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Kim
Kim
Kim
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Kim

Rating: 4 out of 5 stars

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Kim by Rudyard Kipling has been called one of the top 100 novels of the 20th century. Originally published in 1901, Kim tells the story of the orphaned son of an Irish soldier who lives as a vagabond in India under British rule. This coming of age story explores themes of colonialism, eastern mysticism and Victorian childhood.
This Xist Classics edition has been professionally formatted for e-readers with a linked table of contents. This eBook also contains a bonus book club leadership guide and discussion questions. We hope you’ll share this book with your friends, neighbors and colleagues and can’t wait to hear what you have to say about it.

Xist Publishing is a digital-first publisher. Xist Publishing creates books for the touchscreen generation and is dedicated to helping everyone develop a lifetime love of reading, no matter what form it takes



LanguageEnglish
Release dateMar 20, 2015
ISBN9781623958749
Author

Rudyard Kipling

Rudyard Kipling was born in India in 1865. After intermittently moving between India and England during his early life, he settled in the latter in 1889, published his novel The Light That Failed in 1891 and married Caroline (Carrie) Balestier the following year. They returned to her home in Brattleboro, Vermont, where Kipling wrote both The Jungle Book and its sequel, as well as Captains Courageous. He continued to write prolifically and was the first Englishman to receive the Nobel Prize for Literature in 1907 but his later years were darkened by the death of his son John at the Battle of Loos in 1915. He died in 1936.

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Reviews for Kim

Rating: 3.8850905947281715 out of 5 stars
4/5

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  • Rating: 3 out of 5 stars
    3/5
    You can almost smell the spices of India. Wonderfully descriptive and exotically native.
  • Rating: 4 out of 5 stars
    4/5
    Kim O'Hara is an orphan, living in the streets of Lahore, India like countless other unfortunate children. So dark is his skin from his prolonged exposure to the elements, that he has no notion at all that he is a 'sahib', a term used to designate a white man. He meets an elderly Buddhist monk who is on a mission to find the mythical river that has sprouted at the place where Buddha's arrow struck long ago, and Kim decides he must accompany the man and be his disciple, so he can beg for food for and shelter for the frail sage. Kim has his own destiny to fulfill: he must find a red bull in a green field, which will reveal to him great truths. And so the young boy and the old man embark on a long journey together that will take Kim from childhood to the life of an educated young man who is of great use as an agent of the British army, which seeks to keep a firm grasp on it's colonies with the use of spies as on of it's weapons. There are many sympathetic characters along the journey and it's a gripping adventure. But though our protagonist goes through a fascinating journey, I failed to be fully drawn into this story, as in the back of my mind there remained the insistent thought that through it all, Kippling might be upholding colonialism as an ideal and I often wondered whether the author considered the natives in the story fully as human beings or was rather parodying regional stereotypes. For example, with the Buddhist sage's continual references to 'The Way' and 'The Wheel', which must have seemed novel ideas to a Western readership at the beginning of the 20th century, was Kippling simply trying to teach Eastern Philosophy to his readers, or was he using the man's constant proselytizing in mockery? This is a book which would probably profit from a group reading to allow the opportunity for discussion on these matters.
  • Rating: 2 out of 5 stars
    2/5
    Kipling was a very popular author during his life (1865-1936), and Kim (1901) was arguably written at the peak of his career. It tells the story of an orphaned son of an Irish soldier traveling through India, and Kipling was certainly experienced enough to write the tale, having lived there from 1882 to 1889. As the introduction to this volume says, “Kipling’s view of life is a deeply pessimistic one. Not only is man, as he once put it, at war with his surroundings in a world that does not care, but that world itself is without intrinsic order: chaos and anarchy constitute its true moral reality.” What better place for this worldview than India, with its harshness, diversity, and chaos. In the story, Kim meets an aged lama and becomes his disciple, and throughout the book there is a duality between Kim’s humanistic love with the lama spiritual love. The fundamental message Kipling imparts to us is that this duality can never be “resolved” and will always exist. The novel takes place during what is referred to as “The Great Game”, that is, the political conflict between Russia and Britain in Central Asia at this time, and there is a similar “earthly” duality between this tension and the better instincts of humanity that is also shown to be unending. Today Kipling stands for the imperialism of the age and he’s controversial today for having written “The White Man’s Burden” (ugh) two years earlier, but it is not for that Kim didn’t resonate with me. Kim was “ok” as an adventure story, “ok” as a cultural study of India, and “ok” relative to insights into spirituality or the human condition … but not strong enough at any of these for me to recommend it. I think it’s a bit overrated.Quotes:On religion:"Thou art beyond question an unbeliever, and therefore thou wilt be damned. So says my Law - or I think it does. But thou art also my Little Friend of all the World, and I love thee. So says my heart. This matter of creeds is like horseflesh. The wise man knows horses are good - that there is a profit to be made from all; and for myself - but that I am a good Sunni and hate the men of Tira - I could believe the same of all the Faiths.”“Bennett looked at him with the triple-ringed uninterest of the creed that lumps nine-tenths of the world under the title of ‘heathen’.”On eating, and different cultures:“Certain things are not known to those who eat with forks. It is better to eat with both hands for a while. Speak soft words to those who do not understand this…”
  • Rating: 3 out of 5 stars
    3/5
    Kim is the classic tale of a young orphan boy who grows up in the streets of colonial India. Although Kim survives as a street urchin, he is the son of an Irish officer and is a mishmash of his British ancestry and his Indian upbringing. Throughout this book, Kim is torn between his two nationalities. Once it is discovered that he is a white English boy, he is sent to school to be educated and eventually become part of the 'Great Game' or the espionage plot between England and the other European power houses. At the same time, Kim meets a Tibetan Lama and wants to accompany him as his servant on his quest for enlightenment. Kim is miraculously able to do both and his travels take him through much of India and the Himalayas.

