Blurt, Master Constable, or The Spaniard's Night Walk: "What comfort speaks her love to my sick heart?"
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Thomas Dekker was a playwright, pamphleteer and poet who, perhaps, deserves greater recognition than he has so far gained. Despite the fact only perhaps twenty of his plays were published, and fewer still survive, he was far more prolific than that. Born around 1572 his peak years were the mid 1590’s to the 1620’s – seven of which he spent in a debtor’s prison. His works span the late Elizabethan and Caroline eras and his numerous collaborations with Ford, Middleton, Webster and Jonson say much about his work. His pamphlets detail much of the life in these times, times of great change, of plague and of course that great capital city London a swirling mass of people, power, intrigue.
Thomas Dekker
Thomas Dekker is a Dutch former professional cyclist whose talent on the bike quickly took him to the top of the sport. He raced for The Netherlands in the 2004 Summer Olympic Games in Athens, won two Dutch National Time Trial Championships, and captured victories in the 2006 Tirreno-Adriatico and the 2007 Tour of Romandie. He rode for the Dutch Rabobank superteam and then Silence-Lotto before a retroactively tested sample returned positive for EPO. In 2009, Dekker was suspended for two years for the drug violation, and it was later confirmed during Operaction Puerto that Dekker was among the clients of Spanish doctor Eufemiano Fuentes. After his suspension, Dekker joined the American Garmin Development Team and rode for Garmin-Barracuda from 2012-2014. Dekker claims to have ridden clean for Jonathan Vaughters and he became a popular rider in the American peloton. He retired after an attempt on the World Hour Record in 2015.
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Blurt, Master Constable, or The Spaniard's Night Walk - Thomas Dekker
Blurt, Master Constable by Thomas Dekker
or The Spaniard's Night Walk
This play is also attributed as in collaboration with Thomas Middleton
— Patresq; severi
Fronde comas vincti coenant, et carmina dictant.
Thomas Dekker is a playwright, pamphleteer and poet who perhaps deserves greater recognition than he has so far gained.
Despite the fact only perhaps twenty of his plays were published, and fewer still survive, he was far more prolific than that. Born around 1572 his peak years were the mid 1590’s to the 1620’s – seven of which he spent in a debtor’s prison. His works span the late Elizabethan and Caroline eras and his numerous collaborations with Ford, Middleton, Webster and Jonson say much about his work.
His pamphlets detail much of the life in these times, times of great change, of plague and of course that great capital city London a swirling mass of people, power, intrigue.
Index of Contents
Dramatis Personae
Act I
Scene I. A Room in Camillo’s House
Scene II. A street before Blurt’s House
Act II
Scene I. Outside a Tennis Court
Scene II. A Room in Imperia’s House
Act III
Scene I. A Street before Hipolito’s House
Scene II. An Old Chapel
Scene III. A Room in Imperia’s House
Act IV
Scene I. A Street Before Imperia’s House
Scene II. Lazarillo’s Room in Imperia’s House
Scene III. A Street Before Imperia’s House
Act V
Scene I. A Room in Camillo’s House
Scene II. A Room in Imperia’s House
Scene III. A Street Before Imperia’s House
Thomas Dekker – A Short Biography
Thomas Dekker – A Concise Bibliography
DRAMATIS PERSONAE
(in order of appearance)
HIPOLITO, a Venetian gentleman
VIOLETTA, his sister
FIRST LADY, called Hero
VIRGILIO, a Venetian gentleman
THIRD LADY
CAMILLO, a Venetian gentleman in love with Violetta
SECOND LADY
BAPTISTA, a Venetian gentleman
BENTIVOLIO, a Venetian gentleman
DOYT, Hipolito's page
DANDIPRAT, Camillo's page
FONTINELL, a French gentleman
LAZARILLO de Tormes de Castille, a Spanish soldier
PILCHER, his boy
BLURT, master constable
SLUBBER, his beadle
TRUEPENNY, Violetta's page
Serving-men
IMPERIA, a courtesan
TRIVIA, her maid
SIMPERINA, her maid
FRISCO, her porter
CURVETTO, an old courtier
MUSICIANS
A FRIAR
Five COURTESANS of Imperia's house
WOODCOCK, part of the watch
GULCH, part of the watch
ASORINO, a Venetian gentleman
The DUKE of Venice
KILDERKIN, part of the watch
PISSBREECH, part of the watch
CUCKOO, part of the watch
GARLIC, part of the watch
ACT I
SCENE I. A Room in Camillo’s House
Enter CAMILLO with VIOLETTA, HIPOLITO, BAPTISTO, BENTIVOLIO, and VIRGILIO, as returning from war, everyone with a glove in his hat, VIOLETTA and ladies with them, DOYT and DANDIPRAT.
HIPOLITO
Ay, marry, sir, the only rising up in arms is in the arms of a woman: Peace, I say still, is your only paradise, when every Adam may have his Christmas Eve. And you take me lying any more by the cold sides of a brazen-face field-piece, unless I have such a down pillow under me, I'll give you leave to knock up both my golls in my father's hall, and hang hats upon these tenpenny nails.
VIOLETTA
And yet, brother, when with the sharpest hooks of my wit I labour'd to pull you from the wars, you broke loose, like a horse that knew his own strength, and vow'd nothing but a man of war should back you.
HIPOLITO
I have been back'd since and almost unback'd too.
VIOLETTA
And swore that honour was never dyed in grain till it was dipp'd in the colours of the field.
HIPOLITO
I am a new man, sister, and now cry a pox a' that honour, that must have none but barber-surgeons to wait upon't, and a band of poor straggling rascals, that every twinkling of an eye, forfeit their legs and arms into the Lord's hands. Wenches, by Mars his sweaty buff-jerkin (for now all my oaths must smell a' the soldado), I have seen more men's heads spurn'd up and down like footballs at a breakfast, after the hungry cannons had pick'd them, than are maidenheads in Venice, and more legs of men serv'd in at a dinner than ever I shall see legs of capons in one platter whilst I live.
FIRST LADY
Perhaps all those were capons' legs you did see.
VIRGILIO
Nay, mistress, I'll witness against you for some of them.
VIOLETTA
I do not think for all this that my brother stood to it so lustily as he makes his brags for.
THIRD LADY
No, no, these great talkers are never great doers.
VIOLETTA
Faith, brother, how many did you kill for your share?
HIPOLITO
Not so many as thou hast done with that villainous eye by a thousand.
VIOLETTA
I thought so much; that's just none.
CAMILLO
'Tis not a soldier's glory to tell how many lives he has ended, but how many he has saved: in both which honours the noble Hipolito had most excellent possession. Believe it, my fair mistress, tho' many men in a battle have done more, your brother in this equal'd him who did most. He went from you a worthy gentleman; he brings with him that title that makes a gentleman most worthy, the name of a soldier, which how well and how soon he hath earn'd would in me seem glorious to rehearse, in you to hear, but because his own ear dwells so near my voice, I will play the ill neighbour and case to speak well of him.
VIOLETTA
An argument that either you dare not or love not to flatter.
CAMILLO
No more than I dare or love to do wrong; yet to make a chronicle of my friend's nobly-acted deeds would stand as far from flattery in me as cowardice did from him.
HIPOLITO
'Sfoot, if all the wit in this company have nothing to set itself about but to run division upon me, why then e'en burn off mine ears indeed; but, my little mermaids, Signior Camillo does this that I now might describe the Ninevitical motion of the whole battle, and so tell what he has done. And come, shall I begin?
FIRST LADY
O, for beauty's love, a good motion.
HIPOLITO
But I can tell you one thing, I shall make your hair