The Pug - A Complete Anthology of the Dog
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The Pug - A Complete Anthology of the Dog - Read Books Ltd.
1935.
With noisy yelp, both friend and foe he hails, But briskly flies, when ought of pluck assails.
PUG-DOG.
THE PUG.
The Pug is often described in books as a Bulldog in miniature. Nothing can be more erroneous, as will be seen from the following description:—
The colour is a bright fawn, with the nose, chaps and cheeks, called by fanciers the mask,
black. The coat should be short, thick and soft. The head alone bears some distant resemblance to that of a Bull-dog; it should be round, the eyes wide apart and round, but without the hollow between them which marks the well-bred Bull-dog. When closed by the hand, the eyes should be at right angles to the length of the face. The chaps should be broad, and the nose very short and flat to the face; the mouth should neither be underhung, nor should the nose turn up, as in the Bull-dog. The ribs should be round, the chest wide, and the dog should stand low on his legs. The tail should be twisted tightly over the hip, forming nearly a circle upon itself; the legs should be straight, and the feet long and well split up. The ears are invariably cropped as close to the head as possible, which causes the skin of the forehead to wrinkle—a point which is much admired. The height averages 12 inches; a good dog is seldom higher than 14 inches.
Pugs are neither graceful nor clever, and they belie any fancied resemblance to Bull-dogs, by being the greatest cowards among dogs. They are, however, tolerably affectionate. The rage for Pugs in this country was once very great, and there is now some prospect of its revival; the price of Pugs being at present very high. Two of these dogs were recently advertised for sale at 25 and 30 guineas apiece.
THE PUG.
IS is the case with most, if not all, of our existing breeds of the dog, the origin of the pug is lost in obscurity. The prevailing opinion is that he is a bulldog modified by a hot climate; but this theory is only founded upon a statement to that effect made by Buffon, whose word no man relies on,
any more than that of the second Charles. According to this story, however, the pug so modified from the bulldog at the Cape of Good Hope was imported into Holland at the time when the Cape was a Dutch settlement, and became the favourite ladies’ pet of that country for many years, a few specimens of the breed being scattered throughout Europe, and in this way reaching England, where it became very fashionable in the reign of William III. (Dutch William
), but did not long remain so, and was exceedingly rare in the middle of the present century, even a moderately good one not being procurable for less than 30l., and that at a time when 5l. was the average price of a lady’s pet, even of the fashionable kinds. During the decade 1840-50, however, several admirers of pugs attempted to breed them from good foreign strains. Foremost among these was the then Lady Willoughby de Eresby, who after a great deal of trouble obtained a dog from Vienna which had belonged to a Hungarian countess, but was of a bad colour, being a mixture of the stone fawn now peculiar to the Willoughby strain,
and black; but the combination of these colours was to a certain extent in the brindled form. From accounts which are to be relied on, this dog was about twelve inches high, and of good shape, both in body and head, but with a face much longer than would now be approved of by pug fanciers. In 1846 he was mated with a fawn bitch imported from Holland, of the desired colour, viz., stone fawn in body, with black mask and trace, but with no indication of brindle. She had a shorter face and heavier jowl than the dog, and was altogether in accordance with the type now recognised as the correct Willoughby pug.
From this pair are descended all the strain named after Lady Willoughby de Eresby, which are marked in colour by their peculiar cold stone fawn, and the excess of black often showing itself, not in brindled stripes, but in entirely or nearly entirely black heads, and large saddle marks
or wide traces.
THE LATE MR. H. GILBERT’S PUG DOG PRINCE.
MOPS
AND NELL,
THE PARENT STOCK OF THE WILLOUGHBY PUGS.
But coincidently with this formation of a new strain was the existence of another, showing a richer and more yellow fawn, and no tendency to excess of black. This strain was possessed by the late Mr. Morrison, of Walham Green; the late Mr. H. Gilbert, of Kensington; Mr. W. Macdonald, now of Winchmore Hill, but at that time residing in London; and some other fanciers of less note. According to Mr. Morrison’s statement to me (which, however, he did not wish made public during his life), this strain was lineally descended from a stock possessed by Queen Charlotte, one of which is painted with great care in the well-known portrait of George III. at Hampton Court; but I could never get him to reveal the exact source from which it was obtained. That he himself fully believed in the truth of this story I am quite confident; and I am also of opinion that he never hazarded a statement of which he had the slightest doubt—being in this respect far above the average of doggy
men. Although he never broadly stated as much, I always inferred that the breed was obtained by back-stair influence,
and on that account a certain amount of reticence was necessary; but, whatever may be the cause of the secrecy maintained, I fully believe the explanation given by Mr. Morrison of the origin of this breed of pugs, which is as commonly known by his name as that of Lady Willoughby de Eresby by hers. His appeal to the Hampton Court portrait, in proof of the purity of his breed from its general resemblance to the dog in that painting, goes for nothing in my mind, because you may breed up to any type by careful selection; but I do not hesitate to indorse his statement as to the Guelph origin of his strain, because I have full confidence in his truthfulness, from having tested it in various other ways. I need scarcely remark that both strains are derived from the Dutch—the Morrison
coming down to us through the three Georges from William III., and the Willoughly
being, as above described, a more recent importation direct from Holland and Vienna. Both strains are equally lively in temperament, moderately tricky and companionable, but their chief advantage as pets is that they are unusually free from smell, both in breath and coat.