    The descriptions of Colonial India were the best part of this book. Definitely, it was a crossroads for many cultures that all seemed to work well together and coexist peacefully. Also, the amazing friendship that Kim develops with the old Tibetan Lama was sweet and touching. But, this book is on quite a few of the notable 'books you MUST read' lists including, 1001 Books to Read Before You Die, Modern Library and the Radcliffe List. For me the book was sweet and even memorable, but not quite earth shattering.
  • Rating: 3 out of 5 stars
    3/5
    I'd never read Kim or, in fact, anything by Rudyard Kipling before. I've been told that Kipling is the "poster boy" supporting colonialism, as well as racist so I started this book with some trepidation. It would be nice to be able to say simply "this is a story of a great quest" and enjoy it on its own terms, but I think we have to be aware of at least some of the assumptions Kipling is asking us to make about the world. While I noted some references that are clearly racist (especially by today's standards), I could live with those because most major characters, of all races, were presented as multi-dimensional human beings. What was harder for me to accept is the way the author, and his characters, refuse to consider any challenges to the status quo of colonialism. In Kim himself, we have someone who has grown up in an Indian cultural environment, having lost his European parents at a very young age, but who nevertheless has a special destiny because of his racial origins. I don't think we can absolve Kipling of racism on this point.The debate on whether to continue to read Kipling has a parallel in today's debate over the naming of schools after our first Prime Minister, Sir John A. Macdonald. As Senator Murray Sinclair said in a CBC Radio interview, I think it is important to understand and learn from history. That is why we must read Kim as a product of its time, not as a product of today. That is why it is better to use Kim (and Kipling) as a launching pad for discussion of our history and how it influences our present rather than hiding them in a dark closet. I enjoyed Kim as a character. His character is pulled in opposite directions which parallels the broader geopolitical situation around him. But as a story, Kim was, at best, adequate. The part of the book dealing with espionage was juvenile. I strongly preferred the part dealing with Kim's relationship and quest with the lama.Mr. Kipling's writes well; his descriptions are fantastic, and I really felt like I was on the train with Kim and the lama.On balance, there are good points: the writing, the rich detail of Indian culture, Kim himself and his search for his identity, the quest story. There are also bad points: the colonialism for sure, and the plot, especially the spy story, left something to be desired.
  • Rating: 1 out of 5 stars
    1/5
    I usually enjoy books about Europe's colonial past and this author seemed to be in a privileged position to render here a memorable account. Certainly the descriptions of India are very thorough - but the writing style was too dense and absolutely positively utterly boring... I didn't manage more than 40 pages, I think...
  • Rating: 5 out of 5 stars
    5/5
    As enchanting as I remembered, and given his attitudes toward the British Empire, surprisingly open-minded about India and its inhabitants. Unlike some writers who just trafficked in exoticism and Orientalism, Kipling took the time to flesh out his native characters (who are often more clued-in than several of the supercilious but supremely ignorant Westerners). Kim is a wonderful creation, curious, cheeky and savvy beyond his years, and I loved joining him on his adventures throughout a country I know too little about. I'm glad Kipling didn't write more Kim stories, as it might have diluted the uniqueness of this one -- but I'm also sorry he didn't, because I wasn't ready for it to end!
  • Rating: 3 out of 5 stars
    3/5
    A boyish adventure: Kim, the son of an Irish soldier, is orphaned in India and brought up by an Indian foster mother of dubious moral standing, left only with his father’s army papers (which he cannot read) and an assurance which he cannot understand but takes for a prophecy, relating to the return of the regiment and the help it would bring. He is therefore a Sahib, but brought up as a Hindu and well-versed in all the street wisdom of the bazaar. He takes up with a Tibetan lama on pilgrimage and leaves to travel the country. They come across the regiment and Kim is taken up to be educated as a Sahib, finally joining a secret service whose aims he does not understand or particularly care about, interested only in spying as a great Game. Blah blah.It's well written - just a bit blokey for my tastes.
  • Rating: 5 out of 5 stars
    5/5
    Kipling is under-appreciated these days. Kim is a wonderful book which I have read a few times now, and had to keep. :) Like Haggard, Kipling wrote about "the Great Game." Spy stuff early on, and overlaid with the gentle story of the Tibetan Monk on his way to his forever home. These old guys from the turn of the 20th century could write - many of them wrote so well and always lucidly and with a vocabulary that they used in even the pulp fiction of the day (Example - Sax Rohmer stuff). It is an extraordinary pleasure to read a well written book.
  • Rating: 4 out of 5 stars
    4/5
    Kim is an orphaned boy living on the streets of Lahore. When he meets a Buddhist monk who is on a quest to find a healing river, Kim joins the lama as his student and friend. Together they travel, learn lessons, and have adventures. I enjoyed watching Kim grow up in this story, and enjoyed the colorful descriptions of the people Kim and the lama met. However, I’m still trying to figure out what the deeper meaning of this story is. Perhaps time will help.
  • Rating: 4 out of 5 stars
    4/5
    I didn't like Kim in balance. It has its attractions: the rich detail of Indian culture, the search for identity and opposing forces which create a fine balance along many axis, the quest story both religious and secular, the exoticism and beauty, the child-like sense of wonderment. But the Orientalism, racism and subtle homoeroticism just killed it for me, there were parts that just made me cringe and want to take a shower. As Orwell said in 1942, Kipling is a paradox: "During five literary generations, every enlightened person has despised him, and at the end of that time nine-tenths of those enlightened persons are forgotten and Kipling is in some sense still there." That might be a harsh judgment and with time my feelings will probably mellow.
  • Rating: 4 out of 5 stars
    4/5
    Adrian Praetzellis did a marvellous job with the narration, especially the various Indian accents.
  • Rating: 4 out of 5 stars
    4/5
    This book is pure fun. And not racist! I was pretty worried it was gonna be racist, but Kipling shows pretty much equal disdain to every ethnic group, referring to whites contemptuously as "the creed that lumps nine-tenths of the world under the title of 'heathen'" (88).

