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    Shadows in the Moonlight (Iron Shadows in the Moon)
    Shadows in the Moonlight (Iron Shadows in the Moon)
    Shadows in the Moonlight (Iron Shadows in the Moon)
    Ebook50 pages45 minutes

    Shadows in the Moonlight (Iron Shadows in the Moon)

    By Robert E. Howard

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    About this ebook

    This early work by Robert E. Howard was originally published in 1934 and we are now republishing it with a brand new introductory biography. 'Shadows in the Moonlight' is a story in the Conan series about his escape to a remote island of mystery. Robert Ervin Howard was born in Peaster, Texas in 1906. During his youth, his family moved between a variety of Texan boomtowns, and Howard - a bookish and somewhat introverted child - was steeped in the violent myths and legends of the Old South. At fifteen Howard began to read the pulp magazines of the day, and to write more seriously. The December 1922 issue of his high school newspaper featured two of his stories, 'Golden Hope Christmas' and 'West is West'. In 1924 he sold his first piece - a short caveman tale titled 'Spear and Fang' - for $16 to the not-yet-famous Weird Tales magazine. Howard's most famous character, Conan the Cimmerian, was a barbarian-turned-King during the Hyborian Age, a mythical period of some 12,000 years ago. Conan featured in seventeen Weird Tales stories between 1933 and 1936 which is why Howard is now regarded as having spawned the 'sword and sorcery' genre. The Conan stories have since been adapted many times, most famously in the series of films starring Arnold Schwarzenegger.
    LanguageEnglish
    PublisherWhite Press
    Release dateFeb 12, 2015
    ISBN9781473397767
    Shadows in the Moonlight (Iron Shadows in the Moon)

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    • 4/5
      Another entertaining romp in this series. I am reading them out of sequence, but the depiction of Conan has really been beefed up by John Buscema's artwork. Gone is the silly helmet of the first couple of books, to be replaced by a shaggy black 70s mane. This is a book with several stories, my favourites of which were the first, 'The Blood of Bel-Hissar', for its general amorality, the urban adventure 'Two against Turan' and the multiple story sequence beginning with the 'Flame Winds of Lost Khitai'. Having a consistent writer/editor of these books (Roy Thomas) means that there are often recurring characters or themes in spite of the episodic nature of the stories.Although it's not really the place for it here, I really notice and appreciate the density of image (especially with re-coloring) and story in these 1970s Conan collections compared to their relative sparseness in the other similar length graphic novel series I'm concurrently reading, the noughties Dark Tower series.

    Book preview

    Shadows in the Moonlight (Iron Shadows in the Moon) - Robert E. Howard

    Shadows in the Moonlight

    (Iron Shadows in the Moon)

    by

    Robert E. Howard

    Copyright © 2013 Read Books Ltd.

    This book is copyright and may not be

    reproduced or copied in any way without

    the express permission of the publisher in writing

    British Library Cataloguing-in-Publication Data

    A catalogue record for this book is available from the British Library

    Contents

    Shadows in the Moonlight (Iron Shadows in the Moon)

    Robert E. Howard

    I

    II

    III

    IV

    Robert E. Howard

    Robert Ervin Howard was born in Peaster, Texas in 1906. During his youth, his family moved between a variety of Texan boomtowns, and Howard – a bookish and somewhat introverted child – was steeped in the violent myths and legends of the Old South. Although he loved reading and learning, Howard developed a distinctly Texan, hardboiled outlook on the world. He became a passionate fan of boxing, taking it up at an amateur level, and from the age of nine began to write adventure tales of semi-historical bloodshed. In 1919, when Howard was thirteen, his family moved to the Central Texas hamlet of Cross Plains, where he would stay for the rest of his life.

    At fifteen Howard began to read the pulp magazines of the day, and to write more seriously. The December 1922 issue of his high school newspaper featured two of his stories, ‘Golden Hope Christmas’ and ‘West is West’. In 1924 he sold his first piece – a short caveman tale titled ‘Spear and Fang’ – for $16 to the not-yet-famous Weird Tales magazine. He published with the magazine regularly over the next few years. 1929 was a breakout year for Howard, in that the 23-year-old writer began to sell to other magazines, such as Ghost Stories and Argosy, both of whom had previously sent him hundreds of rejection slips. In 1930, he began a correspondence with weird fiction master H. P. Lovecraft which ran up to his death six years later, and is regarded as one of the great correspondence cycles in all of fantasy literature.

    It was partly due to Lovecraft’s encouragement that Howard created his most famous character, Conan the Cimmerian. Conan – a barbarian-turned-King during the Hyborian Age, a mythical period of some 12,000 years ago – featured in seventeen Weird Tales stories between 1933 and 1936, and is now regarded as having spawned the ‘sword and sorcery’ genre, making Howard’s influence on fantasy literature comparable to that of J. R. R. Tolkien’s. The Conan stories have since been adapted many times, most famously in the series of films starring Arnold Schwarzenegger.

    Howard was enjoying an all-time high in sales by the beginning of 1936, but he was also deeply upset by the ill health of his mother, who had fallen into a coma. On the morning of June 11, 1936, he asked an attending nurse whether she would ever recover, and the nurse replied negatively. Howard walked to his car, parked outside the family home in Cross Plains, and shot himself. He died eight hours later, aged just thirty.

    I

    A swift crashing of horses through the tall reeds; a heavy fall, a despairing cry. From the dying steed there staggered up its rider, a slender girl in sandals and girdled tunic. Her dark hair fell over her white shoulders, her eyes were those of a trapped animal. She did not look at the jungle of reeds that hemmed in the little clearing, nor at the blue waters that lapped the low shore behind her. Her wide-eyed gaze was fixed in agonized intensity on the horseman who pushed through the reedy screen and dismounted before her.

    He was a tall man, slender, but hard as steel. From head

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