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    Persuasion (Illustrated Edition) Jane Austen's Classics
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    Persuasion (Illustrated Edition) Jane Austen's Classics
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    Persuasion (Illustrated Edition) Jane Austen's Classics
    Ebook302 pages5 hours

    Persuasion (Illustrated Edition) Jane Austen's Classics

    By Jane Austen

    4/5

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    Currently unavailable

    About this ebook

    Persuasion is definitely one of those books everyone should read at least once in their lifetime. It always remains a classic because of its timeless characters.

    First published in 1818 as Austen's last completed novel, the story follows Anne Elliot, the heroine of Persuasion, as she struggles with love and life...

    + Illustrated Edition
    + Including an active table of contents
    LanguageEnglish
    PublisherJane Austen
    Release dateMay 8, 2015
    ISBN9786050377804
    Unavailable
    Persuasion (Illustrated Edition) Jane Austen's Classics
    Author

    Jane Austen

    Jane Austen (1775-1817) was an English novelist known primarily for her six major novels—Sense and Sensibility, Pride and Prejudice, Mansfield Park, Emma, Northanger Abbey, and Persuasion—which observe and critique the British gentry of the late eighteenth century. Her mastery of wit, irony, and social commentary made her a beloved and acclaimed author in her lifetime, a distinction she still enjoys today around the world.

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    Reviews for Persuasion (Illustrated Edition) Jane Austen's Classics

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    • 4/5
      Persuasion is a classic, and a charming one! It follows twenty-something Anne as she navigates the path to almost certain spinsterhood. She had a love once, but gave it up due to the expectations of her family and their certainty she could get a "better match." Fast forward: she didn't. But...she might have a second chance.Anne's "late in life" (for the time period) love story is the main plot driver in the book, however my favorite part was her observations, and the comments of, her family and friends. The book is quite savage toward the stuffy upper crust and it was actually laugh out loud funny at parts. It is partially set in Bath, England, where Austen did live, and I think a lot of the author's own feelings toward the people around her were coming out here in a thinly veiled way. Great, short read!
    • 5/5
      I enjoyed this book so much more on my second read. In my opinion, it still doesn't beat Pride and Prejudice, but it it a good one!
    • 3/5
      When Louisa stumbled, I sighed and, yet, continued through the remainder of the book. I knew that Mr. Scott would be unmasked and that all would be well. The flimsy layers did trouble me greatly. I don't know whether it is national chauvinism or some maudlin coddling but how is it that most consider Austen to be superior to Balzac?

      On a personal level, this was likely the only book given to me by the mother of a woman I was seeing.
    • 5/5
      Lovely and fun book of Victorian era.
    • 3/5
      As an audiobook I found I enjoyed this more than Little Women.
    • 5/5
      This is one of my, possibly my absolute, favourites of Jane Austen's major works (I've not managed to read everything, yet...) It's not the wittiest, I think, though the humour is very much in evidence, but it's the sweetest romance.Anne Elliot, having fallen in love as a young woman, but having dutifully declined a proposal of marriage, lives with her older sister, Elizabeth, and father, the baronet Sir Elliot at Kellynch Hall. Unlike Anne, they are very vain about their place in the peerage, but are careless about the duties of a landowner. Her younger sister, Mary, is married into the Musgrove family, and is also proud of the notice due to an Elliot of Kellynch Hall. When the Elliots decide to move to Bath, Anne stays first with her sister Mary and the Musgroves, and then continues on to Bath. At both these places, she finds herself thrown into company with the man she still loves. Her feelings for him have not changed, but he - now a man of fortune - is no longer interested in her. How will Anne find the happiness in life that she so richly deserves?I do like this book, mainly, as I said, for the romance. But I like the comfortable family life portrayed in this Austen, which, offhand, I don't think we get in any of her other books. The Musgroves senior and the Crofts enjoy life, and are happiest when they have lots of other people around them who enjoy life, too.Although Anne is neglected by her own family, her friends see her value, and she is not as timid or put-upon as Fanny, of Mansfield Park. As a heroine, she has a quiet, purposeful dignity.And I think, of all the Austens I've read, this has the happiest ending.
    • 5/5
      I say this a lot, but it's been a very long time since I read Persuasion. I know the movie (Ciaran Hinds & Amanda Root, the only one worth watching) very very well, and it was a pure joy to be reminded of how utterly and beautifully faithful it is to the book, and another joy to be reminded of all of the elements that did not make it into the film. Karen Savage's reading was lovely and just enhanced my enjoyment of the story.Sparing Goodreads my ponderings on the Defense of Frederick and Why I Hate Lady Russell; they can be found on my blog.
    • 2/5
      I don't get all the literary aplomb about this book. I didn't find it to be anything special.
    • 4/5
      I did not like it at first but as the story unravels, I find it good. I don't know why I read the theme of unrequited love nowadays lol. But this book is a Jane Austen's novel so I know it will have a happy ending, and it did.