    I'm giving it four stars for now because, I dunno, I guess it doesn't feel quite as Important as some of the other books I've been reading recently. But that might change. It's a perfectly crafted adventure novel, and that ain't nothing to sneeze at.

    If you can find an edition with a map, go for that. I would have liked one.
  • Rating: 4 out of 5 stars
    4/5
    Perhaps the very core novel of imperialism, widely considered Kipling's masterpiece. For my own part, I was never entirely caught by this difficult merger of 2 genres later considered quite separate: the novel of personal or spiritual development, & the espionage novel. The pure espionage parts however, adding up to about 1/3 of the book, are lively, fresh, in every way original. The ending, which unites & transcends the 2 genres, remains a stroke of genius & skill.
  • Rating: 4 out of 5 stars
    4/5
    This is a more personal review rather than a larger overview of the work. Others may have a similar take.This book is well-written and the characters are vividly created. By vivid, I mean Fuji Velvia vivid. Some will find the characters overdone, others will find the color highly pleasing. This vividness maintains the high sense of motion, even though most of the novel had very little real action. Face it - like Lord of the Rings, this is a story of people just walking.Colloquial language made the story valuable to its contemporaries and brings out the characters, but kills it for modern readers. I can step into Chaucer or Shakespeare and, after a bit, my mind kicks over and I don't have to mentally translate. Did not happen here. The many end-notes are essential but break the story's flow. The impact of the dead slang (much of the dialog) combined with all of the nod, nod, wink, wink, nudge, nudge implications and cultural assumptions means that many interactions went over my head. You can tell this is a work of love and Kipling loved India and his boyhood there. These are his heart's treasures and he wished to share that with others. Sadly for me, all of the amazing detail is squandered and the story transforms from being realistic to impressionistic.
  • Rating: 4 out of 5 stars
    4/5
    The novel "Kim" is unique in the English literary canon: the only novel by a significant British author that features India as its setting at a time when the British Raj was still flourishing. We're lucky to have this product of Rudyard Kipling's in-depth knowledge of life in India, a knowledge acquired thanks to his upbringing. Kipling was born in India and raised there, son of a British curator stationed at the Lahore museum (his father makes a cameo appearance in the novel's first chapter.) Authors to follow would turn a critical eye on the Raj in hindsight (e.g. "A Passage to India"). By comparison this one (and Kipling in general) is sometimes argued as endorsing imperialism. To the extent this is true, it is only for the lack of that criticism. The author's love and respect for the nation of his birth and its peoples shines from every page. I enjoyed the characters, especially Kim and the wise but fumbling Buddhist lama whom he adores. Kim matures about halfway through, at which point the novel loses some of its charm - I preferred the irascible child to the confident teenager - but there are still moments to treasure and Kim remains the same boy at heart. Mahbub Ali and Hurree Babu are also standouts. The British characters are the least interesting, except for Lurgan who seems to be a practiced magician of some sort. I'm still not certain what's taking place in the scene concerning the broken jar. Is it an illusion, hypnotism ...?I also appreciated the 'peaceful coexistence' portrayal of India's wealth of diverse religions and peoples. Among the fourth chapter's descriptions of the Grand Trunk Road, there are people stopping to "make a prayer before one of the wayside shrines - sometimes Hindu, sometimes Mussalman - which the low caste of both creeds share with beautiful impartiality." It's refreshing to see religious diversity being extolled and maintained as a background element rather than made the source of a story's conflict."Kim" is sometimes taken for a children's novel for its simple plotting, light theme, and featuring a youth as protagonist. Our own children might enjoy the exploits of street-smart Kim (especially his sharp tongue), but I think it requires an adult's perspective to best appreciate the setting's portrayal.
  • Rating: 5 out of 5 stars
    5/5