Since the decade above mentioned, both strains have been crossed with the bulldog, with a view to enlarge the skull and shorten the face; and the consequence is that many of the best dogs in other respects are underhung, splay-footed, and, what is of more consequence, savage in temper. There is also a tendency in this cross to increase the size; but I confess that the largest prize-winning pug which I have yet seen (namely, Mr. Foster’s Comedy, first prize winner at Birmingham, 1877), was perfectly free from all signs of the bull cross in other respects. Though shown in a large and excellent class, Comedy was so perfect in shape, and so full of quality, in spite of his over-size, that the judges (Messrs. Hedley and Peter Eden) at once selected him for premier honours; and I perfectly agreed with the decision. Within the last ten years the two strains have been much crossed inter se, and it is difficult to find either a pure Willoughly pug or one in whose pedigree there is no line of that strain. Mrs. Bligh Monk, of Coley Park, Beading; Mr. E. J. Poer, of Limerick; Mr. Annandale, of Edinburgh; Mr. Jolliffe Tuffnell, of Dublin; Captain Digby Boycott, of London; Mr. Sharpies, of Manchester; and Mrs. Mayhew, of Twickenham, have been the most successful exhibitors of late years—the last named having introduced a strain of the Chinese pug, but with what view I am at a loss to know, as there is no desirable point shown in excess in the importation from the Celestial Empire.
The following are the
POINTS OF THE MODERN PUG.
1. The head (value 10) should have a round monkey-like skull, and should be of considerable girth, but in proportion not so great as that of the bulldog. The face is short, but, again, not bully
or retreating, the end being cut off square; and the teeth must be level—if undershot, a cross of the bull is almost always to be relied on. Tongue large, and often hanging out of the mouth; but this point is not to be accepted for or against the individual. The cheek is very full and muscular.
2. The ears (value 5) are small, vine-shaped, and thin, and should lie moderately flat on the face (formerly they were invariably closely cropped, but this practice is now quite out of fashion); they are black, with a slight mixture of fawn hair.
3. The eyes (value 5) are dark brown and full, with a soft expression. There should be no tendency to weep, as in the toy spaniel.
4. A black mole (value 5) is always demanded on each cheek, with two or three hairs springing from it; the regulation number of these is three, but of course it is easy to reduce them to that number.
5. Mask, vent, and wrinkles (value 10).—These markings must be taken together, as they all depend mainly on colour. The wrinkles, it is true, are partly in the skin; but over and above these there should be lines of black, corresponding with them, on the face and forehead. The mask should extend over the whole face of a jet black, reaching a little above the eyes, and the vent also should be of the same colour. In the Willoughby strain the black generally extends higher up the skull, and has not the same definite edge as in the Morrison pug, in which this point is well shown, and greatly insisted on by its admirers.
6. A trace (value 5) or black line is exhibited along the top of the back by all perfect pugs; and the clearer this is, the better. As with the mask, so with this—the definition is more clear in the Morrison than in the Willoughby pug. When it extends widely over the back it is called a saddle mark,
and this is often displayed in the Willoughby, though seldom met with in the Morrison strain; of course, it is admired in the one, and deprecated in the other, by their several supporters.
7. The colour (value 10) of the Morrison pug is a rich yellow fawn, while that of the Willoughby is a cold stone. The salmon fawn is never met with in good specimens of either, and is objected to. In the Willoughby the fawn-coloured hairs are apt to be tipped with black, but in its rival the fawn colour is pure, and unmixed with any darker shade. Of course, in interbred specimens the colour is often intermediate.
8. The coat (value 10) is short, soft, and glossy over the whole body, but on the tail it is longer and rougher. A fine tail indicates a bull cross.
9. The neck (value 5) is full, stout, and muscular, but without any tendency to dewlap; which again indicates, when present, that the bulldog cross has been resorted to.
10. The body (value 10) is very thick and strong, with a wide chest and round ribs; the loin should be very muscular, as well as the quarters, giving a general punchy look, almost peculiar to this dog.
11. Lege and feet (value 10).—The legs should be straight but fine in bone, and should be well closed with muscle. As to the feet, they must be small, and in any case narrow. In both strains the toes are well split up; but in the Willoughby the shape of the foot is cat-like, while the Morrison strain has a hare foot. There should be no white on the toes, and the nails should be dark.
12. The tail (value 10) must curve so that it lies flat on the side, not rising above the back to such an extent as to show daylight through it. The curl should extend to a little more than one circle.
13. Size and symmetry (value 5).—In size the pug should be from 10in. to 12in. high—the smaller the better. A good specimen should be very symmetrical.
As an excellent illustration of the breed, I have retained the portrait of the late Mr. H. Gilbert’s Prince, a prize winner in 1863-4. He was of the pure Morrison strain,