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Toulouse-Lautrec Drawings
Toulouse-Lautrec Drawings
Toulouse-Lautrec Drawings
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Toulouse-Lautrec Drawings

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Toulouse-Lautrec painted quickly, using its neutral tone and conveying action and atmosphere in a few economical strokes. In later years graphic works took precedence and his paintings were often studies for lithographs. In Toulouse-Lautrec’s drawings of dancers and horses, his dancers appear like from a few twists and whirls. He does not draw the dancer, but her movement. He is best known as a storyteller of the nightlife of Paris. Toulouse-Lautrec did not only picture the world of the dancers and prostitutes from outside view: he just lived in that world. He frequently charged a room in a brothel, where he made drawings of the prostitutes and their clientele. The men in his drawings and posters are often caricatures but, by contrast, the women are drawn with much warmth and empathy; with only a few pencil strokes Toulouse-Lautrec renders their mood and a character.
LanguageEnglish
Release dateJan 17, 2015
ISBN9786050349528
Toulouse-Lautrec Drawings

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    Toulouse-Lautrec Drawings - Catherine Russell

    Toulouse-Lautrec Drawings

    By Catherine Russell

    Foreword and Annotations by Catherine Russell

    First Edition

    Copyright © 2015 by Catherine Russell

    *****

    Toulouse-Lautrec Drawings

    *****

    Foreword

    Toulouse-Lautrec was the son of a wealthy nobleman, a direct successor of the counts of Toulouse. His eccentric father lived in provincial luxury, hunting with falcons and collecting exotic weapons.

    Toulouse-Lautrec fell and broke both legs when he was a child. His legs did not heal properly; his torso developed normally, but his legs were permanently deformed. His stunted growth has traditionally been seen as the result of this accident, but more recently doctors have theorized that it may have been the result of a rare genetic abnormality.

    He showed an early gift for drawing. Encouraged by his first teachers, the animal painters Rene Princeteau and John Lewis Brown, Toulouse-Lautrec decided in 1882 to devote to painting, and that year he left for Paris, where he studied with Bonnat and Cormon and set up a studio of his own when he was 21. He settled in Montmartre, where he stayed from then on.

    Toulouse-Lautrec habitually stayed

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