    I loved the characters in this book. As much as I liked this story and the characters I can’t help but remember that one person’s heroes are the other person’s terrorists esp. in times of political and national struggle. Kipling glorifies English occupation of India and even though he has a lot of sympathy for Indian people and a lot of knowledge of Indian castes, ethnicities, religions and customs one has to remember that the English were the invaders and the Great Game was designed to keep everybody in their place. Having said that, I did not care so much about the plot and the intrigue but really fell in love with Kim and the Lama and their friendship. All the other characters and especially Mahboob Ali, Huree Babu as well as the blind prostitute turned body artist were absolutely exquisite as well. I had not read Kipling before and did not realize what good storyteller he was.
  • Rating: 3 out of 5 stars
    3/5
    I have always known Rudyard Kipling more by reputation than reading, so I have enjoyed recently getting into his material first-hand. I know Kipling is a wonderful word-smith, but I wasn't as sure of his capacity to write enduring fiction. I found "Kim" to be a great read. The first third of the book is a particular treat; the characters of Kim and the Lama are well drawn, and the sub-continental background is lovingly painted with rich detail of people and places. Parts of the rest of the book seem to have been more of a grind for the author - the pace varies, almost as if the plot had to be grafted on to this wonderful character he had created. Kipling has the contemporary reputation as an arch imperialist, but there are few jarring moments in this book. The people and the energy of the interactions are drawn with generous affection, with no condescension. Read in e-format August 2013.
  • Rating: 5 out of 5 stars
    5/5
    One of the most beautiful tales of friendship I have ever read, Kim is much more. Rudyard Kipling created in Kim a novel in the mold of the classic heroic journey that has a pedigree reaching back to Gilgamesh and the Odyssey. With Kim, a young white boy, sahib, at it's center and his friend and mentor the Lama, we see the world of India in the nineteenth century as it is ruled by Great Britain. Kipling raises questions of identity (Who is Kim?), culture, spirituality and the nature of fate. Most of all he depicts the growth of a young man through his quest to find his destiny and the bond that develops between Kim as 'chela' or disciple and his Lama. The greatness of this novel lies in Kipling's ability to combine all of these themes with a natural style that conveys the richness both of the lives of Kim and his friends and the fecundity of life in India. One of the most enduring images for me was the close tie Kim has with the land itself. This is shown several times throughout the novel culminating in his final renewal when he is stretched out on the earth near the end of the novel. The epic quest is successful as this novel unfolds a positive and uplifting narrative.
  • Rating: 5 out of 5 stars
    5/5
    A wonderful and ambitious story: a Bildungsroman, a travelogue, a spy adventure. Definitely marred by Kipling's belief in the magical wonderfulness of the British Empire and evident sexism, but filled with lovely details, excitement, and humour.Far more polished and interesting than his Jungle Book stories, containing many fewer Kipling literary tics.
  • Rating: 3 out of 5 stars
    3/5
    Well, even though I had been a member of the scouting movement, this was my first reading of this taut, well thought-out spy novel. It's proof that Kipling was a writer capable of adult themes, and with a good eye for details. There are many parallels with the later figure of "James Bond", the creation of a false familial relationship, the need for a father figure, and the recruitment of those with great emotional needs to serve national ends. Come to think of it, John Le Carre is also another obvious student. Suitable for young adults, and a good place for adult discussions of espionage to begin.this book was originally published in 1901.
  • Rating: 1 out of 5 stars
    1/5
    Oh dear. I tried really really hard to stay with the plot, but it was like being sucked under the water by an extra strong current, and drowning. I just couldn't stay with it, and ended up skimming the last quarter.
  • Rating: 5 out of 5 stars
    5/5
    This is a magnificent book that needs to be listened to in audio book form so as to get the real flavor.This edition has for the reader:Ralph Cosham; excellent!!!5 Stars.
  • Rating: 4 out of 5 stars
    4/5
    Kipling's classic tale of the orphaned son of an Irish soldier growing up on the streets of Colonial India and discovering his natural talent as a spy.Between the somewhat old-fashioned language and the many, many unfamiliar cultural references, I fear that parts of this may have gone past me a bit, but I enjoyed it a great deal, anyway. There's a wonderfully subtle sense of humor to it, and an equally wonderful sense of the vibrancy and diversity of the Indian landscape and culture. And the sly, savvy Kim is a terrific character, as are many of the people he shares his adventures with.
