The Knife and the Butterfly
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About this ebook
After a marijuana-addled brawl with a rival gang, 16-year-old Azael wakes up to find himself surrounded by a familiar set of concrete walls and a locked door. Juvie again, he thinks. But he can't really remember what happened or how he got picked up. He knows his MS13 boys faced off with some punks from Crazy Crew. There were bats, bricks, chains. A knife. But he can't remember anything between that moment and when he woke behind bars.
Azael knows prison, and something isn't right about this lockup. No phone call. No lawyer. No news about his brother or his homies. The only thing they make him do is watch some white girl in some cell. Watch her and try to remember.
Lexi Allen would love to forget the brawl, would love for it to disappear back into the Xanax fog it came from. And her mother and her lawyer hope she chooses not to remember too much about the brawl—at least when it's time to testify.
Lexi knows there's more at stake in her trial than her life alone, though. She's connected to him, and he needs the truth. The knife cut, but somehow it also connected.
Ashley Hope Pérez
Ashley Hope Pérez is the author of award-winning books for young adults, including What Can’t Wait, The Knife and the Butterfly, and Out of Darkness. Out of Darkness was described by The New York Times as a “layered tale of color lines, love and struggle” and was named one of Booklist’s “50 Best YA Books of All Time.” It also won the 2016 Tomás Rivera Book Award, the 2016 Américas Award, and a 2016 Printz honor for excellence in young adult literature from the American Library Association. When she’s not writing or hanging out with her two beautiful sons, Liam Miguel and Ethan Andrés, Ashley teaches world literature at The Ohio State University. Visit her online at www.ashleyperez.com or find her on Twitter and Instagram: @ashleyhopeperez.
Read more from Ashley Hope Pérez
Out of Darkness Rating: 4 out of 5 stars4/5What Can't Wait Rating: 4 out of 5 stars4/5
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Reviews for The Knife and the Butterfly
12 ratings1 review
- Rating: 5 out of 5 stars5/5There are a lot of heart-wrenching books out there. But there's something special about THE KNIFE AND THE BUTTERFLY. The latest by Ashley Hope Perez, this novel is artfully written, with a voice that reads so authentic the story feels horrifically real. Horrifically because the narrator is a young boy in jail, awaiting sentencing, and knowing something terrible has gone down. Something that cost a life.Azael isn't a bad kid. At least, he doesn't think he is. At 16 he's found himself kinda homeless, abandoned by family other than his brother, and running with a gang. The gang is his family, his brother has recently been brought into the fold, he's a wonderful artist and he has a great girl. But his girl, Becca, wishes things were different. She wants Az to go straight, to do right by her. And Az swears he's trying -- he just can't seem to get his head on straight. This is what Azael remembers anyway. In his nearly-bare cell, he only has some partially blacked-out police records and a contraband sketchbook hidden under his mattress to fill in the blanks.On the other side, there's Lexi. She's also being held, and she's trying not to remember the brawl that got her here. These are two teens that normally wouldn't cross each others paths. And it takes Azael a few "observation" to realize it, but now he knows she knows something. He thinks she's the key to his memory...and possibly his freedom.THE KNIFE AND THE BUTTERFLY is a striking, surprising novel, one to watch later this year during award season. Its a novel that really shook me, and one that I'm excited to have experienced.
Book preview
The Knife and the Butterfly - Ashley Hope Pérez
mucho.
CHAPTER 1: NOW
I’m standing inches from a wall, staring at a half-finished piece. Even though I’m too close to read what it says, I know it’s my work. I run my hands over the black curves outlined in silver. I lean in and sniff. Nothing, not a whiff of fumes. When did I start this? It doesn’t matter; I’ll finish it now. I start to shake the can in my hand, but all I hear is a hollow rattle. I toss the can down and reach for another, then another. Empty. They’re all empty.
I wake up with that all-over shitty feeling you get the day after a rumble. Head splitting, guts twisted. All that’s left of my dream is a memory of black and silver. I sit up, thinking about snatching the baggie from under the couch and going to the back lot for a joint before Pelón can bust my balls for smoking his weed.
Except then I realize I’m not at Pelón’s. I’m on this narrow cot with my legs all tangled up in a raggedy-ass blanket. It’s dark except for a fluorescent flicker from behind me. I get loose of the covers and take four steps one way before I’m up against another concrete wall. Six steps the other way, and I’m bumping into the shitter in the corner. There’s a sink right by it. No mirror. Drain bolted into the concrete floor. I can make out words scrawled in Sharpie on the wall to one side of the cot: WELCUM HOME FOOL. I turn around, already half-knowing what I’m going to see.
Bars. Through them, I take in the long row of cells just like this one. I’m in lockup. Shit, juvie again? It’s only been four months since I got out of Houston Youth Village. Village, my ass.
