Georges Seurat: His Palette
By Arron Adams
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Georges Seurat - Arron Adams
Georges Seurat
His Palette
By Arron Adams
First Edition
*****
Georges Seurat: His Palette
*****
Copyright © 2016 Arron Adams
Foreword
An important Post-Impressionist French painter, Georges Seurat moved away from the apparent spontaneity and rapidity of Impressionism and developed a structured, more monumental art to depict modern urban life. For several of his large compositions, Seurat painted many small studies. He is chiefly remembered as the pioneer of the Neo-Impressionist technique commonly known as Divisionism, or Pointillism, an approach associated with a softly flickering surface of small dots or strokes of color. His innovations derived from new quasi-scientific theories about color and expression, yet the graceful beauty of his work is explained by the influence of very different sources. Initially, he believed that great modern art would show contemporary life in ways similar to classical art, except that it would use technologically informed techniques. Later he grew more interested in Gothic art and popular posters, and the influences of these on his work make it some of the first modern art to make use of such unconventional sources for expression. His success quickly propelled him to the forefront of the Parisian avant-garde. His triumph was short-lived, as after barely a decade of mature work he died at the age of only 31. But his innovations would be highly influential, shaping the work of artists as diverse as Vincent van Gogh and the Italian Futurists, while pictures like A Sunday Afternoon on the Island of La Grand Jatte have since become widely popular icons.
Georges Seurat first studied art with Justin Lequien, a sculptor then attended the Ecole des Beaux-Arts in 1878 and 1879. After a year of service at Brest Military Academy, he returned to Paris in 1880. He shared a small studio on the Left Bank