  • Rating: 5 out of 5 stars
    5/5
    Few characters in literature will capture your heart the way the 13-year-old imp Kim will. Few literary relationships will move you as much as the one that springs up between the Irish-Indian imp and the Buddhist Lama. In three days, the old Lama's heart goes out to his chela (disciple) for his courtesy, charity and wisdom of his little years. So did mine. Kipling's love for India, its people, its customs and traditions, its riches and its poverty shines through in this novel. There is humor, pathos, love and mischief. And plenty of adventure. India's Grand Trunk Road, a river of life, is like Huck Finn's Mississippi River. Kim is a descendant of Huck. And from Kim comes the delightful Hindustaniwallah Hatterr (G V Desani's hero) and Saleem Sinai (Midnight's Children). A real masterpiece.
  • Rating: 4 out of 5 stars
    4/5
     Enchanting, well crafted tale of a lively, Indian life.
  • Rating: 5 out of 5 stars
    5/5
    Grew up with this book. Hard to see it with an adult eye.
  • Rating: 2 out of 5 stars
    2/5
    You know those books that you know from the very first page, you’re going to love it… this wasn’t that. You know those other books that start out slow and it takes you awhile, but soon you find yourself hooked? Nope, this was not one of those either. In fact, I made it through the entire book without every really feeling invested in any way, shape or form. I persevered only because I started it a few months ago and gave it up, then restarted it, convinced I’d get through it. It’s one of Kipling’s most lauded books and it’s on a million must read lists and there’s got to be something else there. But in the end it just didn’t work for me. A young Irish boy, Kim, is orphaned in India during the 19th century. He becomes a disciple of a Tibetan Lama, Teshoo Lama, and travels with him on his quest. Eventually a British regiment takes him under their wing and enrolls him in an English school. They decide to groom him to become a spy. I loved some of Kipling’s short stories (The Jungle Book, etc.), but this one left me feeling cold. It’s suppose to be a “spy” novel in some way, but instead of having any solid plot it meanders and muses about life. It felt both boring and tiresome and I couldn't help but wonder why we were suppose to care about what happened to Kim. I know I should have more to say about this book, but honestly, I was just glad to be done with it. If anyone loved this book I would be thrilled to hear why.  
  • Rating: 5 out of 5 stars
    5/5
    I have just read Rudyard Kipling’s novel Kim and am in awe of it.My mother had suggested a few times that I read it and so, of course, I didn’t. This was a triumph of stubbornness over experience. My mother has a few intellectual quirks (Mets fan?) but has never, ever steered me wrong in a book recommendation.*Prior to reading Kim, all I knew of Kipling was 1. he wrote the wonderful Just So Stories 2. his reputation as a stuffy defender of the British Empire 3. and is author of one a great poem about the plight of forgotten veterans, The Last of the Light Brigade. There were thirty million English who talked of England’s might, There were twenty broken troopers who lacked a bed for the night. They had neither food nor money, the had neither service nor trade; They were only shiftless soldiers, the last of the Light Brigade.None of which prepared me for Kim.It is the story of an orphaned son of a British soldier, Kim, who has spent his early childhood as a beggar in the Indian city of Lahore. As a result he is both of Britain and of India in a very deep way. He comes into the service of both a Tibetan Lama and the British Secret Service. (If you need it there’s a very good plot summary here. ) The rest of the book concerns the adventures that come about as a result of this. And Moby Dick is a guide to whales.While it has a wonderful adventure story as its frame, Kim is a book about reconciling the spiritual and the physical. It also has an wondrous story of the love between Kim and the Lama who becomes, in essence, his adopted grandfather.For the most part the spiritual is shown in the people of Asia and India. One of the many things that makes Kim an exceptional story is that the indigenous people are rendered as complete human beings. They are not what my friend Steven calls “magical black people” who are only in the story to educate or help the white folks. (Steven is African-American so he uses another word instead