaming,

    we find a thick-cloaked skeleton

    of the sunrises that were never to be,

    whose impatient roar

    we must now explain.

    – Khulile Nxumalo, ‘The Great Discount’

    Regret

    I am regret, that slow vulture

    that comes too late,

    that skirts the congregation,

    the carcass well past use,

    a wrong choice long forgotten

    that passes now

    as abstract of history,

    malleable to anyone’s interest, or mine,

    picked at, turned over and over,

    until its shrivelled tendons –

    dry as bone –

    turn white, then fine as ash

    soon taken by the wind.

    That regret, the slow vulture

    that came too late,

    that must itself die

    but lives as shadow,

    a shade that flaps

    inside the head’s chambers

    where I leave the unsaid unsaid,

    conjuring instead

    the absent word

    into that old, old flinch.

    I am that regret.

    I

    This is the sea

    After a photograph by Victor Dlamini

    There is that sea, deep sometimes

    as the heart at dusk,

    the shine on its face soon to fade.

    There is that caravel drifting in

    and all it brings: a load of good

    and the bad unreckoned by the quartermaster.

    The homing birds that come or go.

    The sun that’s set,

    now only a shade smudged by fog.

    From empty rooms, frosting windows,

    no one saw

    its dying spectacle.

    There is something of this sea –

    its cold and darkening deep –

    in the human heart, in me,

    that lies unfathomed,

    beyond all sounding,

    that does not know its own dark treachery.

    Storytelling

    Speech is irreversible: a word cannot be retracted,

    except precisely by saying that one retracts it.

    – Roland Barthes, ‘Writers, Intellectuals, Teachers’

    In indecision we drive a block,

    then stop at the end of my cul-de-sac

    to look at passing cars, graffito tags

    on vibracrete, and curious neighbours.

    The sun draws water, a seagull

    flies its sorties looking to scavenge,

    a skittish lemoenduif

    launches in fright from a garden wall.

    We try again with logic to loosen

    a knot, our complication: you

    will stay with your lover;

    I will return to waiting

    for that empty click of the snug fit

    and the faculty of abstract nouns –

    love, death, God. And time

    that will not freeze. I speak as if

    I can speak, presume, and speak for you.

    You flash with anger. Like a child

    I wish I could reel back time,

    turn it all back by the one click

    needed to return words to inchoate

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