      Anne Elliot and Captain Wentworth were parted for eight and a half years but they still have feelings for each other. It was just acted upon the last two chapters of the book. It is because during the past years, Anne was persuaded by her friend Lady Russell that Wentworth was not worthy of her so she declined his marriage proposal.

      This is my most favorite part:

      "I can listen no longer in silence. I must speak to you by such means
      as are within my reach. You pierce my soul. I am half agony,
      half hope. Tell me not that I am too late, that such precious feelings
      are gone for ever. I offer myself to you again with a heart
      even more your own than when you almost broke it, eight years
      and a half ago. Dare not say that man forgets sooner than woman,
      that his love has an earlier death. I have loved none but you.
      Unjust I may have been, weak and resentful I have been,
      but never inconstant. You alone have brought me to Bath.
      For you alone, I think and plan. Have you not seen this?
      Can you fail to have understood my wishes? I had not waited even
      these ten days, could I have read your feelings, as I think you must have penetrated mine. I can hardly write..."
    • 4/5
      Originally published in 1817, Persuasion by Jane Austen is a delightful piece of literature that I certainly enjoyed and appreciated much more today than when I first read the story in high school. This time around I listened to an audio version read by Juliet Stevenson and her excellent reading made the story come alive for me.Jane Austen had the remarkable ability to write about the manners and mores of her time with lightness and humor while, at the same time, giving her readers a romance that would live on in their memory. I found the quiet yearning and sad regrets of Anne Elliot and Captain Frederick Wentworth gave the story a great deal of passion. Of course the rest of the Elliot family were true horrors, but served as comic relief, especially Anne’s whining sister Mary, a dreadful person but such fun to read about. This story of two people who encounter each other eight years after their engagement was broken is another brilliant satire by an author who excels in poking fun at the pompous and vain while giving us an insight into the interaction between men and women in the 18th century. I am very happy that I decided to re-read this book.
    • 4/5
      This was the first Austen book I read and so I didn't have too many expectations going into it. I had heard that Persuasion was one book of Austen's that does not get the hype it deserves. I'm not sure I agree with that. I didn't love it and I didn't hate it. As it is a romance novel I was hoping for a bit more... I don't know, romance? Nothing really progressed between Wentworth and Anne until the last 100ish pages. However, Austen is so witty and I absolutely enjoyed the interactions between pretty much all the characters.
    • 3/5
      3.5 stars. I think that this would have been a 3 star read if not for Austen's writing style, but I just love Austen's style so much. I didn't care too much about the characters or plot or anything, but I still found it enjoyable. There were several clever comments made about the disadvantages experienced by women in this time that I appreciated so much. Also, the satire regarding the vanity of Anne's family was hysterical.
    • 3/5
      Thematisch grotendeels een doorslagje van de andere romans, vooral inzake emoties en afloop. Thema van de persuasion overheerst niet echt, zo wordt niet goed uitgewerkt waarom Anne Wentworth indertijd afwees. Wel weer mooie society-inkijk. Ook stilistisch zeer sterk vooral in de groepsdynamica en de introspectie in de wereld van Anne (dikwijls ook geluid en blik).
    • 5/5
      My favorite Austen
    • 5/5
      Nice to revisit.
    • 3/5
      (Original Review, 1981-02-25)I think it's evident, once one steps back from an emotional response to the novel, that it would have benefited from some editing and expanding by Austen, had she lived.I can see the flaws in it. It seems disjointed and overly episodic, and I think the excursion to Lyme is a bit forced into the narrative although I believe it’s essential to the novel. The trip to Lyme is essential: the flirtation between Wentworth and Louisa comes to a crash, he can see Anne's steadiness, and we can see her lack of romantic desperation—her grit in the teeth, not of poverty (bad enough), but of loneliness—… and it's all by the sea, place of both voyage and anchorage. On reflection I've found the Mrs. Smith episode slightly unbelievable as well - not in the sense that Anne wouldn't visit her now that