Everand Logo

Welcome to Everand!

  • Discover millions of ebooks, audiobooks, and so much more with a free trial

    Only $11.99/month after trial. Cancel anytime.

    Unavailable
    Hedda Gabler
    Unavailable
    Hedda Gabler
    Unavailable
    Hedda Gabler
    Ebook159 pages1 hour

    Hedda Gabler

    By Henrik Ibsen

    3.5/5

    ()

    Currently unavailable

    Currently unavailable

    Listen to the audiobook instead

    About this ebook

    Hedda Gabler (Norwegian pronunciation: [ˈˈhɛdːɑ ˈɡɑːbləɾ]) is a play written by Norwegian playwright Henrik Ibsen. It was published in 1890, and it premiered in 1891 in Germany to negative reviews, but has subsequently gained recognition as a classic of realism, nineteenth century theatre, and world drama. The title character Hedda, is considered one of the great dramatic roles in theatre, and portrayals have been known to vary widely.Hedda's married name is Hedda Tesman; Gabler is her maiden name. On the subject of the title, Ibsen wrote: "My intention in giving it this name was to indicate that Hedda as a personality is to be regarded rather as her father's daughter than her husband's wife."(font:Wikipedia)
    LanguageEnglish
    PublisherHenrik Ibsen
    Release dateSep 14, 2015
    ISBN9786050416572
    Author

    Henrik Ibsen

    Born in 1828, Henrik Ibsen was a Norwegian playwright and poet, often associated with the early Modernist movement in theatre. Determined to become a playwright from a young age, Ibsen began writing while working as an apprentice pharmacist to help support his family. Though his early plays were largely unsuccessful, Ibsen was able to take employment at a theatre where he worked as a writer, director, and producer. Ibsen’s first success came with Brand and Peter Gynt, and with later plays like A Doll’s House, Ghosts, and The Master Builder he became one of the most performed playwrights in the world, second only to William Shakespeare. Ibsen died in his home in Norway in 1906 at the age of 78.

    Read more from Henrik Ibsen

    Related to Hedda Gabler

    Related ebooks

    Action & Adventure Fiction For You

    View More
    View More

    Related podcast episodes

    Related articles

    • Article

      Writing In The Ruins

      May 16, 2023

      Writing In The Ruins
      11 min read

    • Article

      Norwegian Wood

      Jul 25, 2019

      HENRIK IBSEN: THE MAN AND THE MASK By Ivo de Figueiredo, translated by Robert Ferguson. Yale University Press, New Haven, Conn., 2019. 704 pp., $40 cloth. HOW DO WE UNDERSTAND HENRIK IBSEN? Theatrically, he was the Master Builder himself, setting the

      7 min read

    • Article

      Behind The Apple

      Nov 24, 2021

      Alex Danchev with Sarah Whitfield (Profile, £30) IN 1946, René Magritte painted his most famous picture, The Son of Man, which shows a bowler-hatted figure in a black overcoat standing ramrod straight in front of a featureless background of sky and

      5 min read

    • Article

      Stalking Wolfskehl

      Aug 23, 2021

      Stalking Wolfskehl
      6 min read

    • Article

      A “Lost” Novel Better Left Unfound

      Mar 28, 2024

      “THE LOST NOVEL,” IT SAYS HERE, ON the cover of Until August, which is published ten years after the death of its author, the Colombian Nobel Prize winner Gabriel García Márquez. And why shouldn’t they trumpet it? Márquez was by common consent one of

      5 min read

    • Article

      László Krasznahorkai

      Jun 15, 2018

      László Krasznahorkai
      27 min read

    • Article

      The City Of Light

      Feb 21, 2023

      The City Of Light
      6 min read

    • Article

      The City Of Light

      Feb 21, 2023

      The City Of Light
      6 min read

    • Article

      'At the Strangers' Gate' Is Adam Gopnik's Captivating Story of a Couple Finding Their Way in the Big Apple

      Sep 29, 2017

      Adam Gopnik, popular New Yorker writer and author of the bestselling memoir "Paris to the Moon," came to New York from Canada with his then-girlfriend, soon-to-be wife Martha in 1980 to seek a new life and new adventures, and now, after nearly 40 yea

      3 min read

    • Article

      Compulsively Driven

      Mar 21, 2023

      Compulsively Driven
      7 min read

    • Article

      Altered State

      Mar 17, 2022

      Altered State
      5 min read

    • Article

      Winter’s Tales

      Oct 29, 2020

      Winter’s Tales
      2 min read

    • Article

      Walter Sickert

      Nov 26, 2021

      Walter Sickert
      5 min read

    • Article

      Books

      Mar 18, 2021

      Books
      3 min read

    • Article

      Ten Ways to Lose Your Literature

      Jan 25, 2021

      Just as all literature is haunted by the potential of oblivion, so all lost books are animated by the redemptive hope of their rediscovery. The post Ten Ways to Lose Your Literature appeared first on The Millions.