of “black people.” He gets to do that.) If you would like an example of the Magical Black Person genre see the movies The Legend Of Bagger Vance, Driving Miss Daisy, Bruce Almighty and on and on and on…Nor are all the Asians and Indians “spiritually minded.” Many, like the spy and horse trader Mahbub Ali, are as pragmatic and skeptical as anyone from the world of the British ruling class. On the other side, the spy Lurgan – a Brit – is an adept of the mysteries and wonders of Asian and Indian non-rationalist thought.The Brits are not denied a spiritual life nor is the Christian tradition denigrated. It is just presented as alien to and useless in India and related lands. Although the Christian belief system is respected, the clergy are not. There is some very fair lampooning of one minister but he is ridiculed for being closed minded not for what he believes in per se.Both British and Asian cultures are portrayed as less-than perfect but with each is also shown to have their own distinct and separate strengths. These can crudely be called the mechanical vs. the magical. Kipling neither faults nor exults one over the other. His chief criticism of both is their inability to appreciate and tap into each other. This is what makes Kim’s development into their synthesis so emotionally powerful.All that said, make no doubt that Kim is a racist novel. Its racism is sometimes subtle and sometimes blatant. The edition I read (Penguin Classics) includes a fine essay by Edward Said that does an excellent job of highlighting that racism and placing it in context without forgiving it or explaining it away. As Said points out the subtle racism can only be understood by what is left out of Kim. Although the Indian and Asian characters are full people not one even considers that they should not be ruled by the British. The more obvious moments of racism involve references to stereotypical “Eastern” behaviors and ways of doing things. In fact these references are so at odds with the rest of the novel that they stand out and interrupt the rest of the story.Without giving Kipling a pass for his racism, it is worth noting that the most truly egregious stereotypes are reserved for other Europeans. A French secret agent is vaguely effeminate and totally condescending toward everyone else. His Russian partner is stupid and brutally ruthless. Neither is particularly clean. As neither France or Russia were subjected to colonization these stereotypes do not bother me in the least.One of the tremendous accomplishments of this novel is that it forced me to accept, question and consider how a work of art could be both racist and essential at the same time. In the case of Kim it pulls this off by never letting us forget that nearly everyone in it is a human being, even while it refuses to consider any challenges to the author’s status quo.For me Kim ultimately is about the effort to reconcile the power and significance of the unseen and unknowable with the power and significance of the mundane. What makes it so successful is that it offers no conclusions on the topic. When the Teshoo Lama finally stumbles upon the river that he has been searching for – one whose waters will cleanse his karma — it is left up to you to decide whether it is “The River” or a stream or both.*Currently reading her copy of Karen Armstrong’s Short History of Myth. I will be returning it to her because half-way through I decided I had to own a copy. So there.
  • Rating: 2 out of 5 stars
    2/5
    Rudyard Kipling schildert die Geschichte des in den Slums von Lahore aufwachsenden irischen Waisenjungen Kimball O'Hara. Die Abenteuer des namensgebenden Hauptprotagonisten sind so vielfältig und bunt, wie der indische Subkontinent selbst. Im Vordergrund steht die Beziehung Kims zu einem tibetischen Lama und seine Verwicklungen ins "Große Spiel", dem Ringen zwischen Großbritannien und Russland um die Vorherrschaft in Zentralasien im 19. Jahrhundert.Doch gerade in dieser Vielfalt liegt auch die große Schwäche des Romans: Kipling vertändelt sich in Details, schwenkt sprunghaft von einem Abenteuer ins nächste und opfert seinem Erzähldrang Struktur und Handlungsstrang. Zudem deutet Kipling sehr viel bloß an, insbesondere jene Dinge, die mit "The Great Game" zu tun haben. Man muss sich schon in der Geschichte Zentralasien gut auskennen, um das Buch tatsächlich zu verstehen. Von der Kritik ausnehmen kann man diesbezüglich auch die vorliegende Ausgabe nicht: Zwar beinhaltet die Ausgabe einen umfangreichen Anhang samt Erläuterungen, doch diese selbst sind phasenweise rätselhaft und unvollständig. Andere indische Originalausdrücke wiederrum bleiben überhaupt unkommentiert oder werden lieblos in eckigen Klammerausdrücken im Fließtext erklärt.

