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Frederic Leighton: 201 Plates
Frederic Leighton: 201 Plates
Frederic Leighton: 201 Plates
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Frederic Leighton: 201 Plates

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Lord Frederic Leighton (1830-1896), was one of the most famous British artists of the nineteenth century. The recipient of many national and international awards and honours, he was well acquainted with members of the royal family and with most of the great artists, writers and politicians of the late Victorian era. Leighton preferred to paint subject matter that was connected to ancient Greek and Roman mythology. He intended for his paintings to be visually beautiful and his work then and now has a reputation for luminous colours and solidly drawn figures. Leighton's contemporaries included the French Impressionist painters and he would have seen the work of Monet, Renoir and others in both Paris and London.
LanguageEnglish
Release dateFeb 20, 2016
ISBN9788892555792
Frederic Leighton: 201 Plates

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    Book preview

    Frederic Leighton - Maria Peitcheva

    Frederic Leighton:

    201 Plates

    By Maria Peitcheva

    First Edition

    *****

    Frederic Leighton: 201 Plates

    *****

    Copyright © 2016 Maria Peitcheva

    Foreword

    Lord Frederic Leighton (1830-1896), was one of the most famous British artists of the nineteenth century. The recipient of many national and international awards and honours, he was well acquainted with members of the royal family and with most of the great artists, writers and politicians of the late Victorian era.

    Leighton preferred to paint subject matter that was connected to ancient Greek and Roman mythology. He intended for his paintings to be visually beautiful and his work then and now has a reputation for luminous colours and solidly drawn figures. Leighton's contemporaries included the French Impressionist painters and he would have seen the work of Monet, Renoir and others in both Paris and London.

    Leighton said of the Impressionists that 'Impressionism is a reaction from the old conventionalism, but an impressionist must not forget that it is the deep-sinking and not the fugitive impressions which are the best'. Leighton's role at the Royal Academy included the education of younger artists. His great ability for this is summed up in the words of one of his pupils; the sculptor Hamo Thornycroft wrote, 'he was the most energetic and took the greatest pains to help the students. He was, moreover, an inspiring master'.

    Leighton was born in Scarborough to a family in the

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