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    The Weaver
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    The Weaver
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    The Weaver
    Ebook333 pages6 hours

    The Weaver

    By Emmi Itäranta

    3.5/5

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    About this ebook

    The author of the critically acclaimed Memory of Water returns with this literary ecological tale in the vein of Ursula K. Le Guin and Sheri S. Tepper, in which an innocent young woman becomes entangled in a web of ancient secrets and deadly lies that lie at the dark center of her prosperous island world.

    Eliana is a model citizen of the island, a weaver in the prestigious House of Webs. She also harbors a dangerous secret—she can dream, an ability forbidden by the island’s elusive council of elders. No one talks about the dreamers, the undesirables ostracized from society.

    But the web of protection Eliana has woven around herself begins to unravel when a young girl is found lying unconscious in a pool of blood on the stones outside the house. Robbed of speech by her attackers, the only clue to her identity is one word tattooed in invisible ink across her palm: Eliana. Why does this mysterious girl bear her name? What links her to the weaver—and could she hold Eliana’s fate in her hand?

    As Eliana finds herself growing closer to this injured girl she is bound to in ways she doesn’t understand, the enchanting lies of the island begin to crumble, revealing a deep and ancient corruption. Joining a band of brave rebels determined to expose the island’s dark secrets, Eliana becomes a target of ruthless forces determined to destroy her. To save herself and those she loves, she must call on the power within her she thought was her greatest weakness: her dreams.

    LanguageEnglish
    PublisherHarperCollins
    Release dateNov 1, 2016
    ISBN9780062326195
    Author

    Emmi Itäranta

    Emmi Itäranta (b. 1976) was born in Tampere, Finland, where she also grew up. She holds an MA in Drama from the University of Tampere and an MA in Creative Writing from the University of Kent, UK, where she began writing her debut novel Memory of Water. Itäranta’s professional background is an eclectic blend of writing-related activities, including stints as a columnist, theatre critic, dramaturge, scriptwriter and press officer. She lives in Canterbury, UK.

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    Reviews for The Weaver

    3.5/5

    59 ratings5 reviews

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    • 3/5
      I feel sorry for this book. It has some interesting ideas, and a lot of the writing is very good. I was frustrated with the author, or maybe her editor, for not paring some of the detail back. It felt at times as though she had left all her back story notes in the book, all the things she needed to write about the society she was creating in order to know how her characters would move around it in relation to each other but that I as a reader didn't need to get bogged down in. It could have been punchier.The story is set on an unnamed island, similar to Venice in a way, but not based on Venice. The island is divided into sectors based on the equivalent of craft guilds. There are weavers in the House of Webs, writers in the House of Words and ink makers in the House of Inks. Then there is the House of the Tainted, where this society's untouchables are sent. Merchants come and go, but the inhabitants of the island rarely leave and new residents rarely arrive from outside. That is until a strange girl is found assaulted in the street. She bears a mysterious tattoo in invisible ink that connects her to one of the weavers.The story reminded me of The Name of the Rose but with an added dose of climate change dystopia. There was a controlling Council who named dreaming as a heresy and sent out City Guards to purge society of Dreamers and there was an underground resistance. In the middle is the protagonist trying to get to the truth. The only draw back was the author forgetting to remove her book plan from the story. Too much detail drowned out the narrative.
    • 2/5
      Reading is such a powerful tool to have. The concept of this story really got me excited. I picked it up ready to settle in for a good read. The beginning did start out good. Yet, it quickly became apparent to me that my joy was disappearing fast. The story moved slowly without a lot of details about the world that Eliana existed in or why her talents were so precious. In fact, after reading about a third of the way I put the book down for good. Yet, despite my lack of joy, I decided to come back to this book and give it a second chance. Only, this time I picked up the book and opened it to a random spot a little past the middle of the story and began to start reading. What I read then had me intrigued. Details about the world were more apparent. However, I still could not capture that emotional connection towards Eliana or anyone else in the story. I can see where the author was going with this book and I applaud the author but I needed that character connection, more details, and intensity earlier on. Sadly, this book was not for me (this time).
    • 5/5
      Absolutely stunning, gorgeously written, with a story that starts out as a familiar dystopia but morphs into something surprising and clever. Highly recommended
    • 4/5
      Delightfully creative writing by Itäranta, put me in mind of some of China Miéville's works.
    • 3/5
      In a society where dreams are forbidden Eliana experiences night-maeres, which she must keep hidden or suffer banishment. She lives in an island city, in the House of Webs, whose head is called the Weaver. All born on the island bear tattoos showing their citizenship with a mark added yearly to show age. The city is prone to flooding by the sea and there is an overhead transport system of gondolas travelling on suspended ropes, and rope bridges between buildings. One day a girl whose tongue has been cut out is brought in to the House. In a certain kind of light Eliana’s name can be seen to be tattooed on her hand. The mystery builds from that point as Eliana comes into contact with a resistance movement, is betrayed by the Weaver and banished to a punishment detachment diving for valuable red coral. The normal text is interspersed at long intervals with passages rendered in italics and which, apart from starting and finishing partway on a page, have no punctuation to separate them from the rest. The setting has similarities to Itäranta’s first novel Memory of Water in that there is an oppressive regime from whom secrets must be kept. The City of Woven Streets leans more towards fantasy than, and does not have the clarity nor focus of, that previous book. Eliana’s escape from servitude is fortuitous and the final confrontation seems a bit rushed. This may be due to the pressure of the deadline to which Itäranta refers in her Acknowledgements.

      1 person found this helpful