she's fallen on hard times, but that she would so serendipitously know all about Anne's scheming suitor (a scene or two of Mrs. Smith, where she and Anne could have some interaction beyond her being an information booth, might've been flesh rather than padding.) Wentworth's letter to Anne, on the other hand. . . what a sublime piece of literature, all on its own; I have to admit also that I felt a bit of a hot flush myself on reading Wentworth's letter to Anne... If I'm in the right frame of mind, I can actually get palpitations reading it :-).I think Austen herself found the ending problematic. She rewrote it at least once--originally, the concluding chapters were fewer and shorter, and the denouement was to have occurred when Anne and Wentworth accidentally end up alone together at her father's house, and explanations ensue. I think what we have now is at least better than that.This theme of a love from the past that recurs over and over and over again in literature, especially from or set in this period, is completely alien to me. I accept that everyone's experience is individual, but I've never had an unrequited love and whenever I've met any of my partners from my youth, even the best ones, I've never felt much in the way of regret, let alone proclaimed: "they must be mine again!"I do like the idea of two people who were "in love" having to come to terms with dealing with each other now. But I've never liked this (or any) of these pop culture memes that make teenage sensations the epitome of human existence and experience! Don't get me wrong, I like romance and I see how themes of escapism can be explored and how a dynamic contrast can be useful in a narrative, but still, find it so weird. It's pretty normal to think of missed opportunities in terms of second chances, not just in romance (in this, you confess to being unusually well-adjusted to your own past), but in education, business, friendship, family connections, and so on. In this case, it might seem a bit Hollywood, that the couple, well-matched when one is convinced to reject the other, are even more perfectly suited after he gets rich and she finds even lonely toil preferable to any other suitor. You sometimes see this criticism of Shakespeare's comedies: so much turmoil results, with a bit of happy accident, in the first day of a happy marriage. But that sense of 'comedy' is a vision of life, of fertility and regeneration, that coexists (for many) alongside the grime and sleaze and villainy that Shakespeare exults weirdly in, and that Austen shows menacing from first page (Sir Walter's stupid vanity) to nearly the last (William Elliot's… well, read it and see).It's not that 'comedy', in the sense of romantic happy endings, is Hollywood, but rather, that 'Hollywood' is mutilation and degradation, a bastardization, of a human instinct for fecundity, even as tragedy is confrontation with the limits of health and strength.It seemed that for the first half of the book not a lot happens other than people moving house, or "popping round for a chat." When Louisa abruptly jumps off the wall and lands on her noggin, the interest perked up a bit, particularly as she seemed to be dead - then it turned out she's just got a concussion. For me, it wasn't until Anne finds out the truth about her cousin from Mrs. Smith that the tension you describe really began for me - then the whole underlying tension between her and Wentworth really starts to go from simmering to boiling.
    • 3/5
      This was a good read but I didn't like it as we'll as Pride and Prejudice. A nice romance between Anne Elliott and Captain Wentworth, their lost love and journey back to each other. Falling in love with reading is made easy when Jane Austen has written the book.
    • 3/5
      While I love Jane Austen and her characters I'm at a stage where I want to be so much more invigorated by a book and I just cannot (to use an awful phrase) "get into" this kind of novel at the moment. Time to spend a while reading other genres and then come back to these. Ahhh, feels good to say that and not feel guilty.
    • 1/5
      I tried to read this book, really I did. We read it for my book club and it came highly recommended by a woman whose taste in books I share. I wanted to like this book. But a month later, and I'm still only 38% done with what is a very thin book.

      It's puzzling to me...I like the story line. I like the characters. But something about the writing... I just can't make myself finish it. It's a slow read. It's not something I can sit down with and relax at the end of the day. It takes a level of focus that I am apparently incapable of. Reading it just felt way too much like high school.