Book preview

Kim - Rudyard Kipling

shadows.

Chapter 2

And whoso will, from Pride released;

Contemning neither creed nor priest,

May feel the Soul of all the East.

About him at Kamakura.

Buddha at Kamakura.

They entered the fort-like railway station, black in the end of night; the electrics sizzling over the goods-yard where they handle the heavy Northern grain-traffic.

'This is the work of devils!' said the lama, recoiling from the hollow echoing darkness, the glimmer of rails between the masonry platforms, and the maze of girders above. He stood in a gigantic stone hall paved, it seemed, with the sheeted dead third-class passengers who had taken their tickets overnight and were sleeping in the waiting-rooms. All hours of the twenty-four are alike to Orientals, and their passenger traffic is regulated accordingly.

'This is where the fire-carriages come. One stands behind that hole'—Kim pointed to the ticket-office—'who will give thee a paper to take thee to Umballa.'

'But we go to Benares,' he replied petulantly.

'All one. Benares then. Quick: she comes!'

'Take thou the purse.'

The lama, not so well used to trains as he had pretended, started as the 3.25 a.m. south-bound roared in. The sleepers sprang to life, and the station filled with clamour and shoutings, cries of water and sweetmeat vendors, shouts of native policemen, and shrill yells of women gathering up their baskets, their families, and their husbands.

'It is the train—only the te-rain. It will not come here. Wait!' Amazed at the lama's immense simplicity (he had handed him a small bag full of rupees), Kim asked and paid for a ticket to Umballa. A sleepy clerk grunted and flung out a ticket to the next station, just six miles distant.

'Nay,' said Kim, scanning it with a grin. 'This may serve for farmers, but I live in the city of Lahore. It was cleverly done, Babu. Now give the ticket to Umballa.'

The Babu scowled and dealt the proper ticket.

'Now another to Amritzar,' said Kim, who had no notion of spending Mahbub Ali's money on anything so crude as a paid ride to Umballa. 'The price is so much. The small money in return is just so much. I know the ways of the te-rain ... Never did yogi need chela as thou dost,' he went on merrily to the bewildered lama. 'They would have flung thee out at Mian Mir but for me. This way! Come!' He returned the money, keeping only one anna in each rupee of the price of the Umballa ticket as his commission—the immemorial commission of Asia.

The lama jibbed at the open door of a crowded third-class carriage. 'Were it not better to walk?' said he weakly.

A burly Sikh artisan thrust forth his bearded head. 'Is he afraid? Do not be afraid. I remember the time when I was afraid of the te-rain. Enter! This thing is the work of the Government.'

'I do not fear,' said the lama. 'Have ye room within for two?'

'There is no room even for a mouse,' shrilled the wife of a well-to-do cultivator—a Hindu Jat from the rich Jullundur, district. Our night trains are not as well looked after as the day ones, where the sexes are very strictly kept to separate carriages.

'Oh, mother of my son, we can make space,' said the blueturbaned husband. 'Pick up the child. It is a holy man, see'st thou?'

'And my lap full of seventy times seven bundles! Why not bid him sit on my knee, Shameless? But men are ever thus!' She looked round for approval. An Amritzar courtesan near the window sniffed behind her head drapery.

'Enter! Enter!' cried a fat Hindu money-lender, his folded account-book in a cloth under his arm. With an oily smirk: 'It is well to be kind to the poor.'

'Ay, at seven per cent a month with a mortgage on the unborn calf,' said a young Dogra soldier going south on leave; and they all laughed.

'Will it travel to Benares?' said the lama.

'Assuredly. Else why should we come? Enter, or we are left,' cried Kim.

'See!' shrilled the Amritzar girl. 'He has never entered a train. Oh, see!'

'Nay, help,' said the cultivator, putting out a large brown hand and hauling him in. 'Thus is it done, father.'

'But—but—I sit on the floor. It is against the Rule to sit on a bench,' said the lama. 'Moreover, it cramps me.'

'I say,' began the money-lender, pursing his lips, 'that there is not one rule of right living which these te-rains do not cause us to break. We sit, for example, side by side with all castes and peoples.'

'Yea, and with most outrageously shameless ones,' said the wife, scowling at the Amritzar girl making eyes at the young sepoy.

'I said we might have gone by cart along the road,' said the husband, 'and thus have saved some money.'

'Yes—and spent twice over what we saved on food by the way. That was talked out ten thousand times.'

'Ay, by ten thousand tongues,' grunted he.

