The Optimist: Poems
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About this ebook
In Joshua Mehigan’s award-winning poetry, one encounters a lucid, resolute vision driven by an amazing facility with the metrical line. Most of the poems in The Optimist unapologetically employ traditional poetic technique, and, in each of these, Mehigan stretches the fabric of living language over a framework of regular meter to produce a compelling sonic counterpoint.
The Optimist stares at contemporary darkness visible, a darkly lit tableau that erases the boundary between the world and the perceiving self. Whether narrative or lyric, dramatic or satirical, Mehigan’s poems explore death, desire, and change with a mixture of reason and compassion.
In choosing The Optimist for the Hollis Summers Poetry Prize, final judge James Cummins, wrote:
“The world is given its due in these poems, but its due is the subjective voice making ‘objective’ reality into the reality of art. To do this Mehigan accesses a tradition of voices—the echoes in The Optimist are, to name a few, of Frost, Robinson, Kees, and Justice; and more in terms of point of view, Bishop and Jarrell—to form with great integrity his own. It isn’t that Mehigan is concerned more with what’s outside himself than inside; nor merely that he travels the highway between the two with such humility and grace. It’s also that these voices, this great tradition, infuses his line with what the best verse, metrical or free, must have: wonder.”
Joshua Mehigan
Joshua Mehigan’s first book, The Optimist, was a finalist for the 2005 Los Angeles Times Book Prize in Poetry. His poems have appeared in periodicals including The New Republic, The New York Times, The New Yorker, The Paris Review, and Poetry, where he has been a frequent contributor of poems and essays. His writing has also been featured on Poetry Daily and The Writer’s Almanac, and in numerous anthologies. He is the recent recipient of Poetry magazine’s Editor’s Prize for Feature Article, and of a Fellowship from the National Endowment for the Arts. Mehigan lives in New York City.
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Book preview
The Optimist - Joshua Mehigan
I
Promenade
Bowne Park, Queens. Labor Day morning. A man stumbles across a wedding.
This is the brief departure from the norm
that celebrates the norm. The wind is warm
and constant through the field set at the heart
of the impervious borough, yet apart.
This day and this place, born from other days
and places as a parenthetic phrase,
and this sky, where a businessman may write
the purposeless, brief beauty of a kite,
are like the possibilities of love.
The kite leaps up, rasps fifty feet above
until it is almost unusual,
and fastens there. The wind’s predictable
but private method with it sets it free
to dive toward greater plausibility
and finish its digression in the wide
municipal burlesque of countryside.
What distantly appear to be festoons
of white, white bunting, trefoils of balloons
in white, improve the black affectless trees
where three girls stand like caryatides
patiently holding crepe bells to a bough.
Something exceptional will happen now.
But first the fat, black, windswept frock will swerve
past the buffet to steal one more hors d’oeuvre.
He floats like an umbrella back to where
his book is, smoothes his robe, and smoothes his hair.
Yellow grass undulates beneath the breeze.
Couples file through the corridor of trees
toward rows of folding seats. Bridesmaids unhook
from groomsmen’s arms. Every face turns to look;
and when the bride’s tall orange bun’s unpinned
by ordinary, inconvenient wind,
all, in the breath it takes a yard of hair
to blaze like lighted aerosol, would swear
there was no greater miracle in Queens.
Wish is the word that sounds like what wind means.
Two New Fish
Inside the knotted plastic bag he tossed
and caught in front of him the whole way home
were two new fish. They seemed to him to bear
a trademark not quite rare, as though the two
were penknife souvenirs from the next county.
The fish were alien and mediocre.
He felt his strength as if it were a bomb
that detonates with no complexity
of wires or clocks, fuse or even impact.
His tosses changed without much thought to heaves.
They arced, slowed, hung like miniature flames
trapped in a bubble, glanced the power lines . . .
The fish sped back an inch and forth an inch
in the bag cupped in the boy’s hands, and