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Parmigianino: 205 Plates
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Girolamo Francesco Maria Mazzola (also known as Parmigianino ("the little one from Parma") was an Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma. His work is characterized by elongation of form and includes Vision of Saint Jerome (1527) and the Madonna with the Long Neck (1534). Parmigianino was also an early Italian etcher, a technique that was pioneered in Italy by Marcantonio Raimondi, but which appealed to draughtsmen: though the techniques of printing the copper plates require special skills, the ease with which acid, when substituted for ink, can reproduce the spontaneity of an artist's hand attracted Parmigianino, a master of elegant figure drawing. Parmigianino also designed chiaroscuro woodcuts, and although his output was small he had a considerable influence on Italian printmaking. Some of his prints were done in collaboration with Giovanni Jacopo Caraglio.
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Parmigianino - Maria Peitcheva
Parmigianino:
205 Plates
By Maria Peitcheva
First Edition
*****
Parmigianino: 205 Plates
*****
Copyright © 2016 Maria Peitcheva
Foreword
Girolamo Francesco Maria Mazzola (also known as Parmigianino (the little one from Parma
) was an Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma. His work is characterized by elongation of form and includes Vision of Saint Jerome (1527) and the Madonna with the Long Neck (1534). Parmigianino was also an early Italian etcher, a technique that was pioneered in Italy by Marcantonio Raimondi, but which appealed to draughtsmen: though the techniques of printing the copper plates require special skills, the ease with which acid, when substituted for ink, can reproduce the spontaneity of an artist's hand attracted Parmigianino, a master of elegant figure drawing. Parmigianino also designed chiaroscuro woodcuts, and although his output was small he had a considerable influence on Italian printmaking. Some of his prints were done in collaboration with Giovanni Jacopo Caraglio.
Parmigianino was the eighth child of Filippo Mazzola and one Donatella Abbati. His father died of the plague two years after Parmigianino's birth, and the children were raised by their uncles, Michele and Pier Ilario, who according to Vasari were modestly talented artists. In 1515, his uncle received a commission from Nicolò Zangrandi for the decoration of a chapel in San Giovanni Evangelista; a work later completed by a young Parmigianino. By the age of eighteen, he had already completed
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