I sit back down on the cot and try to push through the fog in my brain from the shit we smoked yesterday. Thing is, I’ve got no memory of getting brought in here. It’s like I want to replay that part, but my brain’s a jacked-up DVD player that skips back again and again to the same damn scene, the last thing I can remember right.
We’re cruising through the Montrose looking for some fools who’d been messing with Javi’s stepsister. We’ve got this ghetto-ass van that Javi bought off his aunt, and the whole time he’s driving he’s hitting a bottle of Jack and trashing the punks who called his sister a ho. Pelón’s in the front seat, and me, my brother Eddie, plus Mono, Cucaracha, Chuy, Greñas, and three other homeboys are smashed in the back. We’re sitting on top of bricks and chains and bats and all the other shit Javi keeps there. All the way, I’m thinking that by the time we get out of the van I’m going to have chains imprinted on my ass from sitting on them so long. There’s a knot in my guts. Don’t matter how many battles I’ve been in, I get it every time. But I know as soon as we hit the ground it’ll turn into a rush.
Where the hell are these fools?
I call up to Javi.
"Tranquilo, culero. We’ll find them soon," he says, passing the bottle to us in the back.
Watch for the red and brown,
Pelón says, all businesslike.
Greñas lights up a fat joint, sucks on it hard. Everybody’s joking and taking hits when Javi sees the beat-up green Caddy his stepsister told him about. He floors it and noses the van right up to the tail of the car. Three dudes in the back throw up their hand sign.
The Caddy flies through stop signs, swerving like a dog with an ass full of wasps.
Come on, let’s ride them bitches!
Mono says.
Javi floors it, and we lurch through a red light.
"Easy, cabrón! I shout over the horns.
We can’t kick their asses if we’re dead!"
Javi laughs crazy. Stop being a pussy, pussy!
The Caddy pulls through a CVS parking lot, then takes off down another street. Javi tries to keep up. He scrapes over a curb when we make a turn, throwing all of us in the back on top of each other.
Shit, Javi, you made me spill the Jack!
Cucaracha moans. Javi just throws his foot down on the gas again.
We catch up after about a block, and this kid in the back of the Caddy drops his pants and presses his ass up against the glass. That sets Javi off again.
The Caddy swings into a big empty lot by this run-down park. Javi plows through the patchy grass and dirt to the other side. Before he even stops, the rest of us grab our shit.
Let’s school these fuckers!
Eddie calls as we pile out.
Hell, yeah!
I shout, swinging a chain. On the other side of the park, a big Chevy Tahoe pulls up with more of the Crazy Crew kiddies.
Now that I’m outside and I can move, I’m feeling good, strong. We roll in a kind of whacked dance, pushing across the field toward them, throwing our signs up. Our blue and white is on our tats, and maybe on our undershirts and rags. Eddie and a few of the boys are wearing blue and silver jerseys. But these fools are decked out like it’s dirty Valentine’s Day, brown and red popping out everywhere—shoelaces, pants, hats, sunglasses, even. Pinche posers.
They walk toward us looking cocky since they’ve got us outnumbered. But these are soft midtown boys. We’ll whip them fast.
We start throwing our bricks and chains at them. They dodge and shout shit. Their guys have pipes, but I can tell they don’t know how to fight. Babies. They’ll be running scared soon.
Chuy hits this tall, fat dude with a brick. I start smacking another guy’s legs with the chain. He yelps and runs without even throwing a punch.
We keep pushing toward them, pitching our stuff, then going after it again.
I’m smacking around this one dude when I see a light-skinned punk going hard-core after my brother Eddie. Eddie’s older than me, but I’m stronger, so I go bail him out.
"Chinga con mi hermano, and you mess with me!" I say. I block the dude’s blows and whip the chain around his legs. He crashes to the ground.
Eddie kicks him in the gut and slaps my hand. "La Mara Salvatrucha controla!" he shouts. He spits on the fool lying there, whimpering like a puppy.
Eddie goes after another punk, and I look around. There’s a bat lying in the grass not far off. I jog over to it, feeling like a fucking king now that the fight is rolling. I’m reaching for the bat when I see something red flash out of the corner of my eye. I look, but there’s nothing. A second later, I think I see it again. I shake my head in case something ain’t right in there. I turn quick and catch sight of the red again. And then—
CHAPTER 2: NOW
I dozed off, I guess, because when I wake up, I find some nasty-looking slop on a plastic tray. It’s on this ledge attached to the cell bars. I go after it like a madman. I don’t care how bad it tastes; it’s food. Last time I ate was yesterday morning. Pelón’s sister Maribel and me finished off a whole box of Honey Grahams and the last of the milk. Her mom was so pissed she chased us both out of the house. That’s how come I ended up rolling with my homeboys when I should’ve laid low and gone to Becca’s. I could’ve been doing her fine ass instead of getting myself picked up over a fight with some kiddie gang.
