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    Olalla (Cryptofiction Classics - Weird Tales of Strange Creatures)
    Olalla (Cryptofiction Classics - Weird Tales of Strange Creatures)
    Olalla (Cryptofiction Classics - Weird Tales of Strange Creatures)
    Ebook63 pages1 hour

    Olalla (Cryptofiction Classics - Weird Tales of Strange Creatures)

    By Robert Louis Stevenson

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    About this ebook

    This early work by Robert Louis Stevenson was originally published in 1885 and we are now republishing it with a brand new introductory biography as part of our Cryptofiction Classics series. 'Olalla' is a short story about an English soldier recovering from his wounds in Spain where he stays with a family that keep a dark secret. Robert Lewis Balfour Stevenson was born in Edinburgh, Scotland in 1850. . In 1880, he married Fanny Van de Grift, and they moved between France, Britain and California together. It was during these years that Stevenson produced much of his best-known work - 'Treasure Island', in 1883, 'The Strange Case of Dr Jekyll and Mr Hyde', in 1886, and 'Black Arrow', in 1888. The Cryptofiction Classics series contains a collection of wonderful stories from some of the greatest authors in the genre, including Ambrose Bierce, Arthur Conan Doyle, Robert Louis Stevenson, and Jack London. From its roots in cryptozoology, this genre features bizarre, fantastical, and often terrifying tales of mythical and legendary creatures. Whether it be giant spiders, werewolves, lake monsters, or dinosaurs, the Cryptofiction Classics series offers a fantastic introduction to the world of weird creatures in fiction.
    LanguageEnglish
    PublisherRead Books Ltd.
    Release dateFeb 17, 2015
    ISBN9781473399839
    Olalla (Cryptofiction Classics - Weird Tales of Strange Creatures)
    Author

    Robert Louis Stevenson

    Robert Lewis Balfour Stevenson was born on 13 November 1850, changing his second name to ‘Louis’ at the age of eighteen. He has always been loved and admired by countless readers and critics for ‘the excitement, the fierce joy, the delight in strangeness, the pleasure in deep and dark adventures’ found in his classic stories and, without doubt, he created some of the most horribly unforgettable characters in literature and, above all, Mr. Edward Hyde.

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      Book preview

      Olalla (Cryptofiction Classics - Weird Tales of Strange Creatures) - Robert Louis Stevenson

      Olalla

      By Robert Louis Stevenson

      A Cryptofiction Classic

      Copyright © 2013 Read Books Ltd.

      This book is copyright and may not be

      reproduced or copied in any way without

      the express permission of the publisher in writing

      British Library Cataloguing-in-Publication Data

      A catalogue record for this book is available

      from the British Library

      Introduction

      The genre of cryptofiction has grown up in the shadow of its older brothers, science fiction and fantasy. While the latter two continue to move towards the mainstream of literary tastes – as evidenced by reaction to modern series such as Neal Stephenson’s The Baroque Cycle and George R. R. Martin’s A Song of Ice and Fire – many readers have probably never even heard of cryptofiction. Odd, when one considers that some of the most famous authors in the Western tradition have dabbled in cryptofiction, and that even today works of cryptofiction frequently feature on bestseller lists.

      Cryptofiction takes its name from another, non-literary practice: cryptozoology. Cryptozoology is generally regarded as a pseudoscience by mainstream scientists, relying as it does upon anecdotal, often unverifiable evidence. However, it still boasts many enthusiasts, and continues to exert considerable artistic allure. Focused on the search for animals whose existence has not been established – who are literally kryptos, Greek for hidden – cryptozoology traces its roots to the work of the 19th-century Dutch zoologist Anthonie Cornelis Oudemans (1858-1943). Oudemans’ 1892 work, The Great Sea Serpent, was a collected study of global sea serpent sightings, which hypothesised that all these serpents might stem from a previously unknown species of giant seal.

      Around the same time that Oudemans’ work came to prominence, cryptozoology experienced its early crossovers with the fiction of the day. Following in the footsteps of Jules Verne’s famous Twenty Thousand Leagues Under the Sea (1870) – which featured a mysterious giant sea monster – the 1890s saw an explosion of cryptofictional short stories, such as Rudyard Kipling’s A Matter of Fact (1892) and H. G. Wells’ The Sea Raiders (1896). Into the 20th-century, Arthur Conan Doyle’s The Lost World (1912) centred on an expedition to a plateau of the Amazon basin where prehistoric animals continued to thrive, and Edgar Rice Burroughs’ The Land That Time Forgot (1924) picked up a similar theme, featuring not just dinosaurs but also Neanderthals. Less than a decade later, a prehistoric ape took centre stage in the 1933 film King Kong.

      The fifties witnessed what was probably the heyday of cryptozoology. It was in 1955 that Belgian-French zoologist Bernard Heuvelmans – known as the father of cryptozoology – published his On the Track of Unknown Animals, in which he both coined the field’s name and mapped out its intellectual boundaries. Four years later, Willy Ley’s popular Exotic Zoology (1959) was published, featuring discussion of the Yeti and sea serpents. To modern cryptozoology enthusiasts, these works are still seen as the subject’s defining texts.

      While the popularity of cryptozoology has surely waned since the fifties – perhaps mainly due to the the ongoing non-discovery of creatures such as Bigfoot, the Yeti, and the Loch Ness Monster – cryptofiction may well be more popular than ever. The towering cryptofiction text of the modern era is undoubtedly Michael Crichton’s 1990 novel, Jurassic Park. It was Crichton’s book which helped trigger a renaissance in cryptofiction, which saw the publication of works such as John Darnton’s Neanderthal (1996), Phillip Kerr’s Esau (1996), Frank E. Peretti’s Monster (2006), and Steve Alten’s Meg series. 2005 even saw a $207 million remake of the original cryptofiction movie, King Kong.

      Ultimately, then, despite its obscured and messy roots, the genre of cryptofiction may just be more alive than ever. One wonders why this is: perhaps it stems from an attempt to inject some mystery and wonder back into a natural world that is largely discovered and pacified; perhaps it has to do with modern readers being more sympathetic to creatures that at least have some vague basis in scientific fact. Whatever the reason, cryptofiction is here to stay, and the stories in this collection map the development of a genre which is as strange as it is fascinating.

      Olalla

      by Robert Louis Stevenson

      ‘Now,’ said the doctor, ‘my part is done, and, I may say, with some vanity, well done. It remains only to get you out of this cold and poisonous city, and to give you two months of a pure air and an easy conscience. The last is your affair. To the first I think I can help you. It fells indeed rather oddly; it was but the other day the Padre came in from the country; and as he and I are old friends, although of contrary professions, he applied to me in a matter of distress among some of his parishioners. This was a family--but you are ignorant of Spain, and even the names of our grandees are hardly known to you; suffice it, then, that they were once great people, and are now fallen to the brink of destitution. Nothing now belongs to them but the residencia, and certain leagues of desert mountain, in the greater part of which not even a goat could support life. But the house is a fine old place, and stands at a great height among the hills, and most salubriously; and I had no sooner heard my friend’s tale, than I remembered you. I told him I had a wounded officer, wounded in the good cause, who

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