      I appologize to all the Austen fans, but I just can't do it.
    • 4/5
      Reread because I ran out of things to read and was looking for free ebooks.
      A few things:
      1) nobody writes annoying people as well as Jane Austen.
      2) so, many, commas,
      3) OMG Captain Wentworth's letter. I. DIE.
    • 4/5
      I was actually thinking about going for three Austen books, 'cause I dug Pride & Prejudice so much, but when I got into Persuasion I realized there are an awful lot of familiar elements. The well-mannered guy can't be trusted, the shy, dickish guy can, the heroine's the most perceptive character in the book, her family is near-fatally mortifying...if this is just what Austen does, that's fine, but it means one should maybe not read her books back-to-back.

      Anne Elliott is a great character, though. More complicated than Elizabeth. She, like this book, is a little ambiguous. Even the novel's theme, laid out in the title, is a slippery one; Anne herself seems unable to come to terms with it, concluding - maybe half-heartedly and a little defensively - that one ought to be persuaded by one's elders instead of one's heart, because if they turn out to be wrong one might get a second chance eight years later. It's possible that I read that defensiveness in myself because I want to like Anne more than that; as it stands, that moral is an awfully conservative one, and one that doesn't sit well with me.

      The version my wife had on hand, which she hates so much that this is still the only Austen book she's never read, is the Longman Cultural Edition, which comes, Norton-style, with about a hundred pages of supporting material. Some of that was terrific; I loved reading Austen's letters, chosen (wisely) from when she was Anne's age, not from the period in which she actually wrote the book. Unsurprisingly, they sound just like her books: funny and charming. It's particularly neat to read her account of a ball, and her own very recognizable trepidation and elation at being asked to dance (or not). Some of the contextual reading is also nice, including some well-chosen passages from Byron. The contemporary reviews weren't nearly as interesting as I'd hoped; they focus on her recent and posthumous identification as the author, rather than on the book, which sounds cool but turns out to sorta not be. I hated the introduction - too many big words, not enough thought - and the footnotes were superfluous. I'm not under the impression that Austen requires footnotes. Four stars for the edition.
    • 3/5
      3.5 really. I don't know what to make of this one. I know it's usually regarded as Austen's most mature novel. Sure, the main character is 28 and there's lots of autumnal references, as well as political symbolism - but I didn't find it all that deep and full-fleshed.

      It's the story of Anne Elliot, a gentleman's daughter who had become engaged to a captain Wentworth 8 years before the novel begins, but broke the engagement due to family pressures. She has never stopped loving him, and now she encounters him again and hopes that he will still have feelings for her.

      Now, as I see it, there's two ways one can take this premise. One, you can explore how these two people have changed. Are they still the people they fell in love with in the first place? Will they still love each other, and if so, will it be for the same reasons? Two, you can use the tension created by this background to write an otherwise standard romance, which is what happens here. The result is a succesion of scenes along the lines of "OMG, he found me a place in the carriage so I won't have to walk home - he LUUUUUUVS me!".

      Of course, this is all superbly written, and the book is by no means an average romance, but it's still a pretty conventional one. Which would be fine, if it wasn't full of hints dropped to remind the reader that this oh-so-mature and more adult and complex than, say, Pride and Prejudice. It probably is, but Pride and Prejudice works much better as a comedy of manners than Persuasion does as a character study.
    • 4/5
      Jane Austen does romance like nobody else. The tension and the anticipation, drawn out for a novel's worth, perfectly balances the convention of her day with the impatience of the modern reader. Jane Austen is the only author of her day that does not try my patience. And she's one of the few who don't mess up a good romance with embarrassment. This, of all Jane Austen's books, is the one I find the most influenced from her life. And it is for that more that the story that I liked the novel. On the pages of the book I found myself more rooting for a scenario where Jane was thrust into society with the man she had wanted to marry but was not of influence enough to be accepted with the tables now turned and her in every position to say yes. I wanted Jane to relive her life as a small part of her did on the pages of her novel.

      Of all the characters in the book Ann was the only likable one and while it would have been better for her if Captain Wentworth had saved her from her selfish family 8 years prior, late is better than never. The interactions full of blushes and meaning had me wanting to shake both of them to swallow their pride and take the first step. It's hard once you've been rejected, had your heart broken, to admit to being vulnerable again, but they were obviously both miserable with just the thought of each other and if they missed connecting with their love this time around, they wouldn't have the meddling of other to blame.

