Hokusai: Details
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Reviews for Hokusai
6 ratings2 reviews
- Rating: 5 out of 5 stars5/5Wonderful pictures! Easy to see why artists like Van Tough collected these prints so ademently.
- Rating: 5 out of 5 stars5/5Beautiful survey of the works of Hokusai. His woodblock prints are here, but what I loved where the many works on paper in ink, some of which I had not seen.
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Hokusai - Nealson Warshow
Hokusai: Details
By Nealson Warshow
First Edition
Copyright © 2014 by Nealson Warshow
*****
Hokusai: Details
*****
Foreword
This book contains 262 high-quality annotated reproductions with details of prints and drawings by Katsushika Hokusai.
Some people say that the devil's in the details
and generally, they are right. Looking out for the small details in one picture is a good practice, since in most of the cases small but ultimately important details is the heart of a great author's idea. This title aims to help you see the details of his works; his secrets are not in his words, they are in his works. Look close up at his prints and drawings, and that tell you what you cannot see but need to know and that should be enough.
Katsushika Hokusai was a brilliant artist, ukiyo-e painter and print maker, best known for his wood block print series Thirty-Six Views of Mount Fuji, which contain the prints The Great Wave and Fuji in Clear Weather. These prints are famous both in Japan and overseas, and have left a lasting image in the worldwide art world. Hokusai’s artistic influence has stretched to have affected the Art Nouveau style in Europe, including Claude Monet, Pierre-Auguste Renoir, and Hermann Obrist, all of whom have themes similar to Hokusai’s.
Hokusai began painting at the age of six, and by 18 he had been accepted into the Katsukawa Shunsho school, which honed his skills as a ukiyo-e artist, in which he specialized in wood-block prints and painting. After Shunsho’s death, Hokusai was expelled from the school by a rival, a humiliating experience which he later credited to his created development and artistic growth. This expulsion helped him break from the traditional ukiyo-e style of painting portraits of courtesans and actors, and begin painting landscapes and images of daily life. This change of subject was a breakthrough in both the ukiyo-e style as well as his career. He eventually broke from all other schools of painting and began teaching other