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Auguste Rodin: Sculptures
Auguste Rodin: Sculptures
Auguste Rodin: Sculptures
Ebook102 pages8 minutes

Auguste Rodin: Sculptures

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Auguste Rodin was a French sculptor, usually considered the progenitor of modern sculpture. But actually Rodin did not set out to revolutionary against the past. He was educated traditionally and desired academic respect, although he was never accepted into Paris's leading school of art. Many of his most notable sculptures were severely criticized during his lifetime. They clashed with the predominant figure sculpture tradition, in which works were decorative, formulaic, or highly thematic. Rodin's most original work departed from traditional themes of mythology and allegory, modeled the human body with realism, and celebrated individual character. It was the freedom and creativity with which Rodin used these practices – along with his activation surfaces of sculptures through traces of his own touch and with his more open attitude toward bodily pose, sensuality, and non-realistic surface – that marked Rodin's re-making of traditional 19th century sculptural techniques into the prototype for modern sculpture.
LanguageEnglish
PublisherDeanna Muller
Release dateFeb 15, 2015
ISBN9786050357332
Auguste Rodin: Sculptures

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    Book preview

    Auguste Rodin - Deanna Muller

    Auguste Rodin: Sculptures

    By Deanna Muller

    First Edition

    Copyright © 2015 by Deanna Muller

    *****

    Auguste Rodin: Sculptures

    *****

    Foreword

    "Nothing, really, is more moving than the maddened beast, dying from unfulfilled desire and asking in vain for grace to quell its passion."

    Auguste Rodin

    Auguste Rodin (1840 – 1917) was a French sculptor. Although he is generally considered the progenitor of modern sculpture, Rodin did not set out to rebel against the past. He was schooled traditionally, took a craftsman-like approach to his work, and desired academic recognition, although he was never accepted into Paris's foremost school of art.

    Sculpturally, Rodin possessed a unique ability to model a complex, turbulent, deeply pocketed surface in clay. Many of his most notable sculptures were roundly

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