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Frederic Leighton: 118 Master Drawings
Frederic Leighton: 118 Master Drawings
Frederic Leighton: 118 Master Drawings
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Frederic Leighton: 118 Master Drawings

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Lord Frederic Leighton was one of the most famous British artists of the nineteenth century. The recipient of many national and international awards and honors, he was well acquainted with members of the royal family and with most of the great artists, writers and politicians of the late Victorian era. Leighton preferred to paint subject matter that was connected to ancient Greek and Roman mythology. He intended for his paintings to be visually beautiful and his work then and now has a reputation for luminous colors and solidly drawn figures. After his death his house in Holland Park, London has been turned into a museum, the Leighton House Museum. It contains a number of his drawings and paintings, as well as some of his former art collection including works by Old Masters and his contemporaries such as a painting dedicated to Leighton by Sir John Everett Millais.
LanguageEnglish
PublisherBlagoy Kiroff
Release dateJun 10, 2015
ISBN9786050386707
Frederic Leighton: 118 Master Drawings

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    Frederic Leighton - Blagoy Kiroff

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    Foreword

    Lord Frederic Leighton (1830-1896), was one of the most famous British artists of the nineteenth century. The recipient of many national and international awards and honours, he was well acquainted with members of the royal family and with most of the great artists, writers and politicians of the late Victorian era.

    Leighton preferred to paint subject matter that was connected to ancient Greek and Roman mythology. He intended for his paintings to be visually beautiful and his work then and now has a reputation for luminous colours and solidly drawn figures. Leighton's contemporaries included the French Impressionist painters and he would have seen the work of Monet, Renoir and others in both Paris and London.

    Leighton said of the Impressionists that 'Impressionism is a reaction from the old conventionalism, but an impressionist must not forget that it is the deep-sinking and not the fugitive impressions which are the best'. Leighton's role at the Royal Academy included the education of younger artists. His great ability for this is summed up

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