      Which brings me to the statements about society Austen made. Two kind souls perfect for each other are torn about because circumstance is not favorable. To make the statement that money and position are not good judges of character, Austen surrounds Anne with characters one more deplorable than the next: a father spending his family into bankruptcy, a cold emotionally void sister, a selfish competitive sister who whines until things fall in her favor, silly cousins, a gold digger, a power/money hungry man who cares not who he ruins in his climb. And these are the people who are supposed to be good blood and therefore good people. But we all know riches more often than not buy spoiled self-centered shallow personalities, not better ones. I wanted to despise the characters more than Austen allowed because they are presented through the eyes of a loving relative.

      And then we get to the topic of persuasion itself. Modern society cares not for the influence of the elderly nor the advice it imparts, but throughout history and other cultures, the elder reign with too much power. There must be a happy median where one listens to the counsel of those who have lived through it and respects older generations without letting such opinions stand supreme. Nobody makes decisions for one's life better than that person and all well-meaning meddling should be taken and considered, but not let it overpower ones own persuasion. When one makes decisions to please others and not with the best at heart, it is the wrong decision. It's not even just a young/old problem. It's a personality issue too where the shy or insecure let the out-spoken run their lives for them because it's easy to go along than fight sometimes. I say if you get what you want too easily from someone, be careful because it's not given whole-heartedly and your tactics may come back to hurt you in unexpected ways when that person finally breaks. I suppose I related more to Anne than I initially realized.

      There are a few parts that dragged just slightly but overall I once again loved Jane Austen's work. Although I enjoyed this one more for the picture it gave me into Austen's mind and soul than for the story itself, the story is good too.
    • 5/5
      Persuasion is the last complete novel of Jane Austen. It’s the story of Anne Elliot and Captain Frederick Wentworth and the misunderstandings that lead to their happily ever after. Anne and Frederick were to be engaged to be married when Lady Russel persuaded Anne that she could do better. Frederick went off to be a seaman and came back a rich. As he and Anne are re-introduced the interaction between become comically tense.

      In true Jane Austen style, Persuasion touches a number of characters in Anne and Fredrick’s circles and deals with a lot of interconnected relationships. However, this was one book that I found a little on the slow side, I absolutely loved the story, I just wished it got to the ending a bit quicker - and preferably less of the Musgroves and Anne’s father and older sister.

      Pacing aside, I found Persuasion to be an charming read (or in my case, listen) and a bit of a comedy of errors when it comes to Anne and Fredrick. Jane Austen fans will enjoy.
    • 4/5
      Many things to love-- the meditation on the differences between men and women's feelings, the achingly wonderful letter written by Captain Wentworth to Anne, the self-possession of Austen's heroine. I admit that though many intelligent readers count Persuasion as their favorite Austen, I'm just a superficial sucker for Pride and Prejudice and Lizzie Bennett. Though Captain Wentworth, an emotional man, might be a better man than late-to-evolve Mr. Darcy.
    • 4/5
      This is my favorite of all of Jane Austen's books, and Ann Eliot is my favorite - and probably most believable - of Austen's heroines. I just have to cheer when she foils her silly, snobbish father and waltzes off with the now-rich Captain Wentworth.. This book is a gem in every way.
    • 5/5
      One of my favorite of Austen's books. (I re-read often and really don't know when I first read it.)
    • 5/5
      Yay! Everybody lived happily ever after. So glad I listened to this, and so glad I stuck to it.
    • 5/5
      I suppose its because it was my A-level English text almost 20 years ago, but Persuasion still remains my favourite Austen novel. It is Austen at her extremely respectuful, almost apologetic, yet satirical best. Indeed, rather than point her acerbic wit in the direction of the characters, Austen allows them to speak for themselves and thus expose themselves. In short, Persuasion is a brilliant novel and even with its condundrum over which one is its preferred ending, it succeeds in capturing the essence and contradictions of the Regency Period.
    • 4/5
      I knew the story by heart, but I enjoyed it still. Anne Elliot is a quiet heroine, good hearted and influenceable, until she realises that she has to fight for what she wants, even if some close people disapprove of her choices.In my opinion, the story comes to a climax in the last pages, when Anne reads Captain Wentworth's letter. That is one of the most romantic declarations I have ever seen.A good reading, light, short and touching.A word for the BBC Adaptation, which is really faithful and has great images of Bath.Perfect for Austen fans.