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Archeophonics
Archeophonics
Archeophonics
Ebook76 pages24 minutes

Archeophonics

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Archeophonics is the first collection of new work from the poet Peter Gizzi in five years. Archeophonics, defined as the archeology of lost sound, is one way of understanding the role and the task of poetry: to recover the buried sounds and shapes of languages in the tradition of the art, and the multitude of private connections that lie undisclosed in one's emotional memory. The book takes seriously the opening epigraph by the late great James Schuyler: "poetry, like music, is not just song." It recognizes that the poem is not a decorative art object but a means of organizing the world, in the words of anthropologist Clifford Geertz, "into transient examples of shaped behavior." Archeophonics is a series of discrete poems that are linked by repeated phrases and words, and its themes and nothing less than joy, outrage, loss, transhistorical thought, and day-to-day life. It is a private book of public and civic concerns.

LanguageEnglish
Release dateSep 6, 2016
ISBN9780819576811
Archeophonics
Author

Peter Gizzi

Peter Gizzi is the author of many collections of poetry including Fierce Elegy, Now It's Dark, Threshold Songs, Archeophonics and In Defense of Nothing: Selected Poems, 1987–2011. He has also published several limited-edition chapbooks, folios, and artist books. He lives in Holyoke, MA.

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    Book preview

    Archeophonics - Peter Gizzi

    Archeophonics

    I’m just visiting this voice

    I’m just visiting the molecular structures

    that say what I am saying

    I am just visiting the world at this moment

    and it’s on fire

    It’s always been on fire

    I’m saying this and it’s saying me

    That’s how it works, seesaw like

    The archive in the mouth and the archive is on fire

    That’s the story

    The sun and the body and the body in the sun

    It was like this just like this

    The world that’s coming toward me

    And the world around me

    Around me are words saying this

    saying fire

    Saying something or all of it

    Field Recordings

    For today’s tourist, orientation is impossible

    —RIMBAUD

    LANGUOR

    The old language

    is the old language,

    with its lance and greaves,

    broken shields

    and hammered vowels;

    a stairway ascending

    into a mirror—see it

    climb the old helix,

    beneath a scarred

    and chipped northerly sky,

    rotunda blue.

    Sing genetic cloud forms

    mirroring the syntax

    in reflection, and what

    would you have?

    Paving stones, rhetoric,

    the coping of bridges,

    leanings, what

    is taken from res?

    To reconstruct? To re-

    cognize the categories

    have failed? That

    the index was a lyre.

    The lists have

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