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The Green Spider (Cryptofiction Classics - Weird Tales of Strange Creatures)
The Green Spider (Cryptofiction Classics - Weird Tales of Strange Creatures)
The Green Spider (Cryptofiction Classics - Weird Tales of Strange Creatures)
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The Green Spider (Cryptofiction Classics - Weird Tales of Strange Creatures)

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This early work by Robert W. Chambers was originally published in 1904 and we are now republishing it with a brand new introductory biography as part of our Cryptofiction Classics series. 'The Green Spider' is a short story about a strange creature, a professor, and a secret that could transform science. Sax Rohmer was born in Ladywood, Birmingham, England in 1883. In 1903, his first published work, 'The Mysterious Mummy', appeared in 'Pearson's Weekly'. Rohmer continued to write weird fiction, and his major breakthrough came in 1912, when the first Fu-Manchu novel, 'The Mystery of Dr. Fu-Manchu', was serialized over a period of eight months. The Cryptofiction Classics series contains a collection of wonderful stories from some of the greatest authors in the genre, including Ambrose Bierce, Arthur Conan Doyle, Robert Louis Stevenson, and Jack London. From its roots in cryptozoology, this genre features bizarre, fantastical, and often terrifying tales of mythical and legendary creatures. Whether it be giant spiders, werewolves, lake monsters, or dinosaurs, the Cryptofiction Classics series offers a fantastic introduction to the world of weird creatures in fiction.
LanguageEnglish
Release dateFeb 17, 2015
ISBN9781473399914
The Green Spider (Cryptofiction Classics - Weird Tales of Strange Creatures)
Author

Sax Rohmer

Sax Rohmer (1883–1959) was a pioneering and prolific author of crime fiction, best known for his series of novels featuring the archetypal evil genius Dr. Fu-Manchu.

Read more from Sax Rohmer

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    The Green Spider (Cryptofiction Classics - Weird Tales of Strange Creatures) - Sax Rohmer

    The Green Spider

    By Sax Rohmer

    A Cryptofiction Classic

    Copyright © 2013 Read Books Ltd.

    This book is copyright and may not be

    reproduced or copied in any way without

    the express permission of the publisher in writing

    British Library Cataloguing-in-Publication Data

    A catalogue record for this book is available

    from the British Library

    Introduction

    The genre of cryptofiction has grown up in the shadow of its older brothers, science fiction and fantasy. While the latter two continue to move towards the mainstream of literary tastes – as evidenced by reaction to modern series such as Neal Stephenson’s The Baroque Cycle and George R. R. Martin’s A Song of Ice and Fire – many readers have probably never even heard of cryptofiction. Odd, when one considers that some of the most famous authors in the Western tradition have dabbled in cryptofiction, and that even today works of cryptofiction frequently feature on bestseller lists.

    Cryptofiction takes its name from another, non-literary practice: cryptozoology. Cryptozoology is generally regarded as a pseudoscience by mainstream scientists, relying as it does upon anecdotal, often unverifiable evidence. However, it still boasts many enthusiasts, and continues to exert considerable artistic allure. Focused on the search for animals whose existence has not been established – who are literally kryptos, Greek for hidden cryptozoology traces its roots to the work of the 19th-century Dutch zoologist Anthonie Cornelis Oudemans (1858-1943). Oudemans’ 1892 work, The Great Sea Serpent, was a collected study of global sea serpent sightings, which hypothesised that all these serpents might stem

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