Neoliberal Bonds: Undoing Memory in Chilean Art and Literature
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Neoliberal Bonds vehemently criticizes how Chile’s transition governments, through a series of political and legal maneuvers, created the state’s official memory narratives. Blanco argues that the state, the media, academia, and the neoliberal market colluded to colonize and mediatize the “memory scene.” In contrast to these official narratives, Neoliberal Bonds analyzes alternative memory accounts within the visual arts and literature that push back against the state, its institutions, and its economic allies. These alternative memory narratives highlight the ontological fracture of the new neoliberal subjects; they also bring into sharp relief the urgent need for democratization that still poses a challenge to Chile a quarter century after its “transition to democracy” began.
Smith College
Fernando A. Blanco es profesor asociado de espanol y director del programa de estudios latinoamericanos en Bucknell University. Ha publicado como autor Neoliberal Bonds: Art and Literature in Chile (2015) y Desmemoria y perversion: Privatizar lo publico, mediatizar lo intimo, administrar lo publico (2010, 2012). Tambien ha sido editor y co-editor de numerosos volumenes, incluyendo La vida imitada: Narrativa, performance y visualidad en Pedro Lemebel (2020), Desden al infortunio: Sujeto, comunicacion y publico en la narrativa de Pedro Lemebel (con Juan Poblete, 2010) y Reinas de otro cielo: Modernidad y autoritarismo en la obra de Pedro Lemebel (2004).
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