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Prudhon: His Palette
Prudhon: His Palette
Prudhon: His Palette
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Prudhon: His Palette

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Pierre-Paul Prud'hon was a French Romantic painter and draughtsman best known for his allegorical paintings and portraits. "Prud'hon's true genius lay in allegory; this is his empire and his true domain," Eugène Delacroix later wrote. His artistic style contrasted starkly with the dominant version of Neoclassicism under Jacques-Louis David. Prud'hon's paintings were based on classical texts and ancient prototypes, but his dreaminess and melancholy were more akin to Romanticism. Prud'hon was at times clearly influenced by Neo-classicism, at other times by Romanticism. Appreciated by other artists and writers like Stendhal, Delacroix, Millet and Baudelaire for his chiaroscuro and convincing realism, he is probably most famous for his Crucifixion (1822), which he painted for St. Etienne's Cathedral in Metz. The young Théodore Géricault had painted copies of work by Prud'hon, whose "thunderously tragic pictures" include his masterpiece, Justice and Divine Vengeance Pursuing Crime.
LanguageEnglish
PublisherArron Adams
Release dateApr 16, 2016
ISBN9786050420999
Prudhon: His Palette

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    Prudhon - Arron Adams

    Prudhon

    His Palette

    By Arron Adams

    First Edition

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    Prudhon: His Palette

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    Copyright © 2016 by Arron Adams

    Foreword

    Pierre-Paul Prud'hon (1758 – 1823) was a French Romantic painter and draughtsman best known for his allegorical paintings and portraits. Prud'hon's artistic style contrasted starkly with the dominant version of Neoclassicism under Jacques-Louis David. Prud'hon's paintings were based on classical texts and ancient prototypes, but his dreaminess and melancholy were more akin to Romanticism. His drawings, often black chalk on blue paper, were widely admired.

    Born the tenth son of a stonecutter in Burgundy, Pierre Prudon transformed both halves of his name and became Pierre-Paul Prud'hon, as if to relate himself to Peter Paul Rubens and to evoke landed gentry. He began studying painting in Dijon at age sixteen. Prud'hon arrived in Paris in 1780, but his experience in Italy from 1784 to 1787, when he absorbed the softness and sensuality of Correggio's works and Leonardo da Vinci's sfumato, gave his art its distinctive style.

    Upon his return to Paris, Prud'hon enthusiastically supported the French Revolution. In 1801 Napoleon

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