I wonder about my homies, Eddie most of all. Pinche carnalote. I press myself up against the bars of my cell and stare down the hall to see if maybe he’s here somewhere. If he is, I can’t tell. From what I can see, most of the fools in here are still hunched up under their blankets, and it’s quiet as hell. I look out at the cell across the way. Somebody’s in there, but he ain’t moved off his bed once while I’ve been awake.
"Hey! Hey, cabrón! I call to him.
What you gonna do, sleep the whole day?"
The body in the bed shifts a little, but the dude doesn’t say anything.
I’m talking to you, man. Help me out here. Where the guards at?
I keep at it until finally the guy in the other cell lifts his head up. He’s a skinny kid who looks part black, part Hispanic, maybe a little Vietnamese or something. Like maybe he’s a baby Tiger Woods.
Hey, Tigs, you gonna answer me or what? You seen another guy? Like me, only taller and kind of fat and not so good-looking?
Baby Tiger shoots me the finger and lays back down on his cot. I guess I’ll have to find out about Eddie on my own.
There’s something messed up here. I mean more messed up than your usual lockup. I haven’t seen a single guard walk the hall yet. And the quiet. Prison is a noisy place; dudes all the time yelling insults and adding crazy ice to their stories about what they did to get put away. The quiet here crowds in on me, makes it hard to think.
I keep trying, but I can’t remember nothing else about what happened. I just see the same stupid scenes, sometimes with a voice-over of what I know Becca would say. Things like, "Javi’s stepsister is a ho; how you going to go start a fight for someone speaking the truth? and
Azzie, get your ass out of that van! and
You ain’t nunca gonna feel ready to change, Azael. You just got to do it."
Then I’m seeing the red, just a flash of it, and that’s it. Yeah, so yesterday I was a little messed up from hitting the bottle and the blunt in the car and tossing pills before that. But I ain’t never blanked out like this. The memory’s there; it’s got to be. I just have to find it.
Plus I got to keep myself awake because I don’t want to miss it if somebody comes to bring more food. I’ve got some questions I want to ask. Maybe they just picked me up because I’m brown and some racist cop decided I was an illegal. Well, I’m not. I’m as American as him or anybody else. But I’m salvadoreño, too, because that’s in my blood.
Be at peace, Ma,
I say out loud. When I think of El Salvador, I think of her. Maybe it’s because I’ve never seen my country for real, never even left Texas except to go to Cali once, but in my mind, my mom and El Salvador are kind of the same thing. That’s why the tat on my neck says Perdóname madre mía over the flag of El Salvador. Because la vida loca takes you places no mother would want to see.
Sometimes before a rumble I cross myself like Ma taught me when I was little, and I hold my fist against my chest. That’s where I’ve got the tat that’s just for her. It’s a big barbed-wire heart around a rose. Underneath it says Descansa en paz and my ma’s name, Rosa.
I can almost hear this song she used to sing to Eddie and me so we’d go to sleep, and I know she’s close. But I can’t remember what she looked like. I remember her hands, but I can never see her face. When I try, it’s like looking at a reflection in those cheap-ass metal plates they put up in park bathrooms instead of mirrors. I know what should be there; I know I’m looking for my ma, but what ought to be her face is just a bunch of blurred shapes.
CHAPTER 3: THEN
Me and Eddie were coming home from Pelón’s apartment when we saw cruisers outside our unit at the Bel-Lindo.
"La placa come to deport somebody’s grandma," Eddie said, kicking a spray of gravel toward the cop cars.
"Come on, huevón! I gave Eddie a shove.
If Pops ain’t home, we can finish off his beers. Race you!" I took off running.
Cheater!
he shouted, but there was no way he’d win anyway.
Eddie was older than me by a year and a half, but I was smarter by three. He’d only just dropped out and clicked in with MS-13 even though at sixteen he still wasn’t done with ninth grade. School was a waste for us; I figured that out by the end of seventh grade. Better to work and send money out to our kid sister Regina in California. At least that way we was halfway good to somebody.
I was almost up the first flight of stairs when I heard Pops talking. I threw my arm back to stop fat-ass Eddie as he came up breathing hard behind me.
What?
he asked, all stupid.
"Cállate, man. The pinche migra is right there."
I looked up through the railing and tried to sort out all the I.C.E. flak jackets. Maybe that drunk-driving rap had to catch up to Pops sometime, but it wasn’t like immigration had nobody worse to mess with. Child molesters all running free.
But what about my kids?
Pops was saying. I got three, all U.S. citizens. Their ma, she’s . . . I’m all they got.
"Child Protective Services will take care of them