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Goya: Drawings and Etchings
Goya: Drawings and Etchings
Goya: Drawings and Etchings
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Goya: Drawings and Etchings

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Spanish painter Francisco Goya completed some 500 oil paintings and murals, about 300 etchings and lithographs, and many hundreds of drawings. The first of his great series of engravings, Los Caprichos issued in 1799. The set consists of 82 plates in etching reinforced with aquatint, and their humour is constantly overshadowed by an element of nightmare. They savagely and satirically attack on social customs and abuses of the Church, with elements of the macabre in scenes of witchcraft and diabolism. Equally dramatic, more savage and chilling are the sixty-five etchings The Disasters of War (1810-14) - nightmare scenes, depicting atrocities committed by both French and Spanish. They were not published until 1863, 35 years after his death. In his last years Goya took up the new medium of lithography (in his series the Bulls of Bordeaux), while his paintings illustrate his progress towards a style which foreshadowed that of the Impressionists.
LanguageEnglish
PublisherValene Tolman
Release dateFeb 15, 2015
ISBN9786050357325
Goya: Drawings and Etchings

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    Goya - Valene Tolman

    Goya: Drawings and Etchings

    By Valene Tolman

    First Edition

    Copyright © 2015 by Valene Tolman

    *****

    Goya: Drawings and Etchings

    *****

    Foreword

    Spanish painter (full name: Francisco Jose de Goya y Lucientes) and graphic artist. He was the most powerful and original European artist of his time, but his genius was slow in maturing and he was well into his thirties before he began producing work that set him apart from his contemporaries. Born at Fuendetodos in Aragon, the son of a gilder, he served his apprenticeship at Saragossa, and then appears to have worked at Madrid for the court painter Francisco Bayeu. In about 1770 he went to Italy but he was back in Saragossa the next year.

    In 1773 he married Bayeu's sister, and by 1775 had settled at Madrid. Bayeu secured him employment making cartoons for the royal tapestry factory, and this took up most of his working time from 1775 to 1792. He made sixty-three cartoons (Prado, Madrid), the largest more than 6 m. wide. The subjects range from idyllic scenes to realistic

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