'The Gods help us poor women if we may not speak. Oho! He is of that sort which may not look at or reply to a woman.' For the lama, constrained by his Rule, took not the faintest notice of her. 'And his disciple is like him?'

'Nay, mother,' said Kim most promptly. 'Not when the woman is well-looking and above all charitable to the hungry.'

'A beggar's answer,' said the Sikh, laughing. 'Thou hast brought it on thyself, sister!' Kim's hands were crooked in supplication.

'And whither goest thou?' said the woman, handing him the half of a cake from a greasy package.

'Even to Benares.'

'Jugglers belike?' the young soldier suggested. 'Have ye any tricks to pass the time? Why does not that yellow man answer?'

'Because,' said Kim stoutly, 'he is holy, and thinks upon matters hidden from thee.'

'That may be well. We of the Ludhiana Sikhs'—he rolled it out sonorously—'do not trouble our heads with doctrine. We fight.'

'My sister's brother's son is naik [corporal] in that regiment,' said the Sikh craftsman quietly. 'There are also some Dogra companies there.' The soldier glared, for a Dogra is of other caste than a Sikh, and the banker tittered.

'They are all one to me,' said the Amritzar girl.

'That we believe,' snorted the cultivator's wife malignantly.

'Nay, but all who serve the Sirkar with weapons in their hands are, as it were, one brotherhood. There is one brotherhood of the caste, but beyond that again'—she looked round timidly—'the bond of the Pulton—the Regiment—eh?'

'My brother is in a Jat regiment,' said the cultivator. 'Dogras be good men.'

'Thy Sikhs at least were of that opinion,' said the soldier, with a scowl at the placid old man in the corner. 'Thy Sikhs thought so when our two companies came to help them at the Pirzai Kotal in the face of eight Afridi standards on the ridge not three months gone.'

He told the story of a Border action in which the Dogra companies of the Ludhiana Sikhs had acquitted themselves well. The Amritzar girl smiled; for she knew the talk was to win her approval.

'Alas!' said the cultivator's wife at the end. 'So their villages were burnt and their little children made homeless?'

'They had marked our dead. They paid a great payment after we of the Sikhs had schooled them. So it was. Is this Amritzar?'

'Ay, and here they cut our tickets,' said the banker, fumbling at his belt.

The lamps were paling in the dawn when the half-caste guard came round. Ticket-collecting is a slow business in the East, where people secrete their tickets in all sorts of curious places. Kim produced his and was told to get out.

'But I go to Umballa,' he protested. 'I go with this holy man.'

'Thou canst go to Jehannum for aught I care. This ticket is only—'

Kim burst into a flood of tears, protesting that the lama was his father and his mother, that he was the prop of the lama's declining years, and that the lama would die without his care. All the carriage bade the guard be merciful—the banker was specially eloquent here—but the guard hauled Kim on to the platform. The lama blinked—he could not overtake the situation and Kim lifted up his voice and wept outside the carriage window.

'I am very poor. My father is dead—my mother is dead. O charitable ones, if I am left here, who shall tend that old man?'

'What—what is this?' the lama repeated. 'He must go to Benares. He must come with me. He is my chela. If there is money to be paid—'

'Oh, be silent,' whispered Kim; 'are we Rajahs to throw away good silver when the world is so charitable?'

The Amritzar girl stepped out with her bundles, and it was on her that Kim kept his watchful eye. Ladies of that persuasion, he knew, were generous.

'A ticket—a little tikkut to Umballa—O Breaker of Hearts!' She laughed. 'Hast thou no charity?'

'Does the holy man come from the North?'

'From far and far in the North he comes,' cried Kim. 'From among the hills.'

'There is snow among the pine-trees in the North—in the hills there is snow. My mother was from Kulu. Get thee a ticket. Ask him for a blessing.'

'Ten thousand blessings,' shrilled Kim. 'O Holy One, a woman has given us in charity so that I can come with thee—a woman with a golden heart. I run for the tikkut.'

The girl looked up at the lama, who had mechanically followed Kim to the platform. He bowed his head that he might not see her, and muttered in Tibetan as she passed on with the crowd.

'Light come—light go,' said the cultivator's wife viciously.

'She has acquired merit,' returned the lama. 'Beyond doubt it was a nun.'

'There be ten thousand such nuns in Amritzar alone. Return, old man, or the te-rain may depart without thee,' cried the banker.

'Not only was it sufficient for the ticket, but for a little food also,' said Kim, leaping to his place. 'Now eat, Holy One. Look. Day comes!'

Golden, rose, saffron, and pink, the morning mists smoked away across the flat green levels. All the rich Punjab lay out in the splendour of the keen sun. The lama flinched a little as the telegraph-posts swung

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