Seduction Force Multiplier 6: Power of Routines - The Right PUA Inner game , Mindsets and Attitudes!
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About this ebook
This book contains the helpful mindsets proven successful by thousands of PUAs, veteran and rookies. These are the missing pieces to an already powerful outer game repertoire. By having the right mindsets and inner games you'll be able to make anything work, and get away with murder!
Also contained in the book: how to game JEDI, or non verbally, allowing you to be whoever you want to be!
You'll be taught how to sub-communicate you're James Bond, billionaire, a super male model, celebrity-whatever it is, this is the missing piece that can jump-start your game!
Not only in terms of improving your seduction powers, it will also help you become not only solid on the outside, but rock solid from within!
This book will teach you tricks of the trade how to program your mind to believe and think what you need it to!
(A-e not shown, lack of space)
f outcomes and failures
f.1 The ability to have ambitious goals and being comfortable with constant failures.
F.2 Failures
f.3 Whatever the outcome shouldn’t connect with your ego/identity
g impetus/motivation coming from wants and not having to because it is what works.
H guilt issues
h.1 Its sort of cheating to use pu techniques.
H.2 It's lame to use pu techniques.
I persistence
i.1 Get in the door and move until you can't move any further!
I.2 Short range and long range vision depending on what will get you moving.
J rejections
j.1 Im somehow not good enough to get these girls who reject me.
K frame controls
k.1 Environmental
k.2 Us/we
k.3 Target only
l venturing into the unknown
l.1 Comfort in the discomfort.
M jedi/ vibe game
m.1 Everything is subcommunicated somehow!
M.2 Law of state transference
m.3 If your frame is stronger, any belief, fake or not, she will buy into!
M.4 Subtexts and how it modulates the message
n delusional confidence
o social momentum
p amogs
p.1 Intimidated of a better looking guy
p.2 Guys hung up on looks.
P.3 Amog can beat you up!
P.4 The other guy has more money or status.
Q obstacles
q.1 Hostile vibe
q.2 Disinterest to engage them
q.3 Fears
q.4 Fear she has a bf who'll kick your butt!
R baseline states
r.1 Complete and total disregard for the target in front of you. Ystyle).
R.2 Tyrannical domination
r.3 Get them to emotionally react constantly!
R.4 Can't help yourself! You're just too happy!
R.5 You absolutely dont need a single damn thing from her. None!
R.6 Polarize their femininity with your strong masculine energy!
R.7 Everything begins and ends from within.
R.8 Every action should be fueled by your desire, never shoulds and musts.
R.9 Everything you do is centered, from your core.
R.10 Operate from the frame of giving endless gifts
r.11 Talkative state.
R.12 Being in the now/presence!
R.13 Opern, warm, non threatening exactly like a politicians vibe!
R.14 Messing with the girl
s impossible targets
s.1 I can't do this!
S.2 Im going to fail!
S.3 The set looks impenetrable. Will to fight is not there. Demoralized before you begin.
S.4 Oneities
s.5 Hb10s
t openings
t.1 Machine gun open.
T.2 Open a few sets with the sole intent to get rejected!
T.3 Opening only to test material/scripts.
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- Rating: 3 out of 5 stars3/5Good information and practical tools.
Book preview
Seduction Force Multiplier 6 - Jack N. Raven
The Seduction Force Multiplier VI
PUA Innergame, Mindsets and Attitudes
Jack N. Raven
No part of this book may be reproduced or transmitted in any form whatsoever, electronic, or mechanical, including photocopying, recording, or by any informational storage or retrieval system without express permission from the author.
© Copyright 2013, Jack N. Raven
Date of Creation 09/16/2013
All rights reserved.
www.jackravenbooks.com
Introductions
This book will help you acquire the necessary inner game components to exponentially jump start your game to the next levels. Some players can actually be extremely successful without resorting to outer game tactics (not recommended). So-called naturals or natural styled players rely a lot on having perfect innergame and just letting those drive their outer game automatically.
Virtually all players who become successful eventually learn to get good at their inner games on the sheer number of successes they can reference back to.
It is a Catch-22 for some because some need to first develop the proper mindsets to actually start seeing results. While for some, for one reason or another are exceptional at outer game while having poor mindsets yet still manage to make it work, which in the long run naturally fixed their inner games; Fixes it enough to be effective but not completely perfect. If you want to be a well-rounded player, you got to deliberately take inner and outer game training simultaneously forever!