      28 min read

    • Article

      Kafka On The Tram

      Mar 1, 2024

      Enrique Vila-Matas ON ONCE again re-reading the penultimate fragment of Robert Walser's Jakob von Gunten—the part where Herr Benjamenta and the narrator go off traveling together, dreaming of absolute freedom—I sense a possible family resemblance wit

      3 min read

    • Article

      Staff Picks: Detritus, Dreamin’, Dinos

      Jul 14, 2017

      From Paleoart.   First published in 1966, Mr. Clemens and Mark Twain, by Justin Kaplan, is still the standard biography of our most enduringly funny writer—or, at least, the earliest writer who makes me actually laugh. I avoided it till now because I

      5 min read

    • Article

      A Yiddish colossus

      Jul 28, 2022

      LET’S BE HONEST. Out in the world of goyim, there have really been only two Yiddish writers that count. Thanks to Fiddler On The Roof, a fortunate few readers will have discovered the rapturous joys of Sholem Aleichem (on whose collection of stories

      3 min read

    • Article

      Armchair Dramatics

      May 6, 2020

      Armchair Dramatics
      3 min read

    Reviews for Hedda Gabler

    3.5/5

    382 ratings12 reviews

    What did you think?

    Tap to rate

    Review must be at least 10 words

    • 4/5
      I can see him. With vineleaves in his hair. Flushed and confident.

      I have intended on reading Ibsen my entire adult life. Thinking that perhaps my number may be up, I finally ventured and am glad I did. This play was surprisingly modern and kinetic. Not sure why, but I expected something dour, suffering in the shadows. Violence through understatement. A Scandinavian skewering of morals.

      Mismatched couples are such fun--from Middlemarch to The Honeymooners. I'd like to read responses to the character Hedda Gabler herself. There are multitudes in her pauses. This was the first play I read in 2016, surprising as I read 12 the year before.
    • 4/5
      I can't decide whether to hate Hedda or feel pity for her… She is one of the most conniving women I have ever read about, yet she doesn't seem to get any enjoyment out of it. I would love to see this on the stage.
    • 4/5
      Read this for a Lit class... Gosh, Hedda Gabler was not very nice.
    • 3/5
      Why, oh why, do I get the impression that Ibsen didn't like his female protagonists very much?

      Or, in other words, is there a specific reason that both Nora (from A Doll's House) and Hedda are written as two rather silly women, both incapable of a rational thought?

      Surely, exploring the theme of individuals trapped in situation which they want to escape from has more to offer than half-baked schemes, lies, deception, and artistic illusions?

      Ugh...
    • 3/5
      What a bitch and what a great role. I could see her character translated into a corporate-type taking on the glass ceiling -- ruthless and manipulative. A timeless character.
    • 4/5
      Even though I'm a fan of master composer Ibsen, this one I've strangely neither seen staged, nor read before. I'm really glad I did now! It's an unusual play, both in plot (revolving mostly around trying to stage your mundane life to try and evoke some excitement) and in it's protagonist. Hedda is not very likeable - she's nasty, condecending, full of herself and not as clever as she would like to think, but in all that she makes up for a memorable and rare character. As are all of them, by the way. This play provides a great cast of slighlty heightened but very relateable people, whose lives fall into pieces through Ibsen's usual revelation of their life lies. But it's subtly done here, understated and hinted, making the play sneaky and more surprising than Ibsen's plays normally are. Even the inevitable female suicide in the end is more an act of taking matter in one's own hands than one of desperation. All in all, surely one of Ibsen's finer plays. Can't wait to see it on stage.
    • 5/5
      I'd never read any Ibsen before and was astonished by this - its psychological depth compared to its economy was amazing, even for drama. Hedda Gabler, the ferociously intelligent, dangerously cruel, yet ultimately pitiable protagonist defies easy categorisation.

      I can't imagine why I've waited till now to read it - I saw that there was a new production of it on in London and thought, ooh, I should give that a go. It was another of those "to read" books that's been on the pile for years.

      It's a pile I really need to mine more often at this rate.
    • 4/5
      I recommend it for the compactness of the story, the solid foreshadowing, and the ending. The play is about control, Hedda's mastery at controlling others and her despondency when her greatest attempt fails. The end came back to me often over next few days.
    • 3/5
      This is a short play that packs a punch! It also has an exciting ending. A Wikipedia quote says "Depending on the interpretation, Hedda may be portrayed as an idealistic heroine fighting society, a victim of circumstance, a prototypical feminist, or a manipulative villain." So you can decide!
    • 4/5
      I'm not sure what Mr. Ibsen intended when he created the character of Hedda Gabler, but she is the perfect example of a person who is admired for her position, but is completely unworthy of that admiration. She is the hateful bully that gets away with it because no one wants to believe it of her. In the end, her death is an indication of how manipulation of others doesn't give you what you want - it just makes you hate yourself and your life. The tragedy is that Hedda wasn't satisfied until she had ruined the lives around her first.
    • 4/5
      Hedda is kind of a stuck-up, manipulative, hopelessly romantic to the point of nihilistic woman, with an unsubsidiable pride and exaggerated sense of aestheticism. This is an extremely difficult character to portray that when I read the script, I just love Hedda and in some way see myself in her but when seeing it onstage she was such a bitch I just needed to punch her on the face 8-}. Anyways, the character's ambiguity and openness to interpretation is precisely what to love I guess
    • 4/5
      This classic Ibsen play is about a woman who has ambitions beyond her modest life, and her beauty has captured a number of men who are willing to help her meet those ambitions. She has no scruples, and will do anything to get what she desires. It is a quick and easy read, and keeps you turning the pages until you reach the final, startling ending.