On Organ Playing - Hints to Young Organists, with Complete Method for Pedal Scales and Arpeggios
By Arthur Page
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On Organ Playing - Hints to Young Organists, with Complete Method for Pedal Scales and Arpeggios - Arthur Page
work.
TOUCH.
2. Assuming then, that our pianoforte player is suddenly called upon to become the organist, the first thing we have to point out is the difference in the touch of the two instruments. On the pianoforte mere pressure is useless, there must always be something in the nature of a blow; while for the organ, pressure is the chief requisite. The touch of one organ will, of course, differ from that of another, even the two (or more) manuals of the same instrument will probably not be the same; for instance, the Swell will generally be lighter than the Great organ; and again we get a difference when two manuals are coupled; but whatever may be the amount of pressure, it is pressure rather than percussion which is required.
and the little finger should afterwards inadvertently press down B while the other keys are held, it will not matter so far as the ear is concerned, for the B, not having been struck, will not sound; but let the beginner try it on the organ, and it will at once be found that the intruder makes itself heard, and with most disastrous