Delusions as a tool
Most seduction systems shy away from using the term delusions
which I actively encourage you to incorporate. You see, delusions have always been a big part of innergame development they just don’t call it that. They would come up with terms like fake it till you make it
or act as if
and other euphemisms when what they really mean is to be practically delusional only to get the desired effects.
If you are in fact someone suffering from delusions of grandeur, or any mental condition? Then stay away from this advice! I am operating under the assumption that you are normal and that you can distinguish fake beliefs and affirmations from the real thing.
There is always an off button and there is no time you are confusing yourself what is real from what is just imagined.
Having said that, being deliberately delusional (install any belief) is a good skill set to have and is actually possessed by any top actor in Hollywood. When they play a role or live life for that moment as a certain character with some presuppositions and subtexts, they are only living it for that moment and never permanent. They can always turn it off anytime!
I would also like to put stress on the word tactical
. It means utilizing any tools, tactics, methods; any tool in your arsenal to get the necessary effects needed. They are merely tools. Nothing is real, everything is made up, anything from anywhere can be used for your objectives in seduction.
If you encounter a helpful mindset from another field? I urge you to take down notes and incorporate them if you feel they’re going to help you. Nothing is set in stone. Anything and everything is fair game. There are no rules, just guidelines!
A Realities
The map is not the territory
this is one of the prime tenets of NLP –Neuro Linguistic programming... What people perceive us absolute reality is actually just a collection of filters, subjective interpretations and biases. Although objective things exist, it is very difficult to perceive them raw, without going through the filters of perception. It’s just how humans think.
Looking at your screen, imagine is the first time you are seeing that screen. What do you see? How do you perceive it?
If there are no preconceived notions and you just don’t know what that is at all, then you are seeing objective reality for that moment. You are seeing a box thing, with images on it, of a particular material and color.
Fast-forward to today, knowing what that screen is, your mind has been programmed previously with attached ideas and concepts including memories of past events and images you’ve seen on that screen. You are now viewing that object through filters and frames. It is no longer objective reality. It (the screen) is clouded by ideas and preconceived notions coloring the perception of that object.
A lot of the techniques in this book are not only meant to fix your inner game, but also to teach you how to game Jedi or nonverbally. And all this is possible because of the subjectivity inseparable from objective reality: the buffers between perception and objective reality.
Looking through the world, now being able to see the filters and frames, you can say that reality as you know it is really just an illusion. There are objective facts and the occurrences that are hardly affected by subjective perception. If you jump off a 30 story building you die. No subjectivity there!
Two people, person A has a perfectly symmetrical and mathematically proportional feature and lines that make that person extremely attractive in a visual sense, within the current standards of society. Nothing can change that fact! That person is visually attractive or beautiful.
Person B is average looking. But let’s say he has this special power that although people see him without the perfect symmetry? The viewers feel the experience of being attracted to him. They think he is physically attractive, although they know for a fact his features are not symmetrical. How do we make that possible?
In this book will talk about how to project certain things deliberately though are not based on objective reality. The targets will still feel the same experiences as if you had those traits, though you don’t!
Read on….
A.1 You dictate what is!
As previously mentioned a major chunk of our experiences in what we call reality
is not really absolute reality. A lot of it, you could say are mental, only existing in the head! Fully understanding that important point, we can now proceed to controlling the subjective qualities of reality.
I have to warn you that there is a limit to the level of control we can exercise to manipulate perception of reality. The more it is agrees with objective facts, of course the more it becomes consensually real. The more real is that reality. As to the extent of influence your reality on consensual reality? It depends on many factors. It also depends between clashes of objective facts and the subjective programming. It also depends on the strength of your frame, the levels of suggestibility of the target audience, and the more it aligns with the targets’ existing preconceptions and beliefs about the subject matter.
There are things you can and cannot control. But to be on the safe side? Whatever you decide to work on? Dictate to it hard-core, no self-doubts, fully convinced no reservations, ABSOLUTE!
A.2 Don’t check out. Internally referenced. Society, the world does not tell you what reality is. YOU DO!
As you are dictating, you’re being the creator. Not merely being a cast, you’re being the director creating the experience. Being the creator you are dictating reality, not following it.
At this point you must see the difference between calibration and completely ignoring the rest of the world. When you dictate reality, you no longer can reference externally from other people and the world. You